Barokowa opera w stylu neapolitańskim skomponowana współcześnie przez znanego muzyka z kręgu stylowego wykonawstwa muzyki dawnej Guido Moriniego. Wykonawcy to Marco Beasley - tenor oraz zespół Accordone pod dyrekcją Guido Moriniego.
Tracklista: CD 1 1. Prelude 2. Allemande 3. Courante 4. Sarabande 5. Menuet 1 6. Menuet 2 7. Gigue 8. Prelude 9. Allemande 10. Courante 11. Sarabande 12. Bourree 1 13. Bourree 2 14. Gigue 15. Prelude 16. Allemande 17. Courante 18. Sarabande 19. Gavotte 1 20. Gavotte 2 21. Gigue CD 2 1. Prelude 2. Allemande 3. Courante 4. Sarabande 5. Menuet 1 6. Menuet 2 7. Gigue 8. Praeludium 9. Allemande 10. Courante 11. Sarabande 12. Bourree 1 13. Bourree 2 14. Gigue 15. Prelude 16. Allemande 17. Courante 18. Sarabande 19. Gavotte 1 20. Gavotte 2 21. Gigue
Seria prezentuje retrospektywny przegląd najważniejszych nagrań Erato. Label powołano ponownie do życia w 2013 r. W kolekcji znajdują się nagrania pochodzące z lat 1953-2003, czyli od momentu założenia do zawieszenia działalności Erato. Każda z płyt, które oddajemy w Państwa ręce, stanowiła krok milowy w historii tego niezwykłego wydawnictwa.
Tracklista: CD 1 1. Bockxvoetje (Goatsfoot) 2. Questa dolce sirena (La Sirena) (This sweet siren) 3. Wat zal men op den Avond doen (What shall we do this evening?) 4. Doen Daphne d'over schoone Maeght (When Daphne, the most beautiful maiden) 5. Bravade 6. Harte diefje, wareom zoo stil (2. Courant) (Little thief of my heart, why so still? (2nd Courante)) 7. O slaep, o zoete slaep (O sleep, o sweet sleep) 8. Engels Nachtegaeltje (English Nightingale) 9. Onde de Linde groene (Under the green linden tree) 10. Pavane Lacryme (Lachrimae Pavan) 11. L'Amie Cillae (My friend Celia) 12. Verdwaelde Koningin (Lost Queen) 13. Amarilli mia bella (Amaryllis, my beauty) 14. Prins Robbert[s] Masco, met 2 (Prince Robert's Masque, duet) 15. More palatino, met 2 (More palatino, duet) 16. Boffons (Buffoons) 17. Malle Symen (Crazy Simon) 18. Wel op, wel op, ick gae ter jaght (Get up, I'm going hunting) 19. Engels Lied (English Song) 20. Een Schots Lietjen (A Little Scottish Song) CD 2 1. Preludium of Voorspel (Prelude) 2. Fantasia & Echo 3. Van Goosen (About Goosen) 4. Batali (Battle) 5. Excusemoy (Can she excuse) 6. Silvester inde Morgenstond (Silvester in the morning time) 7. Lof-zangh Marie (Praise song of Mary) [The Magnificat]] 8. Psalm 118 9. Psalm 140 10. Rosemont 11. Ach, treurt myn bedroefde [Schapen] (Ah! mourn, my sorrowful [sheep]) 12. Stil, stil een reys (Hush, hush a moment) 13. Geswinde Bode van de Min (Swift messenger of love) 14. Philis schoone Herderin (Phyllis, beautiful shepherdess) 15. Comagain (Come again) 16. Al hebben de Princen haren [Wensch] (Although princes have their [wish]) 17. De zoete Zoomer tyden (Sweet summertime) 18. Courante Mars (Mars courante) 19. Tweede Carileen (Second Carileen) 20. Vierde Carileen (Fourth Carileen) 21. La Bergere (The shepherdess) 22. France Courant (France courante) 23. Gabrielle Maditelle (Gabrielle told me she) 24. Blydschap van my vliedt (Joy flees from me) 25. Prins Robberts Masco (Prince Rupert's masque) 26. Ballette Gravesand (Gravesand ballet) 27. Aerdigh Martyntje (Lovely Martina) 28. Lavignone 29. Psalm 134
Tracklista: 1. Praeambulum Primi Toni 00:01:28 2. Ricercar Del Primo Tuono Alla Quarta Alta (Libro Secondo, 1595) 00:06:28 3. Crecquillon - Ricercar Sopra Pour Ung Plaisir (Libro Quinto, 1605) 00:02:24 4. Toccata Primi Toni 00:03:38 5. Capriccio Sopra Il Pass' E Mezo Antico (Libro Terzo, 1596) 00:03:49 6. Lassus - Canzona, "Susanne Un Jour" (Libro Quinto, 1605) 00:04:24 7. Canzona, "Qui La Dira" (Libro Sesto, 1605) 00:03:47 8. Toccata Del Nono Tono (Libro Primo, 1593) 00:05:08 9. Ricercar Del Primo Tono (Libro Terzo, 1596) 00:02:49 10. Praeambulum Quarti Toni 00:02:15 11. Ricercar Quarti Toni (Libro Secondo, 1595) 00:05:34 12. Crecquillon - Canzona, "Frais And Galliard" (Libro Quinto, 1605) 00:03:46 13. Ferrabosco - Madrigale, "Io Mi Son Giovinetta" (Libro Terzo, 1596) 00:04:17 14. Toccata Del Decimo Tuono (From Il Transilvano) 00:02:08 15. Ricercar Del Primo Tuono (Libro Secondo, 1595) 00:06:42 16. Ricercar Arioso (Libro Quinto, 1605) 00:03:29 17. Ricercar Del Terzo Tuono (Libro Secondo, 1595) 00:03:35 18. Canzon Ariosa (Libro Terzo, 1596) 00:02:34 19. Rore - Madrigale, "Anchor Che Co'l Partire" (Libro Terzo, 1596) 00:04:01
2010 – the 200th anniversary of Chopin's birth – may be an opportunity to bring to light also littleknown gems of 17th and 18th century Polish music. These pieces, written by Polish composers and foreign composers living in Poland, deserve much greater attention. At the beginning of the 17th century Poland was a powerful state and was very open to new ideas from all artistic directions. The baroque aesthetic, which came from Italy, quickly established itself through "imported" composers and musicians working at Polish courts and in the churches. Alla polacca was formed by three musicians who studied chamber music together at Cologne University of Music under artists of such distinction as Konrad Junghänel, Barbara Schlick and Kai Wessel. The ensemble’s core members are Iwona Leśniowska-Lubowicz (soprano), Paulina Kilarska (harpsichord, organ) and Stanisław Gojny (theorbo, archlute and baroque guitar), all of whom have many years of experience in the field of early music interpretation.
The English anonymous fifteenth-century Missa Caput at the centre of this disc is probably the most significant work from the period. It was copied all across Britain and the Continent and was largely responsible for the universal adoption of the 'parody mass' technique and of today's standard four-part choir arrangement. It is a work of great stature and beauty, in this performance interspersed with a curious Latin poem which describes how two small boys composed the Salve regina antiphon while languishing in Hell. (The poem has recently been discovered and is the subject of a forthcoming monograph by Christopher Page.)
1.A) Quid Commisisti, O Dulcissimi PuerB) Ego Sum Tui PlagaC) Ego Enim Inique EgiD) Quo, Date DeiE) Calicem... - 13:202.A) Ad Dominum Cum Tribularer ClamaviB) Quid Detur Tibi - 04:473. Inter Brachia Salvatoris Mei - 03:284.A) Ego Dormio, Et Cor Meum VigilatB) Vulnerasti Cor Meum - 06:335. Cantate Domino Canticum Novum - 03:016.A) Aspice, Pater, Piisimum Filium - Nonne Hic Est, MI Domine, Innocens IlleC) Reduc, Domine Deus Meus - 06:557.A) Verba Mea Auribus Percipe, Domine - Quoniam Ad Te Clamabo - 04:508. Heu Mihi, Domine - 03:549.A) Domine, Non Est Exaltatum Cor MeumB) SI Non Humiliter SentiebamC) Speret Israel - 05:5310. In Te, Domine, Speravi - 02:0811. Spes Mea, Christe Deus - 02:43
Kontynuacja cyklu poświęconego Leonardowi da Vinci. Pierwsza płyta – L’amore Mi Fa Sollazar odwoływała się do wymyślonej przez Mistrza figury stylistycznej zawierającej nazwy dźwięków „miłosnej” skali muzycznej – Miłość daje mi ukojenie. (PN 1320) Viola Organista to instrument wymyślony i opisany przez Leonarda da Vinci. Pierwszy instrument klawiszowo-smyczkowy, w którym naciśnięcie klawisza powodowało przesunięcie smyczka po prostopadle ustawionej strunie.
Tracklista:1. Rodelinda, regina de' Langobardi, opera, HWV 19: Act 2. Scene. 3. Spietati, io vi giurai 4:172. Rodelinda, regina de' Langobardi, opera, HWV 19: Act 1. Scene. 7. Ombre, piante, urne funeste! 4:463. Riccardo Primo, rč d'Inghilterra, opera, HWV 23: Act 3. Scene. 8. Il volo cosě fido 5:104. Giulio Cesare in Egitto, opera, HWV 17: Act 2. Scene. 8. Accomp.: Che sento? / Aria: Se pi 10:565. Giulio Cesare in Egitto, opera, HWV 17: Act 3. Scene. 3. Recit.: E pur cosě / Aria: Piange 6:036. Giulio Cesare in Egitto, opera, HWV 17: Act 3. Scene. 6. Da tempeste il legno infranto 6:177. Scipione (Publio Cornelio Scipione), opera, HWV 20: Act 2. Scene. 8. Scoglio d'immota fronte 5:278. Ottone, re di Germania, opera, HWV 15: Act 1. Scene. 3. Recit.: Č tale Otton? / Aria: Fal 7:179. Ottone, re di Germania, opera, HWV 15: Act 1. Scene. 10. Recit. Giunge Otton? / Aria: Aff 7:3410. Tamerlano, opera, HWV 18: Act 1. Scene. 5. Recit.: Serve Asteria / Aria: Se 7:1411. Alesandro, opera, HWV 21: Act 3. Scene. 4. L'Amor che per te sento 4:4212. Flavio, Rč di Longobardi, opera, HWV 16: Act 1. Scene. 13. Recit.: Chi mai l'intende / Aria 4:2413. Agrippina, opera, HWV 6: Act 2. Scene. 20. Recit.: Favorevol la sorte / Ari 5:2114. Agrippina, opera, HWV 6: Act 2. Scene. 13. Pensieri, voi mi tormentate 4:4715. Radamisto, opera, HWV 12: Act 2. Scene. 2. Ombra cara di mia sposa 8:0216. Radamisto, opera, HWV 12: Act 3. Scene. 1. Recit.: Oh Dio! parte Zenobia / A 6:1617. Muzio Scevola, opera, Act III, HWV 13: Act 3. Scene. 3. Accomp.: Io d'altro regno / Aria: 6:3018. Ottone, re di Germania, opera, HWV 15: Act 2. Scene. 4. Recit.: Ben a raggion / Aria: Vie 7:5519. Giulio Cesare in Egitto, opera, HWV 17: Act 1. Scene. 4. Recit.: Vani soni i lamenti / Ari 5:1220. Giulio Cesare in Egitto, opera, HWV 17: Act 1. Scene. 8. Cara speme 4:5421. Giulio Cesare in Egitto, opera, HWV 17: Act 2. Scene. 6. Recit.: Figlio non č / Aria: L'an 5:4722. Giulio Cesare in Egitto, opera, HWV 17: Act 2. Scene. 11. L'aure che spira 5:1723. Giulio Cesare in Egitto, opera, HWV 17: Act 3. Scene. 5. La giustizia 4:2224. Arianna in Creta, opera, HWV 32: Act 1. Scene. 2. Mirami altero in volto 3:5425. Arianna in Creta, opera, HWV 32: Act 2. Scene. 6. Qual leon 5:5626. Giulio Cesare in Egitto, opera, HWV 17: Act 1. Scene. 9. Va tacito 6:1727. Giulio Cesare in Egitto, opera, HWV 17: Act 1. Scene. 7. Non č si vago e bello 3:0228. Rodelinda, regina de' Langobardi, opera, HWV 19: Act 3. Scene. 4. Vivi, tiranno 5:3329. Tolomeo, rč d'Egitto, opera, HWV 25: Act 3. Scene. 6. Recit.: Che piů si tarda omai / A 6:3630. Riccardo Primo, rč d'Inghilterra, opera, HWV 23: Act 2. Scene. 7. Recit.: Nube, che il Sole / Aria: 6:1431. Riccardo Primo, rč d'Inghilterra, opera, HWV 23: Act 1. Scene. 6. Agitato da fiere tempeste 4:3832. Orlando, opera, HWV 31: Act 2. Scene. 11. Accomp.: Ah! Stigie larve / Ario 7:5033. Orlando, opera, HWV 31: Act 3. Scene. 8. Accomp.: Giŕ per la man / Arioso: 5:4534. Orlando, opera, HWV 31: Act 1. Scene. 9. Recit.: T'ubbidirň, crudele / Ari 3:3535. Orlando, opera, HWV 31: Act 2. Scene. 3. Recit.: Č questa la Mercede / Ari 5:0436. Flavio, Rč di Longobardi, opera, HWV 16: Act 3. Scene. 4. Amor, nel mio penar 6:0537. Ezio, opera, HWV 29: Act 1. Scene. 6. Recit.: Perché tanto tormento? / 3:2938. Ezio, opera, HWV 29: Act 2. Scene. 8. Accomp.: Folle č colui / Aria: Na 5:3939. Ezio, opera, HWV 29: Act 3. Scene. 13. Recit.: Che indegno! / Aria: Giŕ 5:3740. Sosarme, re di Media, opera, HWV 30: Act 1. Scene. 5. Recit.: Addio, principe scrupolos 5:0741. Sosarme, re di Media, opera, HWV 30: Act 2. Scene. 7. Recit.: Quanto piů Melo / Aria: S 5:0542. Sosarme, re di Media, opera, HWV 30: Act 3. Scene. 9. Recit. Tanto s'esguirŕ / Aria: Ti 3:0643. Esther, oratorio, HWV 50a: Act 1. Scene. 3. Recit.: I'll hear no more / Aria: 2:2644. Esther, oratorio, HWV 50a: Act 2. Scene. 6. Turn not, O Queen 2:3545. Esther, oratorio, HWV 50a: Act 3. Scene. 6. How art thou fall'n 4:2146. Acis and Galatea, oratorio, HWV 49: Part 2. Recit.: Avampo / Aria: Ferito son d'Amore 3:4747. Tolomeo, rč d'Egitto, opera, HWV 25: Act 2. Scene. 7. Piangi pur 2:3448. Orlando, opera, HWV 31: Act 1. Scene. 2. Recit.: Mira, e prendi l'esempio 4:1049. Orlando, opera, HWV 31: Act 3. Scene. 6. Recit.: Impari ognun da Orlando / 6:4250. Deborah, oratorio, HWV 51: Act 1. Scene. 3. Recit.: Barak, my son / Aria: Asa 3:3351. Deborah, oratorio, HWV 51: Act 2. Scene. 2. Recit.: Thy ardours warm / Aria: 3:2652. Deborah, oratorio, HWV 51: Act 3. Scene. 2. Tears, such as tender fathers she 2:3953. Athalia, oratorio, HWV 52: Act 2. Scene. 1. Ah, canst thou but prove me! 3:22