
2 cd, With: Daniluk P., Fortune G., Kriz V.
- Wykonawca Borowska Joanna
- Nośnik CD
- Muzyka poważna / Muzyka wokalna
- 11-11-2019, 17:22
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2 cd, With: Daniluk P., Fortune G., Kriz V.

Reedycja nagrania z 2002 roku. Dwa utwory kameralistyczne kompozytorów represjonowanych przez hitlerowski reżym. Ich dział były w Rzeszy zakazane jako zbyt mało aryjskie. O ile o Schönbergu przypomniano sobie szybko, Korngold czekał na ponowne odkrycie do roku 1987. Płyta otrzymała wyróżnienie Critics Choice Gramophone.

Tracklista: 1. Salve Regina (4 Voices) 2. Venit ad Petrum (Mode 8) 3. I Kyrie 4. II Gloria 5. III Credo 6. IV Sanctus 7. V Agnus Dei 8. Salve Regina (6 Voices)

Tracklista: CD 1 1. Rhapsodie Romantique 2. Comme En Famille! 3. Allegro 4. Ete Canadien 5. Andante CD 2 1. Allegro 2. Allegro Con Fuoco 3. Paris Sans Toi 4. Prelude Romantique No. 5 5. Petite Mere 6. Andante 7. Concerto De Quebec 8. Valse Du Petit Bonhomme En Bois

Skład: Wokal Basowy: Luis Antonio Muñoz Reżyseria: Eduardo Paniagua Hurdy Gurdy: David Mayoral Wokal Sopranowy: Henar Alvarez Tenor: Cesar Carazo Trcklsita: 1. CSM 68: Rivals In Loves "A Groriosa Grandes Faz". 2. CSM 77: Santa María De Lugo "Da Que Deus Mamou lub Leite Do Seu Peito". 3. CSM 61: Mouth Twisted "Fol É That Cuida Que Non Poderia". 4. CSM 327: The Legs "Ponieważ Ben Santa Mara zna Os Seus Dões Dar". 5. CSM 74: Malarz "Quen Santa Mara Quiser Deffender". 6. CSM 92: Ciego Ciego "Santa Maria Poder Á". 7. CSM 81: Ogień w twarz "Par Deus, Tal Sennor Muito Val". 8. CSM 407: Blind For The Devil "Like O Demo Cofonder". 9. CSM 91: Pożar w San Marcial "Dziewicy dajemy Saud" E Tolle Mal ". 10. CSM 259: Żonglerzy "Santa Maria Punna D'Aviir". 11. CSM 71: Ave Maria "Se Muito Non Amamos, Gran Sandeçe Fazemos". 12. CSM 76: Porwanie obrazu "Quenas Sas Figuras Da Virgen Partir". 13. CSM 62: Bona Donate "Santa Maria Sempr" Os Seus Ajuda ". 14. CSM 72: El Tahúr "Quien Diz Mal"

Tracklista: CD 1 1. Vot Tak Syurpriz! 2. Uzhel Ya Zasluzhil Ot Vas Nasmyeshku Etu?...A Cette Fete Convies 3. Messieurs, Mesdames, Mesta Zanyat Izvolte. Ti Ne Tantsuyesh, Lensky? 4. V Vashem Dome! V Vashem Dome! 5. Nu, Shto Zhe?...Kuda, Kuda, Kuda Vi Udalilis 6. A, Vot Oni! 7. Polonaise 8. I Zdyes Mnye Skuchno!...Knyaginya Gremina! Smotrite! 9. Lyubvi Vsye Vozrasti Pokorni 10. Itak, Poidyom, Tebya Predstavlyu Ya. Uzhel Ta Samaya Tatyana 11. O! Kak Mnye Tyazhelo!...Onegin! Ya Togda Molozhe 12. Dyevitsi, Krasavitsi 13. Zdyes On, Zdyes On, Yevgeni!...Kogda Bi Zhizn Domashnim Krugom CD 2 1. Introduction 2. Slikhali I Vi Za Roschei Glas Nochnoi 3. Bolyat Moyi Skori Nozhenki So Pokhodushki. Uzh Kak Po Mostu, Mostochku 4. Kak Ya Lyublyu Pod Zvuki Pesen Etikh. Uzh Kak Po Mostu, Mostochku 5. Nu Ti, Moya Vostrushka 6. Mesdames! Ya Na Sebya Vzyal Smyelost...Skazhi, Kotoraya Tatyana 7. Kak Shchastliv, Kak Shchastliv Ya!...Ya Lyublyu Vas 8. A, Vot I Vi! 9. Nu, Zaboltalas Ya! 10. Puskai Pogilabnu Ya, No Pryezhde 11. Akh, Noch Minula

Tracklista:Disc 11. I. Allegro energico, ma non troppo. Heftig, aber markig 00:23:482. II. Scherzo: Wuchtig 00:12:54Disc 21. III. Andante moderato 00:16:112. IV. Finale: Allegro moderato - Allegro energico 00:31:14

Kantaty Jana Sebastiana Bacha w wykonaniu Monteverdi Choir, teraz w specjalnej cenie!

Tracklista:1. Der Engel2. Stehe Still3. Im Treibhaus4. Schmerzen5. Traeume6. Vorspiel zum 1. - Aufzug7. Mild und leise - Isoldes Liebestod8. Siegfrieds Rheinfahrt9. Starke Scheite richtet mir dort - Brunnhildes Schlssgesang

The closing disc in London Baroque’s survey of the rise and fall of the trio sonata takes us to 18th-century Germany, and includes works by no less than two Johann Gottliebs: Johann Gottlieb Goldberg – who rose to posthumous fame by being associated with J.S. Bach’s celebrated set of variations – and his namesake Johann Gottlieb Graun, violinist and composer at the court of Frederick the Great. Next to them in the list of contents are also more familiar names, such as Graun’s colleague at the Prussian court, C.P.E. Bach, and the ubiquitous G.Ph. Telemann, here represented with an unusually scored trio for violin, gamba and basso continuo. The programme straddles the divide between late Baroque and Classical music, and several of the included works point clearly at what was to come. One of these is the trio sonata by C.P.E.’s younger brother Johann Christoph Friedrich Bach, of whom it is known that he became a great admirer of Mozart after encountering his music during a visit to London in the 1780’s. Looking back over this eight-disc series, which opened with three Fantasias composed before 1620 by Orlando Gibbons, it becomes clear how far London Baroque has travelled, on a journey that has taken in both staples of the repertoire and more or less unknown jewels, by composers still revered today or awaiting rediscovery.