Tracklista:1. A Foggy Day2. Nice Work If You Can Get It3. But Not For Me4. Let's Call The Whole Thing Off5. How Long Has This Been Going On6. Who Cares?7. They Can't Take That Away From Me8. Medley:I've Got A Crush On You / Someone To Watch Over Me / Embraceable You
CD RE-ISSUE INCL. 6 BONUSTRACKS 1. ME! I DISCONNECT FROM YOU 2. ARE FRIENDS ELECTRIC? 3. THE MATCHMAN 4. PRAYING TO THE ALIENS 5. DOWN IN THE PARK 6. YOU ARE IN MY VISION 7. REPLICAS 8. IT MUST HAVE BEEN YEARS 9. WHEN THE MACHINES ROCK 10. I N
Tracklista: CD 1 1. Permutations (Intro Mix) 2. Always With Me 3. Reaching for a Dream (Feat. Deirdre McLaughlin) 4. Choice of the Angels 5. Out of Nowhere (Feat. Josie) [Giuseppe Ottaviani Remix] 6. Encounter 7. Meridian 8. Lost Without You (Feat. Kate Miles) [extended Mix] 9. A Reality (Extended Mix) 10. Sun After Rain 11. Hold Me Close (Feat. Natalie Gioia) 12. Till the Sunrise (Extended Mix) 13. Next Stop Muddy Waters 14. Our Destiny 15. Requiem for an Angel CD 2 1. Before We Leave (Intro Mix) 2. The Wave 3. We've Been Here Before (Cold Blue Remix) 4. A New Spirit 5. Speed of Life 6. Daylights 7. Learning to Live 8. The Clash 9. On the Outside 10. Like Water (Feat. Yoko Honda) [Cold Blue Remix] 11. Before We Leave 12. Never Back Down (Cold Blue Remix) 13. Shadows (Feat. Emma Gillespie) [Cold Blue Remix] 14. Once in Time
Ottorino Respighi (1879–1936) had a great love for Italian music of the late Renaissance and Baroque. He was actively involved in editing and transcribing the music of Monteverdi, Vitali and Marcello and in 1917 began work on what was to become the first of three orchestral suites which he called Ancient Airs and Dances. These suites consist of arrangements of sixteenth- and seventeenth-century Italian and French lute and baroque guitar music. This recording presents the original lute versions of the works Respighi arranged, in essentially the same order in which they appear in his suites. It does not slavishly follow Respighi’s repeat schemes, his rearrangement of the structure of the original works, or his tempo indications. In the first Italiana, the Passo mezzo bonissimo and Gianoncelli’s Bergamasca, for example, Respighi interrupts each piece, inserts another work, and then returns again to the first. In the Bergamasca, a Tasteggiata (Prelude) from a suite in another key has been inserted, which would have required retuning the archlute. While these insertions are extremely effective in Respighi’s arrangements, they cannot have been so performed on the lute in the seventeenth century. Here, each work is performed in its entirety before moving on to the next piece.
Tracklista:1. It Might As Well Be Spring2. A Tree in the Meadow3. A Wonderful Guy4. My Ideal5. Come Rain Or Come Shine6. Baby, It's Cold Outside7. That Old Black Magic8. Moonlight in Vermont9. Now Is the Hour10. Slippin' Around11. Faraway Places12. My Foolish Heart13. Guilty14. Let's Go to Church15. Morgen16. Lavender Blue17. I've Been There18. Till There Was You19. The Three Bells20. Broken Hearted Melody21. I Loves You Porgy22. What a Diff'rence a Day Made23. I Only Have Eyes for You24. My Wish Came True25. Glad to Be Unhappy26. Little Girl Blue27. One for My Baby
Tracklista:1. Music! Music! Music!2. Let Me Go Lover3. Till I Waltz Again With You4. Ricochet5. A Tear Fell6. Bell Bottom Blues7. Anymore8. Jilted9. Gonna Get Along Without Ya Now10. How Important Can It Be11. The Banjo's Back in Town12. The Hula Hoop Song13. How Do You Know It's Love14. Have You Ever Been Lonely15. Sing Sing Sing16. Empty Arms17. Tweedle Dee18. You Send Me19. A Sweet Old Fashioned Girl
Tracklista: LP 1 1. Redemption's Son 2. Honey And The Moon 3. You Could Be In Jail 4. I Would Rather Hide 5. Innocent World 6. September Baby 7. Nation Of Slaves 8. Evidence LP 2 1. Buy A Bag 2. Termite Song 3. Permission 4. Favorite Girl 5. You Are The Dark 6. In The Night 7. Blue Lips 8. You've Been Loved
Tracklista: CD 1 1. When Your Old Wedding Ring Was New 2. A Little Bit of Heaven 3. Oh You Million Dollar Doll 4. When You Wore a Tulip 5. There Goes My Heart 6. Anniversary Song 7. Ain't She Sweet 8. Pal of My Cradle Days 9. By the Light of the Silvery Moon 10. When Irish Eyes Are Smiling 11. It's Been a Long, Long Time 12. Maybe 14. Baby Your Mother Like She Babied You 15. After You've Gone 16. You Must Have Been a Beautiful Baby/Oh You Beatiful Doll 17. Over the Rainbow 18. Please Believe Me 19. I Don't Wanna Go Home 13. My Melancholy Baby CD 2 1. Cuddle Up a Little Closer 2. Am I Blue 3. Tho' It's Breaking My Heart (To Keep Away from You) 4. It Doesn't Hurt to Say You're Sorry 5. The Greatest Mistake of My Life 6. Cry 7. The Lager Sager of Al K. Hall 8. Sonny Boy 9. Daddy You've Been a Mother to Me 10. All By Myself 11. They Used to Call Her Mary Now They Call Her Ma 12. You'll Never Know 13. Little Pal 14. Rock-a-bye Your Baby 15. Because You're Mine 16. It Had to Be You 17. Making Whoopee 18. Why Don't You Believe Me 19. You Can Depend On Me 20. A Hundred Years from Today 20. Always
Tracklista:1. Gucci Racks2. Bank Roll3. Hell Is You Doin'4. Movie5. Hurry Up6. BlueBucks7. On Top8. Vice City9. Cuban Links10. Yung Taliban11. Been That Nigga12. Brick Walk13. Bling Bling14. Goth Mansion15. Are You Still Gucci
Wolfgang Amadeus Mozart could have been proud of the unusual instrumentation of Quintet KV 452, for there had been to date no examples of this combination of piano and wind. At the same time combining piano and wind was by no means an easy compositional task, because of the problems with regard to the relative loudness of the instruments involved. This must also be the reason why this instrumentation was seldom re-used except in works which directly call to mind Mozart’s, such as, for example, the quintets of Beethoven and Danzi. There appears in the Quintet a unique blend of different genres and musical styles that expresses the underlying harmoniemusik through the four wind instruments, is reminiscent of a piano concerto and a Sinfonia concertante with the concertante treatment of the instruments involved. Ludwig van Beethoven took Mozart’s work as a direct model for his Quintett op. 16. This is not only the adoption of the same key and sequence of movements obviously, but extends to structural elements and further details. Yet even more than Mozart’s work, Beethoven’s Quintet is a kind of “chamber concerto”, with the piano and wind instruments in opposition. Both quintets belong inseparably together because no further works with this instrumentation and at such an outstanding level have been written