Settings of the canticles, the Magnificat and Nunc dimittis, have played a prominent part in the Office of Evensong since the Reformation. Cranmer’s original Book of Common Prayer of 1549 established the classic pattern for the Anglican Office of psalm–lesson–canticle–lesson–canticle. This pattern survived all the liturgical revisions and upheavals and was reiterated in the definitive 1662 version, which is still adhered to today. The form of Evensong resulted from the fusing together of elements from the Roman Offices of Vespers and Compline, though the liturgical pattern of psalms followed by paired lessons and canticles differs both from its Roman progenitors and from the Lutheran services.The first canticle of Evensong, the Magnificat, acts as a liturgical pivot, providing a transition between lessons from the Old Testament and the New Testament. The Magnificat, whose text is found in Luke 1: 46–55, is a hymn of praise expressing the joy and thanksgiving of the Virgin Mary following the Annunciation.The Nunc dimittis or ‘Song of Simeon’, the second canticle of Evensong, takes its text from Luke 2: 29–32, and acts as a salutation to the arrival of the New Testament message. The words are those uttered in prayer by the aged Simeon who, having witnessed the Presentation of Jesus at the Temple, expresses his faith in God’s promise of Salvation and contemplates his approaching death.Except for the anthem (which is, strictly speaking, extra-liturgical), the canticles have afforded the greatest opportunity for musical development within the Anglican rite. The stylistic foundations of the settings most familiar today from the late nineteenth and early twentieth centuries were established in large part by Samuel Sebastian Wesley and Thomas Attwood Walmisley, two of the most important and influential figures in the history of English church music. The finest achievements of both these men in the setting of the Evening Canticles are included in this recording, which presents six of the most inspired and well-loved settings, spanning from the mid-1850s to the early 1920s.

• Wykonawca Various Artists
• Data premiery 2010-07-01
• Nośnik CD

Tracklista: CD 1 1. Mix Up 2. Bellyfull 3. Looks Is Deceiving 4. Chatty Chatty Mouth 5. Soul Rebel 6. Eli Eli 7. Hearsay 8. Rude Boy Ska 9. Know Yourself Mankind 10. Thief in the Night 11. Hello Carol 12. Pocket Money (12" Mix) 13. Evil Doers (7" Mix) 14. Jah Works 15. The Best Things in Life 16. Dreadlocks Time Is Now 17. Fly Away 18. Marvel Not 19. Stick a Bush 20. Stop Before You Go 21. Can You Imagine How I Feel 22. We'll Find the Blessing 23. Music Makers from Jamaica CD 2 1. Naturality 2. Struggle 3. Write to Me 4. Counting My Blessing 5. Get Ready 6. Praises to the Most High 7. Nyahbingi Marching On 8. Dry Your Weeping Eyes 9. Greatest Love 10. Exodus 11. Sweet So Till 12. No Disturbance 13. A Day We Go 14. Let Jah Be Praised 15. Red, Gold and Green 16. Backyard Meditation 17. Press Along 18. Merrily 19. Holiday Ride

• Wykonawca Gladiators
• Data premiery 2016-11-18
• Nośnik CD / Album

Tracklista:1. Intro2. They Don't Wanna See3. Nah4. Back Then5. Active6. Peakbo7. Living8. I Heard9. Fuck It10. Most Hated11. Till the End12. Bad13. Body Close14. Get to Know Me15. Tonight16. Ot17. 24/718. Where I'm From19. Outro

• Wykonawca Sneakbo
• Data premiery 2018-03-02
• Nośnik CD

Tracklista:1. I Can't Feel the Freeze Or Fade (Intro)2. The Timeless Now3. Cherry Cola4. Ditchglass, They Think5. Invisible Jets6. Makes Me Miss the Misery Girls7. Scented Pictures8. Press Play9. The Fever That Goes Up and Down10. Fast Hat, Main Hat11. Most Boys

• Wykonawca Nonpareils
• Data premiery 2018-04-06
• Nośnik Vinyl / 12" Album

Erich Wolfgang Korngold was one of the most astonishing prodigies in the history of western music, admired by Mahler, Strauss, and Puccini. His compositions were regularly performed by renowned musicians from around the world.    Korngold composed his Sextet for Strings between 1914 and 1916, at the same time as his opera Violanta, and for this reason perhaps, it takes on some of the theatrical elements of that work. The first movement presents some highly intricate counterpoint among the different voices. In the Adagio the mood shifts to one of intense sensuousness. The third movement brings relief to the highly charged atmosphere. Here Korngold plays – sometimes with an air of irony, sometimes jokingly, sometimes more straightforwardly – with that most Viennese of genres, the waltz. The finale, in typical Korngold fashion, is high-spirited and good-humoured.    The highly successful premiere of the Quintet for Two Violins, Viola, Cello, and Piano took place in Hamburg in 1923 with the composer at the keyboard. The work is in three elaborate and complex movements, with a piano part of considerable difficulty, and string writing on a virtuosic scale. With good humour and charm aplenty, the quintet displays the composer’s sunny disposition. In the work Korngold incorporated a musical code that he had developed to send secret, loving messages to his fiancée during concert performances.    Described by the magazine Gramophone as ‘one of the finest young string quartets’, whose members are ‘musicians with fascinating things to say’, the Doric String Quartet has received rave responses from audiences and critics across the globe. The Quartet’s recent recording of Korngold’s string quartets was a 2010 Critics’ Choice in Gramophone, and the group’s most recent recording on Chandos (CHAN 10692), of Schumann’s three string quartets, was ‘Recording of the Month’ in BBC Music. The Quartet is joined on this recording by Kathryn Stott on piano, Jennifer Stumm on viola, and Bartholomew LaFolette on cello.

• Wykonawca Doric String Quartet , Stumm Jennifer , LaFollette Bartholomew , Stott Kathryn
• Data premiery 2012-01-01
• Nośnik CD

Tracklista: 1. Wales2. Separate Songs3. Misprint4. Tiny Prayers5. All My Home6. Most Likely a Spy8. The Future7. No Castle9. It's Not

• Wykonawca Restorations
• Data premiery 2014-11-24
• Nośnik CD / Album

Philippe Schartz is one of the most exciting trumpeters about today. He has developed a highly successful career as an orchestral and chamber musician as well as a soloist. As Principal Trumpet of the BBC National Orchestra of Wales, the Mahler Chamber Orchestra, until summer 2002, and in his student days with the Gustav Mahler Youth Orchestra he has performed, to much critical acclaim, with conductors such as Claudio Abbado, Pierre Boulez and Bernard Haitink. His solo career includes many recitals and concertos all over Europe as well as four solo CD recordings. In this contemporary programme, Schartz explores some of the most thrilling concertos in the trumpet repertoire in a combination of very different original compositions.

• Wykonawca Schartz Philippe
• Data premiery 2009-01-01
• Nośnik CD

Who is this mysterious “musa plebia” – Raffael’s beautiful mistress, the daughter of a baker? Or does the famous beauty not stand for the power of the poetry of the people, Arcadian source, and inspiration for the poets of the Renaissance?On this new release on the Raumklang label, the Italian musician Francis Biggi and his ensemble Lucidarium have succeeded in saving a musical treasure from oblivion: the centuries-old tradition of the sung recitation of verses that the poet-singer “invents” spontaneously exists to the present day in the folk music in several parts of Central Italy, on Sardinia and Corsica. This tradition demands flawless technique, solid knowledge of poetic meters and rhythms, musicality, a good ear, and a good voice – but above all: the singers, people from all walks of life, sing from the bottom of the heart about the muse who touches the heart, the tongue, and the mind. They improvise and sing their feelings, their outrage, their tenderness, and their dreams on the spur of the moment; they know how to share feelings and opinions with their audience; they analyze and comment upon the world with the wonderful weapon of poetry.Biggi frames these unique specimens of a waning culture with the most beautiful and the justifiably most famous songs and instrumental pieces of the Italian Renaissance. The North Italian courts of the fifteenth century were the fruitful soil in which a musical style could blossom, a style that blended the refined polyphony of the Franco-Flemish school with the Italian love of beautiful melody and clear counterpoint, and that in this way influenced the aesthetics of music throughout Europe way beyond the following century.

• Wykonawca Ensemble Lucidarium
• Data premiery 2011-04-01
• Nośnik CD

The Wolf, a most mystical and spiritual animal is revered by Native Americans who perceive an elemental and hereditary link between the integrety of family within Native American and Lupine culture and the wider characteristics of each tribe and wolf pack.

• Wykonawca Various Artists
• Data premiery 2006-01-01
• Nośnik CD

Tracklista:1. The All Most Quiet2. Sound 2

• Wykonawca Westberg Norman
• Data premiery 2016-06-03
• Nośnik CD