
Album został wydany przez wytwórnię Atma (ACD 22766).
- Wykonawca Fialkowska Janina
- Data premiery 2019-08-01
- Nośnik CD
- Muzyka poważna / Kameralistyka
- 20-11-2019, 18:41
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Album został wydany przez wytwórnię Atma (ACD 22766).

Tracklista: CD 1 1. I. Prelude 2. II. Allemande 3. III. Courante 4. IV. Sarabande 5. V. Les Agréments De La Meme Sarabande 6. VI. Gavottes I & II 7. VII. Gigue 8. I. Prelude 9. II. Fugue 10. I. Prelude 11. II. Fugue 12. Two-Part Invention No. 8 In F Major, BWV779 13. Two-Part Invention No. 4 In D Minor, BWV775 14. I. Prelude 15. II. Fugue 16. I. Prelude 17. II. Fugue 18. I. Praeambulum 19. II. Allemande 20. III. Corrente 21. IV. Sarabande 22. V. Tempo Di Minuetto 23. VI. Passepied 24. VII. Gigue CD 2 1. I. Allemande 2. II. Courante 3. III. Sarabande 4. IV. Gavotte 5. V. Bourrée 6. VI. Loure 7. VII. Gigue 8. I. Prelude 9. II. Fugue 10. I. Prelude 11. II. Fugue 12. Two-Part Invention No. 3 In D Major, BWV774 13. Two-Part Invention No. 12 In A Major, BWV783 14. I. Prelude 15. II. Fugue 16. I. Prelude 17. II. Fugue 18. I. Prelude 19. II. Fugue 20. Three Part Sinfonia In E-Flat Major, BWV791 21. I. Prelude 22. II. Fugue 23. I. Praeludium 24. II. Allemande 25. III. Corrente 26. IV. Sarabande 27. V. Menuet I & II 28. VI. Gigue

Przedstawienie Dydony i Eneasza Purcella z Covent Grden w Londynie pod dyrekcją Christophera Hogwooda.

Bach stworzył trzy piękne sonaty, przeznaczone na violę da gamba. Steven Isserlis dokonał trzech pięknych re-interpretacji tych dzieł na swój instrument, wiolonczelę, łącząc je z dziełami Haendla i Scarlattiego. Spokój, jedność, harmonia - te słowa doskonale odwzorowują nastrój najnowszej płyty z Hyperion Records.

Album został wydany przez wytwórnię Chandos (CHAN 20121).

To celebrate its 10th anniversary PentaTone has decided to embark on a unique project: Recording the 10 major Wagner operas with the same forces. Never before a record company has recorded all Wagner opera's with the same Orchestra, Choir and conductor.This project became possible since the Rundfunk Sinfonieorchester Berlin had decided to program all the Wagner opera's in three seasons in concert performances. Marek Janowski the Music Director of the Orchestra (who a.o. recorded the first digital Ring cycle in Dresden) felt that in Berlin with its 3 opera houses too much attention went to the mis en scene and wanted to enable the audiences of his orchestra to listen to the music Wagner has composed without being detracted by the way stage directors and set designers influence the Wagner experience and detract from the music. For the full story we refer to the (video) interview with Marek Janowski which was done by the magazine "Gramophone" which will soon be posted on the Gramophone website. A short version of the interview will be published by "Gramophone" in the print version of the awards issue of the magazine (street date: 7 October 2011).Partners in the project are Deutschland Radio and the Rundfunk Chor Berlin.Each opera will only be performed once. Concerts take place in the Philharmonie in Berlin, one of the "homes" of the orchestra (the other one is the Konzerthaus in former East Berlin). The decision to do the concerts in the prestigious Philharmonie, -which was best suited for the mega forces needed for the Wagner operas- immediate triggered a lot of logistical problems since most of the year the Berlin Philharmonic Orchestra is giving its performances in this venue. Not just 10 free nights were needed spread over 3 seasons, but also at least three days prior to each concert for rehearsals. Only after all the free "slots" had been found the selection of (top) singers could start.

Tracklista:1. Impromptu No. 1 in C Minor2. Impromptu No. 2 in E Flat Major3. Impromptu No. 3 in G Flat Major4. Impromptu No. 4 in a Flat Major5. Impromptu No. 1 in F Minor6. Impromptu No. 2 in a Flat Major7. Impromptu No. 3 in B Flat Major8. Impromptu No. 4 in F Minor

"Wilhelm Tell" miał swoją premierę w Paryżu w 1829 roku i był ostatnią opera Rossiniego, choć ten żył blisko 40 lat dłużej. Libretto zostało oparte na epickiej sztuce pod tym samym tytułem autorstwa Friedricha Schillera i opowiada o heroicznym ruchu oporu przeciwko austriackim ciemiężcom w XIV-wiecznej Szwajcarii. "Ta partytura to wielkie wyzwanie dla dyrygenta" – mówi Maestro Antonio Pappano, który zdaje się być jakby stworzonym do interpretacji tego potężnych rozmiarów dzieła.

Tracklista:

For their debut recording (made in 1987), the ensemble Sinfonye put together a program focusing on (as the subtitle puts it) "the Medieval Woman: Lover, Poet, Patroness and Saint." Naturally, Sinfonye includes "A chantar m'er," the only lyric by a female troubadour (the Comtessa Beatriz de Dia) to have survived with a melody; they also include two examples of the chanson de femme, a genre that, though written by a man, depicts a female narrator lamenting the loss of her beloved to another. The centerpiece of the disc, however, is the Cantigas de Amigo by the Galician trovador Martin Codax: this six-song cycle depicts a young woman alternately lamenting the absence of her seafaring lover and celebrating his imminent return. Very little is known for certain about how or even whether these songs were accompanied by instruments; Sinfonye uses various combinations of medieval fiddle, hurdy-gurdy, harp, and drum--and even unaccompanied voice. Singer Mara Kiek, whose background is in Balkan folk singing, has a throaty, slightly rustic tone yet sings with a vivid eloquence fully worthy of the material. Matthew Westphal GRAMOPHONE CRITICS' CHOICE 'Surely one of the most memorable and touching recitals of the decade' (The Independent)'Like so much that has been good, innovative and dangerous in recent recordings of early music, this comes from Hyperion' (BBC Record Review)'A fantastic record. Buy it' (Early Music News)