Popularny pochodzący z Włoch „bożyszcze milionów”, śpiewak operowy Beniamino Gigli, urodzony w 1890 roku w Recanati, zmarł w 1957 roku w Rzymie. Artysta śpiewał wyjątkowym głosem tenorowym. Po wygraniu lokalnego konkursu dla śpiewaczy w 1911 roku, kształcił się w Akademii św. Cecylii i pobierał nauki od Cotogniego, Perosiego i Rosatiego.
Tracklista: CD 1 1. Take Your Fingers Off It 2. Come On In 3. Mandolin King Rag 4. Overseas Stomp 5. Evolution Mama 6. The Even Dozens 7. I Don't Love Nobody 8. Rag Mama 9. Frances Blues 10. On the Road Again 11. Original Colossal Drag Rag 12. All Worn Out 13. Lonely One in This Town 14. Sadie Green CD 2 1. Fixin' to Die 2. Blow Whistle Blow 3. My Little Woman 4. Ginger Man 5. Bad Dream Blues 6. Winding Boy 7. I'm Troubled 8. France Blues 9. Don't You Leave Me Here 10. Devil Got My Woman 11. Southbound Train 12. Downtown Blues 13. Leavin' Here Blues 14. Hello Baby Blues 15. She's Gone 16. Slappin' On My Black Cat Bone CD 3 1. I Ain't Marching Anymore 2. In the Heat of the Summer 3. Draft Dodger Rag 4. That's What I Want to Hear 5. That Was the President 6. Iron Lady 7. The Highwayman 8. Links On the Chain 9. Hills of West Virginia 10. The Men Behind the Guns 11. Talking Birmingham Jam 12. Ballad of the Carpenter 13. Days of Decision 14. Here's to the State of Mississippi 15. I Ain't Marching Anymore (Alternate Version) CD 4 1. Bleecker & MacDougal 2. Blues On the Ceiling 3. Sweet Mama 4. Little Bit of Rain 5. Country Boy 6. Other Side to This Life 7. Mississippi Train 8. Travelin' Shoes 9. The Water Is Wide 10. Yonder Comes the Blues 11. Candy Man 12. Handful of Gimme 13. Gone Again CD 5 1. Ain't That News 2. The Willing Conscript 3. Lyndon Johnson Told the Nation 4. Hold On to Me, Babe 5. The Name of the Game Is Stud 6. Bottle of Wine 7. The Natural Girl for Me 8. Goodman, Schwerner and Cheney 9. We Didn't Know 10. Buy a Gun for Your Son 11. Ev'ry Time (When We Are Gone) 12. Georgie On the Freeways 13. Sully's Pal 14. I'm the Man That Built the Bridges
Tracklista:1. Gruss2. No. 3 in Dem Walde3. No. 2 Frühlingslied. Die Blauen Frühlingsaugen4. No. 4 Es War Ein Alter König5. No. 5 Du Bist Wie Eine Blume6. No. 6 Der Asra7. No. 1. Frühlingslied - Leise Zieht Durch Mein Gemüt8. No. 8 Der Atlas9. No. 9 Ihr Bild10. No. 11 Die Stadt11. No. 13 Der Doppelgänger12. Gruss13. Schwanenlied14. Neue Liebe15. Warum Sind Denn Die Rosen So Blass16. Auf Flügeln Des Gesanges17. Belsazar18. Du Bist Wie Eine Blume19. No. 1 Im Wunderschonen Monat Mai20. No. 2 Aus Meinen Tränen Spriessen21. No. 3 Die Rose Die Lilie Die Taube Die Sonne22. No. 4 Wenn Ich in Deine Augen Seh23. No. 5 Ich Will Meine Seele Tauchen24. No. 6 Im Rhein Im Heiligen Strome25. No. 7 Ich Grolle Nicht26. No. 8 Und Wüssten's Die Blumen27. No. 9 Das Ist Ein Flöten Und Geigen28. No. 10 Hor'ich Das Liedchen Klingen29. No. 11 Ein Jüngling Liebt Ein Mädchen30. No. 12 Am Leuchtenden Sommermorgen31. No. 13 Ich Hab Im Traum Geweinet32. No. 14 Allnächtlich Im Traume33. No. 15 Aus Alten Märchen Winkt Es34. No. 16 Die Alten Bösen Lieder
"DDA" to kolejny projekt spod znaku RPS (Rychu Peja Solo). Tym razem artysta do współpracy zaprosił elbląskiego producenta i DJ'a Krzysztofa Szewczuka działającego od lat pod pseudonimem DJ. Zel. Wieloletnia współpraca między obu panami (bity i skrecze na albumy "N.O.J.A." 2005, "Szacunek ludzi ulicy" 2006 oraz "Na serio" 2009) zaowocowała w konsekwencji pełnowymiarowym albumem, który ukazuję się 22 kwietnia nakładem wytwórni Fonografika. "DDA" to ponad 70 minut oryginalnej muzyki w połączeniu z rozpoznawalnym stylem Rycha, który zapowiada najlepszy album od czasów "Na serio". Na płycie masa gości, m.in: WDZ, Sokół i Marysia Starosta, PiH, Lukasyno, Śliwa, Buczer, 3 Credits, Dono, RDW, DVJ. Rink i DJ. Danek. "DDA" to klasyczne brzmienie wzbogacone o żywe instrumenty i elektronikę. Płyta zarejestrowana w studiu o najwyższym standarcie z dbałością, o jakość produkcji, na którą wyczekują wytrawni słuchacze.
Tracklista:1. I've Got You Under My Skin2. I Put a Spell On You3. Time After Time4. Ebb Tide5. Move Me6. Africa Gone Funky7. Ashes8. I Need You9. Sweet Ginny
‘One player, one instrument, one composer: Bach’s unaccompanied violin music has always been the greatest for any player, young or old. Alina Ibragimova, only 23, is already its equal’ (The Guardian) ‘Alina Ibragimova began to play unaccompanied Bach on the violin, and the hush became silence. This was spontaneous, the first sense that something new could happen’ (The Independent) The dazzling young virtuoso Alina Ibragimova has enthralled audiences for years with her live Bach performances. Critics have acclaimed her faultless intonation, achingly beautiful tone, superlative technique and a musical wisdom far beyond her years. Now, in this important new recording of Bach’s complete sonatas and partitas for solo violin, Ibragimova brings all these qualities and more to create an interpretation that is both excitingly original and profoundly humble. This is music of unfathomable subtlety, astounding virtuosity and great expressive and architectural beauty. SUNDAY TIMES CD OF THE WEEK ; GRAMOPHONE EDITOR'S CHOICE; BBC MUSIC MAGAZINE INSTRUMENTAL CHOICE ; DAILY TELEGRAPH CLASSICAL CD OF THE WEEK; SUNDAY TIMES BEST OF THE YEAR 'She's supremely alert to the idiomatic nuances of each dance … her technical accomplishment is awesome. The D minor Giga scampers along as if mindful of the transcendent monumentality of the Ciaccona lurking around the corner - and when it arrives, Ibragimova tip-toes and soars with aplomb' (BBC Music Magazine) 'Ibragimova reveals herself to be an exquisite interpreter of solo Bach … Her Bach comes as something of a revelation. The finesse we've previously admired in her playing is here combined with thoughtful stylistic awareness and a distinctive, individual approach … All her stylishness and technical refinement is at the service of an ingrained understanding of the music' (Gramophone) 'One baulks at reducing this sublime discourse to adjectives … These solo structures are thin yet monumental, linear yet multilayered, technically specialised yet altogether soul-rending, and she capitalises on every paradox. More simply, her sound is seductive, her virtuosity bracing and every movement a victory … A true enshrining of the violin's soul' (The Sunday Times) 'Alina Ibragimova's previous discs for Hyperion have all been of 20th-century repertoire … All in their different ways were first rate, but none of them gave any inkling of just how startlingly good Ibragimova's solo Bach recordings might be. This is an absolutely compelling set of performances, the kind that have you on the edge of your seat wondering at the freshness of it all and what she might do next. Every phrase in these familiar works seems newly minted, every bar totally alive' (The Guardian) 'Young, excellent and serious, this 24-year old violinist plays with a maturity far beyond her years. In this two CD-set she's right inside the music, whether Bach calls for roaring fire or the tenderest melancholy' (The Times)
Tracklista: CD 1 1. First music: Overture 2. Second music: Aire 3. Overture 4. Act I - Altar music from Bonduca 5. Act I - Woden, first to thee 6. Act I - The white horse neighed aloud 7. Act I - The lot is cast 8. Act I - Brave souls 9. Act I - I call you all the woden's hall 10. Act I - Come if you dare 11. Act I - First act tune 12. Act II - Hither, this way 13. Act II - Let not a moon-born elf 14. Act II - Hither, this way 15. Act II - Come follow me 16. Act II - How blest are shepherds 17. Act II - Shepherd, shepherd, leave decoying 18. Act II - Come, shepherds, lead up 19. Act II - Hornpipe 20. Act II - Second act tune: Aire 21. Act III - Prelude to the frost scene 22. Act III - What ho! Thou genius of this isle 23. Act III - What power art thou 24. Act III - Thou doting fool 25. Act III - Great love, I know thee now 26. Act III - No part of my dominion shall be waste 27. Act III - Prelude 28. Act III - See we assemble thy revels to hold 29. Act III - Dance 30. Act III - 'Tis I that have warm'd ye 31. Act III - Sound a parley 32. Act III - 'Tis love that hath warm'd up 33. Act III - Borée from The old bachelor 34. Act III - Third act tune CD 2 1. Act IV - Aire 2. Act IV - Soft musick 3. Act IV - Two daughters of this aged stream 4. Act IV - Passacaglia I How happy the lover 5. Act IV - In vain are our graces 6. Act IV - Fourt act tune: trumpet tune 7. Act IV - Ye blustering brethren 8. Act IV - Symphony 9. Act IV - Song tune I Round thy coasts 10. Act IV - For folded flocks 11. Act IV - Song tune I Your hay it is mow's 12. Act IV - Song tune I Fairest isle 13. Act IV - You say, 'tis love 14. Act IV - Trumpet tune 15. Act IV - Saint George, the patron of our isle 16. Act IV - Our natives not alone appear 17. Act IV - Grand chance: chaconne
Wallace Roney - amerykański trębacz jazzowy. Roney pobierał lekcja od Clarka Terry'ego i Dizzy'ego Gillespiego. Studiował także u Milesa Davisa. Wallace przypisuje Davisowi, że pomógł mu rzucić wyzwanie i ukształtować jego twórcze podejście do życia. Wallace Roney był jedynym trębaczem, którego mentorem był Miles Davis.
Tracklista:1. Animal Rites2. The White Powerless3. Your Temporary Custodian4. Just Lay Still5. Canaries In The Coal Mine6. Until It Goes7. Put Your Teeth In8. A Tale Told By An Idiot9. Who Could Love You Lucille?10. You Are Facing the Wrong Way
Tracklista:1. Nocturne in E-Flat Major2. I Remember You3. Blue Velvet4. Like Someone in Love5. Deep Purple6. An Affair to Remember7. Why Don't You Believe Me8. Smoke Gets in Your Eyes9. Misty10. They Say That Falling in Love Is Wonderful11. Blue Star12. San Francisco