Dorothee Oberlinger studied German and music education at the University of Cologne and the Cologne Music Conservatory. Further studies in recorder followed with Günther Höller in Cologne and Walter van Hauwe in Amsterdam. She received a grant from the North Rhine-Westphalian Cultural Foundation to continue her instrumental studies with Pedro Memelsdorff in Milan. She is presently pursuing a doctorate in musicology at the University of Vienna. In 1996, she was a prizewinner at the ERTA competition for contemporary music in Kassel.            Awarded first prize in the international competition "Moeck U.K." held in London in 1997, she gave her debut recital in the Wigmore Hall following the competition. In the same year, she was honored with a grant from the DAAD to study in Lisbon, and was received into the forum for talented young artists by the Society for Contemporary Music. She has performed in numerous concerts and taken part in various radio, television, and CD productions, both as a soloist and as a member of the ensembles Ornamente 99 and Bois de Cologne. In addition to her musicological activities and performances in the field of early music, she is involved in contemporary music, and has, in recent years, premiered many newly-composed pieces. In 2001, she was the first recorder player to receive an award from the state of North Rhine-Westphalia in the category of young instrumentalists. Since 2003 she is teaching recorder at the Mozarteum in Saltzburg.

• Wykonawca Oberlinger Dorothee , Ensemble 1700
• Data premiery 2007-01-01
• Nośnik SACD

Opery barokowego francuskiego kompozytora Marc-Antoine Charpentiera w wykonaniu artystów amerykańskich, zespołów Boston Early Music Festival Vocal & Chamber Ensembles pod dyrekcją Paula O’Dette i Stephena Stubbsa.

• Wykonawca Boston Early Music Ensemble , O'Dette Paul , Stubbs Stephen
• Data premiery 2014-03-17
• Nośnik CD

Electric - or perhaps more fittingly electrifying - are the sounds emanating from the loudspeakers. And all of it is unplugged. The sounds are created by sonic.art - not only one of the finest saxophone quartets but also perhaps the most compelling chamber music formation anywhere. With works by Philip Glass and Michael Nyman, this Genuin CD is already the ensemble's second, following its 2010 debut production. The four young musicians have won many competition prizes, but actually all you need to do is listen to the enthralling sounds on their latest silver disc to be fully won over by the artistry of these newcomers!"...excellent ensemble's opalescent sound, pristine intonation and melodic flexibility."; Review online on The Globe and Mail, January 20, 2012

• Wykonawca sonic.art
• Data premiery 2012-05-01
• Nośnik CD

The young Oxford choir turns its immaculate ensemble, lucid diction and faultless tuning to an exciting find: a hugely neglected composer from the 16th century. Relatively little is known about Dominique Phinot’s life—there is a suggestion that he was executed for homosexual practices, cutting short a productive and impressive composing career. Phinot’s output consists of over a hundred motets, two Masses, and settings of Vesper Psalms and the Magnificat, as well as two books of French chansons and two Italian madrigals. The acclaim with which his sacred compositions were received is evident both in the frequency of their publication as well as in the writings of his contemporaries. He was clearly renowned as a master of imitative polyphonic writing. The publication in Lyons during 1547/8 of two collections of Phinot’s motets secured his reputation for the rest of the century and beyond. Not only do the five-voice motets in the Liber primus mutetarum confirm his outstanding polyphonic skills but the Liber secundus contains five eight-voice works which are of considerable historical importance. The latter are unique in the mid-sixteenth century in their treatment of double-choir dialogue, a technique in which two four-part ensembles normally alternate thematically related phrases of varying lengths. These works, of which four are included in this recording, are the antecedents of the resplendent Venetian polychoral tradition of the late sixteenth and early seventeenth centuries. 'The Brabant Ensemble's performances of these fascinating works are as polished and assured as we have come to expect, full-throated yet finely modelled and shimmering with lively intelligence. Rice unerringly finds the right pace for each work … and pays full heed to Phinot's expressive use of contrasting textures. Amidst all the drama of the larger works, the ensemble's caressing, translucent rendition of O sacrum convivium is a particular high point. This is a valuable and engrossing premiere for a neglected and somewhat unconventional sixteenth-century master' (International Record Review) 'There are many laurels to award in this column, but arguably the biggest, shiniest and bushiest wreath should land on Stephen Rice and his spirited Brabant Ensemble for their outstanding disc of works by Dominique Phinot. What a discovery! Extraordinary music, not least the 'secret chromatic art' exemplified in the motet _Pater Peccavi_, which deserves the widest hearing thanks to these sinuous, assured performance, captured in an edgy acoustic that enhances the curious architecture of the polyphony' (Choir & Organ Magazine)

• Wykonawca Brabant Ensemble
• Data premiery 2009-01-01
• Nośnik CD

Since its foundation at the Schola Cantorum Basiliensis (Basel, Switzerland) and international debut in 2000, LA MORRA has been performing late Medieval and early Renaissance music in prestigious festivals such as the Belgian Festival van Vlaanderen, the Dutch Holland Early Music Festival and Netwerk Oude Muziek, the Swiss Freunde Alter Musik in Basel, the French Rencontres de Musique Médiévale du Thoronet, the North-Italian Il Canto delle Pietre, and has given concerts in numerous other early music events across Europe.The ensemble's debut CD »Le Jardin de Plaisance« (Raumklang), which opened the new recording series from the Schola Cantorum Basiliensis in 2003, was warmly welcomed by the international press, as were two following recordings released in 2005, »Dame de Deuil« (Et'Cetera) and »Ex Libris Doctoris Amerbachii« (Musiques Suisses). The present recording marks the beginning of the ensemble's cooperation with the Ramée label.

• Wykonawca La Morra
• Data premiery 2013-03-02
• Nośnik CD

This program is dedicated to the new melodic finesse which appeared in the monophonic repertiore of the so-called Ars Nova. Guillaume de Machaut seems to me to be the ideal central point for such a program. Norbert Rodenkirchen chooses to interpret medieval music in its always strong and undeniable connection to the Gregorian melos.Norbert Rodenkirchen is the flute player of the international acclaimed ensembles Sequentia, Dialogos and Per-sonat. Additionally he works extensively with the modern duo Albrecht Maurer/Norbert Rodenkirchen who specializes on new sounds for archaic instruments.

• Wykonawca Rodenkirchen Norbert
• Data premiery 2009-09-01
• Nośnik CD

In the Carus CD series with music from Dresden, renowned international ensembles such as the Freiburger Barockorchester and the Kammerchor Stuttgart (Frieder Bernius) are represented, as well as ensembles native to Dresden who cultivate the musical tradition of Dresden, including the Dresdner Kreuzchor (Roderich Kreile), the Dresdner Kammerchor (Hans-Christoph Rademann), the Körnerscher Sing-Verein (Peter Kopp), the Sächsisches Vocalensemble (Matthias Jung), the Dresdner Barockorchester, and the conductor and solist Ludwig Güttler, with his Virtuosi Saxoniae.

• Wykonawca Bach Mechthild , Taylor Daniel , Brutscher Markus , Schwarz Gotthold
• Data premiery 2001-01-01
• Nośnik CD

The best-known string quartets of Franz Schubert on two CDs at a sensational price! Included are the passionate and symphonic "Death and the Maiden" and the tuneful "Rosamunde" Quartet as well as Schubert's monumental final essay in the quartet form, the magnificent G Major Quartet D 887. The Verdi Quartet is among the few ensembles that have performed and recorded Schubert's complete string quartets and are among the most eloquent exponents of these expressive and unfailingly melodic works.

• Wykonawca Verdi Quartet
• Data premiery 2012-03-01
• Nośnik CD