
Kwintety smyczkowe Ludwiga van Beethovena op. 29 i 104 w wykonaniu zespołu Fine Arts Quartet.
- Wykonawca Fine Arts Quartet
- Data premiery 2010-01-01
- Nośnik CD
- Muzyka poważna / Kameralistyka
- 6-08-2020, 02:01
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Kwintety smyczkowe Ludwiga van Beethovena op. 29 i 104 w wykonaniu zespołu Fine Arts Quartet.

Tracklista:Symphony No.8 in c Minor, Op.65:1. I. Adagio – Poco pi mosso – Adagio – Allegro non troppo – Allegro – Adagio – Poco pi mosso – A tempo ma tranquillo2. II. Allegretto – Pi mosso – Tempo primo – Pi mosso3. III, Allegro non troppo, marcatissimo – attacca4. IV. Largo – attacca5. V. Allegretto – Pi mosso – Animando – Allegro – Ancora pi animando – Adagio – Allegretto – Andante

Tracklista:1. 1. Satz: Andantino - Allegro2. 2. Satz: Andante3. 3. Satz: Minuet4. 1. Satz: Allegro5. 2. Satz: Largo dulce6. 3. Satz: Allegro7. 1. Satz: Allegretto8. 2. Satz: Andantino9. 3. Satz: Allegro10. 1. Satz: Andantino11. 2. Satz: Allegro12. 3. Satz: Minue13. 1. Satz: Allegro14. 2. Satz: Andantino dulce15. 3. Satz: Allegro

Ikona pop David Bowie tym razem w roli narratora do baśni muzycznej Sergieja Prokofjewa "Piotruś i wilk". Nagranie zarejestrowane w 1978 r. pod dyrekcją Eugene Ormandy.

Tracklista: CD 1 1. Passacaglia And Fugue 2. Chorale And Toccata 3. Molto Agitato Ed Energico 4. Larghissimo 5. Presto 6. Judith CD 2 1. Crotchet = 72 2. Tenderly, Simply 3. Crotchet = 144 4. Orchestra Song 5. Circus Overture 6. Anteludium 7. Offertorium 8. Postludium CD 3 1. Symphony No. 6 2. Prayer In A Time Of War 3. Be Glad Then, America 4. When Jesus Wept 5. Chester CD 4 1. Largo Assai 2. Vigoroso 3. Cantabile Intensamente 4. Scherzando Brioso 5. Con Fuoco 6. Larghissimo 7. Presto - Andantino - Leggiero - Pesante - Presto Possible CD 5 1. Allegro Risoluto 2. Introduzione 3. Be Glad Then America 4. When Jesus Wept 5. Chester 6. Variations On 'America'

Pierwsza księga madrygałów włoskiego kompozytora renesansowego Luca Marenzio w wykonaniu włoskiego zespołu La Compagnia del Madrigale.

Edward Gardner, the music director of English National Opera and an exclusive Chandos artist, has completed the first disc in a projected Chandos series devoted to Polish music. Also his first purely orchestral CD for Chandos, the disc presents music by one of Poland’s most important twentieth-century composers, Witold Lutoslawski, including perhaps his most famous work, the Concerto for Orchestra (1950 – 54), a brilliant and highly attractive work. Also included is the Third Symphony (1981 – 83) which was given its world premiere by the Chicago Symphony Orchestra, conducted by Sir Georg Solti, on 29 September 1983. Many passages employ the by then well-developed technique which the composer called ‘limited aleatorism’, according to which each individual orchestral musician is asked to play a phrase or repeated fragment in his own time – rhythmically independent of the other musicians. During thesepassages very little synchronisation is specified: events that are coordinated include the simultaneous entrances of groupsof instruments, the abrupt end of some episodes, and some transitions to new sections. By this method the composer retainscontrol of the work’s architecture and of the realisation of the performance, while simultaneously facilitating complex andunpredictable polyphony. In later years LutoslËawski developed musical forms that combine unrelated strands of music, whose short, discrete sectionsoverlap one another like the links of a chain. Elements of this method can be found in many of his earlier works, but the first to emphasise it was Chain 1 of 1983 for fourteen instruments, written for the London Sinfonietta. Chain 2, subtitled "Dialogue for Violin and Orchestra", followed in 1985. The last work to adopt this approach was Chain 3 (1986) for large orchestra. Broadly speaking, the composition’s tenminute span falls into three sections, of which the first provides a particularly clear, readily audible example of the chain technique. After a quick opening flourish, Lutosl¹awski presents a sequence of twelve overlapping ideas, each characterised by a particular mode of expression, and each vividly coloured by a few instruments playing as a unit. For example, chimes, violas, and flutes together form the first ‘link’; this is overlapped by a quartet of double-basses; these in turn overlap axylophone and three violins, and so on. The last of the twelve links in this musical chain thicken into a kind of general babble among the winds, which marks the first stage in the work’s larger form. Chain 3 was written for the San Francisco Symphony which gave the first performance, conducted by the composer, on 10 December 1986 in Davies Symphony Hall in San Francisco.

“Muzyka filmowa potrafi być naprawdę wysublimowana i fascynowała wielu naprawdę wybitnych kompozytorów” – mówi Renaud Capucon o swojej najnowszej płycie Cinema. „Ten album to dla mnie spełnienie marzeń”. Francuska gwiazda wiolinistyki składa hołd muzyce srebrnego ekranu, prezentując niezapomniane filmowe tematy w nowych oszałamiających aranżacjach – od Ennio Norricone (Cinema Paradiso, Mission), przez Nino Rotę, Johna Williamsa (Lista Schindlera), Jamesa Hornera, aż do nowoczesnych blockbusterów, takich jak Twilight oraz ikonicznych filmów francuskich (Amelia). Capucon przywołuje magię kina z siłą i wyjątkową wrażliwością, a towarzyszą mu Brussels Philharmonic pod batutą Stephane’a Deneve’a.

John Blow i “Ode On The Death Of Mr. Henry Purcell” w wykonaniu Alfreda Dellera i Marka Dellera wraz z Deller Consort i Stour Music Festival Orchestra w 2008 roku, wydane nakładem Harmonia Mundii. Tracklista: 1. Ode on the Death of Mr Henry Purcell by John Blow 2. Marriage Ode by John Blow 3. Chloe found Amyntas lying by John Blow

Tracklista:1. Adagio2. Hommage A Poulenc3. III. Larghetto4. Improvisation On 'Apres Un Reve'5. Allegro (March)6. Adagio7. Toccata (A La Ricky Martin)8. Improvisation in the Form of a Theme and Three Variations On 'Someone to Watch Over Me'9. Liza10. Somebody Loves Me11. The Man I Love12. Embraceable You13. Lady Be Good14. I Got Rhythm15. Fascinatin' Rhythm