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Tracklista: CD 1 1. Ondine 2. Le Gibet 3. Scarbo 4. Sérénade Grotesque 5. Pavane Pour Une Infante Défunte 6. Jeux D'eau 7. Prélude 8. Noctuelles 9. Oiseaux Tristes 10. Une Barque Sur L'océan 11. Alborada Del Gracioso 12. La Vallée Des Cloches CD 2 1. Prélude 2. Fugue 3. Forlane 4. Rigaudon 5. Menuet 6. Toccata 7. Menuet Sur Le Nom De Haydn 8. Modéré 9. Mouvement De Menuet 10. Animé 11. A La Maniere D'Emmanuel Chabrier 12. A La Maniere De Borodine 13. Modéré 14. Assez Lent 15. Modéré 16. Assez Animé 17. Presque Lent 18. Assez Vif 19. Moins Vif 20. Épilogue (Lent) 21. Menuet Antique


  • Data premiery 2012-05-21
  • Nośnik CD / Album

Even if the titles of „Le Matin“, „Le Midi“ and „Le Soir“ further today‘s popularity of the three pieces, the Time of Day as a subject merely provided Haydn with an inspiration to compose. Haydn‘s Symphonies Nos. 6-8 are only programme music to a limited extent, but rather they were an ideal platform for the remarkable pleasure in experimentation displayed by the new and imaginative Deputy Kapellmeister of the virtuoso Esterházy court orchestra. The three symphonies are distinguished by a rich variety of form, themes and orchestration, which identify Haydn as an extremely resourceful composer, who cleverly knew how to display his court orchestra in a „favourable light“. For Sigiswald Kuijken and La Petite Bande, they are again the appropriate works to show off once more the virtuosity and abilities of what has proved to be one of the best ensembles for historical performance practice.


  • Wykonawca La Petite Bande
  • Data premiery 2012-09-01
  • Nośnik CD
Więcej

Nikolaus Harnoncourt – The Complete Sony Recordings to unikalny, okolicznościowy zestaw wszystkich nagrań Nikolausa Harnoncourta dokonanych w latach 2002–2015 wspólnie z zespołami: Concentus Musicus Wien, Wiener Philharmoniker, Chamber Orchestra of Europe oraz Symphonieorchester des Bayerischen Rundfunks. Ten 65 płytowy zestaw zawiera nagrania znanych symfonii Haydna, Mozarta,  Beethovena i Brucknera, a także wspaniałe kreacje operowe i aratoryjne, zapis DVD opery "Czarodziejski flet" Mozarta oraz sesji nagraniowych z Lang Langiem i wiele innych... Tracklista: CD 11. Bach: Cantata BWV 36 „Schwingt Freudig Euch Empor“ - Concentus Musicus Wien [Previously Unreleased]2. Bach: Cantata BWV 26 „Ach Wie Flüchtig, Ach Wie Nichtig“ - Concentus Musicus Wien [Previously Unreleased] CD 21. Bach: Cantata BWV 140 "Wachet Auf, Ruft Uns Die Stimme" - Concentus Musicus Wien2. Bach: Cantata BWV 61 "Nun Komm Der Heiden Heiland"- Concentus Musicus Wien3. Bach: Cantata BWV 29 "Wir Danken Dir, Gott, Wir Danken Dir” - Concentus Musicus Wien CD 3-41. Bach: Weihnachtsoratorium, BWV 248 - Concentus Musicus Wien CD 5-61. Mozart: Timotheus Oder Die Gewalt Der Musik KV 591 - Große Kantate Nach G.F. Händels "Das Alexander-Fest" HWV 75 - 2. Concentus Musicus Wien CD 7-81. Handel: Messiah, HWV 56 - Concentus Musicus Wien CD 9-101. Haydn: Orlando Paladino - Dramma Eroicomico, H. 28/11 - Concentus Musicus Wien CD 111. Haydn: Symphony No. 82 In C Major, Hob. I:82, "L'Ours" - Concentus Musicus Wien2. Haydn: Symphony No. 83 In G Minor, Hob. I:83, "La Poule" - Concentus Musicus Wien CD 121. Haydn: Symphony No. 84 In E-Flat Major, Hob. I:84 - Concentus Musicus Wien2. Haydn: Symphony No. 85 In B-Flat Major, Hob. I:85, "La Reine" - Concentus Musicus Wien CD 131. Haydn: Symphony No. 86 In D Major, Hob. I:86 - Concentus Musicus Wien2. Haydn: Symphony No. 87 In A Major, Hob. I:87 - Concentus Musicus Wien CD 14-151. Haydn: Die Schopfung (The Creation), H. 21/2 - Concentus Musicus Wien CD 16-171. Haydn: Die Jahreszeiten (The Seasons), Hob. XXI:3 - Concentus Musicus Wien CD 181. Mozart: Symphony No. 1 In E-Flat Major, K. 16 - Concentus Musicus Wien2. Mozart: Symphony No. 4 In D Major, K. 19 - Concentus Musicus Wien3. Mozart: Symphony No. 4a In F Major, K. 19a - Concentus Musicus Wien4. Mozart: Symphony No. 5 In B-Flat Major, K. 22 - Concentus Musicus Wien5. Mozart: Symphony No. 43 In F Major, K. 76 (K. 42a) - Concentus Musicus Wien6. Mozart: Symphony No. 6 In F Major, K. 43 - Concentus Musicus Wien CD 191. Mozart: Symphony No. 7a In G Major, K. 45a "Lambach" - Concentus Musicus Wien2. Mozart: Symphony No. 7 In D Major, K. 45 - Concentus Musicus Wien3. Mozart: Symphony No. 55 In B-Flat Major, K. 45b - Concentus Musicus Wien4. Mozart: Symphony No. 8 In D Major, K. 48 - Concentus Musicus Wien5. Mozart: Symphony No. 9 In C Major, K. 73 (75a) - Concentus Musicus Wien6. Mozart: Symphony No. 44 In D Major, K. 81 (73I) - Concentus Musicus Wien CD 201. Mozart: Symphony No. 47 In D Major, K. 97 (73m) - Concentus Musicus Wien2. Mozart: Symphony No. 45 In D Major, K. 95 (73n) - Concentus Musicus Wien3. Mozart: Symphony No. 11 In D Major, K. 84 (73q) - Concentus Musicus Wien4. Mozart: Symphony No. 10 In G Major, K. 74 - Concentus Musicus Wien5. Mozart: Symphony No. 42 In F Major, K. 75 - Concentus Musicus Wien6. Mozart: Symphony No. 12 In G Major, K. 110 (75b) - Concentus Musicus Wien7. Mozart: Symphony In D Major: Overture & No. 1 From "Ascanio In Alba", K. 111 & K. 120/111a - Concentus Musicus Wien CD 211. Mozart: Symphony No. 46 In C Major, K. 96 (111 B)- Concentus Musicus Wien2. Mozart: Symphony No. 13 In F Major, K. 112 - Concentus Musicus Wien3. Mozart: Symphony No. 14 In A Major, K. 114 - Concentus Musicus Wien4. Mozart: Symphony No. 15 In G Major, K. 124 - Concentus Musicus Wien5. Mozart: Menuetto & Trio In C Major, K. 409 (383f) - Concentus Musicus Wien CD 221. Mozart: Symphony No. 16 In C Major, K. 128 - Concentus Musicus Wien2. Mozart: Symphony No. 17 In G Major, K. 129 - Concentus Musicus Wien3. Mozart: Symphony No. 18 In F Major, K. 130 - Concentus Musicus Wien4. Mozart: Symphony No. 19 In E-Flat Major, K. 132 - Concentus Musicus Wien CD 231. Mozart: Symphony No. 20 In D Major, K. 133 - Concentus Musicus Wien2. Mozart: Symphony No. 21 In A Major, K. 134 - Concentus Musicus Wien3. Mozart: Symphony No. 50 In D Major, K. 141a (Overture From "Il Sogno Di Scipione", K. 126 & K. 161/163) - Concentus Musicus Wien4. Mozart: Symphony No. 22 In C Major, K. 162 - Concentus Musicus Wien5. Mozart: Symphony No. 26 In E-Flat Major, K. 184 (161a) - Concentus Musicus Wien CD 241. Mozart: Symphony No. 27 In G Major, K. 199 (161b) - Concentus Musicus Wien2. Mozart: Symphony No. 23 In D Major, K. 181 (162b) - Concentus Musicus Wien3. Mozart: Symphony No. 24 In B-Flat Major, K. 182 (173da) - Concentus Musicus Wien4. Mozart: Symphony No. 25 In G Minor, K. 183 "Kleine In G-Moll" - Concentus Musicus Wien5. Mozart: Symphony In D Major (Overture From "La Finta Giardiniera", K. 196 & K. 127 (207a)) - Concentus Musicus Wien CD 251. Mozart: Symphonies Nos. 1, 4, 4a, 5, 7a, 6 With Lectures Of Mozart Letters CD 261. Mozart: Symphonies Nos. 7, 43, 55, 8, 9 With Lectures Of Mozart Letters CD 271. A Lecture Of Mozart Letters CD 281. Mozart: Symphonies Nos. 47, 1, 15, 20, 50, 22, 26 With Lectures Of Mozart Letters CD 291. Mozart: Symphonies Nos. 27, 25, In D Major And Menuetto & Trio With Lectures Of Mozart Letters CD 30-311. Zaide, K. 344 CD 321. Mozart: March No. 1 In D Major, K. 335 (K. 320a) - Concentus Musicus Wien2. Mozart: Serenade In D Major, K. 320, "Posthorn-Serenade" - Concentus Musicus Wien3. Mozart: Symphony In D Major, K. 385 "Haffner-Sinfonie" - Concentus Musicus Wien CD 331. Mozart: Piano Concerto No. 25 In C Major, K 503 - Concentus Musicus Wien, Rudolf Buchbinder, Piano2. Mozart: Piano Concerto No. 23 In A Major, K 488 - Concentus Musicus Wien, Rudolf Buchbinder, Piano CD 341. Mozart: Piano Concerto No. 24 In C Minor, K. 491 – Wiener Philharmoniker, Lang Lang, Piano2. Mozart: Piano Concerto No. 17 In G Major, K. 453 – Wiener Philharmoniker, Lang Lang, Piano CD 351. Mozart: Symphony No. 39 In E-Flat Major, K. 543 - Concentus Musicus Wien2. Mozart: Symphony No. 40 In G Minor, K. 550 - Concentus Musicus Wien CD 361. Mozart: Symphony No. 41 In C Major, K. 551 "Jupiter" - Concentus Musicus Wien CD 371. Mozart: Requiem, K. 626 - Concentus Musicus Wien CD 381. Beethoven: Christus Am Ölberge, Op. 85 - Concentus Musicus Wien [Previously Unreleased] CD 391. Beethoven: Symphony No. 4 In B-Flat Major, Op. 60 - Concentus Musicus Wien2. Beethoven: Symphony No. 5 In C Minor, Op. 67 - Concentus Musicus Wien CD 401. Beethoven: Missa Solemnis, Op. 123 – Concentus Musicus Wien, Arnold Schoenberg Chor CD 41-421. Schumann: Das Paradies Und Die Peri, Op. 50 – Chor Und Symphonieorchester Und Des Bayrischen Rundfunks CD 43-441. Verdi : Messa Da Requiem – Wiener Philharmoniker CD 45-461. Bruckner: Symphony No. 5 In B-Flat Major – Wiener Philharmoniker2. Bruckner: Symphony No. 5 In B-Flat Major - Rehearsal CD 47-481. Bruckner: Symphony No. 9 In D Minor, WAB 109 – Wiener Philharmoniker2. Wie Ein Stein Vom Mond - Gesprächskonzert: Sinfonie Nr. 9 D-Moll WAB 109, Finale (Unvollendet) - Dokumentation Des Fragments (Hrsg. Von John A. Phillips) (Deutsche Version)3. Like A Stone From The Moon - A Colloquial Concert: Symphony No. 9 In D Minor, WAB 109, Finale (Unfinished) - Documentation Of The Fragment (English Version) CD 49-501. Smetana: Ma Vlast – Wiener Philharmoniker CD 511. Brahms: Ein Deutsches Requiem, Op. 45 – Wiener Philharmoniker CD 52-531. Dvorak: Stabat Mater, Op. 58 – Chor Und Symphonieorchester Und Des Bayrischen Rundfunks CD 541. Bartok: Music For Strings, Percussion And Celesta, Sz. 106 – The Chamber Orchestra Of Europe2. Bartok: Divertimento For String Orchestra, Sz. 113 – The Chamber Orchestra Of Europe CD 55-571. Gershwin: Porgy And Bess – The Chamber Orchestra Of Europe CD 58-591. Walzer Revolution - Concentus Musicus Wien CD 60-611. Neujahrskonzert (New Year’s Concert) 2003 - Wiener Philharmoniker CD 621. Libretti DVD 1-21. Mozart: Die Zauberflote - Concentus Musicus Wien DVD 3 1. Mission Mozart - Lang Lang & Wiener Philharmoniker


  • Wykonawca Harnoncourt Nikolaus
  • Data premiery 2016-10-07
  • Nośnik CD+DVD

Tracklista: CD 1: Antonio Vivaldi 1. Concerto in D major for violoncello strings & basso continuo, RV 403 2. The Four Seasons CD 2: Antonio Vivaldi Flute Concertos: 1. Concerto in F Major, Op. 10/1 «La tempesta di mare», RV 433 2. Concerto in G Minor, Op. 10/2 «La notte», RV 439 3. Concerto in D Major, Op. 10/3 «Il gardellino», RV 428 4. Concerto in G Major, Op. 10/4, RV 435 5. Concerto in F Major, Op. 10/5, RV 434 6. Concerto in G Major, Op. 10/6, RV 437 7. Concerto in D Major, RV 783 8. Concerto in C major for two flutes, strings & b.c., RV 533 CD 3: Johann Sebastian Bach The Orchestral Suites: 1. Suite No 1 in C major, BWV 1066 2. Suite No 3 in D major, BWV 1068 3. Suite No 2 in B minor, BWV 1067 4. Suite No 4 in D major, BWV 1069 CD 4: Johann Sebastian Bach Brandenburg Concertos: 1. Concerto No. 3 in G major, BWV 1048 2. Concerto No. 5 in D major, BWV 1050 3. Concerto No. 1 in F major, BWV 1046 4. Concerto No. 4 in G major, BWV 1049 5. Concerto No. 6 in B flat major, BWV 1051 6. Concerto No. 2 in F major, BWV 1047 CD 6: Georg Philipp Telemann Trumpet & Horn Concertos: 1. Suite in D major, TWV 55:D7 2. Concerto in D major, TWV 51:D8 3. Sonata in D major, TWV 44:D1 4. Concerto in D major, TWV 52:D1 5. Concerto in D major, TWV 51:D7 6. Sonata in D major, TWV 44:D1 CD 7: Georg Philipp Telemann Concertos & Suites: 1. Suite in A minor, TWV 55:a2 2. Concerto in G major, TWV 43:G6 3 .Suite in D major, TWV 55:D6 4. Concerto in A minor, TWV 52:a1 CD 8: Joseph Haydn Symphonies Nos 6-8: 1. Symphony No. 6 in G major, «Le Matin» 2. Symphony No. 7 in C major, «Le Midi» 3. Symphony No. 8 in G major, «Le Soir» CD 9: Joseph Haydn Harpsichord Concertos: 1. Concerto for harpsichord & strings in G major, Hob. XVIII:4 2. Divertimento in F major, Hob. II:20 3. Concerto for harpsichord in F major, Hob. XVIII:3 CD 10: Wolfgang Amadeus Mozart Cassations & Divertimento: 1. Cassation, KV 63 2. Divertimento, KV 205 (KV 167a) 3. Cassation, KV 99 (63a)


  • Wykonawca La Petite Bande
  • Data premiery 2018-11-01
  • Nośnik CD
Więcej

  By the early 1780s Haydn had been in the employ of Prince Nikolaus Esterházy for some twenty years. Yet, although his duties kept him at court for much of the year, his music and his reputation had already reached right across Europe, as far as Spain and England. Since there were no copyright laws to speak of in those days, dissemination of music was often through the work of publishers who had no compunction in re-engraving pirated versions of orchestral parts (the usual form of publication) if they could lay their hands on manuscript versions by disreputable copyists. Haydn, though obviously averse to publications of his music that gave him no financial reward, was astute enough a businessman often to have his works brought out by more than one publisher. Such was the case with Symphonies 76, 77 and 78, issued in the early 1780s by no fewer than three companies: Torricella in Vienna, Boyer in Paris and Forster in London. (Mozart tried a similar ploy by selling a manuscript to one publisher and then writing the music out again from memory to sell to another.) These three symphonies, not only the first since numbers 6, 7 and 8 to be written as a set (a publishing rather than a performing practice) were also the first Haydn wrote expressly for performance outside the confines of Eszterháza. They were intended for a concert tour to London, a trip that Haydn never made (he had to wait until the prince’s death in 1790 for the impresario Johann Peter Salomon finally to lure him to London). In 1781 (the year he began his association with the publisher William Forster) Haydn appears to have been invited to introduce in person some of his operas and symphonies to the London musical public. His Symphony No 53 had been performed with great success at one of the Bach-Abel concerts (run by the ‘London Bach’, Johann Christian and Karl Friedrich Abel, both of whom had taught Mozart on his visit to London in 1764) and The Morning Herald reported in November 1781 that Haydn ‘the Shakespeare of musical composition is hourly expected.’† He had still not arrived by February 1783 when the Herald again bemoaned that ‘we have got neither him nor his music—however the music is certainly to come—the musician, most probably, will remain in Vienna’. The English music historian Dr Charles Burney also wrote in a letter at about the same time, I have stimulated a wish to get Haydn over as opera composer—but mum mum—yet—a correspondence is opened, and there is a great likelihood of it, if these cabals, and litigations ruin not the opera entirely … Two years later, when the composer was still anxiously awaited, it was even lightheartedly mooted that he might be kidnapped, as the following, from another journal, the Gazetteer and New Daily Advertiser, suggests: This wonderful man, who is the Shakespeare of music, and the triumph ot the age in which we live, is doomed to reside in the court of a miserable German Prince, who is at once incapable of rewarding him, and unworthy of the honour … would it not be an achievement equal to a pilgrimage, for some aspiring youths to rescue him from his fortune and transplant him to Great Britain, the country for which his music seems to be made? In his letter offering the three symphonies to Boyer in Paris, Haydn describes them as ‘beautiful, elegant and by no means over-lengthy … they are all very easy, and without too much concertante’. They do indeed stand out from the surrounding Eszterháza works, lacking some of the idiosyncracies that, although suitable for his own performances at the court, might have deterred foreign performers. That is not to say, however, that they lack anything in originality or quality. Symphony No 76, like the other two, has the standard four movements and, unlike many of his other symphonies, no slow introduction to the first. Here we are launched straight into the first subject, an alternation of vigorously arpeggiated chords and a restrained, downward-moving phrase. There is no second subject as such, unless we include the brief pianissimo phrase (in the tonic key) that follows the second appearance of the falling idea. The Adagio begins with the strings alone, making the entrance of the wind on a pianissimo chord all the more effective; they return at the climax of the movement, a fortissimo tour de force of demisemiquavers and staccato semiquavers. The Minuet is followed by a lighthearted Rondo, featuring some brief woodwind solos before the final coda. The most notable thing about Symphony No 77 is its finale, one of the first examples of a sonata-rondo form, literally a combination of sonata form with the rondo in which the C section of the A–B–A–C–A comprises a development of earlier material rather than a new theme. The preceding movements are no less distinctive: an opening Vivace with, this time, a true second subject; a leisurely, often restrained Andante sostenuto with the strings muted; and a Minuet of a vigour that looks forward to the true scherzo. The first movement of Symphony No 78 has an urgency in keeping with its key, C minor. The second subject turns to the relative major, E flat, and it this key rather than the tonic that ultimately dominates the exposition. The development features some fine contrapuntal writing where fragments of both subjects are tossed between the various instruments. The Adagio returns to E flat major. Unlike the slow movements of the other two symphonies, the wind instruments are integrated lnto the texture from the start, while the stateliness of the music itself looks forward to the late ‘London’ symphonies. The C major Minuet is followed by a Presto rondo whose thinly scored B section turns to C major. When the same theme reappears later, so does the major mode, which remains to the end of the symphony. Matthew Rye © 1991  


  • Wykonawca Hanover Band
  • Data premiery 2006-03-07
  • Nośnik CD

Album został wydany przez wytwórnię Accent (ACC 24369). Tracklista: Georg Christoph Wagenseil 1. Concerto No. 2 in G major 2. Sonata I Johann Baptist Krumpholtz 3. Sonata for harp in B-flat major Christoph Willibald Gluck 4. Orfée et Eurydice - Danse des Champs Elysées, Che farò senza Euridice Joseph Haydn 5. Trio No. 3 in D major, Op. 53, Hob. XVI:42 Joseph Haydn/Joseph Alys Schmittbaur 6. Quartetto No. 6 in F major, Hob. XIV:F1


  • Wykonawca Il Furibondo , Koll Margret , Gatti Marcello
  • Data premiery 2020-04-01
  • Nośnik CD