Following a series of highly acclaimed recordings dedicated to individual composers, Yevgeny Sudbin has combined works by Liszt, Ravel and Saint-Saëns into a recital with the three-stranded theme Love, Delirium and Death. First to make its presence felt is death, in Funérailles, Liszt’s grandiose elegy for his Hungarian countrymen who died in the 1849 uprising against Habsburg Rule. It reappears in Ravel’s depiction of a hanging – Le Gibet (The Gallows) from the triptych Gaspard de la Nuit – and closes the programme in Saint-Saëns’ Danse macabre in which Death personified provides the music for a morbid ballet of corpses, playing a fiddle and tapping his foot on a tombstone. Love enters the programme with the Petrarch Sonnets, originally song settings by Liszt of three of the many poems in which Petrarca immortalized Laura, the object of his life-long but unrequited passion, and later reworked for piano solo by the composer. A similarly hopeless attraction is described in Ravel’s Ondine – the tale of a water nymph tempting a mortal to join her in the depths of the lake. Delirium, finally, is present throughout the disc – most manifestly in the nightmarish portrait of the goblin Scarbo, but also as an essential ingredient in many of the other works. The programme thus poses a huge challenge for the performer in terms of transmitting a wealth of super-charged emotions and images while simultaneously negotiating immense technical demands – a worthy task for Sudbin, whose Scriabin interpretations were described in BBC Music Magazine as being ‘as terrifyingly changeable and emotionally all-engulfing as the music itself’, while his Rachmaninov disc to the reviewer in Piano Magazine revealed ‘a musical dramatist of exceptional acumen and sophistication; a poet who moves seamlessly between unbridled rhetoric and extreme intimacy; a stylist who catches the particular spirit of everything he plays…

• Wykonawca Sudbin Yevgeny
• Data premiery 2012-10-01
• Nośnik SACD

Tracklista:1. Jesus Christus unser Heiland, der von uns den Gotteszorn wandt, for voice & continuo 13:432. Betrübet ist zu dieser Frist, variations for organ 3:043. Ich ruff zu dir, Herr Jesu Christ, for voice & continuo 5:004. Koraelen, for ensemble 5:285. Allein zu dir, Herr Jesu Christ, for voice & continuo 4:356. Jesus Christus unser Heiland, der den Tod überwand, for voice & continuo 5:487. Work(s): Von Gott will ich nicht lassen 6:448. Christ lag in Todesbanden, for voice & continuo 4:239. Wir gläuben all an einen Gott, for voice & continuo 8:54

• Wykonawca Eckert Simone
• Data premiery 2008-10-08
• Nośnik CD

Tracklista:CD 11. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster): Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster): Overture - Philharmonia Orchestra/Riccardo Muti 3:092. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! se intorno a quest' urna funesta (Coro/Orfeo) - Agnes Baltsa/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:513. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Basta, basta, o compagni! (Orfeo) - Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 0:574. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo (Dance of the Shepherds and Nymphs) - Philharmonia Orchestra/Riccardo Muti 3:395. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! se intorno a quest' urna funesta (Coro) - Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:286. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Chiamo il mio ben così (Orfeo) - Agnes Baltsa/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 6:557. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Numi! barbari Numi! (Orfeo) - Agnes Baltsa/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 0:538. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: T'assiste Amore! (Amore, Orfeo) - Agnes Baltsa/Edita Gruberova/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 1:599. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Gli sguardi trattieni (Amore) - Edita Gruberova/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:2110. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Che disse? Che ascoltai? (Orfeo) - Agnes Baltsa/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 2:1611. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo - Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 5:5412. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Deh! placetevi con me (Orfeo/Coro) - Agnes Baltsa/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 2:1113. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Misero giovane! (Coro) - Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 1:0314. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) - Agnes Baltsa/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 0:4315. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! quale incognito affetto (Coro/Orfeo) - Agnes Baltsa/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:0216. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits - Philharmonia Orchestra/Riccardo Muti 2:1217. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Che puro ciel! Che chiaro sol! (Orfeo/Coro) - Agnes Baltsa/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 5:5018. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Vieni a' regni del riposo (Coro) - Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 2:5519. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Ballo - Philharmonia Orchestra/Riccardo Muti 2:3520. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Anime avventurose (Orfeo) - Agnes Baltsa/Margaret Marshall/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 0:5221. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Torna, o bella (Coro) - Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:37CD 21. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Vieni, segui i miei passi (Orfeo/Euridice) - Agnes Baltsa/Margaret Marshall/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 6:182. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Vieni, appaga il tuo consorte! (Orfeo/Euridice) - Agnes Baltsa/Margaret Marshall/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:483. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Qual vita è questa mai (Euridice) - Margaret Marshall/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 1:474. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Che fiero momento! (Euridice) - Margaret Marshall/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 3:225. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ecco un nuovo tormento! (Orfeo/Euridice) - Agnes Baltsa/Margaret Marshall/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 4:026. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Che farò senza Euridice? (Orfeo) - Philharmonia Orchestra/Riccardo Muti/Agnes Baltsa/Leslie Pearson 5:257. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) - Agnes Baltsa/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 1:188. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) - Agnes Baltsa/Edita Gruberova/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 1:589. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Introduzione - Philharmonia Orchestra/Riccardo Muti 0:2610. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Ballo I (Grazioso) - Philharmonia Orchestra/Riccardo Muti 2:4311. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Ballo II (Allegro) - Philharmonia Orchestra/Riccardo Muti 3:3112. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Ballo III (Andante) - Philharmonia Orchestra/Riccardo Muti 1:2213. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Ballo IV (Allegro) - Philharmonia Orchestra/Riccardo Muti 2:3514. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 3: Trionfi Amore! (Orfeo/Coro/ Amore/Euridice) - Agnes Baltsa/Margaret Marshall/Edita Gruberova/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 2:44CD-ROM1. Orfeo ed Euridice: Orfeo ed Euridice: Libretto - Agnes Baltsa/Margaret Marshall/Edita Gruberova/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 0:012. Orfeo ed Euridice: Orfeo ed Euridice: Synopsis - Agnes Baltsa/Margaret Marshall/Edita Gruberova/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti 0:01

• Wykonawca Muti Riccardo , Baltsa Agnes , Marshall Margaret , Gruberova Edita
• Data premiery 2011-04-18
• Nośnik CD

Tracklista:Disc 11. Questo azzurro sofa 00:04:36 2. Il giorno intorno gia s'insera lentamente! 00:02:03 3. Soffoco, moro tutta chiusa 00:05:02 4. Passiamo la sera allegramente! 00:04:46 5. Al mio dire perdono 00:01:55 6. Colpito qui m'avete... Un di all'azzurro spazio 00:05:01 7. Perdonatemi!... Cratura strana assai! 00:04:22 8. Per l'ex inferno! 00:01:09 9. Temer Perche 00:02:36 10. Roucher! - Chenier! 00:04:06 11. Calligrafia inverno femminil! 00:02:20 12. Ecco laggiu Gerard! 00:03:02 13. Non mi saluti 00:02:48 14. Ecco l'altare 00:07:11 15. Maddalena di Coigny! - Gerard! 00:01:51 Disc 21. Dumouriez traditore e giacobino 00:03:10 2. Lacrime e sangue da la Francia! 00:01:58 3. Son la vecchia Madelon 00:03:41 4. L'uccello e nella rete! 00:03:23 5. Nemico della Patria! 00:04:59 6. Carlo Gerard... La entrate! 00:04:33 7. La mamma morta 00:05:32 8. Si, fui soldato 00:03:19 9. Si, fui soldato 00:02:20 10. Udiamo i testimoni 00:02:53 11. Cittadino,men duol, ma e tardi assai 00:01:17 12. Come un bele di di maggio 00:03:57 13. Il vostro giuramento vi sovvengo 00:03:04 14. Vicino a te s'aqueta 00:03:22 15. La nostra morte e il trionfo dell'amor! 00:03:23 16. Mefistofele: L'altra notte in fondo al mar 00:03:46 17. Mefistofele: Spunta l'aurora pallida 00:02:45 18. Aida, Act III: Duet: Rivedrai le foreste imbalsamate 00:07:26 19. Cavalleria Rusticana: Voi lo sapete 00:03:22 20. Manon Lescaut: In quelle trine morbide 00:02:21 21. Tosca: Vissi d'arte 00:02:51 22. Andrea Chenier: La mamma morta 00:03:42

• Wykonawca Marini Luigi
• Data premiery 2000-01-01
• Nośnik CD

Pochodzący z Austrii wybitny klasyczny kompozytor Franz Joseph Haydn, urodzony w 1732 roku w Rohrau, zmarł w 1809 roku w Wiedniu. Artystka komponował poważną muzykę klasyczną, jest zaliczany do tzw. Klasyków wiedeńskich, wraz z Wolfgangiem Amadeuszem Mozartem i Ludwigiem Van Beethovenem i jest z nich najstarszy. Jest prekursorem muzyki swojej epoki i wytaczał jej główne nurty.  Tracklista: Keyboard Sonata in C, Hob.XVI:48 (No.58) 1. 1.Andante con espressione  2. 2.Rondo: Presto Keyboard Sonata in Eb, Hob.XVI:49 (No.59) 3. 1.Allegro  4. 2.Adagio e cantabile 5. 3.Finale: Tempo di minuetto Keyboard Sonata in C, Hob.XVI:50 (No.60) 6. 1.Allegro 7. 2.Adagio 8. 3.Finale: Allegro molto Keyboard Sonata in Eb, Hob.XVI:52 (No.62) 9. 1.Allegro moderato 10. 2.Adagio 11. 3.Finale: Presto  

• Wykonawca Planes Alain
• Data premiery 2009-05-05
• Nośnik CD

Tracklista: CD 1 1. I. Andante Sostenuto - Moderato Con Anima 2. II. Andantino in Modo Di Canzona 3. III. Scherzo. Pizzicato Ostinato - Allegro 4. IV. Finale. Allegro Con Fuoco 5. I. Adagio - Allegro Non Troppo 6. II. Allegro Con Gracia 7. III. Allegro Molto Vivace 8. IV. Finale. Adagio Lamentoso CD 2 1. I. Andante - Allegro Con Anima 2. II. Andante Cantabile, Con Alcuna Licenza 3. III. Valse. Allegro Moderato 4. IV. Finale. Andante Maestoso - Allegro Vivace

• Wykonawca Lindberg Christian
• Data premiery 2016-12-30
• Nośnik SACD

Album został wydany przez wytwórnię Avi Music (AVI 8553359) Tracklista: Weber: 1. Flute Trio in G Minor, Op. 63 Saint-Saens: 2. Caprice on Danish and Russian Airs Klughardt: 3. Schilflieder (Reed Songs) Krein: 4. Jewish Sketches, Op. 12  

• Wykonawca Spannungen Festival Soloists
• Data premiery 2016-08-01
• Nośnik CD

Inni wykonawcy: Anna Gonda- alto

• Wykonawca Faulkner Julia
• Data premiery 1993-12-31
• Nośnik CD

Utwory kameralne Johannesa Brahmsa - kwintet klarnetowy oraz kwartet smyczkowy nr 2 w wykonaniu Sharon Kam - klarnet i zespołu Jerusalem Quartet.

• Wykonawca Jerusalem Quartet , Kam Sharon
• Data premiery 2013-03-11
• Nośnik CD

Pierwsze w świecie nagranie opery Siroe re di Persia Johanna Adolfa Hassego, którego muzyka zawiera w sobie wyrafinowaną, arystokratyczną muzykę Europy epoki ancien regime.Pełna prawdziwych muzycznych fajerwerków i prawdziwej rozkoszy opera Siroe prowadzona jest przez Maxa Cencica (w roli głównej), któremu towarzyszy pełna życia orkiestra Armonia Atenea z energicznym dyrygentem Georgem Petrou - to ten sam eksyctujący zespół, który pojawił się na pierwszym albumie dla wytwórni Decca, zawierającym operę Alessandro Haendla i zdobył liczne renomowane nagrody.  Cencica wspiera oszałamiający zespół solistów, wśród których znalazła się niezrównana Julia Lezhneva, kontratenor Franco Fagioli (którego debiutancka płyta w DG ukaże się wkrótce), Juan Sancho, Mary-Ellen Nesi i Lauren Snouffer.“Dla głosu Cencica nie mają zastosowania żadne konwencjonalne ograniczenia dotyczące zwykle kontratenorów.... muzyka Hassego inspiruje go do przedstawienia swego niezwykłego artyzmu".Niezwykle znany za życia Hasse był uznany przez swoich współczesnych za jednego z najważniejszych artystów XVIII wieku: najwięksi śpiewacy tych czasów walczyli o to, aby wykonywać jego opery. Ceniony za dar melodyczny Hasse ofiarowuje nam w Siroe rzadką ucztę wokalną, a jednocześnie opowiada nam historię pełną życia, namiętności, zazdrości i intryg.Premiera nowego przedstawienia scenicznego tej opery w wykonaniu Maxa Cencica i zespołu Parnassus Arts miała miejsce w Ateńskim Megaronie w czerwcu 2014, gdzie odniosła wielki sukces zarówno u publiczności jak i krytyki i niebawem będzie wystawiona w Wersalu i Wiedniu.

• Wykonawca Cencic Max Emanuel
• Data premiery 2014-11-12
• Nośnik CD