Tracklista:1. Ruins2. Lottery3. I Get No Joy4. Side Effects5. My Motto6. Does Anybody Know7. Uh Huh8. Good at It9. 1710. Love Has All Been Done Before11. Going Gone12. If I Die
Tracklista: CD 1 1. Fantasia On A Theme By Thomas Tallis 2. Like As The Hart 3. Since I Believe In God The Father Almighty 4. A Walk With Ivor Gurney 5. By A Bierside CD 2 1. In Flanders 2. Sleep 3. An Oxford Elegy 4. Valiant For Truth 5. Lord Thou Hast Been Our Refuge
Tracklista: CD 1 1. Heavenly Angel 2. We Are 3. Ren 4. Do What You Can 5. San Say 6. Distant Thoughts 7. From The Heart 8. Long Walks 9. Fifths 10. Sukoshi Bit 11. One Wish 12. Save Yourself For Me 13. Another Place 14. I Do Remember CD 2 1. The Game 2. Undercover 3. Stay Away 4. What's It To Ya 5. Touch And Go 6. Go 7. I've Been Here Before 8. 311 9. No. 9 10. Obon 11. Even Then 12. Hawaiian Electric 13. Why Can't I Love You
On this recording we have a selection of works for solo harpsichord and for violin and continuo by Daniel Purcell, most of which are premiere recordings. Traditionally, Daniel Purcell has been known primarily as the younger brother of Henry Purcell (though a strong argument can be made that they were cousins), and it has been said that it was from this family connection only that he derived ‘what little reputation which as a musician he possessed’ (Sir John Hawkins). It is not true, however, that Daniel’s legacy was based entirely on the fame of Henry. Daniel lived for over twenty years after Henry’s death in 1695, adopting styles and forms that only became popular in England around 1700, including the da capo aria, the Italianate cantata and – most relevant to this recording – the solo sonata. Nearly all of Daniel Purcell’s surviving solo harpsichord music consists of arrangements, the only clear exception being the short Toccata, a brief essay in the style of the preludes from Henry Purcell’s harpsichord suites. The Suite is a simple but effective arrangement of movements from the composer’s own suite, for four-part strings, for Farquhar’s play The Inconstant. The expressive Rondeau is also likely an arrangement of a piece for four-part strings. The other three harpsichord pieces are simple arrangements of Daniel’s songs, derived from Oxford manuscripts, and reflecting Daniel’s links with the city. Daniel Purcell also wrote a great deal of music for violin (or recorder) and continuo. The Chaconne is a cut-down version of a four-part piece from his suite for Trotter’s play The Unhappy Penitent. Also on this disc are several Sonatas for violin and continuo, inspired by the works of the Moravian composer Gottfried Finger (c. 1655 – 1730), as evident in the cheerful tunefulness of these works, the avoidance of counterpoint, and a fondness for short movements connected in a ‘patchwork’ fashion. The violinist Hazel Brooks and harpsichordist David Pollock – also known as Duo Dorado – have been charming audiences with their performances since 1999. Inspired by a shared commitment to present music of the seventeenth and eighteenth centuries in an accessible way, these two prize-winning musicians have performed together throughout the UK and beyond. Programmes by the duo have been praised for their varied and colourful textures; of one recording, Early Music Review wrote: ‘The performance from Hazel Brook is assured and stylish, complemented by some fine continuo accompanying as well as spirited solo playing from David Pollock.’
Rockowa grupa pochodząca z Wielkiej Brytanii „Doomsday Outlaw”, przedstawia album pt. „Suffer More” (2018) Muzycy: Steve: Gitara Indy: Gitara Basowa Gav: Gitara John: Perkusja Phil: Wokal Tracklista: 1. Walk on Water 2. Fallback 3. Driftwood 4. All That I Have 5. Suffer More 6. Pandemonium 7. I've Been Found 8. Bring You Pain 9. Blues for a Phantom Limb 10. Saltwater 11. Standing Tall 12. Wait Until Tomorrow 13. Jericho Cane 14. Running Into You 15. Tale of a Broken Man Tracklista: 1. Walk on Water 2. Fallback 3. Driftwood 4. All That I Have 5. Suffer More 6. Pandemonium 7. I've Been Found 8. Bring You Pain 9. Blues for a Phantom Limb 10. Saltwater 11. Standing Tall 12. Wait Until Tomorrow 13. Jericho Cane 14. Running Into You 15. Tale of a Broken Man
Tracklista:1. Prologue2. Have a Nice Day3. Who I've Become4. Proud5. Make Me Feel6. Lying to a Liar7. Fire Red8. I've Been There9. Captivate10. My Life in a Bottle
Tracklista:1. Relieved2. Summertime Friends3. What Time Is It in Portugal?4. Lost My Way5. I See You6. (You Can't Hide)7. You Can't Hide8. Never Been to California9. Maine Vision10. Evening All Day Long11. (Crowded)
1 Hello California 1:242 Get to the Choppa 2:473 Rubber Baby Buggy Bumpers 2:234 All of the Songs Sound the Same 0:125 I Am a Cybernetic Organism, Living Tissue Over (Metal) Endoskeleton 3:336 Come with Me If You Want to Live 3:477 What It's Like to Be a Singer at Band Practice 1:188 Who Is Your Daddy, And What Does He Do? 3:119 You Have Just Been Erased 2:2110 Broo-Tall Song Idea 0:3811 Here Is Subzero, Now Plain Zero 3:0912 So Far, So Good, So Let's Talk About It 0:4213 Screw You (Benny) 2:4914 Why? 0:2515 If It Bleeds, We Can Kill It 3:4316 It's Not a Tumor 3:1617 No So Hidden Track 2:49
Tracklista:1. Rainman2. Make You Feel Love Again3. So Blue4. We Got Lovin'5. Don't Turn Me Away6. Street Corner Serenade7. One Track Mind8. How 'Bout You9. Doin' All the Right Things (The Wrong Way)10. Let It Shine11. Ramona12. Stop and Take a Look (At What You've Been Doing)/Don't Let the Green Grass Fool You13. Weekend14. Smoke15. The Hard Way16. Tired Dreams17. This Time18. Mr. Streamline19. You Don't Know What You Mean to Me
Music spontaneously composed originates from the presence of the spirit. This is music extempore. To achieve this, I have embraced the music of Erik Satie. Through closely-tied and personalized improvization, I gained insights and found open windows and doors. I looked into Satie’s music applying the rules it follows. Every day, I interpreted its horoscope, so to speak. What other development potential would have been “in it” for its idea? He himself led the path. With his “Wrong Dances,” he wrote the same piece three times: In his understanding, apparently, there is no one phrasing of a thought that remains valid through the times. Neither in my understanding, by the way.