Tracklista: CD 1 1. Concerto No. 1 in F major, BWV 1046: I. [c] 2. Concerto No. 1 in F major, BWV 1046: II. Adagio 3. Concerto No. 1 in F major, BWV 1046: III. Allegro 4. Concerto No. 1 in F major, BWV 1046: IV. Menuet – Trio I – Poloinesse – Trio II 5. Concerto No. 2 in F major, BWV 1047: I. [c] 6. Concerto No. 2 in F major, BWV 1047: II. Andante 7. Concerto No. 2 in F major, BWV 1047: III. Allegro assai 8. Concerto No. 3 in G major, BWV 1048: I. [c] – Adagio 9. Concerto No. 3 in G major, BWV 1048: II. Allegro 10. Concerto No. 4 in G major, BWV 1049: I. Allegro 11. Concerto No. 4 in G major, BWV 1049: II. Andante 12. Concerto No. 4 in G major, BWV 1049: III. Presto CD 2 1. Concerto No. 5 in D major, BWV 1050: I. Allegro 2. Concerto No. 5 in D major, BWV 1050: II. Affettuoso 3. Concerto No. 5 in D major, BWV 1050: III. Allegro 4. Concerto No. 6 in B-flat major, BWV 1051: I. [c] 5. Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto 6. Concerto No. 6 in B-flat major, BWV 1051: III. Allegro 7. Ouverture [No. 2] in B minor, BWV 1067: I. Ouverture 8. Ouverture [No. 2] in B minor, BWV 1067: II. Rondeaux 9. Ouverture [No. 2] in B minor, BWV 1067: III. Sarabande 10. Ouverture [No. 2] in B minor, BWV 1067: IV. Bourée 1 & 2 11. Ouverture [No. 2] in B minor, BWV 1067: V. Polonoise moderato e staccato. Lentement & Double 12. Ouverture [No. 2] in B minor, BWV 1067: VI. Menuet 13. Ouverture [No. 2] in B minor, BWV 1067: VII. Battinerie


  • Wykonawca Zefiro
  • Data premiery 2018-10-12
  • Nośnik CD
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Internationally renowned early music virtuosi Genevieve Lacey (recorder), Daniel Yeadon (viola da Gamba/cello) and Neal Peres Da Costa (Organ/ harpsichord) here bring their expertise and insights to the music of the Baroque masters. Handel is central to this offering of Baroque music. Handel’s recorder sonatas were composed in London, during 1724 – 1726. At the same time he was enjoying success with Italian opera so nicely coupled here an arrangement of Par che mi nasca in seno from Tamerlano, Handel’s ‘large’ scale operatic works often calling for the recorder in select moments. The recorder sonatas as can be heard here, are a distillation of many of Handel’s favourite melodic and rhetorical devices.Telemann’s mixed writing style here displays clear influences of the Baroque from France, Germany and Italy. Lacey, Peres Da Costa and Yeadon deliver performances which are outstandingly good with an energy and vibrancy in the performances revealing a deep understanding of this music.Genevieve Lacey has appeared at the world’s pre-eminent music and arts festivals including The BBC Proms, Paris Festival d’Automne, Moscow Chekhov International Theatre Festival, Klangboden Wien, Copenhagen Summer, Sablé, Montalbane, MaerzMusik, Europäisches Musikfest, David Oistrakh Festival Estonia, Cheltenham, Huddersfield and Lichfield in the UK to name but a few. Equally at home with contemporary music and early music Genevieve has since 2009, been artist in residence at the Victorian College of the Arts in Melbourne. Since their return to Australia after 15 years in London, Neal Peres Da Costa and Daniel Yeadon have regularly joined Genevieve in recitals. Neal Peres Da Costa is a specialist in early keyboards and lecturer in musicology at the Sydney Conservatorium of Music having previously been Professor of Fortepiano at London’s Royal Academy of Music and is a co-founder renowned period instrument ensemble Florilegium. Daniel Yeadon specialises in baroque and classical cello as well as viola da gamba and was principal cellist of Florilegium as well as holding key teaching positions in the UK at the Royal College of Music, the Royal Academy of Music and Cambridge and York Universities.As a musical offering this spins threads between the players, embraces the listener, and creates webs across centuries and countries. A release certainly not short on filigree ornamentation, or lacking in richness of instrumental colours.


  • Wykonawca Lacey Genevieve , Yeadon Daniel , Peres Da Costa Neal
  • Data premiery 2013-03-01
  • Nośnik CD
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Muzyka na violę da gamba solo różnych kompozytorów - Jana Sebastiana Bacha oraz innych kompozytorów niemieckich, francuskich i angielskich w wykonaniu włoskiego artysty Paolo Pandolfo. Na płycie również kompozycja wykonawcy.


  • Wykonawca Pandolfo Paolo
  • Data premiery 2014-06-13
  • Nośnik CD
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Classical vocal quartet New York Polyphony struck a chord with their 2007 Avie debut, I Sing The Birth (AV 2141). An intimate meditation on the Christmas season, it garnered unanimous praise on both sides of the pond. For Gramophone Magazine it was “one of the season's best”, and it was an Editor's Christmas Choice in BBC Music Magazine. For theirsecond release, the all-male foursome delivers their signature fusion of historically informed performances in a range of styles. Interspersed between sacred masterpieces of Tudor England are four new works by British-Norwegian composer Andrew Smith, adding a modern harmonic richness and complexity to the album. The result is a compelling synthesis of ancient and contemporary vocal music.New York Polyphony extends the mix of old world and new in the album’s title, named for the distinctive 19th-century neighbourhood on Manhattan’s East Side which is pictured in the striking cover design.


  • Wykonawca New York Polyphony
  • Data premiery 2010-08-01
  • Nośnik CD
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Nagranie muzyki wielkiego czeskiego kompozytora epoki baroku Jana Dismasa Zelenki. Zelenka był jednym z najważniejszych twórców na dworze królów polskich w Dreźnie. Wykonawcy to zespół Ensemble Inégal pod dyrekcją Adama Viktory, które specjalizują się w stylowym wykonawstwie muzyki dawnej. Artyści ci są czołowymi muzykami nurtu historycznego wykonawstwa w Czechach. Na płycie nagrana jest msza Zelelnki i inne kompozycje religijne.


  • Wykonawca Ensemble Inegal
  • Data premiery 2019-09-13
  • Nośnik CD
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Tracklista:1. Tell Me Dearest, What Is Love? I2. Aloe, P. 683. Come Away4. Fie on This Feigning5. Were Every Thought an Eye6. Mrs. Vaux's Gigge7. Follow Thy Fair Sun I8. O Never to Be Moved9. Harden Now Thy Tired Heart10. Tell Me Dearest, What Is Love? II11. Can She Excuse My Wrongs12. Flow Not So Fast, Ye Fountains13. If My Complaints14. Fair Sweet Cruel15. Thou Poet's Friend16. La mia Barbara17. All Ye, Whom Love of Fortune Hath Betrayed18. Go Crystal Tears19. Follow Thy Fair Sun II20. Weep You No More, Sad Fountains21. Awake, Sweet Love22. Can She Excuse My Wrongs23. Ambitious Love24. Come Again25. Mignarda26. Tell Me Dearest, What Is Love? III27. The Match That's Made


  • Wykonawca Santana Lee , Podger J.
  • Data premiery 2014-03-04
  • Nośnik CD
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Tracklista:1. Work(s): Adagio in G major2. Tirsis am Scheidewege (In einem Tal), secular cantata for voice, 3 winds, strings & continuo (CNVD 53. Tirsis am Scheidewege (In einem Tal), secular cantata for voice, 3 winds, strings & continuo (CNVD 54. Tirsis am Scheidewege (In einem Tal), secular cantata for voice, 3 winds, strings & continuo (CNVD 55. Tirsis am Scheidewege (In einem Tal), secular cantata for voice, 3 winds, strings & continuo (CNVD 56. Tirsis am Scheidewege (In einem Tal), secular cantata for voice, 3 winds, strings & continuo (CNVD 57. Tirsis am Scheidewege (In einem Tal), secular cantata for voice, 3 winds, strings & continuo (CNVD 58. Das Frauenzimmer verstimmt sich immer, aria with ritornello for voice, flute, violin & continuo, TWV9. Emma und Eginhard, oder Die Last-tragende Liebe, opera in 3 acts, TWV 21:25: Vergiss dich selbst, me10. An den Schlaf, ode for voice & continuo (Oden No. 5), TWV 25:9011. Nach Finsternis und Todesschatten, sacred cantata for voice, oboe (or trombone), violin & continuo (12. Nach Finsternis und Todesschatten, sacred cantata for voice, oboe (or trombone), violin & continuo (13. Nach Finsternis und Todesschatten, sacred cantata for voice, oboe (or trombone), violin & continuo (14. Die Einsamkeit, song for voice & continuo (Generalbasslieder No. 24), TWV 25:6215. Meines Bleibens ist nicht hier (II), sacred cantata for voice, 2 violins & continuo, TWV 1:1101: Sin16. Meines Bleibens ist nicht hier (II), sacred cantata for voice, 2 violins & continuo, TWV 1:1101: Ari17. Meines Bleibens ist nicht hier (II), sacred cantata for voice, 2 violins & continuo, TWV 1:1101: Rec18. Meines Bleibens ist nicht hier (II), sacred cantata for voice, 2 violins & continuo, TWV 1:1101: Rit19. Meines Bleibens ist nicht hier (II), sacred cantata for voice, 2 violins & continuo, TWV 1:1101: Rec


  • Wykonawca Jacobs Rene
  • Data premiery 2009-03-06
  • Nośnik CD
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