Tracklista: Side A 1. Never Give Up By Sia 2. Lion Theme 3. Train 4. Lost (Part One) 5. River 6. Escape The Station 7. Orphans 8. A New Home 9. Family 10. School 11. Memories 12. Lost (Part Two) Side B 1. Falling Downward 2. Searching For Home 3. Memory/Connection/Time 4. Layers Expanding Time 5. Home Is With Me 6. Arrival 7. Mother
As the name already betrays, the Cappella Sagittariana devotes itself entirely to the heritage of Heinrich Schütz (Latin: Henricus Sagittarius). The great church musician was granted a long study trip to Venice by his then Hessian patron, allowing Schütz to become acquainted with the aurally splendid polychoral style direct from Giovanni Gabrieli. A short time later, Schütz entered the service of the Saxon prince-elector and, with his Venetian experience, created a new Protestant church music: the works inspired by the Italian style, such as the Psalms of David and the Small Sacred Concertos, were written for the Dresden castle chapel, which for over a century was the focal point of musical and liturgical life at the electoral Saxon residence. Norbert Schuster and his Cappella Sagittariana dedicate their new series Music from Dresden’s Castle Chapel to this once so magnificent sacred building, laying the foundation stone with this aurally splendid selection of Schütz’s works.
Tracklista: LP 1 1. (We Don't Need This) Fascist Groove Thing 2. Penthouse And Pavement 3. Play To Win 4. Soul Warfare 5. Geisha Boys And Temple Girls 6. Let's All Make A Bomb 7. The Height Of The Fighting (He-La-Hu) 8. Song With No Name 9. We're Going To Live For A Very Long Time LP 2 1. Crushed By The Wheels Of Industry 2. Who'll Stop The Rain 3. Let Me Go 4. Key To The World 5. Temptation 6. Come Live With Me 7. Lady Ice And Mr Hex 8. We Live So Fast 9. The Best Kept Secret LP 3 1. Five Minutes To Midnight 2. Sunset Now 3. This Is Mine 4. The Fuse 5. Shame Is On The Rocks 6. The Skin I'm In 7. Flamedown 8. Reputation 9. And That's No Lie LP 4 1. Contenders 2. Trouble 3. Somebody 4. If I Were You 5. Low Society 6. Red 7. Look At Me 8. Move Out 9. Free LP 5 1. Big Square People 2. Don't Stop For No One 3. Snake And Two People 4. Can You Hear Me? 5. Hot Blood 6. The Ballad Of Go Go Brown 7. Dangerous 8. I Set You Free 9. Train Of Love In Motion 10. Responsibility
Tracklista: 1. True Confessions 2. Ready Or Not 3. Trick Of The Night 4. Dance With A Stranger 5. In A Perfect World 6. Venus 7. Do Not Disturb 8. A Cut Above The Rest 9. Promised Land 10. More Than Physical 11. Hooked On Love
Tracklista: 1. Crossfire 2. New Horizon 3. Raintown 4. Long Time Coming 5. Fight Fire With Rain 6. Heartbeat 7. Electric Lights 8. Ghost 9. Inside My Heart 10. Red Lights 11. We Rise 12. Only You
Tracklista: 1. Waiting For A Woman 2. Cut Me Some Slack 3. Liberty Lane 4. I See You're In Some Trouble 5. Backing Off 6. I Wanna Run Away With You 7. Backbone 8. Better Take Care 9. Falling Off The World 10. Get Out Of My Head 11. Running Out Of Time
Tracklista: 1. Blues In Your Life 2. Worried About My Baby 3. Cut You Loose 4. Easy Baby 5. Can't Take It No More 6. Stop Breakin Down 7. I Feel So Bad 8. Clouds in My Heart 9. Groovin' With Eddie 10. Sock It to Me 11. Why Can't You Be True 12. Red Hot Mama
Tracklista:1. Zero Day2. Blue Line Baby3. You Wind Me Up4. Plastic Migraine5. Us/we/are6. Hail On Palace Pier7. I Hate the Flowers8. The Carpenter's Son9. (Hope) Is Just Another Word With a Hole in It
On the occasion of Gustav Klimt’s 150th birthday, this felicitous selection of works by the great painter’s contemporaries endeavours to draw a picture of the musical environment Klimt found in Vienna during his lifetime. Besides historically significant recordings with Bruno Walter, Robert Stolz, Herbert von Karajan or the Vienna Philharmonic, modern restoration technology here brings to life original recordings already produced during Klimt’s lifetime. In 1905, Gustav Mahler played a movement from his 4th Symphony on the piano, which was recorded on perforated paper rolls by Edwin Welte. Alfred Grünfeld played his Mazurka à la Viennoise the same year, and the unforgettable Fritz Kreisler can be heard with his famous Liebesfreud in the original of 1910. This magnificent collection, which does not overlook popular music by Johann Strauss Jr. and Franz Lehar, is completed by works by composers such as Brahms (Hungarian Dance No. 17), Korngold, Richard Strauss (Rosenkavalier Waltz), Zemlinsky and Schoenberg whose work coincided temporally and spatially with Klimt’s. The collection is interpreted by the sensitive young violinist Thomas Albertus Irnberger, accompanied by Evgueni Sinaiski and Jörg Demus.
Cendrillon (Kopciuszek)Jules Massenet (1842–1912)Album zawiera 2 płyty DVD, na których uwieczniona została nowa interpretacja baśniowej opery Julesa Masseneta. Znajdujemy tu największe w świecie współczesnej opery nazwiska, takie jak: Joyce DiDonato, Laurent Pelly, Jean-Philippe Lafont, Eglise Gutiérrez, Alice Coote, a także polską artystkę - Ewę Podleś. Solistom towarzyszy Orchestra of the Royal Opera House oraz Royal Opera Chorus pod batutą Bertranda de Billy’ego.Opera Masseneta, to historia Kopciuszka widziana przez pryzmat belle époque, przepojona magią i humorem. W wywiadzie dla The Telegraph Laurent Pelly charakteryzuje ją ciepło: “I love it because it has a very naïve quality, with a lot of humour and poetry and reverie. There’s a bit of kitsch in it. It’s very 18th-century with a slightly antique charm. It’s very French.”Kopciuszka prawykonano w 1899 roku w paryskiej Opéra-Comique, następnie przez lata to niezwykłe dzieło pozostawało zakryte przed publicznością. Dopiero kilka lat temu operę odkrył na nowo Laurent Pelly – wybitny reżyser operowy francuskiego pochodzenia, który postanowił przywrócić Kopciszkowi Masseneta dawny blask. Wystawienie tej opery w Covent Garden w Londynie stało się niezwykle ważnym wydarzeniem kulturalnym. Krytyków poruszyła znakomita rola Joyce DiDonato (Kopciuszek) oraz nowe odczytanie dzieła dokonane przez Pelly’ego.W Daily Telegraph pisano o Joyce DiDonato: “singing the title-role with all the gleaming tone, pellucid projection and smiling warmth for which she is justly celebrated”. Jej interpretację opisano także w The New York Times: “thoroughly enchanting. She won sympathy for the girl’s plight at once, and her exquisite articulation of the repeated phrase “Vous êtes mon Prince Charmant” in the first love duet — surely the opera’s most ravishing moments — was flawless.”W rolę księcia wcieliła się Alice Coote (mezzosopran). Słyszymy także znakomitego Jeana-Philippea Lafonta (bas baryton) występującego jako ojciec Kopciuszka – Pendolfe.