
Wolumin drugi sonat fortepianowych włoskiego kompozytora epoki baroku Domenico Cimarosy w wykonaniu pianisty Victora Sangiorgio
- Wykonawca Sangiorgio Victor
- Data premiery 2012-02-06
- Nośnik CD
- Muzyka poważna / Recitale
- 7-01-2019, 13:09
- 0
- 0
- admin

Wolumin drugi sonat fortepianowych włoskiego kompozytora epoki baroku Domenico Cimarosy w wykonaniu pianisty Victora Sangiorgio

Tracklista:1. Titoli2. M23. M44. M55. M76. M23 Vers. Lunga7. M88. M109. M1110. M911. M1212. M1313. M1414. M315. M1516. M1617. M23 Vers. Corta18. M16 Bis19. M1820. M1921. M2022. M2223. M2124. M6 Bis

THE MINIATURE IN THE CYCLE In just 40 minutes, the cosmos was created. To be sure, here we are talking solely about a pianistic cosmos: yet it is one that still, more than 170 years after its creation, remains breath-taking and arouses many diverse emotions, including unlimited admiration. The oeuvre in question is Frédéric Chopin’s Preludes, Op. 28. He wrote these 24 pianistic miniatures between 1836 and 1839, modelling them on the Preludes by Johann Sebastian Bach. However, he did not retain their “prologue-type” character: on the contrary, the variety of the works is more an indication of a secondary meaning of this term, i.e. fantasizing. Among the greatest composers of the 19th century, Chopin is probably the only one to write more or less exclusively for “his” instrument, the piano. During a period of some 20 years, he composed almost 200 solo works. Not a huge output, compared to other extremely prolific composers of the day (whose names and works have now justifiably been forgotten). Chopin polished away at his compositions, until each one was defined by its own unmistakable personality. In order to classify the special distinctive features of his sound, one should probably not only emphasize the international character of his particular piano style, but also – and especially – point out the various compositional stages through which he went in his diverse roles of improviser, pianist, piano teacher and composer. Together, these blended into a highly potent mixture. German musicologists have generally tended to categorize Chopin rashly as a “salon composer”, and thus make it impossible to view his music without prejudice. However, although Chopin most certainly encountered audiences for his music in the salon, the quality of his works undoubtedly soars far above that environment. Thus the “Chopineske” is the successful synthesis of a musical world view, which combines the operatic sweetness of Bellini, the calculated effect of Rossini, the contrapuntal gravity of Bach, as well as the harmony of Wagner in a jaunty, daring and calculating fashion. The Preludes Op. 28 are monothematic and the nuclei of their motifs frequently comprise only one bar (at times, in fact, of only part of a bar), from which the works are then developed. The order of the 24 Preludes was determined (at a later date) according to the quint circle and the related minor keys. This brings up the question, especially for interpreters, of whether or not this is a cycle. Many pianists consciously select individual pieces from the opus: however, they tend to overlook the fact that this entire opus of Don Quichote-type works is dominated by an all-encompassing sense of drama, thanks to its contrast and expression. The pieces alternate continuously between triumph and despair, brilliance and darkness, excitement and composure. The Prelude Op. 45, dating from 1841, is light years away from Op. 28 as regards style of composition. It is an “overcast” and poetic masterpiece, a bitter-sweet anticipation of the late Intermezzi by Brahms, interrupted by agonizing and tormenting transitions, a kaleidoscopic cadenza, and a coda of well-nigh operatic drama and declamation. Robert Schumann wrote his Papillons, Op. 2 between 1829 and 1832. The cycle consists of 12 concise fantasy images, based on notes from his study books, in which he jotted down his musical ideas. The aphoristic Schmetterlinge (= butterflies) received an additional cachet thanks to the literary association with Jean Paul’s Die Flegeljahren (= the years of adolescence). The two final chapters of the novel are entitled “Larven-Tanz” (= dance of the masks) and “Brief – Nachtwandler – Traum” (= letter – sleepwalker – dream). Here, Schumann demonstrates to the listener his “new approach to the variation form”: thus he presents the individual miniatures (dance, ballroom, masks) as strongly contrasting, yet derives both motif and theme from a common source. The thematic material of the waltz in No. 1 determines the course of the remainder of the work, in which Schumann varies all elements and levels of the music, and as such subjects the character and development of the moods to a permanent transformation.

Tracklista: 1. 2 Morro Morro Land 2. Captain Caveman 3. Birdy 4. Riff Wraiths 5. Mega Ghost 6. Magic Mountain 7. Dead Cowboy 8. Bizarro Zarro Land 9. Mohawk Windmill 10. BizarroBike 11. Infinity Farm 12. No Rest For The Obsessed

Tracklista: LP 1 1. Make Some Noise 2. Nonstop Disco Powerpack 3. OK 4. Too Many Rappers (Feat. NAS) [New Reactionaries Version] 5. Say It 6. The Bill Harper Collection 7. Don't Play No Game That I Can't Win (Feat. Santigold) LP 2 1. Long Burn the Fire 2. Funky Donkey 3. The Larry Routine 4. Tadlock's Glasses 5. Lee Majors Come Again 6. Multilateral Nuclear Disarmament 7. Here's a Little Something for Ya 8. Crazy Ass Shit 9. The Lisa Lisa/Full Force Routine

Skład: Bass – J. Anderson Drums – Mark Pulice Piano – Marshall Otwell Vocals – Carmen McRae Tracklista: 1. That Old Black Magic (Harold Arlen / Johnny Mercer) 2. Superwoman (Stevie Wonder) 3. I Concentrate On You (Cole Porter) 4. New York State Of Mind (Billy Joel) 5. Underneath The Apple Tree (Michael Franks) 6. Thou Swell (Lorenz Hart / Richard Rodgers) 7. Send In The Clowns (Stephen Sondheim) 8. I Just Can't Wait To See You (Mark Franklin) 9. How Long Has This Been Going On? (George Gershwin / Ira Gershwin) 10. If I Were A Bell (Frank Loesser) 11. My Foolish Heart (Ned Washington / Victor Young) 12. Secret Love (Sammy Fain / Paul Francis Webster)

Reedycja siódmego, solowego albumu donGURALesko "Magnum Ignotum (Preludium)" mnoży pytania unikając oczywistych odpowiedzi. Literatura, malarstwo, film czy teatr spotykają się we wspólnej przestrzeni tworząc tajemniczy konglomerat. "Magnum Ignotum", po łacinie "Wielka niewiadoma", może symbolizować chęć wyjścia poza to co znane i bezpieczne. Świat jako tajemnica. Za warstwę muzyczną płyty odpowiada czołówka nowej fali polskiej muzyki rapowej (Ceha, Lanek, 2DK, Amatowsky, Świerzba, Młody/Heavy Mental) oraz dobrze już znani wyjadacze (The Returners, SoDrumatic, Tasty Beatz). Na gramofonach żywe legendy polskiego djingu - Dj Kostek i Dj Chwiał (The Returners).

Ben Lee powraca z albumem z coverami piosenek ze swojego dzieciństwa. Na płytę trafiły m.in. utwory z repertuaru Dinosaur Jr, Beat Happening, Pavement, Fugazi, The Breeders, Guided by Voices, Superchunk czy Daniel Johnston. Tracklista: 1. Web In Front 2. Blue Print 3. Divine Hammer 4. Car 5. Sugar Kane 6. Get Me 7. In The Mouth A Desert 8. Gold Heart Mountain Queen Directory 9. Speeding Motorcycle 10. Brand New Love 11. Ingrown 12. My Noise 13. Godsend

Tracklista: 1. Sin Palabras 2. Anoche 3. Sueno Querido 4. Nunca Tuvo Novio 5. La Novia Ausente 6. Intimas 7. Milonguita 8. Melenita De Oro 9. Donde 10. A Una Mujer 11. La Mariposa 12. Mi Noche Triste 13. Galleguita 14. Tu Piel De Jazmin 15. Solo Se Quiere Una Vez 16. Sueno De Barrilete 17. Todo Es Cruel 18. Yo No Merezco Este Castigo 19. Rubi 20. Che Discepolin

Tracklista:1. See2. I'd Like to Take You Home3. Remember Me4. I'm Blue5. Stop and Think6. Temptation's 'Bout to Get Me7. Nubia8. Carry Me Back9. Away Away10. Real Thing11. Death's Reply12. Hold On1. Right On2. I Believe3. Thank You Baby4. You Don't Know5. Nama6. Almost Home7. The Letter8. Raedy for Love9. Fortunes10. Glory Glory