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The greatest of all musical myths tells how the Thracian singer Orpheus looses his beloved Eurydice to death, saved her from the underground world but again looses her. This highly dramatic and tragic story was extremely popular with composers of the early seventeenth century who express Orpheus’ sentiments, joys and laments in virtuoso, moving airs. After graduating at the Conservatory of Caen, Claire Lefilliâtre continued her singing studies with Alain Buet at the Conservatory of Alençon, where she graduated with distinction. This encounter determined her further career and was the start of her foray into in early music. She obtained a passion for Baroque expression, specialising in declamation with Eugène Green and in Baroque gesticulation with Benjamin Lazar. This and her thorough knowledge of the Baroque repertory make Claire Lefilliâtre one of the most individual and prominent soprano soloist of 17th-century French and Italian music. Since 1999 she sings with Le Poème Harmonique, conducted by Vincent Dumestre. The concerts and recordings of this ensemble, featuring music by Etienne Moulinié, Pierre Guédron, Antoine Boesset, Emilio de Cavalieri and Il Fàsolo, have received unanimous praise from the international press and are applauded for their innovative approach. On stage Claire Lefilliâtre sang the leading female role in Le Bourgeois Gentilhomme by Molière (Avignon, Versailles, Rouen, Caen), the main character in the opera Vita Humana by Marazzoli (Utrecht, Ambronay, Antwerp) and in 2008 she sang Hermione in Cadmus et Hermione by Lully (Paris, Rouen, Caen, Aix-en-Provence, Luxembourg). Already Jan Van Elsacker’s record of achievements is impressive, the result of a long and fine singing career which he started as a young talent with the Antwerp Cathedral Choir. After studying piano and singing at the Conservatory of Antwerp, he began his career by working with La Petite Bande, Collegium Vocale and Currende. In 1996 Jan Van Elsacker was winner of the International Soloist Competition ‘Musica Antiqua Bruges’ and he was finalist at the Erna Spoorenberg Vocalists Presentation. His great passion is Italian Early Baroque, repertory with which he has gained great international recognition. Jan Van Elsacker regularly works with renowned ensembles such as Akâdemia, Le Poème Harmonique, l’Arpeggiata, Weser Renaissance, la Fenice and the Ricercar Consort. He has given a number of song recitals with Jos van Immerseel, Claire Chevallier, Katia Schoemaker and Tom Beghin. In 2003 he was Klara’s ‘festival star’ during the Festival Musica Antiqua in Bruges. Il Trionfo del Tempo was created at the request of Mr. Stefan Dewitte, former Director of the Festival “Musica Antiqua Bruges” who asked Jan Van Elsacker a concert program around the theme “Orfeus”. This was an excellent opportunity for Jan to start an intense cooperation with Bart Rodyns, a good friend of him with whom he has done many great projects. The very first performance of Il Trionfo del Tempo, entitled “Il Canto d'Orfeo”, was an immediate succes. Since then, the ensemble is programmed in festivals in Belgium and abroad. Il Trionfo del Tempo wants to profile itself as an ensemble that deals with music in which the text is very important and focuses on the early Italian Baroque.


  • Wykonawca Il Trionfo del Tempo
  • Data premiery 2010-07-01
  • Nośnik CD

Tracklista:1. Church sonata No. 6 for 2 violins, bass & organ in B flat major, K. 212 3:072. Church sonata No. 1 for 2 violins, bass & organ in E flat major, K. 67 (K. 41h) 2:303. Church sonata No. 2 for 2 violins, bass & organ in B flat major, K. 68 (K. 41i) 2:424. Church sonata No. 5 for 2 violins, bass & organ in F major, K. 145 (K. 124b) 2:525. Church sonata No. 7 for 2 violins, bass & organ in F major, K. 224 (K. 241a) 4:236. Church sonata No. 10 for 2 violins, bass & organ in F major, K. 244 3:317. Church sonata No. 17 for 2 violins, bass & organ in C major, K. 336 (K. 336d) 4:548. Church sonata No. 15 for 2 violins, bass & organ in C major, K. 328 (K. 317c) 4:259. Church sonata No. 9 for 2 violins, bass & organ in G major, K. 241 2:4110. Church sonata No. 13 for 2 violins, bass & organ in G major, K. 274 (K. 271d) 3:1611. Church sonata No. 11 for 2 violins, bass & organ in D major, K. 245 3:4412. Church sonata No. 4 for 2 violins, bass & organ in D major, K. 144 (K. 124a) 3:0713. Church sonata No. 3 for 2 violins, bass & organ in D major, K. 69 (K. 41k) 2:3114. Church sonata No. 8 for 2 violins, bass & organ in A major, K. 225 (K. 241b) 3:51


  • Wykonawca London Baroque
  • Data premiery 2008-03-11
  • Nośnik CD

Msza, motet i chanson to trzy gatunki stanowiące lwią część wielogłosowych utworów zawartych w rękopisach Alamire. Są to niezwykle bogato ilustrowane, często iluminowane manuskrypty pochodzenia flamandzkiego, opracowane między 1490 i 1530 rokiem. Przepiękne pięciopłytowe wydanie zawiera wykonania siedmiu zespołów wokalnych, przygotowujących dzieła oparte o najbardziej wyrafinowaną technikę polifonii, uważanej wówczas za Ars Perfecta. Słuchając muzyki flamandzkich mistrzów nie można oprzec się wrażeniu, że są to ponadczasowe arcydzieła.


  • Wykonawca Laudantes Consort , Henry's Eight , Egidius Kwartet , Nederlands Kamerkoor , Currende Consort , Capella Sancti Michaelis , Capilla Flamenca
  • Data premiery 2015-11-01
  • Nośnik CD
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Tracklista:1. Atene edificata: Overture: I. Molto allegro con brio2. Atene edificata: Overture: II. Allegro3. Cantata: Overture: I. Allegro con spirito4. Cantata: Overture: II. Andantino5. Cantata: Overture: III. Allegro vivace6. I matrimoni impensati: Overture: I. Allegro con molto brio7. I matrimoni impensati: Overture: II. Adagio8. I matrimoni impensati: Overture: III. Allegro giusto9. La felicità inaspettata: Overture10. La villana riconosciuta: Overture: I. Allegro con spirito11. La villana riconosciuta: Overture: II. Adagio12. I due supposti conti: Overture: I. Largo staccato13. I due supposti conti: Overture: II. Larghetto grazioso alla francese14. I due supposti conti: Overture: III. Allegro molto15. Le trame deluse: Overture: I. Allegro vivace16. Le trame deluse: Overture: II. Allegro17. Il marito disperato (Il marito geloso): Overture18. L'olimpiade: Overture19. La ballerina amante: Overture20. Il fanatico burlato: Overture


  • Wykonawca Gallois Patrick
  • Data premiery 2016-12-05
  • Nośnik CD

Tracklista:1. Fantasia on Christmas Carols 00:11:42 2. Prologue: Nowell! Nowell! 00:03:56 3. Narration: Now is the birth of Jesus Christ 00:04:54 4. Song: It was the winter wild 00:04:46 5. Narration: And it came to pass in those days 00:01:55 6. Choral: The blessed son of God 00:02:25 7. Narration: And there were in the same country 00:07:06 8. Song: The Oxen 00:03:20 9. Narration: And the shepherds returned 00:01:12 10. Pastoral: The shepherds sing 00:03:04 11. Narration: But Mary kept all these things 00:00:34 12. Lullaby: Sweet was the song the Virgin sang 00:02:32 13. Hymn: Bright portals of the sky 00:03:55 14. Narration: Now when Jesus was born 00:03:00 15. The March of the 3 Kings: From kingdoms of wisdom 00:07:33 16. Choral: No sad thought his soul affright 00:02:18 17. Epilogue: In the beginning was the Word 00:06:49


  • Wykonawca Royal Philharmonic Orchestra
  • Data premiery 2007-12-29
  • Nośnik CD

Tracklista: CD 1 1. Sinfonia: Andante 2. Choral: „Schmücke Dich, O Liebe Seele” (1. Betrachtung) 3. Arie Adagio: „Gute Nacht, Ihr Meine Lieben!” (1. Betrachtung) 4. Rezitativ Ed Arioso: „Doch, Daß Ihr Möget Mein Gedencken” (1. Betrachtung) 5. Arie: „Sollt Ich Deiner Wohl Vergessen” (1. Betrachtung) 6. Rezitativ Ed Arioso: „Ich Will Euch Noch Danreben” (1. Betrachtung) 7. Choral: „Dein Blut, Der Edle Safft” (1. Betrachtung) 8. Rezitativ: „Gott Lob! Es Ist Der Alte Nun Vergangen” (1. Betrachtung) 9. Arie: „Sollt Ich Deiner Nicht Gedenken?” (1. Betrachtung) 10. Rezitativ: „Nun Werd Ich Bald Erfahren In Der That” (2. Betrachtung) 11. Arie: „Foltern, Pech-Vermischte Flammen” (2. Betrachtung) 12. Rezitativ: „Es Wird Der Hahn In Dieser Nacht Kaum Krähen” (2. Betrachtung) 13. Arie: „Foltern, Pech-Vermischte Flammen” (2. Betrachtung) 14. Rezitativ: „Ach, Petre! Miß Dir Nicht Zu Viel!” (2. Betrachtung) 15. Arie: „Dencke Nach, Du Arme Erde” (2. Betrachtung) 16. Choral: „Gott, Groß Über Alle Götter” (2. Betrachtung 17. Arioso E Rezitativo: „Vatter! Vatter!” (3. Betrachtung) 18. Accompagnato: „O Anblick, Welcher Mir Das Hertze Nimmt!” (3. Betrachtung) 19. Arie: „Ihr Blutgen Schweiß-Rubinen” (3. Betrachtung) 20. Choral: „Tritt Her, Und Schau Mit Fleiße” (3. Betrachtung) 21. Arie: „Recht Und Gerechtigkeit Zu Hegen” (4. Betrachtung) 22. Rezitativ: „Gefangener, Was Hören Wir?” (4. Betrachtung) 23. Arie: „Wenn Die Gerichtsposaune Schallt” (4. Betrachtung) 24. Rezitativ: „Wie? Daß Doch Gott” (4. Betrachtung) 25. Arie: „Menschen Hände, Menschen Lippen” (4. Betrachtung) 26. Rezitativ: „Doch, Dencke Nach, O Seele!” (4. Betrachtung) 27. Choral: „Du Edles Angesichte” (4. Betrachtung) CD 2 1. Accompagnato: „Ach, Ach! Was Hab Ich Doch Gethan?” (5. Betrachtung) 2. Arie: „Mir Ist Die Gantze Welt Zu Enge” (5. Betrachtung) 3. Accompagnato E Arioso: „Ach, Könnt Ich Doch In Thränen Saltz Zerfließen!” (5. Betrachtung) 4. Arie: „Trähnen, Die Der Glaube Zeuget!” (5. Betrachtung) 5. Choral: „Straf Mich Nicht In Deinem Zorn” (5. Betrachtung) 6. Rezitativ Ed Arioso: „So Rufet Ihr Vermaledeyte Sünder” (6. Betrachtung) 7. Arie: „Droht Der Satan Meiner Seelen” (6. Betrachtung) 8. Rezitativ Ed Arioso: „Wen Seh Ich Dort An Jenem Stock Gebunden” (6. Betrachtung) 9. Arie: „Ich Treff Auf Deinem Blutgen Rücken” (6. Betrachtung) 10. Choral: „Haupt Voll Blut Und Wunden” (6. Betrachtung) 11. Rezitativ: „Nun Schließ' Ich Bald Den Müden Lenbens-Lauf” (7. Betrachtung) 12. Arie: „Ich Will Kämpfen” (7. Betrachtung) 13. Rezitativ: „So Wirst Du, Lebens-Baum” (7. Betrachtung) 14. Arie: „Jesus Wird Ans Holts Geschlagen” (7. Betrachtung) 15. Choral: „Jesu, Unter Deinem Creutz” (7. Betrachtung) 16. Arioso: „Es Ist Vollbracht!” (8. Betrachtung) 17. Choral: „O Große Noth” (8. Betrachtung) 18. Rezitativ: „Ihr Gottes Mörder” (8. Betrachtung) 19. Arie: „Erstaunet, Ihr Kreyse” (8. Betrachtung) 20. Choral: „Nun Gibt Mein Jesu Gute Nacht” (8. Betrachtung) 21. Arie: „Jesus Spannt Die Gnaden Flügel” (9. Betrachtung) 22. Rezitativ Ed Arioso: „Nun Endlich Hat Mein Jesus Überwunden” (9. Betrachtung) 23. Choral: „Erscheine Mir Zum Schilde” (9. Betrachtung)


  • Wykonawca Freiburger Barockorchester
  • Data premiery 2019-07-05
  • Nośnik CD
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