In this latest volume from The Cardinall’s Musick acclaimed Byrd series, the composer’s overtly Catholic agenda is clearly displayed. In an age when censorship was rife and spies were everywhere, it is not surprising that possession of the first volume of Gradualia should have been cited as one of the reasons for the arrest of a Jesuit priest called de Noiriche (although obviously the spies had other more compelling evidence to hand). Only one set of the 1605 partbooks remains intact, although they have had their introductory material removed and perhaps these volumes were considered too dangerous to own. This fear, whether real or perceived, was not enough to dissuade Byrd and his publisher from producing a second book of Gradualia in 1607, or from re-printing both volumes in 1610. All of the music on this disc is drawn from the first volume of Gradualia published in 1605. The music is a world away from the dark broodings of the Cantiones Sacrae from 1589 and 1591 where Byrd is preoccupied with the melancholy which dominates his middle years. In the later publications Byrd achieves a fusion of styles, mixing the energy, wordpainting and rhythmic vitality of the secular madrigal tradition with the spirituality and liturgical context of words from the Mass and Divine Office. The witty use of short bursts of melody often thrown from one voice to another, together with the energized rhythmic cells, suggests a man who is not obsessed with a hopeless cause. It may be that in the Essex countryside, surrounded by sympathetic folk, Byrd had found a real home away from the political maelstrom which raged in London. These pieces show a glimpse of the man which is rather different to our more usual perception of the composer racked with misery at the deprivation of Catholics in England. Here we see a man in the later stages of life, affected by the aftermath of the Reformation (as his earlier publications clearly show), yet who is now sufficiently relaxed and secure to be able to indulge his considerable wit and imagination, and who is confident enough to use the most up-to-date musical styles. Here there is no wringing of hands, nor downcast eyes but rather the musical embodiment of an unshakeable faith.


  • Wykonawca The Cardinall's Musick
  • Data premiery 2009-08-08
  • Nośnik CD
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Tracklista:1. Lauda 29 'O Divina Virgo, Flore'2. Lauda 13 'Stomme Allegro'3. Lauda 19 'Omne Homo'4. No.1 from Tre Laude Dolce5. Lauda 4 'Oi Me Lasso'6. Lauda 35 'L'alto Prence Archangelo'7. Lauda 37 'Ciascun Ke Fede Sente'8. Lauda (Con Sordino)9. Lauda 36 'Gloria in Cielo'10. Lauda 28 'Amor Dolce Senca Pare'


  • Data premiery 2010-04-05
  • Nośnik CD / Album
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Following the success of the Westminster Cathedral Lay Clerks in their glorious men-only recording of Victoria’s Missa Gaudeamus, the choir returns to full ranks for a further issue in their survey of the Masses of this undisputed Master of the Renaissance.This new recording opens with Victoria’s five-part setting of the Marian antiphon Salve regina, followed by two of the composer’s Masses: Missa De Beata Maria Virgine and Missa Surge propera, which is preceded by its Palestrina model. Released to mark the conclusion of a highly successful American tour, this album finds the choir in superb voice and the thrillingly involved sound is perfectly coloured by the Westminster resonance.


  • Wykonawca Various Artists
  • Data premiery 2011-09-01
  • Nośnik CD
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1. Missa Ave Maria, for 4 voices  38:412. Missa Hodie Christus natus est, for 8 voices 27:293. Hodie Christus natus est, for 4 voices 2:464. Canite tuba, motet for 5 voices (from Motets Book II for 5, 6, & 8 voices) 6:215. Ave Maria, motet (unspecified of 5) 4:226. Tui sunt caeli, offertory for 5 voices 2:387. Jubilate Deo omnis terra, motet for 8 voices (from Motets Book II for 5, 6, & 8 voices) 3:388. O magnum mysterium, motet for 6 voices (from Motets Book I) 6:269. Missa Papae Marcelli, for 6 voices 32:5210. Missa Brevis, for 4 voices 25:06


  • Wykonawca King's College Choir
  • Data premiery 2008-11-10
  • Nośnik CD
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Muzyka: Sven van der Kuip - clarinet Ulrich Büsing - bassethorn, bass clarinet John-Noel Attard - piano Tracklista: Felix Mendelssohn-Bartholdy (1809 - 1847) 1. Konzertstück Nr. 1 f-moll op. 113 (7:38): Allegro con fuoco, Andante, Presto Otfried Büsing (born 1955) 2. Images Virtuelles, 1988) (14:55): Energico, Passcaglia/Echo, Valse, Fließend, Langsam Wolfang Amadeus Mozart (1756 - 1791) 3. Two arias from the oper "Titus" KV 621, arrangement: Ulrich Büsing (11:54): Rondo "Non piú di fiori" Aria "Parto, ma tu ben mio" Mikhail Glinka (1804 - 1857) 4. Trio Pathétique d-moll (13:55): Allegro Moderato, Scherzo. Vivacissimo, Largo, Allegro con spirito Felix Mendelsohn-Bartholdy (1809 - 1847) 5. Konzertstück Nr. 2 d-moll op. 114 (8:25): Presto, Andante, Allegretto grazioso


  • Wykonawca Kuip Sven van der , Busing Ulrich , Attard John-Noel
  • Data premiery 1999-12-01
  • Nośnik CD
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