Po raz pierwszy na CD debiutancki album z 1981 r. brytyjskiej wokalistki, która swymi piosenkami wpisała się w nowofalową, synthpopową muzykę. Tak ten album, jak i pochodzące z niego single "Kids In America", "Chequered Love" i "Water On Glass" stały się światowymi przebojami.
Tracklista: CD 1 1. You're My World 2. Always On My Mind 3. The End Of The World 4. To All The Girls I've Loved Before 5. (There's) Always Something There To Remind Me 6. Crying In The Rain 7. Love Letters 8. My Prayer 9. What's Going On? 10. We Don't Cry Out Loud 11. Answer Me 12. Let The Heartaches Begin 13. On The Sunny Side Of The Street 14. Mack The Knife 15. Somewhere 16. How Do You Keep The Music Playing 17. Just Loving You 18. What A Wonderful World CD 2 1. Morning Has Broken 2. The Long And Winding Road 3. Love Is All 4. When Your Old Wedding Ring Was New 5. Danny Boy 6. I Will Drink The Wine 7. Don't Laugh At Me 8. Hurt 9. Everybody Loves Me 10. It Was Almost Like A Song 11. Midnight In Paris 12. One For My Baby (And One More For The Road) 13. My Mother's Eyes 14. One Love In A Million 15. Perfect Love 16. You're The Best Thing That Ever Happened To Me 17. Joanna 18. Bridge Over Troubled Water
Tracklista:1. Ghost Note2. River Crossing3. The Way It Was4. Polished5. Heavy Feel6. 2011 East7. Sharing Air8. Jailbreak9. Oasis Path
Tracklista: 1. Dirty Little Secret2. Stab My Back3. Move Along4. It Ends Tonight5. Change Your Mind6. Night Drive7. 11. 11 PM8. Dance Inside9. Top of the World10. Straitjacket Feeling11. I'm Waiting12. Can't Take It13. Night Drive (Acoustic - UK Bonus Track)14. Eyelash Wishes (UK Bonus Track)
Ponad 150 minut muzyki na trzech płytach ukazujących wiele twarzy kultowego amerykańskiego barda Boba Dylana. "Many Faces Of Bob Dylan" to 3-płytowe wydawnictwo poświęcone wykonawcy. Zostało ono podzielone na 3 części. CD 1 i CD 2 zawierają rzadkie, mniej znane oraz wcześniejsze nagrania Dylana. CD 3 zawiera nagrania ze sceny Grenwich Village mające wpływ na twórczość Boba Dylana. Zupełne szaleństwo dla fanów. Potrójny rozkładany digipack Tracklista: CD 1 Performed By Bob Dylan 1. Blowin' in the Wind 2. A Hard Rain's A-Gonna Fall 3. It's All Over Now, Baby Blue 4. It's Alright, Ma (I'm Only Bleeding) 5. Boots of Spanish Leather 6. Fixin'to Die 7. Man of Constant Sorrow 8. See That My Grave Is Kept Clean 9. Gospel Plow 10. Po Lazarus 11. Sally Gal 12. Girl from the North Country 13. The Lonesome Death of Hattie Carroll 14. Baby, Let Me Follow You Down CD 2 Performed Of Bob Dylan 1. Handsome Molly 2. Farewell (Fare Thee Well) 3. (I Hear That) Lonesome Whistle 4. Baby, Please Don't Go 5. Who Killed Davey Moore 6. The Girl I Left Behind 7. Hard Travelling 8. Bob Dylan's Dream (De Freehwelin) 9. Makes a Long Time Man Feel Bad 10. Tell Me 11. The Death of Emmett Till 12. Stealin' 13. In the Pines 14. Backwater Blues CD 3 The Sounds Of Greenwich Village And Influences 1. Lost Highway - Hank Williams 2. House of the Rising Sun - Joan Baez 3. Fixin' to Die - Dave Van Ronk 4. The Ballad of Casey Jones - Pete Seeger 5. Old Age Pension Check - the New Lost City Ramblers 6. Cocaine Blues - Dave Van Ronk 7. Silver Dagger - Joan Baez 8. No Depression in Heaven - the New Lost City Ramblers 9. You're Gonna Change (Or I'm Gonna Leave) - Hank Williams 10. East Virginia - Joan Baez 11. Hard Times in the Mill - Pete Seeger 12. Poor Lazarus - Dave Van Ronk 13. Sales Tax on the Women - the New Lost City Ramblers 14. I'm So Lonesome I Could Cry - Hank Williams 15. The Farmer Is the Man That Feeds Us All - Pete Seeger
Album został wydany przez wytwórnię Etcetera (KTC 1612).
Tracklista:1. Gimme Some Kinda Sign2. It's Too Late3. Miracles4. Easier Said Than Done5. God Bless6. Sunroof7. I Want to Be Loved8. I'm Gonna Be the One9. Wild10. Two (Can Make a Dream Come True)11. Captain of My Ship12. Sunday Morning13. Peace Talk14. She Loves You15. Falling from Heaven
Od dawna wiadomo, że wszystko, czego dotknie Dr. Dre zamienia się w złoto. Z jego stajni wyszli Snoop Dogg, Eminem, 50 Cent i zespół, który do dziś jest legendą sceny hip hop, N.W.A. To właśnie jego niepowtarzalny styl zdefiniował brzmienie sceny West Coast. The Game kolejny artysta wspierany przez Dre, pochodzi z miejsca narodzin gangsterskiego rapu, z Compton w Kalifornii. W wielu wywiadach mówi o swoim producencie, że jest dla niego jak ojciec, a o N.W.A. że byli najważniejszymi bohaterami jego dzieciństwa obok Michaela Jordana. Teraz, kiedy sam stoi na scenie, nie przynosi wstydu swoim idolom, jego mocny, chropowaty rap przypomina najlepsze nagrania takich MC jak D.O.C. czy MC Ren. Nie ma wątpliwości, że gdyby N.W.A. istniało jeszcze dziś, to The Game miałby pewne miejsce w składzie tego zespołu. Na albumie "The Documentary" obok The Game, Dr. Dre pojawia się także 50 Cent, którego wcześniej Game wspierał wokalnie na jego płytach. Pierwszym singlem The Game jest "How We Do". (UMP)
W nagraniach Jimmy Smitha w roli specjalnego gościa wystąpił portorykański flecista Nestor Torres. Nestor dopasowuje swój spryt flecisty do geniuszu jazzowych nagrań na organch w takich utworach jak Moanin'; Satin Doll; My Funny Valentine; Black Cat; Flash; Blues for Max; Saint Thomas; Jimmy's Swing i innych. Jimmy Smith samodzielnie wymyślił na nowo organy Hammonda w nowoczesnej oprawie jazzowej na początku lat 50. Łatwo jest zapomnieć, jak niesamowicie genialny był na swoim wybranym instrumencie, tak nowatorskim na swój sposób, jak Charlie Parker na saksofonie lub Thelonious Monk na fortepianie. Tracklista: 1. Introduction 2. Eight Counts for Rita 3. Saint Thomas 4. My Funny Valentine 5. Blues for Max 6. Blues for Lynn 7. Funk in the Keys 8. Satin Doll 9. Jimmy's Swing 10. Moanin' 11. Flash 12. Black Cat
Antonio de Almeida was born to a Portuguese mother and American father, who emigrated to Argentina when he was young. There he studied theory and composition with the composer Alberto Ginastera, and cello with Washington Castro. Subsequently he was a pupil of Paul Hindemith at Yale University. He worked for two seasons at Tanglewood with Serge Koussevitzky and then with George Szell and Leonard Bernstein, going on to play horn, bassoon, oboe, clarinet and cello in several student orchestras. In 1945 he founded the MIT (Massachusetts Institute of Technology) Symphony Orchestra in Boston, and in 1947 the Chamber Orchestra of New Haven. Almeida then worked in Mexico before becoming head of the opera department at the University of Los Angeles in 1953. His conducting career soon developed in Europe: between 1957 and 1960 he directed the Symphony Orchestra of Radio Lisbon in Portugal; during the following decade he led the Stuttgart Philharmonic Orchestra for the 1963–1964 season; and he went on to work at the Paris Opera between 1965 and 1967. Returning to the USA as principal guest conductor of the Houston Symphony Orchestra between 1969 and 1971, Almeida was subsequently also musical director of the Friends of French Opera, New York. From 1976 to 1978 he was music director of the Nice Philharmonic Orchestra in France. Antonio de Almeida’s career was now international in scope, with many guest engagements with front-rank ensembles such as the Chicago, Philadelphia and San Francisco Symphony Orchestras in the USA, and the Royal Philharmonic and Berlin Philharmonic Orchestras in Europe, amongst many others. In 1992 he took up his last permanent post, as music director of the Moscow Symphony Orchestra, a position that he held until his death in 1997. His repertoire was extremely catholic, although with a distinct bias towards French music. He prepared a thematic catalogue of the music of Offenbach and conducted the first complete reconstruction of the original score of Les Contes d’Hoffmann. He also edited a complete edition of the symphonies of Boccherini. For his services to French music he was made a member of the Légion d’honneur. On record Almeida championed the unknown, making the first recording of Bizet’s opera Le Docteur Miracle. Towards the end of his life he conducted the Moscow Symphony Orchestra in many significant première recordings of music by Sauguet, Castillo, Tournemire and Malipiero, for the Marco Polo label. Other highlights of his recorded repertoire include a set of rarely performed symphonies by Haydn for the Haydn Foundation; fine accounts of the operas La Juive (Halévy), Mignon (Thomas), Le Calife de Bagdad (Boieldieu) and L’infideltà delusa (Haydn); music by Lalo, Schmitt, Chausson, Dukas and Duparc; and the complete operatic ballet music of Donizetti and Rossini. His performances were always assured, and in French music in particular possessed style and sensitivity. Antonio de Almeida died in Pittsburgh in 1997 aged 69