Tracklista:1. I. Prelude: Andante maestoso - Lento - Poco animato - Piu mosso - Tranquillo - Andante... - Largamente 00:09:53 2. II. Scherzo: Moderato 00:05:33 3. III. Landscape: Lento - 00:10:59 4. IV. Intermezzo: Andante sostenuto - Allegretto - Pesante - Tempo primo tranquillo 00:06:16 5. V. Epilogue: Alla marcia, moderato (non troppo allegro) - Andante maestoso 00:08:06 6. I. Fantasia: Moderato - Presto - Andante... - Allegretto - Andante... - Allegro... - Andante... - Largamente - Tempo I 00:10:56 7. II. Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo 00:03:53 8. III. Cavatina (Per stromenti ad arco): Lento espressivo 00:08:49 9. IV. Toccata: Moderato maestoso 00:05:12 10. I. Prelude: 'To suffer woes which Hope thinks infinite' (Shelley: Prometheus Unbound) 00:00:37 11. II. Scherzo: 'There go the ships' (Book of Common Prayer, Psalm 104) 00:00:12 12. III. Landscape: 'Ye Ice Falls!' (Coleridge: Hymn before Sunrise, in the Vale of Chamouni) 00:00:26 13. IV. Intermezzo: 'Love, all alike' (Donne: The Sun Rising) 00:00:17 14. V. Epilogue: 'I do not regret this journey' (Captain Scott: Message to the Public) 00:00:16

• Wykonawca Russell Lynda
• Data premiery 1998-01-01
• Nośnik CD

Georg Muffat był XVII wiecznym austriackim kompozytorem, który dzięki naukom Jeana-Baptiste'a Lully'ego zdołał przejąć styl francuski. Jego Florilegium Primum z 1695 roku przywołuje na myśl płynny i naturalny ruch baletowy, który może być pięknie odzwozrowany, dzięki zawartym w obszernej przedmowie wskazówkom co do praktyki wykonawczej.

• Wykonawca Ensemble Salzburg Barock
• Data premiery 2015-10-01
• Nośnik SACD

The Choir of St John’s College, Cambridge, an exclusive Chandos artist, here presents its third release on the label. Established in the 1670s, the choir has a long and distinguished tradition of performing religious music and here offers distinguished interpretations of sacred works by Orlande de Lassus. Of its most recent release, Hear My Words: Choral Classics from St John’s (CHSA 5085), The Telegraph wrote: ‘The boy treble voices bring lustre and freshness to the sonority and the singing throughout is stirring and polished.’ Lassus was a prolific and versatile composer and the most famous musician of his day. By the age of twenty-one, he had been appointed Director of Music at the church of St John Lateran in Rome, an impressive appointment for one so young. More than 2000 works by Lassus survive: Latin settings of masses, canticles, motets, passions, litanies, and hymns, as well as secular pieces in Italian, French, and German. Lassus was charismatic and gregarious. He was also bipolar, however, a condition that caused him personal unhappiness, but which also accounted for some of the more original and startling passages in his music. The pieces on this recording represent only a small part of his enormous output: nineteen of the 750-odd surviving motets; two of the one hundred Magnificat settings; and three of his dozen purely instrumental works. It is a small sample, but it shows a composer whose formidable technique, kaleidoscopic ear for texture, and matchless word settings made him the darling of the musical High Renaissance in Western Europe. The majority of Lassus’s motets were settings of religious texts. Ecce nunc benedicite Dominum is one of two seven-voice pieces chosen for this recording, and its rich texture allows Lassus to explore appealing vocal combinations without breaking into double-choir cliché. Veni in hortum meum places the listener in the gently seductive world of the Songs of Songs – that ‘sensuously exciting and baffling’ book of the Bible, to quote the English novelist and poetA.S. Byatt. The two Magnificat settings on this recording were composed at least twenty years apart. The Magnificat ‘O che vezzosa aurora’ dates from the mid-1580s. A significant proportion of this work is based directly on a six-voice madrigal by the Modenese composer Orazio Vecchi (1550 – 1605), which was published around the same time. Lassus’s own setting, however, is sunny and optimistic in six-voice sections, and respectively robust and reflective in the three- and four-voice sections.

• Wykonawca His Majestys Sagbutts , Choir of St. John's College
• Data premiery 2011-01-10
• Nośnik CD

Maria Inês Guimarães, brazylijska pianistka, od 30. lat mieszkająca we Francji, postanowiła zaprezentować swoisty kontrapunkt muzyczny, zbudowany wokół twórczości dwu klasyków kompozycji XX wieku - Heitora Villa-Lobos i György Kurtága. Obu kompozytorów łączy uwielbienie do muzyki Bacha. Obaj zresztą dokonali transkrypcji niektórych otworów Lipskiego Kantora. We własnej twórczości Kurtag inspiruje się stylem deklamacyjnym (bez żadnych ograniczeń) często bez podziału na takty, nawet, gdy odwołuje się do etnicznych źródeł, co pozostaje w silnej opozycji do amazońskiej poetyki Villa-Lobos, którego muzyka oparta jest na rytmach jawnie inspirowanych muzyką ludową. Z przemyślanego zestawienia muzycznych kontrastów powstała płyta wyjątkowa, pełna własnego kolorytu i zaskakujących odniesień.

• Wykonawca Guimaraes Maria Ines
• Data premiery 2018-06-12
• Nośnik CD

Tracklista:Disc 11. 1a parte - Lasciatemi morire (Let me die) 00:03:07 2. 2a parte - O Teseo, o Teseo mio (O Theseus, o my Theseus) 00:07:11 3. 3a parte - Dove, dove e la fede (Where, where is the fidelity) 00:04:11 4. 4a parte - Ahi, che non pur risponde (Alas, he answers me not) 00:04:27 5. Zefiro torna e 'l bel tempo rimena (Zephyr returns and with him fair weather) 00:04:19 6. Una donna fra l'altre onesta e bella (From all the chorus of beauty fair) 00:04:03 7. A Dio, Florida bella, il cor piagato (Farewell, fair Florida, I leave you) 00:05:30 8. 1a parte - Incenerite spoglie (Remains turned to ashes) 00:02:54 9. 2a parte - Ditelo, o fiumi (Say it, o rivers) 00:02:37 10. 3a parte - Dara la notte (By night) 00:03:14 11. 4a parte - Ma te raccoglie, o ninfa (Yet heaven gathers you, o Nymph) 00:03:54 12. 5a parte - O chiome d'or (O golden tresses) 00:03:21 13. 6a parte - Dunque, amate reliquie (Therefore, beloved remains) 00:05:43 14. Ohime il bel viso, ohime il soave sguardo (Alas, that lovely face, alas, that gentle look) 00:05:59 15. Qui rise, o Tirsi, e qui ver me rivolse (Here laughed, o Thyrsis, and here gazed) 00:08:19 Disc 21. Misero Alceo, del caro albergo fore (Wretched Alceus, now must you away) 00:06:58 2. Batto, qui pianse Ergasto (Defeated, here wept Ergastus) 00:04:59 3. Presso a un fiume tranquillo (a 7) (On the bank of a quiet - flowing river) 00:07:07 4. Io ardo si, ma'l fuoco e di tal sorte (I burn, yes, but the fire is such) 00:04:03 5. Occhi miei, se mirar piu non debb'io (My eyes, if I must see no more) 00:04:36 6. Quante son stelle in ciel e in mar arene (As the stars in the sky and the sands of the ocean) 00:01:54 7. Se non mi date aita (If you will not help me) 00:02:11 8. Prima vedro ch'in questi prati nascano (I shall see the herds in these meadows) 00:02:56 9. O come vaghi, o come (O how lovely, o how dear) 00:03:44 10. Taci, Armelin, deh taci (Be quiet, Armellin, ah be quiet) 00:03:42 11. La mia turca (My Turkish girl) 00:03:16 12. Ohime ch'io cado, ohime (Alas, I am falling, alas) 00:04:34 13. Si dolce e'l tormento (So sweet is the torment) 00:05:28 14. Perche, se m'odiavi (Why if you hated me) 00:03:18 15. Piu lieto il guardo (No longer do you look) 00:05:51 16. 1a parte - Lasciatemi morire 00:01:49 17. 2a parte - O Teseo, o Teseo mio 00:03:31 18. 3a parte - Dove, dove e la fede 00:02:03 19. 4a parte - Ahi, che non pur risponde 00:02:05 20. 5a parte - Misera, ancor do loco 00:02:25

• Wykonawca Delitiae Musicae
• Data premiery 2007-01-01
• Nośnik CD

Tracklista: 1. Concerto BWV 1052: Allegro 2. Concerto BWV 1052: Adagio 3. Concerto BWV 1052: Allegro 4. Concerto BWV 1055: Allegro 5. Concerto BWV 1055: Larghetto 6. Concerto BWV 1055: Allegro ma non tanto 7. Concerto BWV 1059: Allegro 8. Concerto BWV 1059: Adagio 9. Concerto BWV 1059: Presto 10. Concerto BWV 1060: Allegro 11. Concerto BWV 1060: Adagio 12. Concerto BWV 1060: Allegro

• Wykonawca Ferella Davide
• Data premiery 2018-07-20
• Nośnik CD

Tracklista:1. Ave Cuius Conceptio (Antienne)...2. Missa Benedicta Et Venerabilis (Messe)3. Gloria in Excelsis Deo4. Graduel: Benedicts Et Venerabilis5. Alleluia: Post Partum Virgo Inviolata Alleluia6. Credo in Unum Deum7. Offertoire: Ave Maria, Gratia Plena8. Sanctus - Benedictus9. Communion: Beata Viscera10. Agnus Dei11. Domine Jesu Christe (Antienne)...

• Wykonawca Choir of New College Oxford
• Data premiery 2008-01-18
• Nośnik CD

André Rieu i jego Orkiestra Johanna Straussa powracają z zupełnie nowymi aranżacjami najbardziej znanych klasycznych tematów miłosnych!Piękne, utrzymane w balladowym stylu hity z powszechnie lubianych filmów, połączone z przebojami, które poruszały serca publiczności na przestrzeni ostatnich 60 lat.Luksusowa, relaksująca muzyka w najlepszym wydaniu.

• Wykonawca Rieu Andre
• Data premiery 2016-11-25
• Nośnik CD

Kwartety smyczkowe nr 1 i 2 niemieckiego kompozytora romantycznego Johannesa Brahmsa. Wykonawcy to zespół New Zealand String Quartet.

• Wykonawca New Zealand String Quartet
• Data premiery 2016-07-20
• Nośnik CD

1. Esther, oratorio, HWV 50a: Overture. Andante - Larghetto - Allegro 7:002. Esther, oratorio, HWV 50a: Scene 1. Recitative. 'Tis greater far to spare 0:383. Esther, oratorio, HWV 50a: Scene 1. Aria. Pluck root and branch 1:564. Esther, oratorio, HWV 50a: Scene 1. Recitative. Our souls with ardour glow 0:085. Esther, oratorio, HWV 50a: Scene 1. Chorus. Shall we the God of Israel fear? 1:386. Esther, oratorio, HWV 50a: Scene 2. Recitative. Now persecution shall lay by 0:177. Esther, oratorio, HWV 50a: Scene 2. Aria. Tune your harps to cheerful strains 3:538. Esther, oratorio, HWV 50a: Scene 2. Chorus. Shall we of servitude complain 1:209. Esther, oratorio, HWV 50a: Scene 2. Aria. Praise the Lord with cheerful noise 5:3510. Esther, oratorio, HWV 50a: Scene 2. Recitative. O God, who from the suckling' 0:2011. Esther, oratorio, HWV 50a: Scene 2. Aria. Sing songs of praise, bow down the 3:3312. Esther, oratorio, HWV 50a: Scene 2. Chorus. Shall we of servitude complain 1:1713. Esther, oratorio, HWV 50a: Scene 3. Recitative. How have our sins provoked th 1:0014. Esther, oratorio, HWV 50a: Scene 3. Chorus. Ye sons of Israel mourn 2:0115. Esther, oratorio, HWV 50a: Scene 3. Aria. O Jordan, Jordan, sacred tide 6:4816. Esther, oratorio, HWV 50a: Scene 3. Chorus. Ye sons of Israel mourn 2:1017. Oboe Sonata in G minor, HWV 404 7:4518. Esther, oratorio, HWV 50a: Scene 4. Recitative. Why sits that sorrow on thy b 0:5819. Esther, oratorio, HWV 50a: Scene 4. Aria. Dread not, righteous Queen, the dan 4:1020. Esther, oratorio, HWV 50a: Scene 4. Recitative. I go before the King to stand 0:1521. Esther, oratorio, HWV 50a: Scene 4. Aria. Tears assist me, pity moving 2:5922. Esther, oratorio, HWV 50a: Scene 4. Chorus. Save us, O Lord 0:5823. Esther, oratorio, HWV 50a: Scene 5. Recitative. Who dares intrude into our pr 1:1624. Esther, oratorio, HWV 50a: Scene 5. Duet. Who calls my parting soul from deat 2:3025. Esther, oratorio, HWV 50a: Scene 5. Aria. O beauteous Queen, unclose those ey 6:4326. Esther, oratorio, HWV 50a: Scene 5. Recitative. If I find favour in thy sight 0:2027. Esther, oratorio, HWV 50a: Scene 5. Aria. How can I stay when love invites? 3:2128. Esther, oratorio, HWV 50a: Scene 5. Recitative. With inward joy his visage gl 0:1829. Esther, oratorio, HWV 50a: Scene 5. Chorus. Virtue, truth and innocence 2:3930. Esther, oratorio, HWV 50a: Scene 5. Arioso. Jehovah, crown'd with glory brigh 1:3331. Esther, oratorio, HWV 50a: Scene 5. Chorus. He comes, he comes to end our woe 4:0032. Esther, oratorio, HWV 50a: Scene 6. Recitative. Now, O Queen, thy suit declar 1:2733. Esther, oratorio, HWV 50a: Scene 6. Arioso. Turn not, O Queen, thy face away 2:3134. Esther, oratorio, HWV 50a: Scene 6. Aria. Flatt'ring tongue, no more I hear t 5:0035. Esther, oratorio, HWV 50a: Scene 6. Recitative. Guards, seize the traitor, be 0:3536. Esther, oratorio, HWV 50a: Scene 6. Aria. How art thou fallen from thy height 5:0537. Esther, oratorio, HWV 50a: Scene 6. Chorus. The Lord our enemy has slain 11:00

• Wykonawca The Sixteen , Chance Michael , Russel Lynda
• Data premiery 2007-01-01
• Nośnik CD