Co prawda Mozart pisał zawodowo ogromne ilości mszy, ale to jeszcze nie znaczy, że są one zwykłą muzyką powszednią. W większości skłaniają się one ku jasnemu i radosnemu C-dur, która to tonacja daje duże pole do popisu trąbce i instrumentom perkusyjnym, których dźwięk będzie się radośnie rozchodził w wielkiej przestrzeni, takiej jak katedra św. Stefana w Wiedniu, ale jest wśród nich także wiele czułych arii, z których zapewne najbardziej zapada w pamięć sopranowe solo w Benedictus z Mszy „Koronacyjnej”. Każdy znajdzie w tym obszernym zestawie coś dla siebie i odkryje o wiele więcej. Znajduje się tu nie tylko Requiem i Wielka Msza C-moll, których pierwotne przeznaczenia wciąż jeszcze pozostają niejasne, ale także krótkie i proste utwory, takie jak Benedictus sit Deus. Wszystkie one są przyjemne dla ucha, szczególnie w tych eleganckich współczesnych wykonaniach.


  • Wykonawca Chamber Choir Of Europe
  • Data premiery 2011-10-01
  • Nośnik CD

Méhul: Le Chant du départ includes arrangements of the overtures to six of Méhul’s successful operas. At the end of the 18th century, it was common practice to arrange extracts from fashionable operas for small ensembles, often wind octets, to allow them to be performed in a range of contexts. Several revolutionary pieces are also included, such as Le Chant du Départ, a war song for the Revolutionary French armies.The ensemble Les Jacobins originated with the desire to explore the rich but little-known repertoire associated with the French Revolution. The group is comprised of Mathieu Lussier in collaboration with Canadian and international wind players. This exploration of the music of Étienne-Nicolas Méhul is the ensemble’s second CD on the ATMA label


  • Wykonawca Les Jacobins
  • Data premiery 2013-03-01
  • Nośnik CD

As a composer, Gustav Mahler was absorbed by song and symphony as complementary genres deeply involved with each other. So deeply involved, in fact, that the dividing line between the two is often blurred – most famously so in Das Lied von der Erde from 1909, which is variously described both as a cycle of orchestral songs and as a symphony. But already in 1888, in his first symphony, Mahler included two themes from the song cycle Lieder eines fahrenden Gesellen, which he had recently composed to his own poems. At the time this cycle only existed in a version for voice and piano; possibly it was the experience of orchestrating these themes in his symphony that a few years later inspired Mahler to create the version for voice and orchestra. If the Lieder… is a fairly early example of Mahler’s particular gift for merging text and voice with the symphonic medium, the two other cycles on this disc represent him at his zenith, around the time of his Fifth Symphony. All of the songs in Kindertotenlieder and Rückert-Lieder are settings of poems by the poet Friedrich Rückert, composed between 1901 and 1904. For Kindertotenlieder (Songs of the death of children) Mahler chose five of more than four hundred poems written by Rückert in reaction to the death of his two children: poems of despair, disbelief and resignation. Only four years after the completion of the cycle, Mahler’s own daughter died, aged four. While Kindertotenlieder was conceived as a cycle, the Rückert-Lieder are more loosely connected with each other. They were originally composed for voice and piano, and the orchestral versions were published only after Mahler’s death. Nevertheless they include some of the most sublime Mahlerian moments, for instance in Ich bin der Welt abhanden gekommen. Besides having a highly successful opera career, Katarina Karnéus is a regular guest with prestigious orchestras, and her appearances in works by Mahler have been particularly praised, for instance in The Guardian in regards to a performance of Symphony No.2: ‘Urlicht, heart-stoppingly sung by Katarina Karnéus, became the spiritual centre of the piece’. She is here supported by the acclaimed Gothenburg Symphony Orchestra conducted by the sought-after Finnish conductor Susanna Mälkki.


  • Wykonawca Karneus Katarina
  • Data premiery 2011-06-01
  • Nośnik SACD

Pasja według św. Marka – dzieło Jana Sebastiana Bacha powstałe około 1731 roku. Do dnia dzisiejszego nie zachowała się część muzyczna dzieła. W roku 2000 rekonstrukcji "Pasji..." podjął się ur. w Holandii Ton Koopman - światowej sławy dyrygent, organista oraz klawesynista. W celu odtworzenia dzieła, Koopman skomponował recytatywy oraz dobrał muzykę pochodzącą z innych kompozycji Bacha - m.in. kantat oraz Wielkiej Mszy h-moll.


  • Wykonawca Amsterdam Baroque Orchestra , Rubens Sibylla , Landauer Bernhard , Pregardien Christoph
  • Data premiery 2013-09-02
  • Nośnik CD

Tracklista: CD 1 1. Gretchen am Spinnrade D118 2. Suleika I (Was bedeutet die Bewegung?), D720 3. Suleika II (Ach, um deine feuchten Schwingen), D717 4. SchwestergruB, D762 5. Schlummerlied, D527 6. An die untergehende Sonne, D457 7. Mignon I (HeiB' mich nicht reden), D877 No.2 8. Mignon II (So laBt mich scheinen), D877 No.3 9. Mignon III (Nur wer die Sehnsucht kennt), D877 No.4 10. Mignon (Kennst du das Land?), D321 11. Berthas Lied in der Nacht, D653 12. Epistel an Herrn Josef Spaun, D749 13. Ellens Gesang I (Raster, Krieger), D837 14. Ellens Gesang II (Jäger ruhe von der Jagd), D838 15. Ellens Gesang III (Ave Maria), D839 16. Hin und wieder, D239 17. Lieber schwärmt, D239 No.6 18. An die Nachtigall, D497 19. Wiegenlied (Schlafe, schlafe), D498 CD 2 1. Delphine, D857 2. Wiegenlied, D867 3. Die Männer sind méchant, D866 No.3 4. Iphigenia, D573 5. Das Mädchen, D652 6. Die junge Nonne, D828 7. Am Grabe Anselmos, D504 8. Abendstern, D806 9. Strophe von Schiller (Die Götter Griechenlands), D677 10. Gondelfahrer, D808 11. Auflösung, D807 12. Die Forelle, D550 13. Rastlose Liebe, D138 14. Auf dem Wasser zu singen, D774 15. Der Tod und das Mädchen, D531 16. An die Musik, D547 17. Frühlingsglaube, D686 18. Der Musensohn, D764 19. An Sylvia, D891 20. Litanei, D343 21. Heidenröslein, D257 22. Nacht und Träume, D827 23. Du bist die Ruh', D776


  • Wykonawca Baker Janet
  • Data premiery 2004-01-01
  • Nośnik CD

Tracklista:1. Mr. John Langton's Pavan 00:04:19 2. Mistresse Nichols Almand 00:00:52 3. The Earle of Essex Galiard 00:01:37 4. A Shepherd in a Shade 00:02:44 5. Lasso vita mia 00:04:05 6. M. Buctons Galiard 00:01:40 7. M. Henry Noel his Galiard 00:02:47 8. M. Thomas Collier his Galiard 00:01:36 9. Farewell (In Nomine) 00:03:29 10. Semper Dowland semper dolens 00:06:40 11. Sweet stay awhile 00:03:09 12. Can she excuse my wrongs 00:03:01 13. A Fancy 00:03:35 14. M. Giles Hobies Galiard 00:01:47 15. Captaine Digorie Piper his Galiard 00:01:44 16. The King of Denmark's Galiard 00:01:26 17. Burst forth my tears 00:04:19 18. Dowland's Adieu for Master Oliver Cromwell 00:04:50 19. M. Nicholas Gryffith his Galiard 00:02:34 20. M. George Whitehead his Almand 00:01:40 21. Sir John Souch his Galiard 00:01:42 22. All ye whom love or Fortune 00:04:25 23. Sir Henry Umpton's Funerall 00:06:06


  • Wykonawca Rose Consort Of Viols , King Catherine
  • Data premiery 1997-01-01
  • Nośnik CD

The concluding song of Schubert’s Winterreise – “The Hurdy-Gurdy Man” – inspired Matthias Loibner and Nataša Mircović-De Ro to their own interpretation for soprano and hurdy-gurdy. Not only the obvious instrumentation is reflected in it, but also the hopelessness, emptiness, inner strife, and simplification that pervades the whole cycle. Familiar in terms of melody and harmony, some of the harmonic modulations simplify themselves. Nataša Mircović-De Ro’s voice is clearer and more poignant than that of the usual tenor, and time and again a jazzy breeze wafts through the Winterreise ...


  • Wykonawca Mirkovic Natasa , Loibner Matthias
  • Data premiery 2011-01-10
  • Nośnik CD

Tracklista:1. At a Lunar Eclipse2. O the Sight Entrancing3. To Lucasta, On Going to the Wars4. Tis But a Week5. Tom Sails Away6. Most Holy Night7. A Soft Day8. Sweet Polly Oliver9. Roses of Picardy10. Good Bye-ee11. If I Were the Only Girl in the World12. We'll Gather Lilacs13. Sailor's Song, Hob.XXVIa.3114. Submarines15. Tom Bowling16. The Ship17. Oft in the Stilly Night18. Spring Sorrow19. When I Am Dead, My Dearest20. Come to Me in My Dreams21. My Own Country22. Journey's End23. Homeward Bound24. We'll Gather Lilacs (Reprise)


  • Data premiery 2018-01-19
  • Nośnik CD / Album