Tracklista:1. Sonnerie de la pendule de Jean-Joseph de Saint-Germain 2. I. Allegro moderato 3. II. Adagio 4. III. Allegro 5. I. Largo 6. II. Allegro 7. III. Adagio 8. IV. Minuetto Allegro ma poco 9. Maestoso de la Sonata IV en La Mineur, pour clavecin et violon 10. Airs de la pendule a musique de Marc-Antoine Le Nepveu 11. I. Ouverture. Lentement - Allegro 12. II. 1ere Gavotte. Gracioso - 2e gavotte 13. III. 1ere Gavotte. Gracioso - 2e gavotte 14. Aria Gratioso de la Sonata 1ere en Sol Majeur pour violon et clavecin 15. Les Sauvages de Jean-Philippe Rameau avec des variations, pour deux violons 16. Airs de la pendule a musique de Marc-Antoine Le Nepveu dite "de la Méridienne" 17. I. Allegro 18. II. Aria Prima Gratioso. Majeur 19. III. Aria Tempo di Minuetto


  • Wykonawca Baumont Olivier
  • Data premiery 2017-04-14
  • Nośnik CD
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Wybitny kompozytor pochodzący z Francji Claude Balbastre, urodzony w 1724 w Dijon, zmarł w 1799 roku w Paryżu. Był on artystą baroku. Swoje utwory komponował głównie na organy, klawesyn i fortepian. Był on bardzo popularny w swojej epoce. Album został wydany przez wytwórnię Aliud (ACDBE 066-2). Tracklista: 1. Piaces de clavecin 2. Premier Livre, 1759


  • Wykonawca Bernolet Korneel
  • Data premiery 2013-03-01
  • Nośnik SACD
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  Eighteenth-century Flemish harpsichord music today is mostly identified with the Pièces de clavecin of 1731 by Joseph-Hector Fiocco (1703-1741). Although this collection, consisting of two major harpsichord suites, undoubtedly forms the high point in the genre, I want this CD to show that Fiocco was certainly not the only good Flemish harpsichord composer. (For those interested in Fiocco's harpsichord works, I refer to my complete recording of his Pièces de clavecin (ACCENT 24176, 2007)). The repertoire of this CD is the result of an artistic research project I carried out into eighteenth-century Flemish harpsichord music, based on the rich collection of the Antwerp Conservatory library. Demeyere shows us that there is more to Flemisch harpsichord music than only Fiocco's music and this cd is a unique statement for that and takes us into the wealth of other compostions of the eighteenth century.  


  • Wykonawca Demeyere Ewald
  • Data premiery 2012-03-01
  • Nośnik CD
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Johann Mattheson (Hamburg, September 28 1681 — April 17 1764) was an unusual musical figure, remembered chiefly for his theoretical oeuvre, indispensable these days to our understanding of music-making during the first half of the eighteenth century. A tireless analyst, a great encyclopaedist of forms and genres, and a evaluator of the most well-known composers of his time, he was unafraid to declare his own opinion on the issues he felt were central to the development of the music he so ardently observed. Nevertheless, he was above all a musician, and the danger remains that his musicological reputation be allowed to overshadow the creative musical talent revealed by a body of composition as rich as it is varied. He advanced himself at every opportunity and excelled in each field he embraced: composing for the theatre and for the church, and active in the worlds of diplomacy and of music literature. The Pièces de Clavecin en Deux Volumes, published in London in 1714, appeared at a key period in Mattheson's life. In 1704, he had become tutor to the son of Sir John Wich, English ambassador in Hamburg. Mattheson composed his instrumental music during the period as instructor of Cyril Wich, the gran virtuoso to whom he dedicated, probably as early as 1705, a collection of sonatas for two harpsichords. The teaching process seems to have stimulated a desire to create his own technique, as well as contribute to the development of the repertoire especially intended for the harpsichord, the instrument he considered solely capable of realising and furthering the progress of music, and for which he championed an especially idiomatic style. In the Pièces de Clavecin Mattheson demonstrates a comprehensive command of the conventions of the suite combined with an undeniable mastery of the dominant French and Italian asthetics of his time, while maintaining the German penchant for counterpoint. He was part of the Vermischter Geschmack [Reunion of Tastes] movement, which culminated in the 1720-1724 French and English Suites of Johann Sebastian Bach. Mattheson's work also stands at the threshold of a new era, begun by Francois Couperin (in his Premier Livre of 1713) and Jean-Philippe Rameau (Deuxième and Troisième Livres of 1724 and 1728), whose works exercised great influence on suite composition right up until the end of the Ancien Regime. This recording hopes to promote a more general acquaintance with Johann Mattheson the musician, gifted composer and servant of musical progress.


  • Wykonawca Holtz Cristiano
  • Data premiery 2007-01-01
  • Nośnik CD
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Tracklista: 1. Partita "Divertimento per il cembalo solo", Hob.XVI:6 2. Sonata per Clavicembalo, Hob.XVI:27 3. Divertimento, Hob.XVI:12 4. Sonata per cembalo :a Principe Niccolo Esterházy:, Op. 13, Hob.XVI:24 5. Capriccio, Hob.XVII:1 6. Transcriptions pour clavecin de trois Lieder


  • Wykonawca Gallon Pierre
  • Data premiery 2018-04-01
  • Nośnik CD
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Work 1Prelude (Tournus mss)Work 2(67) Concerts à deux violes esgalesWork 3Pièces de viole, Livre 2_Part 2Work 4Pièces de violeWork 5Pièces de violeWork 6Pièces de violeWork 7Suite in B minor in B minorWork 8Pièces de violeWork 9(5) Pièces de clavecin en concertsWork 10(Les) larmes de Monsieur BoissetWork 11Pièces de violeWork 12(5) Pièces de clavecin en concertsWork 13Pièces de viole, Livre 2_Part 2Work 14Pièces en trio


  • Wykonawca Muller Marianne
  • Data premiery 2008-03-21
  • Nośnik CD
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1. Pieces de clavecin: Suite in E minor (use): Pieces de clavecin: Suite in E minor: X. La Villageoise (Rondeau) 2. Pieces de clavecin: Suite in E minor (use): Pieces de clavecin: Suite in E minor: V. Le Rappel des oiseaux 3. Renaissance, Book 2: Renaissance, Book 2: XII. Gigue in E major (Loeillet) 4. Piano Sonata No. 14 in C minor, K. 457: I. Molto allegro 5. Piano Sonata No. 14 in C minor, K. 457: II. Adagio 6. Piano Sonata No. 14 in C minor, K. 457: III. Allegro assai 7. Toccata in C Major, Op. 7: Toccata in C major, Op. 7 8. Fantasiestucke, Op. 12: Fantasiestucke, Op. 12: No. 7. Traumes Wirren 9. Spanisches Liederspiel, Op. 74 (arr. C. Tausig): Spanisches Liederspiel, Op. 74: No. 10. Der Kontrabandiste (arr. C. Tausig) 10. 3 Fantaisies ou caprices, Op. 16: 3 Fantaisies ou caprices, Op. 16: No. 2. Scherzo: Presto 11. Lieder ohne Worte (Songs without Words), Book 3, Op. 38: Lieder ohne Worte (Songs without Words), Book 3, Op. 38: No. 18 in A flat major, Op. 38, No. 6, "Duetto" 12. Czech Dances, Book I: Czech Dances, Book I: No. 2. Polka in A minor 13. Czech Dances, Book I: Czech Dances, Book I: No. 3. Polka in F major 14. Suite bergamasque (use): Suite bergamasque: III. Clair de lune 15. Nocturnes: No. 2. Fetes (arr. L. Borwick for piano) 16. Le tombeau de Couperin (version for piano): I. Prelude 17. Le tombeau de Couperin (version for piano): III. Forlane 18. Le tombeau de Couperin (version for piano): VI. Toccata


  • Wykonawca Gilels Emil
  • Data premiery 2008-10-10
  • Nośnik CD
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Tracklista:1. Troisième prélude for harpsichord in G minor (L'Art de toucher le clavecin)2. L'Auguste, Allemande, for harpsichord (Pièces de clavecin, I, 1ère ordre)3. Première courante, for harpsichord (Pièces de clavecin, I, 1ère ordre)4. Seconde courante, for harpsichord (Pièces de clavecin, I, 1ère ordre)5. La Majesteuse, Sarabande, for harpsichord (Pièces de clavecin, I, 1ère ordre)6. Gavotte, for harpsichord (Pièces de clavecin, I, 1ère ordre)7. La Milordine, Gigue, for harpsichord (Pièces de clavecin, I, 1ère ordre)8. La Favorite, chaconne for harpsichord (Pièces de clavecin, I, 3e ordre)9. Tombeau pour Mr. de Blancrocher, for harpischord in F major (Pièces de clavecin, No. 81)10. Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre)11. Septième prélude for harpsichord in B flat major (L'Art de toucher le clavecin)


  • Wykonawca Maurer Rebecca
  • Data premiery 2017-01-01
  • Nośnik CD

Tracklista:1. Sonate Für Violoncello und Basso Continuo C - Dur Op. 5 Nr. 32. 2. Allegro3. 3. Affettuoso4. 4. Allegro5. Sonate Für Violoncello und Basso Continuo a - Moll Op. 1 Nr. 116. 2. Affettuoso7. 3. Allegro8. Sonate Für Violoncello und Basso Continuo D - Moll Op. 5 Nr. 29. 2. Presto10. 3. Adagio11. 4. Allegro12. Sonate Für Violoncello und Basso Continuo a - Dur Op. 5 Nr. 113. 2. Allegro14. 3. Andante15. 4. Allegro16. Pieces De Clavecin Tirées des Differens Ourages (Stücke Für Cembalo) (Auszug)17. Sonate Für Violoncello und Basso Continuo F - Dur Op. 5 Nr.518. 2. Allegro Moderato19. 3. Adagio20. 4. Allegro21. Sonate Für Violoncello und Basso Continuo B - Dur Op. 5 Nr.422. 2. Allegro Moderato23. 3. Grave24. 4. Allegro25. Pieces De Clavecin Tirées des Differens Ourages (Stücke Für Cembalo) (Auszug)26. Sonate Für Violoncello und Basso Continuo a - Moll Op. 5 Nr.627. 2. Allegro Assai28. 3. Grave29. 4. Allegro


  • Wykonawca Cocset Bruno
  • Data premiery 2008-05-02
  • Nośnik CD
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