Tracklista:1. Brown Sugar 2. Sway 3. Wild Horses 4. Can't You Hear Me Knocking 5. You Gotta Move 6. Bitch 7. I Got The Blues 8. Sister Morphine 9. Dead Flowers 10. Moonlight Mile
Tracklista: 1. Welcome To The Machine 2. Set The Controls For The Heart Of The Sun 3. Money 4. If 5. Wish You Were Here 6. Pigs On The Wing (Part I) 7. Get Your Filthy Hands Off My Desert 8. Southampton Dock 9. The Gunner's Dream 10. In The Flesh 11. Nobody Home 12. Have A Cigar 13. Another Brick In The Wall (Part I) 14. The Happiest Days Of Our Lives 15. Another Brick In The Wall (Part II)
Tracklista:1. Sparrowpit2. Song For The Waterden Widow3. I Don't Know If I Can Take It4. Some Kind of Beautiful5. Last Goodnight6. Curious & Woolly7. Want to Be With You8. Jumblequeen9. Sweet Painted Lady10. Long Long Time11. 3DB Australia (Bonus Track)12. Bumper To Bumper (Bonus Track)13. Grow (Bonus Track)
Wibrująca paleta barw, wzór przywodzący na myśl rowki płyty gramofonowej, a przede wszystkim sam materiał, czyli miedziana blacha poddawana obróbce z wykorzystaniem rzadkich technik metaloplastycznych – tak wygląda kolekcjonerska okładka albumu Verke zespołu Miloopa. Limitowana edycja winylowych płyt nawiązuje nie tylko do historii miedzi w przemyśle, ale także do niezwykle istotnej roli, jaką surowiec ten odegrał w rozwoju branży muzycznej.
Tracklista: 1. Smoke and Lace 2. Drive 3. Coexist 4. Baby Grand 5. Begging for Bones 6. Reaper 7. Ghost 8. Disagree 9. American Bliss 10. Good Christian Man 11. You Made Me
Tracklista: 1. 1. Allegro Maestoso 2. 2. Andante Con Anima 3. 3. Allegro Brillante 4. 1. Waltz 5. 2. Nocturne 6. 3. Mazurka 7. 4. Romance 8. 5. Galop 9. 1. Sabre Dance 10. 3. Dance Of The Rose Maidens 11. 5. Lullaby 12. 8. Lezghinka
Tracklista:1. White Freight Liner Blues2. Honky Tonk Masquerade3. Fair & Square4. Don't Look for a Heartache5. Trying to Get You6. Singing the Blues7. Just a Wave, Not the Water8. All Grown Up9. 99 Holes10. Rain Just Falls11. Honky Tonk Song12. The Doors Are Open Wide13. See the Way14. Beautiful Rose15. Dallas16. Up to You17. Red Chevrolet18. Deep Eddy Blues19. That Hardwood Floor20. When the Nights Are Cold
Dwupłytowa kompilacja 36-ciu największych hitów z "wielkiej amerykańskiej muzycznej księgi" w wykonaniu Deana Martina. Był prawdopodobnie najbardziej wyluzowanym piosenkarzem, który zaistniał w świecie muzyki popularnej. Elvis kochał go i powiedział światu, że Dino ma duży na niego wpływ. Frank Sinatra pił z nim, śpiewał z nim, kłócił się z nim, ale zawsze trzymał się z blisko: „Dean był moim bratem, nie przez krew, ale przez wybór”. Był jak powietrze, którym oddycham, zawsze tam, zawsze blisko”. Ta podwójna magia Martina dokumentuje wszystko, co musisz wiedzieć o jego zdolności spersonalizowania najlepszych piosenek, ze stron tego dobrze nagranego „Great American Songbook”. Tracklista: CD 1 1. Dream A Little Dream Of Me 2. Georgia On My Mind 3. Dinah 4. What A Difference A Day Makes 5. Just In Time 6. Nevertheless 7. All I Do Is Dream Of You 8. Imagination 9. Mean To Me 10. Once In A While 11. I Feel A Song Comin' On 12. I Don't Know Why 13. Until The Real Thing Comes Along 14. Mam'selle 15. Wrap Your Troubles In Dreams 16. I've Got My Love To Keep Me Warm CD 2 1. When You're Smiling 2. I've Grown Accustomed To Her Face 3. On The Street Where You Live 4. Basin Street Blues 5. It's Easy To Remember 6. Mimi 7. Just One More Chance 8. I Can't Believe That You're In Love With Me 9. When It's Sleepy Time Down South 10. Dream 11. Louise 12. (I Love You) For Sentimental Reasons 13. April In Paris 14. Hit The Road To Dreamland 15. Please Don't Talk About Me When I'm Gone 16. Baby It's Cold Outside
Tracklista: 1. Like Suicide2. Fake It3. Breakdown4. FMLYHM5. Fallen6. Rise Above This7. No Jesus Christ8. 6 Gun Quota9. Walk Away from the Sun10. Eyes of the Devil11. Don't Believe12. Waste
La Golferamma. Due Cornetti da Chiesa e da Camera. Musica Italiana 1600 - 1650. Performed by Le Concert Brisé [William Dongois, cornets and recorder; Yoshimichi Hamada, cornets and recorder; Carsten Lohff, Spanish and Italian organs and harpsichord; Pierre-Alain Clerc, Italian organ and regal]. Recorded at the Church of St. Laurent in Lausanne, Switzerland, and at the Museum of Art and History in Neuchatel, Switzerland, in October 1998. Published in 2002 as Carpe Diem 16258 (digipack). Total playing time: approx. 73 minutes.Even by today's standards, this is an unusual recording: a recital of late 16th and early 17th century music played on muted and non-muted cornets and accompanied by ancient historical organs, an original 17th century harpsichord and, occasionally, recorder(s) and regal. From about the 15th century to the mid-17th century, the cornett (it's the wind instrument that is built with a curve in the end and looks a little like the letter "J") played a major role in musical life, and virtuoso players on it were highly respected. There is, however, little surviving music expressly written for the cornett because instrumentalists in those days were expected to be able to improvise or to transcribe, as occasion demanded. At the beginning of the 17th century, when instrumental music began to come into its own, the first sonatas were written with a variety of instruments in mind and can often be played on the violin, the recorder or the cornett. The selection of sonatas and other pieces collected here have all been adapted in some way so that they can be attractively played on one or two cornetts with accompanying organ(s) or harpsichord, but this is perfectly legitimate and in accord with 17th century practice. The composers are: Corradini, Rognoni, Salomone Rossi, Scarani, de Rore (adapted by Bovicelli). Riccio, Giovanni Gabrieli, Palestrina (adapted by Bassano) and Castello - most of which names will ring a bell with enthusiasts of early 17th century Italian music, but only few of which are generally well-known. It is, I suppose, a moot point whether anyone except such enthusiasts will want to listen to a whole hour's recital of music in this combination, but it is, after all, possible to enjoy "chunks" rather than the whole at one sitting.The musicians offer virtuoso playing on strictly historical instruments. The recording was made largely in the St. Laurent Church in Lausanne, Switzerland, with its collection of historical organs. The cornetto players Dongois and Hamada are graduates of the Schola Cantorum in Basle and belong to a fairly elite group of virtuoso cornett players in Europe at the moment. Their use, in particular, of muted cornetts (German: "stiller Zink") for some of the pieces was a brilliant idea, the softer, warmer tone offering not only contrast to the brassier normal cornetts but ideally suiting the pieces chosen for performance.The tiny Berlin specialist label Carpe Diem is responsible for the excellent "Direct Stereo" recording with absolutely no compression or manipulation - an audiophile experience, although I should add that the historical Spanish and Italian organs are hand-supplied with wind by a leather bellows, which means that there is a certain amount of creaking and puffing to be heard. William Dongois justifies this decision in the informative booklet.This is not a CD that everyone will want to have - but if you are a fan of the cornetto, of early period instruments or of Italian early-baroque sonatas and canzonas, you might want to give it a try.