Tracklista: 1. Bernardo Pasquini: Toccata [per] Milone 2. Bernardo Pasquini: Alemanda 3. Bernardo Pasquini: Passagagli 4. Bernardo Pasquini: Bizzarria 5. Bernardo Pasquini: Variazioni per il Paggio Todesco 6. Bernardo Pasquini: Toccata Ottava 7. Arcangelo Corelli: Sonata I op. I: Grave 8. Arcangelo Corelli: Sonata I op. I: Allegro 9. Arcangelo Corelli: Sonata I op. I: Adagio 10. Arcangelo Corelli: Sonata I op. I: Allegro 11. Jacques Arcadelt: Se la dura durezza passeggiato 12. Anonymous: Toccata 13. Anonymous: Tenor di Napoli 14. Anonymous: Corrente 15. Bernardo Pasquini: Passagagli per Petronilla 16. Alessandro Stradella: Sinfonia a violino solo: Moderato 17. Alessandro Stradella: Sinfonia a violino solo: Allegretto 18. Alessandro Stradella: Sinfonia a violino solo: Andante 19. Alessandro Stradella: Sinfonia a violino solo: Allegretto 20. Alessandro Scarlatti: Toccata 21. Alessandro Scarlatti: Fuga 22. Arcangelo Corelli: Sonata I op. I: Grave


  • Wykonawca Galassi Mara
  • Data premiery 2018-03-16
  • Nośnik CD
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Płyta z barokową muzyką skrzypcową. Program to utwory kompozytorów XVII wieku takich jak: Nicola Matteis, Romanus Weichlein, Biagio Marini, Johann Heinrich Schmelzer, Andrea Falconieri, Heinrich Ignaz Franz von Biber, Antonio Bertali, Paul Westhoff, Dieterich Buxtehude, Marco Uccellini i Paolo Cima. Wykonawcy to zespół Musica Alchemica oraz Lina Tur Bonet - skrzypce i prowadzenie.


  • Wykonawca Tur Bonet Lina
  • Data premiery 2020-03-13
  • Nośnik CD
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Tracklista:1. Fugue 1 (Contrapunctus 1) 00:02:50 2. Fugue 2 (Contrapunctus 3) 00:02:40 3. Fugue 3 (Contrapunctus 2) 00:02:35 4. Fugue 4 (Contrapunctus 5) 00:03:25 5. Fugue 5 (Contrapunctus 9) 00:03:23 6. Fugue 6 (Contrapunctus 10 and 14) 00:03:46 7. Fugue 7 (Contrapunctus 6) 00:04:17 8. Fugue 8 (Contrapunctus 7) 00:04:28 9. Canon in Hypodiapason (Contrapunctus 16) 00:04:29 10. Fugue 10 (Contrapunctus 8) 00:06:04 11. Fugue 11 (Contrapunctus 11) 00:06:16 12. Canon in Hypodiatessaron, al roverscio e per augmentationem 00:05:26 13. Fugue 13 (a) Forma recta (Contrapunctus 12a) 00:02:30 14. Fugue 13 (b) Forma inversa (Contrapunctus 12b) 00:02:35 15. Fugue 14 (Forma inversa) (Contrapunctus 13) 00:02:20 16. Canon al roverscio et per augmentationem (Contrapunctus 15) 00:03:44 17. Fugue 19 (fragment of a fugue with several subjects) (Contrapunctus 20) 00:07:45


  • Wykonawca Guillot Sebastien
  • Data premiery 2006-05-20
  • Nośnik CD
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Nagradzany przez Gramophone Mahan Esfahani, klawesynista pochodzący z Iranu, jest wykonawcą utworów Rameau, prezentowanych na najnowszej płycie Hyperionu. Dzieła te, nagrywane w zabytkowej scenerii sali muzycznej w Hatchlands Park w Surrey, potwierdzają mistrzowski kunszt młodego artysty, a także wyjątkowe piękno zawarte w kompozycjach francuskiego mistrza muzyki klawesynowej. Polecamy.


  • Wykonawca Esfahani Mahan
  • Data premiery 2014-11-01
  • Nośnik CD
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Jan Dismas Zelenka’s music for the funeral rites of Augustus the Strong – Officium defunctorum ZWV 47 (Invitatorium, Nocturno I-III) and Requiem ZWV 46 – reveals the most impressive face of the Baroque theatre of death. The man in the chief role of this spectacle follows the appeal in the 95th psalm of the introductory antiphon of the invitatorium “the King, in whom everything lives, let us worship Him”, and bows his head before God and the majesty of death. The sombre atmosphere of the invitatorium, which is characterised by the relentless alternation of the lessons with the responses and the strict counterpoint of the Gregorian Chant, contrasts starkly with theexhilarating splendour and variety of the Requiem. The Requiem Mass is not only funeral music here, but is above all the omen for the resurrection and the apotheosis of the Sovereign. Zelenka takes complete advantage of every possibility which was at his disposal from the court orchestra. Trumpets and horns together with concertante transverse flutes, oboes and bassoons are supplemented by the chalumeau.The Prague baroque orchestra Collegium 1704 and vocal ensemble Collegium Vocale 1704 were founded by harpsichordist and conductor Václav Luks in 2005. Their recordings for Arta records (Benda), Supraphon (Zelenka, Reichenauer), and Zig-Zag (Zelenka) have been favourably received in Europe and further afield. The present recording marks the beginning of a long-term cooperation between Collegium 1704/Václav Luks and the label Accent.


  • Wykonawca Collegium 1704 , Collegium Vocale
  • Data premiery 2011-01-10
  • Nośnik CD
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