» Strona 2604

Utwory:1. Johann Sebastian Bach: Toccata and Guue in D minor 2. Mike Batt: Contradanza 3. Mason Williams: Classical Gas 4. Mike Batt: Theme from 'Caravans' 5. Mike Batt: Warm Air 6. Mike Batt: Jass Will Eat Itself 7. Mike Batt: Widescreen 8. Mike Batt: Tequila Mockingbird 9. Mike Batt: City Theme 10. Wherry: Red Hot


  • Wykonawca Mae Vanessa
  • Data premiery 1995-01-01
  • Nośnik CD
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Tracklista:1. I Don't Want a Lover2. In Demand3. Say What You Want4. Summer Son5. Inner Smile6. So in Love With You7. Black Eyed Boy8. So Called Friend9. Everyday Now10. In Our Lifetime11. Halo12. Guitar Song13. Prayer for You14. When We Are Together15. Insane16. Tired of Being Alone17. Put Your Arms Around Me18. Say What You Want (All Day Every Day) [feat. Method Man & the RZA]


  • Wykonawca Texas
  • Data premiery 2000-10-23
  • Nośnik CD / Album
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Od ostatniej płyty Fisza i Emade minęły już dwa lata. W międzyczasie bracia nagrali wspólnie z ojcem Wojciechem Waglewskim album "Męska Muzyka” (obecnie status złotej płyty). Nowa płyta "Heavi Metal” to dzieło dość surowe, w dużej części zagrane na żywo, zrealizowane z lekko eksperymentalnym zacięciem przez Emade - producenta płyty. To także muzyczne wycieczki w okres pierwszych, syntetycznych płyt hiphopowych z połowy lat 80’ych. Na albumie nie brakuje tez klasycznych samplowanych produkcji charakterystycznych dla wczesnych płyt braci Waglewskich.Pod względem tekstowym to liryczne podróze do okresu szkolnego, do czasów przełomu transformacyjnego w Polsce. To właśnie wtedy małoletni wówczas bracia byli wiernymi fanami nurtu Heavy Metal, stąd w tekstach pojawiają sie nazwy zespołów "Anthrax”, "Sodom” czy "Iron Maiden” obok lekcji WF, czy "najdłuższych nóg w szkole”. Płyta "Heavi Metal” nie jest jednak do końca dziełem autobiograficznym. Choć dużo tu opowiedzianych ironizującym językiem opowieści w pierwszej osobie, to są to jednak głównie historie usłyszane od innych.Gościnnie na albumie: Sqbass, Mariusz Obijalski (obecnie w składzie koncertowym Fisz Emade Tworzywo), Envee oraz Wojtek Traczyk (Muzykoterapia).


  • Wykonawca Fisz Emade
  • Data premiery 2008-11-21
  • Nośnik CD
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Tracklista:1. Tales Of A Gypsy2. Thank You3. Soul Food4. Yeah Baby5. Show Me, Show Me6. Don't Wanna Know7. South Chicago8. Treasures9. Flava10. In Deep11. Is That You12. Slow Motion13. Tales Of A Gypsy Reprise


  • Wykonawca Meadows Marion
  • Data premiery 2002-10-17
  • Nośnik CD
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Tracklista CD 1 1. World gone mad 2. Icons of the new days 3. Not in a place like this 4. When a hero takes a fall 5. Forevermore 6. The way I'll remember 7. Fallin' 8. King's reborn 9. Long way to go 10. The edge of darkness 11. Wait no prayers for the dying 12. All I have left CD 2 1. Innuendo (queen cover) 2. Only (anthrax cover) 3. Tears of the dragon (bruce dickinson cover) 4. Edge of the blade (journey cover) 5. The maker and the storm (bonus track) 6. When nothing was wrong (bonus track)


  • Wykonawca Lords Of Black
  • Data premiery 2018-05-18
  • Nośnik CD
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Tracklista:1. Gallow's Bird2. Misery and Woe3. Dead World4. John McMiller5. Please Come Back6. Times of Trials7. Bones in the Closet8. Two Headed Horseman9. '69 Camaro10. Lost Highway Motel11. Johnny's Song12. Sixty Seconds to What?


  • Wykonawca Helldorado
  • Data premiery 2013-05-13
  • Nośnik CD
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Edward Gardner, the music director of English National Opera and an exclusive Chandos artist, has completed the first disc in a projected Chandos series devoted to Polish music. Also his first purely orchestral CD for Chandos, the disc presents music by one of Poland’s most important twentieth-century composers, Witold Lutoslawski, including perhaps his most famous work, the Concerto for Orchestra (1950 – 54), a brilliant and highly attractive work. Also included is the Third Symphony (1981 – 83) which was given its world premiere by the Chicago Symphony Orchestra, conducted by Sir Georg Solti, on 29 September 1983. Many passages employ the by then well-developed technique which the composer called ‘limited aleatorism’, according to which each individual orchestral musician is asked to play a phrase or repeated fragment in his own time – rhythmically independent of the other musicians. During thesepassages very little synchronisation is specified: events that are coordinated include the simultaneous entrances of groupsof instruments, the abrupt end of some episodes, and some transitions to new sections. By this method the composer retainscontrol of the work’s architecture and of the realisation of the performance, while simultaneously facilitating complex andunpredictable polyphony. In later years LutoslËawski developed musical forms that combine unrelated strands of music, whose short, discrete sectionsoverlap one another like the links of a chain. Elements of this method can be found in many of his earlier works, but the first to emphasise it was Chain 1 of 1983 for fourteen instruments, written for the London Sinfonietta. Chain 2, subtitled "Dialogue for Violin and Orchestra", followed in 1985. The last work to adopt this approach was Chain 3 (1986) for large orchestra. Broadly speaking, the composition’s tenminute span falls into three sections, of which the first provides a particularly clear, readily audible example of the chain technique. After a quick opening flourish, Lutosl¹awski presents a sequence of twelve overlapping ideas, each characterised by a particular mode of expression, and each vividly coloured by a few instruments playing as a unit. For example, chimes, violas, and flutes together form the first ‘link’; this is overlapped by a quartet of double-basses; these in turn overlap axylophone and three violins, and so on. The last of the twelve links in this musical chain thicken into a kind of general babble among the winds, which marks the first stage in the work’s larger form. Chain 3 was written for the San Francisco Symphony which gave the first performance, conducted by the composer, on 10 December 1986 in Davies Symphony Hall in San Francisco.


  • Wykonawca Various Artists
  • Data premiery 2010-08-01
  • Nośnik SACD