Tracklista:1. Surreal Tongue in Northern Osaka2. Nightmare Club3. Crush4. Hakoniwa Disco Strut5. Mt. Woo6. Gravity of Love7. Blooming Blues.o0O8. The Ruddy Sunset9. No Rhyme Nation
Tracklista: 1. Dance And Angela By Franz Waxman 2. Cupcake Kitty Curls (Feat. The Rooster Incorporated) By Mark Batson 3. Dance And Angela (Glance Backwards) [Jean-Phi Goncalves Remix] By Jeffrey Brodsky 4. Dance And Angela (Trip-Hop Version) By Jean-Phi Goncalves 5. Small Town Heroes By Hurray For The Riff Raff 6. I Love My Momma By Snoop Dogg 7. Through The Morning Through The Night By Alison Krauss And Robert Plant 8. Mama’s Gonna Give You Love By Emily Wells 9. Can’t Take My Eyes Off You By Engelbert Humperdinck 10. Concerto In D Minor (After Alessandro Marcello), BWV 974: II. Adagio By Alexandra Streliski 11. The Little Red Rooster By Willie Dixon 12. Pa’lante By Hurray For The Riff Raff 13. Tumbling Lights By The Acid 14. Come Down By Sylvan Esso
1.Znamię2.Zmienić Siebie3.Nie Wierzę4.Na Zawsze5.Strach6.Wojna7.Skaza8.Zakrapiane Spotkanie9.Słowa10.Zostań Tu11.Zew Krwi
Tracklista: 1. Pomp and Swell2. Recognition3. Brother4. Good Things5. Did You Dream6. Into the Light7. If I Were a Ghost8. Missed Connection9. Nothing to Say10. The Curse11. Words We Mean12. Sweet Time
Tracklista:1. Overture 00:01:56 2. Act I: Belinda, Chorus: Shake the cloud from off your brow 00:01:05 3. Act I: Dido: Ah! Belinda, I am press'd with torment 00:03:50 4. Act I: Belinda, Dido: Grief increases by concealing 00:00:36 5. Act I: Chorus: When monarchs unite how happy their state 00:00:15 6. Act I: Dido, Belinda: Whence could so much virtue spring 00:02:00 7. Act I: Belinda, 2nd Woman and Chorus: Fear no danger to ensue 00:01:39 8. Act I: Belinda, Aeneas, Dido: See, your Royal guest appears 00:00:55 9. Act I: Chorus: Cupid only throws the dart 00:00:32 10. Act I: Aeneas, Belinda: If not for mine, for Empire's sake 00:01:15 11. Act I: Guitars' Chaconne 00:00:40 12. Act I: Chorus: To the hills and the vales 00:01:05 13. Act I: The Triumphing Dance 00:01:27 14. Act II: Prelude for the Witches (Sorceress and 1st Witch): Wayward sisters 00:01:51 15. Act II: Chorus: Harm's our delight 00:00:12 16. Act II: Sorceress: The Queen of Carthage, whom we hate 00:00:32 17. Act II: Chorus: Ho Ho Ho, Ho Ho Ho! 00:00:11 18. Act II: 1st and 2nd Witches, Sorceress: Ruin'd ere the set of sun 00:01:08 19. Act II: Chorus: Ho Ho Ho, Ho Ho Ho! 00:00:10 20. Act II: Sailors' Dance 00:00:35 21. Act II: 1st and 2nd Witches: But, ere we this perform 00:01:08 22. Act II: Chorus: In our deep vaulted cell 00:01:30 23. Act II: Echo Dance of Furies 00:01:21 24. Act II: Ritornelle 00:00:46 25. Act II: Belinda, Chorus: Thanks to these lonesome vales 00:03:08 26. Act II: Guitar Dance, 2nd Woman: Oft she visits this lone mountain 00:02:29 27. Act II: Aeneas, Dido: Behold, upon my bended spear 00:00:37 28. Act II: Belinda, Chorus: Haste to town 00:00:46 29. Act II: Spirit, Aeneas: Stay, Prince! and hear great Jove's command 00:02:53 30. Act II: Ritornelle 00:01:00 31. Act III: 1st Sailor and Chorus: Come away, fellow sailors 00:01:32 32. Act III: The Sailor's Dance 00:00:48 33. Act III: Sorceress, 1st and 2nd Witches: See, the flags and streamers curling 00:01:02 34. Act III: Sorceress: Our next motion 00:00:41 35. Act III: Chorus: Destruction's our delight 00:00:32 36. Act III: The Witches' Dance 00:01:15 37. Act III: Belinda, Aeneas: Your counsel all is urg'd in vain 00:04:02 38. Act III: Chorus: Great minds against themselves conspire 00:00:54 39. Act III: Dido: Thy hand, Belinda; darkness shades me 00:00:59 40. Act III: Dido: When I am laid in earth 00:03:41 41. Act III: Chorus: With drooping wings ye cupids come 00:04:47
Tracklista: 1. Yesterday2. Drive My Car3. Got to Get You Into My Life4. You've Got to Hide Your Love Away5. Help6. A Hard Day's Night7. I Saw Her Standing There9. Get Back8. All You Need Is Love10. Here Comes the Sun (Feat. Demi Lovato)11. Something13. Hey Jude12. Sgt. Pepper's Lonely Hearts Club Band14. Let It Be
Throughout his 82-year life, Max Bruch remained true to the musical ideals of his youth, formed by Schubert, Mendelssohn, Schumann and German folk songs. As a result, the same composer who in the 1880’s was regarded as Brahms’ equal, by the time of his death in 1920 was considered an anachronistic irrelevance. Nowadays, however, few would deny that his production includes numerous works of exquisite sonority, beautiful melodiousness and admirable formal cohesion: a glorious irrelevance indeed. His Violin Concerto No. 1 was a spectacular success from its first performance in 1868, and soon won over audiences both in Germany and abroad. In fact, it became so popular that Bruch in later years became increasingly worried about being considered a ‘one-hit wonder’. It is thus a staple of all violin soloists that Vadim Gluzman here takes on, after his recordings of the concertos by Tchaikovsky (‘without doubt one of the work's finest recordings in recent years’, BBC Music Magazine), Barber (‘one of the most beautiful and characterful recordings of this work’, klassik-heute.de) and Korngold (‘Gluzman’s playing lends the work a new vitality and cohesion’, Classica). Supported by the eminent Bergen Philharmonic Orchestra and its music director Andrew Litton, Gluzman couples the work with a rarity, a violin version of the Romance in F major, Op.85, composed by Bruch for viola and orchestra almost 35 years after the violin concerto. The composer also made an arrangement for violin and piano, and it is this violin part which Gluzman performs to the original orchestral score. Closing the programme is the String Quintet in A minor in which Gluzman is joined by four eminent string players: Sandis Šteinbergs, Maxim Rysanov, Ilze Klava and Reinis Birznieks. Composed in 1918, the Quintet certainly offers no indication of being the exact contemporary of modernist works such as Stravinsky’s Histoire d’un soldat; on the other hand its almost youthful energy, dramatic instinct and playful exuberance equally belies the fact that it was composed by a man in his eightieth year
Zarejestrowana w oparciu o Wydanie Narodowe najbardziej podstawowa forma prezentacji Koncertów fortepianowych Fryderyka Chopina w wersji na jeden fortepian . W czasach Chopina ta wersja była wykonywana w salonach , choć niekiedy także w salach koncertowych. Jest wielce prawdopodobne, że sam Chopin wykonał kilkakrotnie Koncert e-moll w tej wersji. Interesująca interpretacja japońskiej pianistki Yuko Kawai .
Tracklista:1. DILF_77 Would Like to Chat (7" Mix)2. Fuck the Sun3. Danse Profane4. Back to You5. Oh, to Sing a Happy Song!
Tracklista:1. Raven Nor the Spirit2. Slow Rewind3. Mr Rainbow