1 Lady 5:252 Oh Darling 3:433 Even in the Quietest Moments 6:274 Waiting So Long 6:345 Babaji 4:506 Gone Hollywood 5:187 If Everyone Was Listening 4:038 Just Another Nervous Wreck 4:229 Don't Leave Me Now 6:1810 My Kind of Lady 5:1311 A Soapbox Opera 4:5112 Downstream 4:0013 Fool's Overture 10:5114 Free as a Bird 4:19
Opera Karola Szymanowskiego Król Roger wydana na nośniku Blu-ray. Nagranie live z festiwalu w Bregencji z 2009 roku. Występuje m.in. Olga Pasiecznik oraz orkiestra Wiener Philharmoniker i chór Camerata Silesia pod dyrekcją Marka Elder.
This is the 6th instalment of PentaTone’s successful Wagner Edition. It is the first time in the recording history that a label records all major Wagner opera’s with the same orchestra, choir and conductor. This makes the PentaTone Wagner Edition a great collector’s item. After this release follows Der Ring des Nibelungen. The 4 opera’s of the “The Ring” will all be released in the course of 2013, The WAGNER YEAR (celebrating the 200th anniversary of his birth in 1813)
Tracklista:1. Cosě fan tutte, opera, K. 588: Temerari!... Come scoglio 5:522. Cosě fan tutte, opera, K. 588: Ei parte... Per pietŕ, ben mio 9:053. Cosě fan tutte, opera, K. 588: In uomini, in soldati 2:424. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: E Susanna non vien!... Dove sono i bei momenti 6:425. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Giunse alfin il momento... Al desio 7:196. Don Giovanni, opera, K. 527: Batti, batti o bel Masetto 3:507. Don Giovanni, opera, K. 527: In quali eccessi... Mi tradě quell' alma ingrate 5:468. Davidde penitente, oratorio, K. 469: Lungi le cure ingrate 4:569. Exsultate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a) 14:32
Opera w pigułce, czyli czteropłytowy album "The Best Opera... Ever!". Najpiękniejsze melodie. Włoskie i francuskie arie i duety. "Carmen" i "Madame Butterfly", Mazur z "Halki" i "La donna e mobile". Perły mistrzów baroku i klasycyzmu. Opera narodowa i dramat muzyczny. Słynne głosy z archiwów EMI (z Marią Callas na czele). Wielcy dyrygenci i najlepsze orkiestry. Autorski wybór Anny S. Dębowskiej, dziennikarki muzycznej "Gazety Wyborczej", redaktor naczelnej "Beethoven Magazine". CD 1 – opera francuska: Carmen, Trojanie, Faust, Poławiacze Pereł, Opowieści Hoffmana, LakmeCD 2 – opera włoska: Cyrulik Sewilski, Nabucco, Norma, Aida, Rigoletto, Traviata, Cyganeria, Don Carlos, Turandot, Tosca, Madame ButterflyCD 3 – opera barokowa i klasyczna: Orfeusz i Eurydyka, Don Giovanni, Czarodziejski flet,CD 4 – opera od Moniuszki do Gershwina: Eugeniusz Oniegin, Halka, Straszny Dwór, Walkiria, Boris Godunow, Król RogerProponujemy Państwu niezapomnianą podróż po epokach i najbardziej znanych scenach muzycznych świata.CD 1BIZET, CARMEN 1. Uwertura – Orcheste de l’Opèra National de Paris/Prêtre2. L'amour est un oiseau rebelle (Habanera) – Maria Callas3. Près des remparts de Séville – Maria CallasDELIBES, LAKMÉ4. Dôme épais le jasmin à la rose s'assemble - Natalie Dessay, Delphine HaidanBERLIOZ, TROJANIE5. Nuits d'ivresse et d'extase - Angela Gheorghiu, Roberto AlagnaFLOTOW, MARTA6. Ach so fromm - Rolando VillazónGOUNOD, FAUST7. Le veau d'or est toujours debout - Boris ChristoffSAINT-SAËNS, SAMSON I DALILA8. Mon coeur s'ouvre à ta voix - Maria CallasOFFENBACH, OPOWIEŚCI HOFFMANNA9. Belle nuit, ô nuit d'amour - Ann Murray, Jessye NormanMASSENET, WERTER10. Pourquoi me réveiller – Rolando VillazónBIZET, POŁAWIACZE PEREŁ11. Je crois entendre encore – Rolando VillazónVERDI, NABUCCO12. Va pensiero, sull'ali dorata – Coro e Orchestra del Teatro alla Scala/MutiROSSINI, CYRULIK SEWILSKI13. Largo al factotum - Tito Gobbi14. Una voce poco fa - Edita GruberovaDONIZETTI, NAPÓJ MIŁOSNY15. Una furtiva lagrima - Rolando VillazónCD 2BELLINI, NORMA1. Casta Diva – Maria CallasDONIZETTI, ŁUCJA Z LAMMERMOORU2. Chi mi frena in tal momento - Callas, di Stefano, Gobbi, Arié, Natali, CanaliVERDI, AIDA3. Gloria all'Egitto, ad Iside – New Philharmonia Orchestra/Muti4. Marcia trionfale - New Philharmonia Orchestra/MutiVERDI, RIGOLETTO5.La donna è mobile - Rolando Villazón6.Bella figlia dell'amore - Callas, Gobbi, di Stefano, LazzariniVERDI, TRAVIATA7. Libiamo - Maria Callas, Giuseppe di StefanoVERDI, TRUBADUR8. Tacea la notte placida - Leontyne Price9.Coro delle incudini: Vedi le fosche notturne Coro e Orchestra del Teatro alla Scala/Karajan10.Di quella pira l'orrendo foco - Giuseppe di Stefano, Renato ErcolaniVERDI, DON CARLOS 11.Dio che nell'alma - Carreras, CappuccilliGIORDANO, ANDREA CHÉNIER12.Udite! Son sola! Ora soave, sublime ora d'amore! - Antonietta Stella, Franco Corelli13.La mamma morta – Maria CallasPUCCINI, CYGANERIA14.O soave fanciulla - Maria Callas, Giuseppe di StefanoPUCCINI, MADAME BUTTERFLY15. Un bel dì vedremo – Maria CallasPUCCINI, TURANDOT16. Nessun dorma - José Carreras PUCCINI, GIANNI SCHICCHI17. O mio babbino caro – Kiri Te KanawaPUCCINI, TOSCA18. Vissi d'arte, vissi d'amore - Maria CallasCD 3MONTEVERDI, ORFEUSZ1. Toccata - Le Concert d`Astrée/HaïmPURCELL, DYDONA I ENEASZ2.When I Am Laid In Earth – Susan GrahamVIVALDI, BAJAZET3. Sinfonia: Allegro – Europa Galante/Biondi4. Nasce rosa lusinghiera - Patrizia CiofiHÄNDEL, ARIODANTE5. Scherza, infida - Philippe JarousskyHÄNDEL, JULIUSZ CEZAR6. Se pietà di me non senti - Natalie DessayHÄNDEL, KSERKSES7. Ombra mai fu - David DanielsGLUCK, IFIGENIA W AULIDZIE8. Dieux puissants que j'atteste...Jupiter, lance la foudre - Véronique GensGLUCK, ORFEUSZ I EURYDYKA9. J’ai perdu mon Euridyce - Anne Sofie von OtterMOZART, DON GIOVANNI10. Madamina, il catalogo è questo - Samuel Ramey11. Là ci darem la mano - Peter Mattei, Lisa LarssonMOZART, WESELE FIGARA12. Voi che sapete - Teresa BerganzaMOZART, CZARODZIEJSKI FLET13. Pa-pa-gena! Pa-pa-geno! - Walter Berry, Ruth-Margret Pütz14. Der Hölle Rache – Zdzisława DonatCD 4CZAJKOWSKI, EUGENIUSZ ONIEGIN1. Polonaise – Orchestra dell’ Accademia Nazionale di Santa Cecilia/PappanoMONIUSZKO, HALKA2. Gdybym rannym słonkiem – Teresa Kubiak3. Szumią jodły na gór szczycie – Bogdan Paprocki4. Mazur - Orkiestra Symfoniczna Filharmonii Narodowej/RowickiMONIUSZKO, STRASZNY DWÓR5. Ten zegar stary – Romuald Tesarowicz, Zbigniew Macias6. Cisza dokoła, noc jasna, czyste niebo - Wiesław OchmanWAGNER, TANNHÄUSER7. Dich, teure Halle, grüß ich wieder - Birgit NilssonWAGNER, WALKIRIA8. Ride of the Valkyries - Wiener Philharmoniker/FurtwänglerSTRAUSS, KAWALER SREBRNEJ RÓŻY9. Di rigori armato il seno - Rolando VillazónCZAJKOWSKI, EUGENIUSZ ONIEGIN10. Letter Aria - Barbara Hendricks11. Lubwi wsie wozrosty pokorny - Boris ChristoffSZYMANOWSKI, KRÓL ROGER12. Roksana! Jej śpiew! - Szmytka, Hampson, MinkiewiczGERSHWIN, PORGY I BESS13. Summertime - Kiri Te KanawaBERNSTEIN, WEST SIDE STORY14. Tonight - Kiri Te Kanawa, José Carreras
Światowej klasy dyrygent, Valery Gergiev, jest uznawany za urodzonego interpretatora muzyki Prokofieva. Nic dziwnego, że w czasie 125 rocznicy urodzin kompozytora to właśnie on prowadzi muzyków Mariinsky Orchestra wykonujących stosunkowo mało znaną, lecz niezwykle przejmujące dzieło, jakim jest opera Semyon Kotko.
Giuseppe Verdi (1813-1901)La Traviata. Opera w czterech aktach z prologiem. Libretto oparte na Damie Kameliowej Aleksandra Dumasa. Powstała w 1853 roku. Akcja rozgrywa się w Paryżu w drugiej połowie XIX wieku. Opowiada historię miłości pełnej zawiłości i nieszczęśc wynikających z konwenansów. Główna bohaterka - kurtyzana Violetta Valery poświęca się dla miłości, kiedy jej ukochany powraca historia nie może już zakończyć się happy endem.Natalie Dessay made her first European appearances as Violetta in La traviata in a new production by the French director Jean-François Sivadier at the 2011 Aix-en-Provence Festival. This DVD captures her intense performance in the company of American tenor Charles Castronovo as Alfredo and French baritone Ludovic Tézier as his father, Giorgio Germont. “Her theatrical impact is devastating,” wrote the Financial Times.With this new production of La traviata at the 2011 Aix-en-Provence Festival, Natalie Dessay made her first European appearances as Verdi’s Violetta, a pinnacle of the soprano repertoire. She made her debut in the role in 2009 at the Santa Fe Festival in the US, and subsequently sang Violetta in Japan. Dessay’s 2011-12 season will include La traviata at the Vienna State Opera (in this Aix-en-Provence production by French theatre and opera director Jean-François Sivadier) and the New York Metropolitan.Violetta makes tremendous demands on a singer, both vocally and dramatically, and signals Dessay’s transition from lighter coloratura roles to the more full-blooded lyric repertoire. “I’m tired of playing weeping girls,” she told the French magazine Télé 7 Jours, “Violetta is a real woman. That makes a nice change!” The change was clearly successfully achieved: describing Dessay’s performance, the Financial Times wrote that “her theatrical impact is devastating”.Sivadier’s production was staged in the open air, in Aix-en-Provence’s exquisite Théâtre de l'Archevêché with its huge spiral staircases, medieval arches and 18th-century wings. The stage décor was minimal, the simple costumes evoked the 1940s or 1950s, and the prime focus was on intense characterisation.“One left the theatre emotionally knocked out, but fulfilled,” wrote the magazine Télérama, describing the production as “a magisterial success ... It would be hard to think of a couple more ideally young and beautiful than Natalie Dessay and Charles Castronovo [the stylish American tenor singing Alfredo].” The writer went on to praise “the art with which Natalie Dessay embodies and transfigures the character,” concluding by saying that: “La traviata – literally, the woman gone astray – has never found her way better than at Aix-en-Provence this summer.”Le Figaro found that “Natalie Dessay overwhelms with her fragility and commitment … The singers have the roles in their every fibre … the characters exist with a palpable intensity,” and remarked on the refinement of Louis Langrée’s conducting of the London Symphony Orchestra: “Have we ever heard so many shadings and nuances in Verdi’s orchestration?”The role of Giorgio Germont, Alfredo’s father, is taken by the superb French baritone Ludovic Tézier. In Act II, set at Violetta’s country house near Paris, he sings the touching aria “Di Provenza”, in which he urges his son to return home to his family’s native Provence. In this case, Alfredo would not have far to travel!
Denise Duval była muzą Francisa Poulenca, sopranistką, dla której skomponował role Blanche w Dialogues des Carmélites, Thérèsy w Les Mamelles de Tirésias i "Elle" w La Voix humaine –bezimiennej Parisienne, którą Jean Cocteau angażuje w libretcie w jednostronną rozmowę telefoniczną z jej kochankiem. Ta solowa opera zostaje tu zestawiona z monodramem Cocteau na głos mówiony - Le bel indifférent, z udziałem Edith Piaf, słynnej francuskiej piosenkarki. Z kolei Georges Prêtre (1924-2017) to jeden z najwybitniejszych francuskich dyrygentów. Studiował w paryskim konserwatorium u Maurice Duruflé i André Cluytensa, zadebiutował zaś w 1956 w paryskiej Opéra Comique w Capriccio Ryszarda Straussa. Intensywnie działał w Europie i USA, osiągając największe sukcesy w teatrach operowych, m.in. londyńskim Covent Garden, nowojorskim Metropolitan Opera i mediolańskim La Scala. Był dyrektorem Opery Paryskiej. Współpracował m.in. z Marią Callas (nagrali razem Toscę G. Pucciniego i Carmen G. Bizeta).
A delightful blend of slapstick and highly allusive banter, Cesti’s comic moral opera mocks the pagan gods and the morally reprehensible excesses caused by amorous passion. Pietro Antonio Cesti (born in Arezzo, 1623; died in Florence, 1669) was, along with Francesco Cavalli, the most illustrious representative of the seventeenth-century Venetian school of opera composers. Like many Seicento artists, he had an eventful life embracing multiple activities, as singer, actor, composer and maestro di cappella; like Vivaldi he took holy orders; and, like the murdered Stradella, he died in murky circumstances (probably by poisoning) after an outstanding musical career. He was an itinerant composer, dividing his activity between Venice and the courts of Florence, Vienna and Innsbruck. The work recorded here dates from his period at the Viennese court, and the opera is characteristic of Viennese opera’s synthesis between the comical, parodic register typical of the Venetian aesthetic (of which Cavalli’s La Calisto is a remarkable example) and the moral, edifying dimension inherent to court opera.
Tracks:CD11. Sinfonia (Concerto in Do Maggiore Per Archi E Cembalo Rv 112) / Allegro2. Sinfonia (Concerto in Do Maggiore Per Archi E Cembalo Rv 112) / Andante3. Sinfonia (Concerto in Do Maggiore Per Archi E Cembalo Rv 112) / Presto4. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 15. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 16. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 27. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 38. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 39. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 310. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 311. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 412. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 413. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 514. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 515. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 616. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 617. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 718. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 719. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 820. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 821. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 922. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 923. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1024. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1125. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1126. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1127. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1128. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1129. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1130. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1231. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Primo / Scena 1232. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 133. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 234. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 2 CD21. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 32. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 33. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 44. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 45. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 56. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 57. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 68. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 69. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 710. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 811. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 912. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 913. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1014. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1015. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1116. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1117. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1218. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1219. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1320. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1321. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1422. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Secondo / Scena 1423. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 124. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 125. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 226. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 327. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 3CD31. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 42. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 43. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 54. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 65. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 66. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 67. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 68. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 79. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 710. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 811. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 812. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 913. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 914. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1015. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1116. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1117. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1218. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1219. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1320. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1421. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1422. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1523. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Atto Terzo / Scena 1524. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Un25. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Un26. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Se27. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Te28. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Te29. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Te30. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Te31. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Te32. Orlando Finto Pazzo Rv 727 (Opera in Tre Atti) / Airs Alternatifs / Atto Te