Tracklista:1. Beim Schlafengehen2. September3. Frühling4. Im Abendrot5. Ein Schönes War6. Es Gibt Ein Reich7. Circe, Ich Konnte Fliehen!8. Aber Der Richtige9. Mein Elemer10. Das Wahr Sehr Gut, Mandryka
Słynne tenorowe arie ze popularnych oper w wykonaniu 3 tenorów: L. Pavarotti, P. Domingo, J. Carreras.AidaAct IScene 11 Se quel querrierTurandotAct IIIScene 12 Nessun dormaI PagliacciAct I3 Recitar! ...Vesti la giubbaMarthaAct III4 M'appari tutt'amorRigolettoAct IV5 La donnaMobileCarmenAct II6 La fleur que m'avais jetéeToscaAct I7 Dammi i colori... Recondita armoniaEugene Onegin8 Kuda vy udallis (Lensky's Aria)La tabernera del puerto9 No puede serLa forza del destinoAct III10 Oh, tu che in seno agli angeliL'elisir d'amoreAct II11 Una furtiva lagrimaLa bohemeAct I12 Che gelida maninaOtelloAct IV13 Niun mi temaLohengrinAct III14 In fernem LandToscaAct III15 E lucevan le stelleLa traviata
Tracklista: Johann Balthasar Erben 1. Ich freue mich im Herrn Nicolaus Adam Strungk 2. Sonata a 6 Georg Christoph Strattner 3. Herr, wie lange willst du mein so gar vergessen Johann Rosenmüller 4. Habe deine Lust an dem Herren 5. Wie der Hirsch schreiet nach frischem Wasser Giovanni Legrenzi 6. Sonata quinta ? quatro viole da gamba ? come piace Antonio Bertali 7. Sonata ? 6 Augustin Pfleger 8. O barmherziger Vater Christian Flor 9. Es ist gnug
Tracklista:1. A la mignonne de fortune 00:07:10 2. Adieu m'amour No. 1 00:01:41 3. Adieu m'amour No. 2 00:02:12 4. Allez, regretz 00:06:56 5. Guarde vostre visage No. 1 00:00:50 6. S'il vous plaist 00:08:08 7. Et qui la dira 00:01:39 8. De tous bien plaine No. 1 00:02:34 9. De tous bien plaine No. 2 00:01:55 10. De tous bien plaine No. 3 00:02:33 11. Soit loing ou pres 00:06:31 12. Guarde vostre visage No. 2 00:00:56 13. Ay je rien fet 00:03:12 14. Sonnes muses melodieusement 00:03:18 15. Guarde vostre visage No. 3 00:00:51 16. J'ay beau huer 00:05:01 17. Cecus non iudicat de coloribus 00:07:33 18. Fortuna desperata 00:01:53
Zespół świętuje swoje trzydziestolecie, nagrywając nową kolekcję utworów świątecznych. Tym razem oryginalne kompozycje z czasów XIV-XVIII wieku. Hans-Christoph Rademann nadaje całej kolekcji aurę romantyzmu.
Tracklista:1. Missa Pro defunctis - Responsorium: Memento mei Deus2. Missa Pro defunctis - Introitus3. Missa Pro defunctis - Kyrie4. Missa Pro defunctis - Graduale5. Missa Pro defunctis - Offertorium6. Missa Pro defunctis - Agnus Dei7. Missa Pro defunctis - Sanctus & Benedictus8. Missa Pro defunctis - Communio9. Missa Pro defunctis - Antiphona: In paradisum10. Prophetiae Sibyllarum - Carmina Chromatico11. Prophetiae Sibyllarum - Sybilla Persica12. Prophetiae Sibyllarum - Sybilla Libyca13. Prophetiae Sibyllarum - Sybilla Delphica14. Prophetiae Sibyllarum - Sybilla Cimmeria15. Prophetiae Sibyllarum - Sybilla Samia16. Prophetiae Sibyllarum - Sybilla Cumana17. Prophetiae Sibyllarum - Sybilla Hellespontiaca18. Prophetiae Sibyllarum - Sybilla Phrygia19. Prophetiae Sibyllarum - Sybilla Europaea20. Prophetiae Sibyllarum - Sybilla Tiburtina21. Prophetiae Sibyllarum - Sybilla Erythraea22. Prophetiae Sibyllarum - Sybilla Agrippa
DAWNIEJ: CDA 67190 JANIS KELLY; CHRISTOPHER MALTMAN; MICHAEL GEORGE; RICHARD SUART; SALLY BURGESS; DONALD MAXWELL; NEW LONDON LIGHT OPERA CHORUS; NEW LONDON ORCHESTRA / RONALD CORP
Hyperion’s record of the month for February presents a Mozartian showcase for the extraordinary talents of Carolyn Sampson, and is also something of a rarity, the repertoire all dating the composer’s time in Salzburg. Two Regina caeli settings (for soprano, chorus and big orchestra), written whilst Mozart was still only in his mid-teens, are extremely fine—but not so often heard and even less often recorded. This is superb music: triumphant outer movements and heartfelt, more introspective inner sections which find Mozart at his most ardent.Exsultate, iubilate has, of course, been performed and recorded widely, but usually in the ‘Milan‘ version; here we record the rarely heard ‘Salzburg‘ version, which has a different orchestration (delicate flutes instead of oboes giving a very different colour) and different words. It ends, of course, with the wildly famous, virtuosic ‘Alleluia‘.These three works make substantial pillars for the disc. But there is much more! A series of shorter jewels, including three of the greatest movements for solo soprano taken from larger sacred works: the hugely famous ‘Laudate Dominum‘ from the Vesperae solennes de Confessore (which could be by Verdi, with its amazing soft chorus entry part of the way through), the utterly ravishing ‘Agnus Dei‘ from the ‘Coronation‘ Mass, and a cheerful and less often heard ‘Laudate Dominum’ from the Vesperae solennes de Domenica with a cheery organ solo duetting with the voice.Finally we have a very rarely heard duet, Sub tuum praesidium, where, thanks to the wonders of technology, Carolyn duets with herself—surely no two sopranos have ever duetted more perfectly, and it is a glorious piece of writing.Reviewing the concert prior to the recording sessions for this disc, Geoffrey Norris wrote in The Daily Telegraph that The King’s Consort and Robert King displayed "an unerring understanding of Mozart’s sublime thrills" and that ‘Carolyn Sampson produced pure streams of coloratura‘.
Tracklista:1. Passionslied2. Bitten3. Prüfung Am Abend4. Abendlied5. Busslied6. Trost Eines Schwermüthigen Christen7. 'Seyn Oder Nicht-seyn', Phantasie Von C.P.E. Bach Mit Untergelegtem Text Von Gerstenberg8. Uber Die Finsternis Kurz Vor Dem Tode Jesu9. Passionslied10. Der Tag Des Weltgerichts11. Empfindungen in Der Sommernacht12. Der Frühling