MUSIC FROM HBO ORIGINAL SERIES SEASON 1

• Wykonawca Various Artists
• Data premiery 2011-03-24
• Nośnik CD

1. Joy To The World    2. Carol Of The Bells    3. I Wonder As I Wander    4. Whence Is That Goodly Fragrance?    5. Masters In This Hall    6. The First Noel    7. How Far Is It To Bethlehem?   8. Pat-A-Pan    9. What Shall We Give To The Babe In The Manger?    10. One December Bright And Clear    11. Fantasy On 'What Child Is This?'   12. Hark! The Herald Angels Sing    13. Jesus, Jesus, Rest Your Head    14. Angels From The Realms Of Glory    15. Silent Night

• Wykonawca A Mormon Tabernacle Choir
• Data premiery 2011-12-05
• Nośnik SACD

Tracklista: 1. Burning The Altar 2. Breathing From The Shallows 3. The Lie That Is Sin 4. Silence Of Heaven 6. Blessed By Nothing 5. The Great Cessation 7. Pain Like Sugar

• Wykonawca Yob
• Data premiery 2014-05-12
• Nośnik Płyta Analogowa

Tracklista: CD 1 1. 12/23/93 2. A Wish For Wings That Work 3. Artist's Rendering Of Me 4. Slice Paper Wrists 5. Nerdy 6. To Mandate Heaven 7. Not Within Arms Length 8. Mid Air Love Message CD 2 1. Botchla 2. Lazzaro 3. Turn Down Elliot 4. Rings From Corona 5. Moments Over Exaggerate 6. Horns And Tails 7. Sticks And Stones Never Made Sense 8. Pieces Of You In Me 9. Karsey Street 10. Parks And What You Meant To Me

• Wykonawca Poison The Well
• Data premiery 2012-11-19
• Nośnik CD / Remastered Album

1: Cloud Nine2: That's What It Takes3: Fish On the Sand4: Just for Today5: This Is Love6: When We Was Fab7: Devil's Radio8: Someplace Else9: Wreck of the Hesperus10: Breath Away from Heaven11: Got My Mind Set On You12: Shanghai Surprise13: Zig Zag

• Wykonawca Harrison George
• Data premiery 2004-03-01
• Nośnik CD

  By the early 1780s Haydn had been in the employ of Prince Nikolaus Esterházy for some twenty years. Yet, although his duties kept him at court for much of the year, his music and his reputation had already reached right across Europe, as far as Spain and England. Since there were no copyright laws to speak of in those days, dissemination of music was often through the work of publishers who had no compunction in re-engraving pirated versions of orchestral parts (the usual form of publication) if they could lay their hands on manuscript versions by disreputable copyists. Haydn, though obviously averse to publications of his music that gave him no financial reward, was astute enough a businessman often to have his works brought out by more than one publisher. Such was the case with Symphonies 76, 77 and 78, issued in the early 1780s by no fewer than three companies: Torricella in Vienna, Boyer in Paris and Forster in London. (Mozart tried a similar ploy by selling a manuscript to one publisher and then writing the music out again from memory to sell to another.) These three symphonies, not only the first since numbers 6, 7 and 8 to be written as a set (a publishing rather than a performing practice) were also the first Haydn wrote expressly for performance outside the confines of Eszterháza. They were intended for a concert tour to London, a trip that Haydn never made (he had to wait until the prince’s death in 1790 for the impresario Johann Peter Salomon finally to lure him to London). In 1781 (the year he began his association with the publisher William Forster) Haydn appears to have been invited to introduce in person some of his operas and symphonies to the London musical public. His Symphony No 53 had been performed with great success at one of the Bach-Abel concerts (run by the ‘London Bach’, Johann Christian and Karl Friedrich Abel, both of whom had taught Mozart on his visit to London in 1764) and The Morning Herald reported in November 1781 that Haydn ‘the Shakespeare of musical composition is hourly expected.’† He had still not arrived by February 1783 when the Herald again bemoaned that ‘we have got neither him nor his music—however the music is certainly to come—the musician, most probably, will remain in Vienna’. The English music historian Dr Charles Burney also wrote in a letter at about the same time, I have stimulated a wish to get Haydn over as opera composer—but mum mum—yet—a correspondence is opened, and there is a great likelihood of it, if these cabals, and litigations ruin not the opera entirely … Two years later, when the composer was still anxiously awaited, it was even lightheartedly mooted that he might be kidnapped, as the following, from another journal, the Gazetteer and New Daily Advertiser, suggests: This wonderful man, who is the Shakespeare of music, and the triumph ot the age in which we live, is doomed to reside in the court of a miserable German Prince, who is at once incapable of rewarding him, and unworthy of the honour … would it not be an achievement equal to a pilgrimage, for some aspiring youths to rescue him from his fortune and transplant him to Great Britain, the country for which his music seems to be made? In his letter offering the three symphonies to Boyer in Paris, Haydn describes them as ‘beautiful, elegant and by no means over-lengthy … they are all very easy, and without too much concertante’. They do indeed stand out from the surrounding Eszterháza works, lacking some of the idiosyncracies that, although suitable for his own performances at the court, might have deterred foreign performers. That is not to say, however, that they lack anything in originality or quality. Symphony No 76, like the other two, has the standard four movements and, unlike many of his other symphonies, no slow introduction to the first. Here we are launched straight into the first subject, an alternation of vigorously arpeggiated chords and a restrained, downward-moving phrase. There is no second subject as such, unless we include the brief pianissimo phrase (in the tonic key) that follows the second appearance of the falling idea. The Adagio begins with the strings alone, making the entrance of the wind on a pianissimo chord all the more effective; they return at the climax of the movement, a fortissimo tour de force of demisemiquavers and staccato semiquavers. The Minuet is followed by a lighthearted Rondo, featuring some brief woodwind solos before the final coda. The most notable thing about Symphony No 77 is its finale, one of the first examples of a sonata-rondo form, literally a combination of sonata form with the rondo in which the C section of the A–B–A–C–A comprises a development of earlier material rather than a new theme. The preceding movements are no less distinctive: an opening Vivace with, this time, a true second subject; a leisurely, often restrained Andante sostenuto with the strings muted; and a Minuet of a vigour that looks forward to the true scherzo. The first movement of Symphony No 78 has an urgency in keeping with its key, C minor. The second subject turns to the relative major, E flat, and it this key rather than the tonic that ultimately dominates the exposition. The development features some fine contrapuntal writing where fragments of both subjects are tossed between the various instruments. The Adagio returns to E flat major. Unlike the slow movements of the other two symphonies, the wind instruments are integrated lnto the texture from the start, while the stateliness of the music itself looks forward to the late ‘London’ symphonies. The C major Minuet is followed by a Presto rondo whose thinly scored B section turns to C major. When the same theme reappears later, so does the major mode, which remains to the end of the symphony. Matthew Rye © 1991  

• Wykonawca Hanover Band
• Data premiery 2006-03-07
• Nośnik CD

Tracklista:1. Fire Poem (BBC 1968)2. Fire (BBC 1968)3. I Put a Spell On You (BBC 1968)4. Cold of My Kingdom (BBC 1968)5. Devil's Grip (Single)6. What's Happening (B-side Single)7. Space Plucks>Dem Bones (From Lost Ears)8. You Don't Know (Flexi)9. The Water Suite10. Gypsy11. Fire Poem (Tom Jones Show 1968)12. Fire (Tom Jones Show 1968)

• Wykonawca Arthur Brown
• Data premiery 2017-10-06
• Nośnik CD / Album

1. Der Zigeunerbaron: Schatz-Walzer (Treasure Waltz), Op. 418 (Arr. E. Dohnanyi For Piano) - Erno Dohnanyi Reinhören 2. Annen-Polka, Op. 117 (Arr. M. Rawicz And W. Landauer For Piano Duet) - Maryan Rawicz Reinhören 3. Arabeskan Uber Themen Des Walzers An Der Schonen Blauen Donau Von Johann Strauss: Concert Arabesques On Themes Of J. Str - Isador Goodman Reinhören 4. Soiree De Vienne - Concert Paraphrase From Strauss' Waltzes From Die Fledermaus And Others, Op. 56 - Jakov Flier Reinhören 5. Valse Caprice No. 2 D'apres J. Strauss Ii (Man Lebt Nur Einmal, Op. 167) - Ania Dorfmann Reinhören 6. Concert Paraphrase On J. Strauss's Artists' Life - Michael Field Reinhören 7. 3 Polkas After Strauss, Op. 9: No. 2. Pizzicato Polka - Badura-Skoda, Paul Reinhören 8. Improvisation On J. Strauss's Tales From The Vienna Woods (Geschichten Aus Dem Wienerwald, Op. 325) - Alec Templeton Reinhören 9. Kaiser-Walzer, Op. 437 (Arr. L. Pennario For Piano) - Pennario, Leonard Reinhören 10. Concert Paraphrase On J. Strauss's Die Fledermaus Waltzes - Adolf Wolff Reinhören 11. Tausend Und Eine Nacht (Thousand And One Nights), Op. 346 (Arr. S. Niedzielski) - Stanislas Niedzielski Reinhören 12. Voices Of Spring Concert Paraphrase (Fruhlingsstimmen, Walzer, Op. 410) - Walter Rehberg Reinhören 13. Die Fledermaus Waltzes, Op. 56 Reinhören 14. Waltz-Fantasy On Themes Of Johann Strauss Ii - Jack Lowe

• Wykonawca Various Artists
• Data premiery 2007-01-01
• Nośnik CD

Tracklista:1. Danse macabre, symphonic poem in G minor, Op. 40 7:132. Variations on a Theme of Beethoven, for 2 pianos, Op. 35 16:263. Prélude, fugue, et variations, for piano & harmonium, or 2 pianos in B minor, Op. 18, M. 30a 8:074. Danses Andalouses (3), for 2 pianos 15:565. Élégie (en accords alternés), for 2 pianos, FP 175 5:456. L'embarquement pour Cythčre, valse-musette for 2 pianos (from film, Le voyage en Amérique), FP 150 2:087. Capriccio for 2 pianos (after Le bal Masqué), FP 155 5:01

• Wykonawca Van Immerseel Jos
• Data premiery 2007-01-01
• Nośnik CD

Tracklista: 1. A Bruise Upon The Silent Moon 2. The Promise Of Fever 3. Hurt And Virtue 4. An Enemy Led The Tempest 5. Damned In Any Language (A Plague On Words) 6. Better To Reign In Hell 7. Serpent Tongue 8. Carrion 9. The Mordant Liquor Of Tears 10. Presents From The Poison-Hearted 11. Doberman Pharaoh 12. Babalon A.D. (So Glad For The Madness) 13. A Scarlet Witch Lit The Season 14. Mannequin 15. Thank God For The Suffering 16. The Smoke Of Her Burning 17. End Of Daze

• Wykonawca Cradle of Filth
• Data premiery 2003-03-06
• Nośnik CD