Tracklista: 1. Cello Concerto in A minor, Op. 40 2. Nocturne (New Year Music) in C sharp minor, Op. 7 3. Grande Fantasia and Toccata in D minor, Op. 38 4. Eclogue in F major, Op. 10
Tracklista:1. Sonata for arpeggione & piano in A minor ("Arpeggione Sonata"), D. 821: Allegro moderato2. Sonata for arpeggione & piano in A minor ("Arpeggione Sonata"), D. 821: Adagio3. Sonata for arpeggione & piano in A minor ("Arpeggione Sonata"), D. 821: Allegretto4. Das Wandern, song for voice and piano (Die schöne Müllerin), D. 795/1 (Op. 25/1)5. Ungeduld ("Ich schnitt' es gern"), song for voice & piano (Die schöne Müllerin), D. 795/7 (Op. 25/7)6. Little Pieces (3) for cello & piano, Op. 11: Mäßige Achtel7. Little Pieces (3) for cello & piano, Op. 11: Sehr bewegt8. Little Pieces (3) for cello & piano, Op. 11: Äußerst ruhig9. Die Vögel ("Wie lieblich und fröhlich"), song for voice & piano, D. 691 (Op. posth. 172/6)10. Sonatina for violin & piano in D major, D. 384 (Op. posth. 137/1): Allegro molto11. Sonatina for violin & piano in D major, D. 384 (Op. posth. 137/1): Andante12. Sonatina for violin & piano in D major, D. 384 (Op. posth. 137/1): Allegro vivace13. Wiegenlied ("Schlafe, schlafe, holder süsser Knabe"), song for voice & piano ("Mille Cherubini in Co14. Pieces (4) for clarinet and piano, Op. 5: 1. Mäßig15. Pieces (4) for clarinet and piano, Op. 5: 2. Sehr langsam16. Pieces (4) for clarinet and piano, Op. 5: 3. Sehr rasch17. Pieces (4) for clarinet and piano, Op. 5: 4. Langsam18. Nacht und Träume (Heil'ge Nacht, du sinkest nieder!"), song for voice & piano, D. 827 (Op. 43/2)
Album tria McPhee, Londberg-Holm, Zerang przynosi kolejną dawkę improwizowanego i awangardowego jazzu na najwyższym poziomie. Muzycy:Joe McPhee - alto sax, pocket trumpetFred Lonberg-Holm - cello, electronicsMichael Zerang - percussion
1. Piano Sonata No. 1 in F minor, Op. 2/1 21:072. Piano Sonata No. 7 in D major, Op. 10/3 22:273. Piano Sonata No. 17 in D minor ("Tempest"), Op. 31/2 23:464. Andante for piano in F major ("Andante favori") WoO 57 7:565. Piano Sonata No. 13 in A major, D. 664 (Op. 120) 24:516. Fantasia for piano in C major ("Wanderer"), D. 760 (Op. 15) 20:517. Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. 17 31:478. Papillons (Butterflies) for piano, Op. 2 14:409. Piano Sonata No. 2 in G minor, Op. 22 17:4710. Faschingsschwank aus Wien ("Phantasiebilder"), for piano, Op. 26 20:3611. Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24 24:4912. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) 44:0013. Sonata for violin & piano No. 23 in D major, K. 306 (K. 300l) 28:2614. Sonata for violin & piano No. 26 in B flat major, K. 378 (K. 317d) 25:0015. Sonata for violin & piano No. 31 in C major (fragment), K. 404 (K. 385d) 3:5616. Allegro for violin & piano in B flat major (fragment), K. 372 2:1117. Suite for keyboard (Suite de piece), Vol.1, No.2 in F major, HWV 427 10:0118. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428 23:4419. Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ("The Harmonious Blacksmith"), HWV 430 13:2020. Suite for keyboard (Suite de piece), Vol.1, No.8 in F minor, HWV 433 12:5221. Suite for keyboard in G minor, HWV 452: I. Allemande: Allegro con fuoco 5:1622. Suite for keyboard in G minor, HWV 452: II. Courante: Allegro vivace 3:5323. Suite for keyboard in G minor, HWV 452: III. Gigue: Presto 4:3624. Suite for keyboard (Suite de piece), Vol.2, No.5 in E minor, HWV 438 9:2525. Suite for keyboard (Suite de piece), Vol.2, No.8 in G major, HWV 441 18:3726. Suite for keyboard (Suite de piece), Vol.2, No.6 in G minor, HWV 439 9:1727. Romances (15) from Tieck's "Die schöne Magelone" for voice & piano, Op. 33 57:0028. Piano Concerto No. 22 in E flat major, K. 482 34:4229. Piano Concerto No. 3 in C minor, Op. 37 37:1730. Concerto for piano, violin, cello & orchestra in C major ("Triple Concerto"), Op. 56 36:3731. Sonata for violin & piano No. 4 in A minor, Op. 23 20:5732. Piano Concerto No. 2 in B flat major, Op. 83 49:1933. Sonata for violin & piano No. 27 in G major, K. 379 (K. 373a) 22:3134. Piano Concerto in G minor, B. 63 (Op. 33) 38:3935. Piano Concerto No. 1, for 2 pianos (arranged by Bartók), Sz. 83, BB 91 30:4136. Piano Concerto in A minor, Op. 16 28:4937. Piano Concerto in A minor, Op. 54 30:0938. Piano Concerto No. 5 in G major, Op. 55 24:5339. Chamber Concerto, for piano, violin, and 13 wind instruments 42:49
At the beginning of the seventeenth century the violin set out on its march of conquest as a solo instrument. Before then the violin was not thought highly of, but the French theorist Martin Mersenne (1588-1648) called it the king of instruments and praised it for its versatility. It lasted almost a half century before the expressive potential of the (violon)cello, the lyrical tenor and sonorous bass of the same Family of instruments, was discovered.Not without justification, the significance of Antonio Vivaldi (1678-1741) for the concerto has been compared to that of Haydn for the symphony. Also under the influence of virtuoso violin music, which was developing fast, composers of the 17th century were inspired to write solo music for this ‘bass violin’, too. In turn, this required ‘adjustments’ to the instrument, which was unsuit-able for virtuoso solo play, we see therefore that violin builders in the second half of the 17th century started experimenting. In almost all cases this concerned a scaling down of the instruments. Their tuning also varied. These variants were known by varying names. In 1665 we find the term of ‘violoncello’ for the first time (with G.C. Arresti).Of Antonio Vivaldi, the most influential, original and prolific composer of instrumental music for cello of the first half of the 18th century, we know nine cello sonatas. Then came Luigi Boccherini, a cellist but above all a visionary composer. He introduced the thumb position and thereby established a new historical record with b’’ flat as the highest note. Luigi Boccherini (19 February 1743 - 28 May 1805) was already a celebrity during his lifetime. This contemporary of Mozart made his début as a cellist at the age of 13 in his native town of Lucca and soon became a respected virtuoso in local musical circles.Boccherini was an extraordinarily fertile composer, especially of chamber music. He wrote 32 Sonatas for cello. In this CD box we can listen to four of them. Vivaldi wrote some very special pieces, but as far as Lucia Swarts is concerned Boccherini leaves him far behind. That cantilena, that Italian singing style, Boccherini could bring it out with greater prominence than any other composer. In the past the cello functioned as a bass instrument. With Vivaldi it acquired something of a tenor voice, but in the end it was Boccherini who knew how to use it as a perfect alto instrument. According to Lucia Swarts to cellists Boccherini is supremely important. Also in this CD box are Italian 18th century cello pieces by Platti, Jacchini, Leo and Porpora.
Cello Concerto No. 4 in A major1. I. Andante piacevole 00:02:302. II. Allegro 00:03:443. III. Larghetto e gustoso 00:04:174. IV. Allegro 00:03:18Cello Concerto No. 5 in F minor5. I. Andante grazioso 00:04:196. II. Allegro 00:02:587. III. Segue il cantabile - Largo e gustoso 00:04:238. IV. Allegro 00:03:03Cello Concerto No. 1 in A major9. I. Andantino grazioso 00:02:4710. II. Allegro 00:02:3311. III. Larghetto a mezza voce 00:02:5212. IV. [Allegro] 00:02:19Cello Concerto No. 3 in D minor13. I. Andante grazioso 00:03:4614. II. [Con spirito] 00:03:1415. III. Amoroso - mezza voce 00:03:1116. IV. Allegro 00:03:18Cello Concerto No. 2 in D major17. I. Andante grazioso 00:03:4118. II. Con Bravura 00:02:3519. III. Larghetto, con poco moto - mezza voce 00:02:4920. IV. Fuga. Per il portamento dell´imitazione del 2 pensiere, o soggetto mi con fervito della risposta d´imitazione 00:02:2421. V. [Allegro di molto] 00:01:56Sinfonia concertata (Cello Concerto No. 6) in C minor22. I. Andante grazioso 00:03:0523. II. Presto 00:01:5924. III. Larghetto 00:04:0525. IV. Allegro 00:02:39
Tracklista:George Frideric Handel:1. Solomon, HWV 67Johann Sebastian Bach:2. Concerto in C Minor for Oboe and Violin, BWV 10603. Orchestral Suite No. 3 in D Major, BWV 1068Giuseppe Tartini:4. Pastorale for Violin and String Orchestra, P. 86Antonio Vivaldi:5. Concerto in B-Flat Major for Violin and Cello, RV 547Georg Philipp Telemann:6. Concerto in G Major for Viola, TWV 51.G9
Legendarne nagrania Pierre’a Fourniera i Friedricha Gulda dzieł wszystkich Beethovena na wiolonczelę i fortepian w 3-płytowym zestawie winyli. Tracklista: LP 1 Side A Sonata For Cello And Piano No.1 In F, Op.5 No.1 1. 1. Adagio sostenuto – Allegro 2. 2. Rondo (Allegro vivace) Side B Sonata For Cello And Piano No.2 In G Minor, Op.5 No.2 1. 1. Adagio sostenuto ed espressivo / Allegro molto più tosto presto 2. 2. Rondo (Allegro) LP 2 Side C Sonata For Cello And Piano No.3 In A, Op.69 1. Allegro ma non tanto 2. Scherzo (Allegro molto) 3. Adagio cantabile - Allegro vivace Sdie D Sonata For Cello And Piano No.4 In C, Op.102 No.1 1. Andante - Allegro vivace 2. Adagio - Tempo d'andante - Allegro vivace 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 3-10. Theme & Variations LP 3 Side E Sonata For Cello And Piano No.5 In D, Op.102 No.2 1. Allegro con brio 2. Adagio con molto sentimento d'affetto 3. Allegro - Allegro fugato Side F 12 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45 1-13. Theme & Variations 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 14-26. Theme & Variations
Tracklista:1. Cello Concerto in B minor, B. 191 (Op. 104) 40:052. Piano Trio No. 4 in E minor ("Dumky"), B. 166 (Op. 90) 29:32
Album jest antologią twórczości fletowej przedstawicieli szkoły górnośląskiej, tak silnie rzutującej na muzykę polską drugiej połowy XX wieku. Grzegorz Olkiewicz - wybitny flecista, katowiczanin i absolwent tutejszej Akademii Muzycznej - żywo zainteresowany repertuarem pochodzącym z pracowni wychowanków swej uczelni, zgromadził w swym dorobku pokaźny zbiór nagrań zrealizowanych za sprawą Rozgłośni Polskiego Radia, przy współudziale najwybitniejszych zespołów orkiestrowych i kameralistów. Wybór przedstawiony w albumie jest miarodajny dla ukazania rozmaitości stylistycznej i warsztatowej środowiska.Olkiewicz, oryginalny w swych kreacjach, zawsze wierny intencjom kompozytorów, dyskretnie, acz wyraźnie, ukazuje w interpretacjach utworów, własne artystyczne „ja”.Tracklista:CD 1Sonata na flet i fortepian / Sonata for flute and piano 1. I. Allegro 2. II. Andantino3. III. Vivo4. Syrinx Parku Starowiejskiego na flet solo / for flute solo5. Intermezzo na flet i orkiestrę kameralną / for flute and chamber orchestra6. Głowa meduzy na flet solo / Medusa’s Head for flute soloCD 21. Dialogos II na flet, wiolonczelę i fortepian / for flute, cello and piano2. 3 Diagramy na flet solo op. 15 / Three Diagrams for flute solo Op. 15Sonatina na flet i fortepian / for flute and piano3. I. Allegro molto4. II. Andante con moto5. III. Rondo AllegroSonata na flet solo / for flute solo 6. I. Molto tranquillo e semplice – legatissimo7. II. Inquieto8. III. Ben tenuto – Sostenuto9. IV. Molto marcato – Energico – Con espressione Corale, Interludio e Aria na flet i orkiestrę kameralną / for flute and chamber orchestra 10. I. Corale11. II. Interludio12. III. AriaGrzegorz Olkiewicz flet / flute CD 1: 1 – 6, CD 2: 1 – 12Maciej Paderewski fortepian / piano CD 1: 1 – 3Orkiestra Kameralna Filharmonii Śląskiej / Silesian Philharmonic Chamber Orchestra CD 1: 5Jan Wincenty Hawel dyrygent / conductor CD 1: 5Mirosław Makowski wiolonczela / cello CD 2: 1Eugeniusz Knapik fortepian / piano CD 2: 1Teresa Baczewska fortepian / piano CD 2: 3 – 5Orkiestra Kameralna PR i TV Amadeus / Amadeus Chamber Orchestra CD 2: 10 – 12Agnieszka Duczmal dyrygent / conductor CD 2: 10 – 12