1. CHARLIE MUSSELWHITE - MAKE MY GETAWAY 2. BIG WALTER HORTON W/CAREY BELL - HAVE MERCY 3. BILLY BOY ARNOLD - SHAKE THE BOOGIE 4. SONNY TERRY - SONNY'S WHOOPIN THE DOOP 5. JUNIOR WELLS W/BILLY BRANCH - BROKE & HUNGRY 6. DELBERT MCCLINTON - THANK YOU
This disc is the first of a series that will present the entire piano-accompanied songs and vocal works of Johannes Brahms. As such it is a companion series to those undertaken by Hyperion for the songs of Schubert, Schumann, Fauré and Strauss.Brahms, like Schumann, but unlike Schubert with his much greater output, issued the majority of his songs in groups collected by opus number. There is a tendency in modern scholarship to suggest that he envisaged, or at least hoped for, performances of his songs in these original opus number groupings. Of course one cannot deny that some planning (though of a rather variable kind) went into the arrangement of these song bouquets for publication, but good order and cohesion in printed form (as in an anthology where poems are arranged to be discovered by the reader in a certain sequence), though pleasing to the intellect, do not automatically transfer to the world of the recital platform where one encounters a host of different practical problems, casting (male or female singer) and key-sequences (high or low voice) among them. There is nothing more meticulously planned in all song literature than the volume of 53 songs of Hugo Wolf’s Mörike Lieder—but we have no evidence to suggest that the composer, who had worked closely with the publishers to make this volume a feast for the eye, envisaged a performance of these songs in a single sitting, or on a single day.Printed poetry collections are as lovingly assembled as an opus of a composer’s varied settings, but this does not mean the poems therein are designed to be read aloud from cover to cover: the compiler of these volumes, whether or not the poet himself, would expect items to be selected by the reader according to taste or need. The anthology (or indeed opus number) might be likened to a well-ordered jewel case from which precious items may be extracted for use, depending on the occasion: the wearing in public of every item therein on a single occasion would be both impractical and vulgar. There is little evidence, especially from concert practice of the time (where items from the Schubert and Schumann cycles were often ruthlessly excerpted), that Brahms’s publications were conceived within a spirit of cyclic unity that called for an integral performance of the entire group.There is a modern tendency to see a famous cycle like Winterreise as the nineteenth-century norm to which all other groups of songs should be made to conform, and this ‘search for cycles’ has become something of an obsession in present-day musicology, a means of using the popularity of Schubert’s and Schumann’s genuine cycles as an excuse to pretend that there are similarly cohesive works in the repertoire waiting to be rescued, or restored to the unified shape the composer had intended for them all along. It is perhaps a symptom of our ‘bigger is better’ society that solitary songs, exquisite miniatures, are thought to be more significant if they form a part of something bigger. If this is true, it represents an ongoing challenge to the planners of programmes whose efforts can yield far better and more imaginative results when allowed to range over a broader canvas than that of a single opus number where all sorts of practical considerations, including commercial ones, had restricted the composer’s choices.Each disc of this Hyperion edition takes a journey through Brahms’s career. The songs are not quite presented in chronological order (Brahms had a way of including earlier songs in later opus numbers) but they do appear here in the order that the songs were presented to the world. Each recital represents a different journey through the repertoire (and thus through Brahms’s life). In a number of these Hyperion recitals an opus number will be presented in its entirety (in the case of this disc, Op 48). The folksongs of 1894 will be shared between all the singers in the series. In a letter to Marie Scherer of 20 October 1894 we learn of Brahms’s reaction to an evening (arranged by the well-meaning Amalie Joachim) where an entire evening was given over to these Volkslieder: ‘I do not think it a happy idea to spend a whole evening singing nothing but these folksongs. A few introduced among other (serious and sober!) songs might be enjoyable and refreshing.’ In this series this is exactly what will happen.Graham Johnson © 2010
Tracklista: CD 1 1. Jökelväktaren 2. En väldig isvidds karga dräkt 3. Lavin 4. Fjällets mäktiga mur 5. Obygdens pionjär 6. Vinterstorm 7. Tusenåriga stråk 8. Allt mellan himmel och jord 9. Vårflod CD 2 1. Tillbaka till källorna 2. Köldens Borg 3. Portalen 4. Svart måne
Tracklista: CD 1 1. Every Hour 2. Taxi Blues 3. Get Rich Quick 4. Thinkin' About My Mother 5. Please Have Mercy On Me 6. Fool At The Wheel 7. Ain't That Good News 8. Directly From My Heart 9. Little Richard's Boogie 10. Maybe I'm Right 11. Lonesome And Blue 12. All Night Long 13. Directly From My Heart 14. Maybe I'm Right 15. Baby 16. I'm Just A Lonely Guy 17. Tutti Frutti 18. Chicken Little Baby 19. True Fine Mama 20. Kansas City 21. Wonderin' 22. Miss Ann CD 2 1. Long Tall Sally 2. Slippin' And Slidin' 3. The Most I Can Offer 4. Oh Why? 5. I Got It 6. Reddy Teddy 7. Hey Hey Hey Hey (Goin' Back To Birmingham) 8. Rip It Up 9. Lucille 10. Heeby-Jeebies 11. All Around The World 12. Can't Believe You Wanna Leave 13. Shake A Hand 14. She's Got It 15. Jenny Jenny 16. Good Golly Miss Molly 17. Baby Face 18. The Girl Can't Help It 19. By The Light Of The Silvery Moon 20. Send Me Some Lovin' 21. The Girl Can't Help It CD 3 1. Keep-A-Knockin' 2. Ooh! My Soul 3. I'll Never Let You Go (Boo Hoo Hoo Hoo) 4. Early One Morning 5. She Knows How To Rock 6. Whole Lotta Shakin' Goin' On 7. Lucille 8. Long Tall Sally 9. I'm Quitting Show Business 10. Milky White Way 11. I've Just Come From The Fountain 12. Coming Home (Feat. Milton Biggham) 13. Certainly Lord 14. It's Real (Feat. Howard Roberts Chorale) 15. Joy, Joy, Joy 16. Crying In The Chapel 17. Hole In The Wall 18. Every Night About This Time 19. I'm In Love Again 20. Valley Of Tears 21. Freedom Ride
Album Future oryginalnie wydany w lutym 2017 r. wraz z inną płytą z materiałem rapera - zatytułowanym po prostu "Future". Na płycie gościnnie m.in. The Weeknd, Rihanna, Chris Brown i Nicki Minaj. Album "HNDRXX" czerpie swoją nazwę z alter-ego Future'a - Future Hendrix. Album promowały singile "Selfish (featuring Rihanna)", "Pie (featuring Chris Brown)", "Incredible" oraz "You da Baddest (featuring Nicki Minaj)". Tracklista: LP 1 Side A 1. My Collection 2. Comin Out Strong (feat. The Weeknd) 3. Lookin Exotic 4. Damage 5. Use Me Side B 1. Incredible 2. Testify - 3. Fresh Air 4. Neva Missa Lost 5. Keep Quiet LP 2 Side C 1. Hallucinating 2. I Thank U - 3. New Illuminati 4. Turn On Me 5. Selfish (feat. Rihanna) Side D 1. Solo 2. Sorry 3. PIE (feat. Rihanna) 4. You Da Baddest (feat. Nicki Minaj)
Tracklista: 1. You Can't Lose What You Never Had 2. Gravel Road 3. Ain't Doing Too Bad 4. Why Does A Woman Treat A Good Man So Bad? 5. Mama, Talk To Your Daughter 6. Mustang Sally 7. In The Heart Of The Blues
Tracklista: CD 1 1. Save Me (Hardcore Radio Edit) 2. Pretty Green Eyes (Hixxy Remix) 3. Set You Free (Hixxy Mix) 4. Nessaja (Breeze Remix) 5. True Love Never Dies (Feat. Kelly Llorenna) [Darren Styles Remix] 6. Heartbeatz (Feat. Karen Danzig) 7. Rise Again (Sy & Unknown Remix) 8. See the Light (Gammer Remix) 9. We Speak No Americano (Gammer Remix) 10. It's All About You (Styles & Breeze Remix) 11. Heart of Gold (Hixxy Remix) 12. X-Treme 13. Shining Down (Feat. Jenna) 14. Levels 15. Come Fly With Me (Re-Con Remix) 16. Bring the Noise (Darren Styles Remix) 17. Love Leaves No Scar (Hixxy Remix) 18. Sure Feels Good (Hardcore Remix) CD 2 1. Everytime We Touch (Styles and Breeze Remix) 2. Field of Dreams (Feat. Jo James) [Styles & Breeze Remix] 3. Welcome to the Club (Darren Styles Remix) 4. More & More 5. Take Me to the Clouds Above (Sy & Unknown Remix) 6. Sorry 7. Concrete Angel (Feat. Christina Novelli) [Darren Styles & Chris Unknown Remix] 8. You're My Angel 9. Nobody Likes the Records 10. Right By Your Side (Re-Con Edit) 11. Overload (Hixxy & Re-Con Remix) 12. Fly Away (Hixxy Remix) 13. Doesn't Matter (Squad-E V Re-Con Edit) 14. Never Forget You 15. Never Too Late (Gammer Remix) 16. So Real (Styles & Breeze Remix) 17. Right Here - Right Now 18. Make NoiZe CD 3 1. Elysium (I Go Crazy) [Scott Brown Remix] 2. Dance (Re-Con Remix) 3. Getting Better 4. Cruising (Beachball) [Darren Styles Remix] 5. L'amour Toujours (Re-Con Remix) 6. You're Shining (Hardcore Mix) 7. Dancing in the Dark (Breeze & UFO Remix) 8. Discolights 9. 6 Days (Styles & Breeze Remix) 10. Calling 11. Face Down Ass Up (Darren Styles Remix) 12. Amigos (Hardcore Mix) 13. Promises (Skrillex & Nero Remix) 14. Sweetheart (Squad-E Remix) 15. Discoland (Sy & Unknown Remix) 16. Still the One (Feat. Lisa Marie) [Re-Con Remix] 17. Be With You (Feat. Lou Lou) 18. Rave Heaven (Squad-E Remix) 19. Stamp On the Ground (Breeze Remix) 20. Skydivin' 21. Better Than Life (Hixxy Remix) CD 4 1. Blade (Feat. Warp Brothers) [Re-Con Remix] 2. Anybody Else But You 3. Blow Me Away 4. Come With Me (Hixxy Mix) 5. Cry (Re-Con Remix) 6. Tricky Disco (Squad-E Remix) 7. Flashlight 8. I Wanna Touch You (Squad-E Remix) 9. Deep in the Night 10. On the Move (Re-Con & Unknown) 11. Bang Yer Head Off 12. I Can't Help Myself (Re-Con Remix) 13. Pacific Sun (Lullaby) [feat. Junior] (Styles & Breeze Remix) 14. Lucky Stars (Feat. Sarah) [Squad-E Remix] 15. Sound Without a Name 16. I'm Alive (Feat. Stunt) 17. Rockin' With the Best 18. Toytown 19. Paradise & Dreams (Re-Con Remix)
Po raz pierwszy na winylu. Zremasterowane nagrania i spora gratka dla fanów muzyki filmowej i spaghetti westernów.
Do takiego spotkania musiało w końcu dojść. Oto arcymistrz basowych dźwięków Kevin Martin aka The Bug, łączy siły z drone metalowym wizjonerem Dylanem Carlsonem aka Earth. Słabość Martina do dźwięków poszerzających gatunkowe ramy znana jest od dawna. Warto przypomnieć że tworzył choćby w ramach jazzowo – industrialnego God, zaś w duecie z Justinem Broadrickiem, jako Techno Animal, dawał upust fascynacji hip hopem, dubem i nową elektroniką. Z kolei bez Carlsona trudno sobie dziś wyobrazić współczesną scenę doom/drone metalową. „Concrete Desert” to wedle słów twórców przełożenie na język muzyki prozy Cormaca McCarthy i J.G. Ballarda. Amerykańska, pustynna atmosfera i futurystyczny, brytyjski spleen, nigdy nie tworzyły tak doskonałej całości.
Koncertowe wydawnictwo Gregory’ego Portera, które zawiera m. in. „Holding On”, „Liquid Spirit”, „Hey Laura”, „Take Me To The Alley”, „Don’t Lose Your Steam”. Od czasu wydania debiutanckiej płyty „Water” w 2010r. Gregory Porter i jego unikatowe połączenie jazzu, soulu, gospel i bluesa zjednały mu rzesze fanów na całym świecie. Kolejne albumy przyniosły artyście coraz większe uznanie – jak nagrodzony statuetką Grammy „Liquid” z 2013r. czy tegoroczny „Take Me To the Alley”. Wydawnictwo „Live In Berlin” zawiera koncert sfilmowany 18 maja w Filharmonii Berlińskiej. Kameralny występ – bez zbędnych fajerwerków, z minimalistyczną scenografią i prostym oświetleniem doskonale oddaje fenomen i magię muzyki Portera. „Live in Berlin” to obowiązkowa pozycja dla każdego fana Portera, ale też każdego miłośnika jazzu, soulu czy bluesa. Wydawnictwo zostało wzbogacone o materiał bonusowy z wywiadem z muzykiem i członkami towarzyszącego mu zespołu. Tracklista: 1. Holding On 2. On My Way To Harlem / What’s Going On 3. Take Me To The Alley 4. Don’t Lose Your Steam 5. Hey Laura 6. Liquid Spirit 7. Consequence Of Love 8. Bass Solo / Papa Was A Rolling Stone 9. Musical Genocide 10. Don’t Be A Fool 11. Work Song / Drum Solo 12. In Fashion 13. Be Good (Lion’s Song. 14. 1960 What? 15. Water Under Bridges 16. Free / Thank You (Falettinme Be Mice Elf Agin)