Tracklista: 1. Long Break2. The Wall3. A Little Piece4. Trippin On Time5. You6. Walk With Me7. Little Luck8. Tonight We Run9. Lighthouse10. Save Me
Tracklista:1. Honey, That Reminds Me2. Let Me See3. After You've Gone4. Downtown Cafe Boogie5. Uptown Cafe Blues6. Everybody Loves My Baby7. Ballin' the Jack8. Who's Sorry Now?9. St. Louis Blues10. I'm Thru' With Love11. D.B. Blues12. Red Hot Mama13. You Made Me Love You14. Sugar15. Please Don't Talk About Me When I'm Gone16. C Jam Blues17. Jeepers Creepers18. Keepin' Out of Mischief Now1. I Cover the Waterfront2. The Lady's in Love With You3. When You and I Were Young, Maggie4. Nice Work If You Can Get It5. Old-fashioned Love6. Wolverine Blues7. St. James Infirmary8. That Old Feeling9. Basin Street Blues10. Sunday11. Oh, What a Beautiful Mornin'!12. The Lamp Is Low13. Undecided14. Give the Lady What She Wants15. Lover, Come Back to Me16. Vic's Spot
Tracklista:1. First Conversation2. In the Script3. Always North of Him4. At the Controls5. West With You6. Not the Victim7. Oh Vincent8. Between Stations9. Final Correspondence10. Trick of Light11. Say Something12. Meet Me at the Pictures
Tracklista: 1. Floor Damage (Feat. T La Rock)2. Orlando Dub3. What's Up4. Cocaine Killer5. Bee Boi6. Soul On Fyah (Feat. Lauren Lewis)7. Yo My Man8. Dubterranean9. Rockin' With the Beast10. Supasonik11. Alpha Omega12. Fifth Element13. Acid Rain14. Annunaki15. Pump Tha Vibe
In spite of the fact that more than 15 years have passed since Masaaki Suzuki and his Bach Collegium Japan began recording all of Bach’s church cantatas, the team’s commitment seems if anything to be increasing as this huge project enters its final stretch. The same evidently applies to the enthusiasm of the reviewers, who have been praising the latest instalments even more fulsomely than usual, with Diapason awarding top marks to Volume 44, Volume 46 being made a ‘Critics’ Choice’ in Gramophone, and BBC Music Magazine singling out both Volume 47 and 48 as ‘Choral & Song Choice of the Month’. In the present volume Masaaki Suzuki has gathered four works from 1728-29, with the common denominator that the texts for them were all written by the poet Christian Friedrich Henrici. Using the pseudonym Picander, Henrici collaborated with Bach on numerous occasions, most famously so in the St Matthew Passion and the Christmas Oratorio. The present cantata texts were included by the poet in a volume which contains similar texts spanning the entire church year, and it seems possible that Bach set the full cycle to music. As there are only nine extant 'Picander cantatas', this would mean that some fifty Bach cantatas have been lost without trace – a significant loss to music. The four works gathered here hint at the variety that may have characterized the Bach-Picander cantata year, with moods spanning from the jubilation of the New Year Cantata BWV171 to the anticipation of Jesus’ path of suffering in Sehet, wir gehn hinauf gen Jerusalem, BWV159, intended for the Sunday before Passiontide. There is also variety on a more technical level, with BWV188 and BWV156 both beginning with instrumental sinfonias featuring important solo parts for organ and oboe respectively.
Ravel composed his highly imaginative piano suite Miroirs in 1904-05 after he had joined the Société des Apaches, a group of ground-breaking young musicians, composers, music critics, poets, writers and painters, among them great names like Igor Stravinsky, Florent Schmitt, Manuel de Falla and Maurice Delage. It was Ravel who proposed to adopt the main theme of the first movement of Borodin’s Second Symphony as the society’s musical dictum, a suggestion all members gladly accepted. Miroirs is a musical tribute to his fellow ‘Apaches’ or ‘hooligans’: each of the five movements is dedicated to one of the members. The eight short pieces that comprise Schumann’s Kreisleriana not only prove the point of highest musical imagination, but each individual movement is also a prime example of formal discipline and structural coherence within the cycle as a whole. It is no coincidence that Schumann studied Bach’s Well-Tempered Clavier intensively when working on the Kreisleriana. The work’s tonal scheme shares one simple, unifying harmonic factor: the related keys of the ‘daemonic’ G minor and the rather gentle B flat major underpin six of the eight movements. Alexander Scriabin’s earliest compositions, most of them for solo piano, clearly demonstrate his adoration of Chopin, where his first two symphonies are still strongly liaised with Tchaikovsky’s. And like both these composers also Scriabin excelled in creating rich and colourful textures and sonorities. But it was Scriabin’s Later fascination for Wagner, Liszt and Nietzsche, Together with that mystic domain of theosophy and poetic symbolism that gradually put up a quite powerful momentum in his creative life. It all culminated in his greatest of all visions, that he would be able to establish an all-embracing, eternal and super human art form. (from the linernotes of this CD written by Aart van der Wal)The imagination, each on another level, is an important theme in all of the works on this CD. Alexei Volodin is a master in creating the right atmosphere for these imaginative works of all three composers. Although he is a virtuoso, he is even more a pianist who can dive deep into the inner world of the composer and his work. Combined with his own inner depth this results in performances that leave a lasting impression on the listener.
Tracklista:1. Kill the Power2. Ruling Force4. Worlds On Fire3. Playing With the Devil5. Ninja6. The Kids Are Right Now9. Dollars and Dimes8. Open Eyed10. Saturday11. Proceed With Caution12. More Fire7. We Live
This 58th volume of the Romantic Piano Concerto series presents two composer-pianists who contributed to Liszt’s piano extravaganza Hexaméron (1837).Thalberg (who would be celebrating his 200th birthday in 2012) famously took part in a pianistic ‘duel’ with Liszt, and was popularly acclaimed as the greatest pianist in the world during his lifetime. He only wrote one piano concerto, and that in his teens, but it is a brilliantly effective showpiece for virtuosity and stamina, the pianist’s hands barely leaving the piano. Johann Peter Pixis has now been consigned—perhaps unfairly—to the oblivion where so many early 19thcentury composers dwell. These are world premiere recordings of his charming Piano Concerto and Piano Concertino.Howard Shelley, undisputed master of the music of the early Romantic period, directs the Tasmanian Symphony Orchestra from the keyboard with his usual insouciance and poise.
Tracklista:1. Among the Living2. Wolf3. Between Love and Hate4. Till the Truth Comes Out5. Kameleon Man6. Through Different Eyes. I) When Sorrow Turns to Pain7. Through Different Eyes. II) Apocalyptic Visions of Paradise8. Through Different Eyes. III) So Far Away9. Through Different Eyes. IV) the Point of No Return10. Through Different Eyes. V) the Silent Scream11. Through Different Eyes. VI) Dancing With Butterflies12. One Among the Living13. The Falling Man14. Sailing On a Wing
Stereolab kontynuują trwającą przez cały rok kampanię reedycji siedmiu albumów - kolejne trzy pojawiły się się 13 września 2019: "Emperor Tomato Ketchup" (1996 r.), "Dots and Loops" (1997 r.) i "Cobra and Phases Group Play Voltage in the Milky Night" (1999 r.). Albumy zostały wydane w wersji rozszerzonej i zremasterowanej na winylu, CD i w wersji cyfrowej przez Warp Records i należącego do zespołu Duophonic UHF Disks. Podobnie jak w przypadku majowych reedycji "Transient Random Noise-Bursts With Announcements" i "Mars Audiac Quintet", każdy album został zremasterowany z oryginalnych taśm 1/2” Bo Kondrena w Calyx Mastering pod nadzorem Tima Gane`a. Materiał bonusowy obejmie alternatywne nagrania, 4 dema utworów i niewydane miksy.