
Album został wydany przez wytwórnię Analekta (AN 28907).
- Wykonawca Harnoy Ofra , Herriott Mike
- Data premiery 2019-09-01
- Nośnik CD
- Muzyka poważna / Dawna
- 26-02-2019, 21:19
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Album został wydany przez wytwórnię Analekta (AN 28907).

Tracklista:1. Chansons turcquesques: Hel vel Aqueur & Tal lissi man2. Air espagnol: No ay en la tierra3. Chanson suissece: Mattone mie care4. Bransle de village, manuscrit Philidor5. Bansle de Lorraine, manuscrit Philidor6. Junckfraw dein schöne gstalt erfreüt mich sehr7. Pavana del Sgr Guilhelmo Keudelio8. Villanelles italiennes: Madonna di Coucagna9. Villanelles italiennes: Vita ti voria dar10. Air de court: Me voila hors du naufrage11. The Earl of Essex galiard12. Burth Forth my teares13. Les Gascons, manuscrit Philidor14. Chanson: Je suis par trop longtemps pucelle15. Air de court: Que le flambeau du monde quitte l'autre séjour

Tracklista: 1. Gaetano Veneziano: Lectio IX in tertio nocturno, “Quare de vulva" 2. Gaetano Veneziano: Lectio III in primo nocturno, “Manus tuae" 3. Gaetano Veneziano: Fuga a 2 violini 4. Gaetano Veneziano: Lectio iv in secundo nocturno, “Responde mihi” 5. Nicola Fago: Laudate pueri 6. Nicola Fago: Beatus vir 7. Francesco Provenzale: Pange lingua 8. Francesco Provenzale: Su i palchi delle stelle 9. Gaetano Greco: Pastorale 10. Anonymous: Pastorale 11. Nicola Fago: Quid hic statis pastores

Muzyka nagrana na płycie to pieśni Żydów Sefardyjskich oraz utwory hiszpańskie z XVII wieku. Wykonawcy to Yaniv d’Or - kontratenor oraz zespoły NAYA i Barrocade pod dyrekcją Amita Tiefenbrunna.

Msze renesansowego kompozytora Johannesa Ockeghema w wykonaniu zespołu The sound and the fury.

Wolumin trzeci cyklu koncertów skomponowanych na zestawy różnych instrumentów przez barokowego kompozytora niemieckiego Georga Philippa Telemanna. Wykonawcy to zespół La Stagione Frankfurt pod dyrekcją Michaela Schneidera.

Tracklista:1. Brandenburg Concerto No. 1 in F major, BWV 1046 18:282. Brandenburg Concerto No. 2 in F major, BWV 1047 10:393. Brandenburg Concerto No. 3 in G major, BWV 1048 9:044. Orchestral Suite No. 1 in C major, BWV 1066 24:28

Prize-winning accordion virtuoso Viviane Chassot literally infuses a selection of Joseph Haydn's piano sonatas with new life on her new GENUIN release. A bubbling effervescence, an expressive sigh, a moan of complaint, the warm and versatile tone of her instrument embraces the polished clarity of Haydn's works, treating listeners to tonal colors which may never have been heard before in these works. At the same time, she stays true to the clear formal structure, with long arching lines and her unceasing rhythmic drive. As Haydn once said: "What comes from the heart, also goes to the heart ...""Chassot has pulled off a wonderful interpretation which transforms the accordion into an absolutely classic instrument."; akkordeon magazine

The Chantilly codex is the most sumptuous of the manuscripts transmitting the fascinating polyphonic songs of the late fourteenth-century France in a style known as the “ars subtilior”, the “more subtle art.” In the songs of this period,composers exerted themselves to express ever more complex rhythms, inventing new notational symbols to express them. The expression of the musical rhythm through notation was such a hot-button issue that a number of songs in the manuscript actually take it on as a topic, becoming self-referential essays about musical composition. In addition, the composers of this music worked in the great courts of Europe, and politics and political events invariably made their way into the song repertory.

CD:1. Messiah, oratorio, HWV 56 2:29:38