Tracklista: CD 1 1. Allegro From Brandenburg Concerto No. 2 In F Major, BWV1047 2. Largo, Ma Non Tanto From Concerto For 2 Violins In D Minor, BWV1043 3. Prelude From Lute Suite In E Major, BWV1006a 4. Sheep May Safely Graze Form Cantata, BWV208 5. Adagio (Excerpt) From Cello Sonata In G Minor, BWV1029 6. Allegro From Italian Concerto In F Major, BWV971 7. Pastoral Sinfonia From Christmas Oratorio, BWV248 8. Andante From Violin Concerto No. 1 In A Minor, BWV1041 9. Gigue In D Major Transposed From Partita No. 1 In B Flat Major, BWV825 10. Menuet From Orchestral Suite No, 2 In B Minor, BWV1067 11. Badinerie From Orchestral Suite No. 2 In B Minor, BWV1067 12. Siciliano Form Oboe Concerto In F Major, BWV1053 13. Allegro From Brandenburg Concerto No, 3 In G Major, BWV1048 14. Allemande From Violin Partita No. 2 In D Minor, BWV1004 15. Gigue From Violin Partita No. 2 In D Minor, BWV1004 16. Allegro (Excerpt) From Keyboard Concerto No. 2 In E Major, BWV1053 17. Sanctify Us By Thy Goodness From Cantata, BWV1056 18. Largo From Keyboard Concerto No. 5 In F Minor, BWV1056 19. Allegro From Concerto No. 2 In A Minor, BWV593 CD 2 1. Toccata From Toccata And Fugue In D Minor, BWV565 2. Air From Orchestral Suite No. 3 In D Major, BWV1068 3. Prelude In C Major, BWV846 - The Well-Tempered Clavier, Book 1 4. Allegro From Brandenburg Concerto No. 4 In G Major, BWV1049 5. Aria From Goldberg Variations, BWV988 6. Sleepers Awake From Cantata, BWV645 7. Allegro Moderato From Violin Concerto No. 1 In A Minor, BWV1041 8. Jesu, Joy Of Man's Desiring From Cantata, BWV147 9. Allegro From Keyboard Concerto No. 4 In A Major, BWV1055 10. Bourrees 1 And 2 From Cello Suite No. 3 In C Major, BWV1009 11. Adagio From Concerto For Oboe And Violin In C Minor, Arr. From BWV1060 12. Crucifixus From Messe In B Minor, BWV232 13. Praeludium From Cello Suite No. 1 In G Major, BWV1007 14. Gigue From French Suite No. 5 In G Major, BWV816 15. Prelude In D Minor Transposed From Prelude In C Minor, BWV999 16. Allegro From Brandenburg Concerto No. 5 In D Major, BWV1050 17. In Tears Of Grief, Dear Lord We Love Thee From St Matthew Passion, BWV244  

• Wykonawca Various Artists
• Data premiery 2000-03-13
• Nośnik CD

Album został wydany przez wytwórnię Hyperion (CDA 68261/2). Tracklista: CD 1 1. Cello Suite No. 1 in G major, BWV 1007 2. Cello Suite No. 2 in D minor, BWV 1008 3. Cello Suite No. 3 in C major, BWV 1009 CD 2 1. Cello Suite No. 4 in E flat major, BWV 1010 2. Cello Suite No. 5 in C minor, BWV 1011 3. Cello Suite No. 6 in D major, BWV 1012

• Wykonawca Gerhardt Alban
• Data premiery 2019-03-01
• Nośnik CD

Tracklista:1. I. Prelude 00:03:55 2. II. Fugue 00:04:39 3. Sonatina for Cello and Piano 00:09:39 4. Adagio for Cello and Piano 00:09:26 5. Capriccio for Solo Cello 00:05:30 6. Hungarian Rondo for Cello and Piano 00:11:19 7. I. Allegro serioso, non troppo 00:09:27 8. II. Adagio 00:10:22 9. III. Maestoso e largamente, ma non troppo lento: Presto 00:09:22

• Wykonawca Jando Jeno
• Data premiery 1999-01-01
• Nośnik CD

This is the fourth disc in our series dedicated to the orchestral works of Mieczysław Weinberg, performed by the Gothenburg Symphony Orchestra under Thord Svedlund. The cello soloist is Claes Gunnarsson, one of Sweden’s leading cellists, who combines the post as Principal Cello of the Gothenburg Symphony Orchestra with a brilliant solo career.After the Second World War, along with many other composers, Weinberg was subjected to a series of campaigns against so-called Formalism in the Soviet arts. As a result he turned his attention to concertante works, a medium less prone to censure than symphonies, sonatas, and quartets. The first movement of the Cello Concerto shares the tense, pensive lyricism found in the opening Nocturne of Shostakovich’s almost exactly contemporaneous First Violin Concerto. This later gives way to the rhythms of a habanera and some impassioned passages of Jewish klezmer, almost as if to guarantee a healthy quota of folk-rooted intonations (a required antidote to charges of Formalism), while at the same time allowing for deeper emotions too.In the 1970s, Weinberg’s symphonic production went in two distinct but complementary directions. One of these was at the patriotic end of the Socialist Realist spectrum, while the other was much more abstract. Weinberg’s highly austere five-movement Symphony No. 20 clearly falls into the latter category – challenging, perplexing, and unpredictable. In the second scherzo Weinberg quotes from his opera The Portrait, based on a short story by Gogol. In fact, the finale perfectly captures the mood of the opera’s closing scenes, in which the artist protagonist realises that he has betrayed his calling, and sinks into delirium and eventual death.A previous volume in our Weinberg series (CHSA 5089: Symphony No. 3 and Suite No. 4 from The Golden Key) was nominated for a Grammy this year, in the Best Engineered Album category.

• Wykonawca Gunnarsson Claes
• Data premiery 2012-04-01
• Nośnik SACD

Tracklista:1. And Ya Know We're Missing You2. After the Cosmic Rain/Dance of the Planetary Prince3. The Rugged Truth4. Combat Continuum5. The Message6. Lost in a World7. Alternative Facts8. Bach Cello Suite 1 (Prelude)9. The Legend of the Abbas and the Sacred Talisman10. Enzo's Theme11. To Be Alive

• Wykonawca The Stanley Clarke Band
• Data premiery 2018-06-29
• Nośnik CD

Tracklista: CD 1 1. Allegro Maestoso - Vivace - Allegro Molto 2. Andante Semplice - Andantino 3. Allegro Molto - Moderato 4. Invocation For Cello And Orchestra 5. Introit For Small Orchestra And Solo Violin 6. Scherzo 7. Lament 8. Variations On A Ground 9. Lyric Movement For Viola And Small Orchestra CD 2 1. Lento - Allegro Con Spirito 2. Allegretto (Quasi Andante) Con Dolcezza 3. Molto Vivace, Con Brio 4. Allegro Moderato 5. Rondo. Vivace 6. Lento 7. Soliloquy For Cello And Orchestra CD 3 1. Allegro Cantabile, Con Anima - Molto Vivace, Con Spirito 2. Largo. Allegretto Placido 3. Allegro Con Brio. Presto 4. Con Moto 5. Andante 6. Allegro Vivo 7. Lento - Allegro Con Moto - Allegro Ritmico 8. Scherzo With Trio (Allegro Molto) 9. Andante Con Moto 10. Allegro Vigoroso - Andante Tranquillo CD 4 1. Lento - Moderato Cantabile - Alla Marcia 2. Presto Energico Ma Leggieramente 3. Lento - Allegro Deciso - Con Fuoco 4. Lento - Allegro 5. Andante Cantabile 6. Risoluto 7. Nocturnes And Cadenzas For Cello And Orchestra

• Wykonawca Various Artists
• Data premiery 2014-09-02
• Nośnik CD

Muzycy: Kit Downes - piano, organ Tom Challenger - tenor saxophone Stian Westerhus - guitar Lucy Railton - cello Sebastian Rochford - drums Tracklista: 1. Sculptor 2. Circinus 3. Pinwheel 4. Bodes 5. Sunflower 6. M7 7. Twin 8. Blackeye

• Wykonawca Downes Kit , Challenger Tom , Westerhus Stian , Railton Lucy , Rochford Sebastian
• Data premiery 2019-10-25
• Nośnik Płyta Analogowa

Wybitny kompozytor pochodzący z Rosji Piotr Iljicz Czajkowski, urodzony w 1840 roku w Wotkińsku, zmarł w 1893 roku w Petersburgu. Był on prekursorem późniejszej muzyki rosyjskiej. Nauki pobierał pod baczny okiem Antona Rubinsteina i N.I. Zaremby, skończywszy konserwatorium w Petersburgu w 1866 roku, został teoretykiem muzyki w konserwatorium w Moskwie i piastował to stanowisko przez 11 lat. Przewodnimi kompozycjami artysty były symfonie i opery. Jego muzyka jest połączeniem muzyki romantycznej, która pozostaje jednak w klasycznej formie.  Rosyjki kompozytor Nikołaj Jakowlewicz Miaskowski, urodzony w 1881 roku w Twierdzy Modlin, zmarł w 1950 roku w Moskwie. Artysta był twórcą 27 symfonii i został on nagrodzony pięciokrotnie Nagrodą Stalinowską (najwięcej ze wszystkich kompozytorów). Pobierał on nauki u Reinholda Gliera, Anatolija Liadowa, Nikołaja Rimskiego-Korsakowa, po czym sam uczył i prowadził klasę kompozycji w Konserwatorium Moskiewskim. W jego utworach słychać wpływ XIX wiecznej muzyki rosyjskiej, a szczególnie Piotra Czajkowskiego. Oprócz symfonii posiada w swoim dorobku między innymi: sinfonietta, poematy symfoniczne, uwertury, koncerty skrzypcowe i wiolonczelowe itd.  Kompozytor wywodzący się z Rosji Dmitrij Dmitrijewicz Szostakowicz, urodzony w 1906 roku w Sankt Petersburgu. Zmarł w 1975 roku w Moskwie. Prócz komponowaniem zajmował się również grą na pianinie i był pedagogiem. Artysta postrzegany jest jako najwybitniejszy symfonik XX wieku.  Album został wydany przez wytwórnię Alto (ALC 1262). Tracklista: Shostakovich 1. Cello Concerto in E flat, Op.107 Myaskovsky 2. Cello Concerto in C minor, Op.66 Tchaikovsky 3. ‘Rococo’ Variations, Op.35

• Wykonawca Philadelphia Orchestra , Leningrad Philharmonic Orchestra , Rostropovich Mstislav
• Data premiery 2015-04-01
• Nośnik CD

Tracklista:1. The Pendulum at Falcon's Lair2. Cello Again3. Two Little Pearls4. Laverne Walk5. Why Not? That's What?6. Tricotism7. Tamalpais Love Song to the Winds8. My Little Cello9. Oscalypso

• Wykonawca Mike Richmond Cello Quartet
• Data premiery 2017-03-24
• Nośnik CD

Symphony for Cello and Orchestra, Op. 68 Each of the four creative periods of Britten’s prolific career culminated in a major large-scale work. His full maturity was signalled by Peter Grimes (1945), the second and third creative periods ended with the War Requiem (1961) and Death in Venice (1973), and his brief Indian summer flowered in one of his very finest chamber works, the Third String Quartet. The two works featured on this disc frame his third creative period. After the War Requiem Britten embarked on a period of experimentation and expansion of techniques – a period that saw the composition of some of his most original works: the Cantata Misericordium, the Three Church Parables, the Songs and Proverbs of William Blake and A Poet’s Echo. Two considerable masterpieces belong to these years, Curlew River (the first of the Parables) and the Symphony for Cello and Orchestra The Cello Symphony was completed in May 1963 and was one of a series of works (including the Sonata in C and three suites for unaccompanied cello) that Britten composed for, and dedicated to, Mstislav Rostropovich. It was the first purely instrumental work of such imposing scale that Britten had composed since the early 1940s. The opening D minor Allegro maestoso is also Britten’s most substantial sonata-allegro in terms of scale and content. The contrapuntal G minor scherzo (Presto inquieto) exploits a three-note scalic motif contained within a minor third. Thirds also predominate in the intense, elegiac Adagio, in which the principal theme is constructed entirely from a descending sequence of melodic thirds. The second subject, shared between the cello and solo horn, anticipates the Passacaglia finale, where the trumpet tune (shades of Prokofiev and Janáˇcek) is subjected to six variations and a coda over a ground bass. The most important distinction to be made between Britten’s early concertos and the Cello Symphony is in the relationship between the soloist and the orchestra. Whereas in the bravura Piano Concerto (1938) and even in the more intense Violin Concerto (1939) the soloist assumes the traditional stance, being removed from and in dramatic conflict with the orchestra, in the Cello Symphony the soloist is a virtuosic yet integral part of a coherent symphonic design. The relationship is that which Britten had already explored in the Sonata for Cello and Piano that he had composed for Rostropovich in 1960. An age-old problem in writing for the cello as a solo instrument in the context of a full symphony orchestra is the difficulty of balancing the textures in such a way that the soloist can be heard. But the cello’s most expressive range is that which corresponds with the tessitura of the tenor voice, and Britten certainly knew how to discipline orchestral forces to allow the tenor voice to carry without force. A remarkable feature of the orchestration of the Cello Symphony is the melodic importance of the bass-Iine and the upper woodwind. The middle register of the orchestra is freed for the soloist. In this respect the orchestral palettes of the Cello Symphony and Death in Venice (whose principal protagonist, Gustav von Aschenbach, is sung by a tenor) have a great deal in common. © John Evans

• Wykonawca Wallfisch Raphael
• Data premiery 2013-05-01
• Nośnik CD