Tracklista:1. Bridge Over Troubled Water2. Raindrops Keep Fallin' On My Head3. Can't Help Falling in Love4. It's Over5. It's So Easy6. Long Time Blues7. Little Boy/If Wishes Were Horses8. Today Medley9. A Reason to Believe10. Simple Thing As Love11. Both Sides Now12. Home Lovin' Man13. Your Song14. For the Good Times15. Something16. It's Impossible17. We've Only Just Begun18. I Think I Love You19. Candida20. Fire and Rain21. Rose Garden22. My Sweet Lord

• Wykonawca Andy Williams
• Data premiery 2015-04-20
• Nośnik CD / Album

Tracklista:1. No Why2. Instigator3. Magic Magnet4. Freddie Gray Blues5. No History6. Daydrunk7. Both Ways8. No One Says You Have To9. Guard Your Gates10. Before You're Here11. I Was Alive Back Then

• Wykonawca Kevin Devine
• Data premiery 2016-10-28
• Nośnik CD / Album

It may seem surprising that after three decades of ‘early music’ research, critical discoveries can still be made about a great composer such as Mozart and particularly discoveries around his well-known masterpieces. This recording presents the première recording of the Grande Sonate, an anonymous arrangement for fortepiano and basset clarinet of Mozart’s beloved Clarinet Quintet in A major, K.581. Both the Clarinet Quintet and the Concerto in A major, K.622, were originally written for an instrument called the basset clarinet, which has four more chromatic notes at the bottom of its range than an ordinary clarinet. Since the manuscripts to both pieces were lost, clarinettists have had to make educated guesses about the passages that may have included these low notes. Significantly, this arrangement includes some of these basset notes, making it an important source for those wishing to restore the piece to its original form. In its incarnation as a sonata, it becomes a wonderful piece of chamber music which is especially compelling when played on instruments like those Mozart and Stadler (for whom it was composed) knew.

• Wykonawca Veenhoff Anneke
• Data premiery 2010-01-01
• Nośnik CD

The 15th and 16th centuries were the golden age of Flemish polyphony. Dufay, Josquin, Isaac and many others were among the composers most celebrated in the major courts of Europe. In terms of both their methods and their musical output, these composers transmitted a style characterised by complex counterpoint and a remarkable sense of musical architecture. Ludwig Senfl had the highest regard for these qualities. Under the influence of his teacher Heinrich Isaac, he made the Flemish idiom his own, while adding to it obvious personal touches.Making the present selection has brought home to us what a privilege it is to be able to choose from an output of such quality – yet how frustrating it is to have to do so! We have done no more than lift one small corner of the veil beneath which Senfl’s masterly oeuvre lies hidden. Nearly 500 years after his death, a large part of his output remains consigned to musical history, completely unknown to both music-lovers and performers. We hope that this recording will demonstrate how unjustly Senfl’s reputation has been obscured by that of his teacher Isaac; for us, his music has been a revelation and a source of huge musical pleasure.

• Wykonawca Denys Tore Tom , La Caccia
• Data premiery 2012-11-01
• Nośnik CD

Phil Collins zapowiedział, że do czynnej działalności muzycznej już nie wróci, ale niedawno podpisał kontrakt z wytwórnią Warner na przygotowanie reedycji ośmiu płyt solowych. Jedną z nich jest album „Both Sides”.Solowa kariera artysty, który sprzedał na całym świecie ponad 100 mln płyt (solo i z grupą Genesis), zaczęła się na początku lat 80. W lutym 1981 roku ukazał się debiutancki materiał Phila Collinsa, zatytułowany "Face Value". Zdobył szczyt zestawienia w Wielkiej Brytanii i przyniósł megahit „In The Air Tonight”. Płyta aż pięć razy pokryła się platyną w ojczyźnie muzyka oraz w Stanach Zjednoczonych. W nagraniach wspomógł Collinsa sam Eric Clapton. Dwanaście lat później, kiedy Phil był już wielką gwiazdą na własny rachunek, ukazał się krążek „Both Sides”, kolejny numer jeden artysty w Wielkiej Brytanii. Również wielokrotnie pokrył się platyną.Phil, w ramach serii reedycji solowych płyt, nazwanej fragmentem tekstu z megahitu „Against All Odds” – „Take A Look At Me Now”, pomógł przygotować wznowienie „Both Sides”, udostępniając z prywatnego archiwum kompozycje w wersjach demo i live, także strony B singli, które wypełniły drugi, bonusowy dysk. Część z nich nigdy wcześniej nie była publikowana.„Zawsze byłem dumny z moich piosenek w wersjach demo i zamieszczałem je, jako strony B singli, z paroma wyjątkami. Unikałem ich na składankach. Przygotowując reedycje, skupiłem się bardziej na tym, jak pięknie piosenki te ewoluowały podczas wykonywania na żywo, niż na tym, jak powstawały” – wyjaśnia artysta.Płyta została zremasterowana przez nominowanego do Grammy inżyniera dźwięku Nicka Davisa, który wykonał fantastyczną pracę przy boxie Genesis „1970-1975”.Album jest dostępny, jako 2CD w digipaku, w formie plików cyfrowych oraz na dwóch 180-gramowym vinylach.Tracklista:CD 1: Oryginalny album w wersji zremasterowanej1. Both Sides Of The Story2. Can't Turn Back The Years3. Everyday4. I've Forgotten Everything5. We're Sons Of Our Fathers6. Can't Find My Way7. Survivors8. We Fly So Close9. There's A Place For Us10. We Wait And We Wonder11. Please Come Out Tonight CD 21. Take Me With You     2. Both Sides Of The Story – Live*        3. Can't Turn Back The Years – Live*    4. Survivors – Live*        5. Everyday – Live*        6. We Wait And We Wonder – Live*    7. Can't Find My Way – Demo*8. I've Been Trying         9. Both Sides Of The Story         10. Hero – Demo      *Wcześniej niewydane na CD

• Wykonawca Collins Phil
• Data premiery 2016-01-29
• Nośnik CD

The Second and Eleventh symphonies are both inspired by Russian revolutions. The Eleventh Symphony, subtitled “The Year 1905” marks the bloody revolution of that year. It is an astonishingly atmospheric symphony, of cinematic breadth, especially in second movement which depicts the Bloody Sunday massacre in St Petersburg. Symphony No 2 was written to commemorate the 10th anniversary of the October Revolution. At less than 20 minutes, it is a much shorter work than the Eleventh symphony yet no less dramatic. Although dismissed by the composer later in his career as an experiment, it remains an important step in the development of one of the greatest symphonists and both works receive definitive performances from the Mariinsky Orchestra and Chorus. Reviews: 'performed here with total conviction ... Gergiev captures its brooding majesty in a tense and involving performance, distinguished by the terrifying sound of the St Petersburg winds' Financial Times (UK) ‘Gergiev’s account is simply hair-raising [Symphony No 11]. Even by today’s high standard of orchestral playing, I suspect some orchestras would have trouble keeping up with Gergiev’s driving, intense approach: the Mariinsky players stick to him like glue. This is the best-recorded traversal of Symphony No 2’ American Record Guide (USA).

• Wykonawca Various Artists
• Data premiery 2012-04-01
• Nośnik CD

Roger Norrington and the Stuttgart Radio Symphony Orchestra SWR continue their survey of the major works of the 19th Century symphonic repertoire with two symphonies by Schubert. Throughout his decade of working with the RSO, Norrington has transformed the sound of a modern symphony orchestra into an ensemble capable of delivering authentic historically informed music making. By employing both the benefits of authentic performance practice and technically superior modern instruments Norrington has left a legacy that has opened the ears of romantic "purists" as well as delighting devotees of authentic performance practice.

• Wykonawca Various Artists
• Data premiery 2012-10-01
• Nośnik CD

Advances in horn technique during the eighteenth century created an era of virtuosi whose talents moved composers to write for them. Austria, and in particular Vienna, attracted a great number of these artists and the nineteenth century saw a new generation of musicians who composed and collaborated on works that promoted the instrument in fascinatingly new ways. Krufft was a prolific composer who wrote a number of Sonatas including one for fortepiano and horn. On his early death in 1818 he was described by the Allgemeine Musikalische Zeitung as “a pianist of rare talent and precision, a composer of study and spirit”. Like many other Viennese musicians of this time, Krufft studied law at the University of Vienna and then combined a career as a musician with a post in civil service. The life of Jan Václav Stich has been described as “resembling that of a novel” (H.Kling). Born into a Family of serfs, his early talent caught the attention of the local count who arranged for him to have specialist training. The high quality of wind musicians emerging from Bohemia at this time led Charles Burney to describe Bohemia as the “Conservatory of Europe”. Stich Later absconded and, going under the name of Giovanni Punto, became one of the biggest names in music, travelling the length and breadth of Europe. Beethoven’s Sonata Op.17 for fortepiano and horn, thought to be the first composition for this combination, contains highly characteristic writing for both instruments. Punto’s fame is reflected in a review of an early performance of the work in which a critic asked “Who is this Beethoven? His name is not known to us. Of course, Punto is very well known”. Juxtaposed with the three Sonatas on this disc is something of a curiosity. Arrangements and transcriptions of works were incredibly popular in Vienna during the early nineteenth century. Though the combination of horn and fortepiano might not be the most obvious choice for an arrangement of the Largo of Haydn’s String Quartet Hob II;74 (the “Rider” quartet) the range of colours and the flexibility of both instruments chosen by the anonymous arranger suits the movement’s elegant melody and subtle nuances. The final composer on this disc, Leidesdorf, shared with Krufft and Beethoven the guidance of Johann Albrechstberger as a teacher. Haydn rated Albrechtsberger’s skills highly describing him as “the best teacher of composition among all present-day Viennese masters”. Sadly, today Leidesdorf is remembered mainly for his publishing house Leidesdorf und Sauer but was well known as a composer, pianist and guitarist during his lifetime. Schubert described him as a “truly deep and good being” but also “hugely melancholic”. Unusually this “Sonata pour pianoforte et cor concertans”, published in 1824, includes two names on the frontispiece; “Bellonci und M.K.Leidesdorf”. Camilla Bellonci was an Italian horn player who settled in Vienna where he played for the KärntnertorTheatre and the Imperial Hofkapelle.  The highly virtuosic writing for both instruments suggests a great deal of collaboration in the compositional process which may justify the “equal billing” of Bellonci and Leidesdorf on the frontispiece.

• Wykonawca Scott Anneke , Cok Kathryn
• Data premiery 2011-06-01
• Nośnik CD

'Lovely playing which I enjoyed from first note to last for its poetry and passion as well as seemingly effortless keyboard fluency and command' (Gramophone) 'The Scherzo is as light as gossamer and the finale has both a heroic sense of struggle and passages of the most delicate filigree. Demidenko keeps you on the edge of your seat' (BBC Music Magazine) 'Poise, control, and utterly magical' (Classic CD)

• Wykonawca Demidenko Nikolai
• Data premiery 2005-01-01
• Nośnik CD

The Cardigans have sold over 5.6million albums worldwide. Their biggest sellers are "Gran Turismo" (feat. "My Favourite Game" & "Erase / Rewind") which has sold 2.1m,   and "First Band On The Moon" (feat. "Lovefool") at 1.8m."Lovefool's" inclusion on the blockbuster Romeo & Juliet film soundtrack propelled them to superstardom - it was a No. 1 in both the UK and US airplay charts and was a top ten hit all around the world!

• Wykonawca The Cardigans
• Data premiery 2008-01-25
• Nośnik CD