» » opera » Strona 62

2-płytowy album. Część serii Home Of Opera. Zawiera nagranie pełnej opery Giuseppe Verdiego p.t. La Traviata. Jedno z największych dzieł operowych w historii powstało w połowie XIX wieku. Inspiracją dla librecisty stała się powieść Aleksandra Dumasa p.t. Dama Kameliowa. Historia nieszczęśliwej Violetty Valery trawionej przez chorobę, targanej namiętnościami i zmiennymi kaprysami losu porywa słuchaczy na całym świecie w tej jednej z najczęściej wystawianych i nagrywanych oper. Na płytach słyszymy wybitnych solistów, takich jak Renata Scotto, Sarah Walker, Cynthia Buchan, czy Alfredo Bruson. Towarzyszy im Ambrosian Opera Chorus, Band of the Royal Marines oraz Philharmonia Orchestra pod batutą Riccardo Mutiego.Wspaniałe dzieła operowe w najlepszych wykonaniach.Kolekcja prezentuje najważniejsze i najpopularniejsze opery z katalogu EMI Classics oraz Virgin Classics stworzone przez ostatnie 60 lat. Wiele z tych nagrań, to najważniejsze nagrania tych dzieł w historii fonografii!W bezkonkurencyjnym katalogu zawierającym ponad 450 pełnych oper wyprodukowanych na przestrzeni 60 lat podziwiamy wspaniałą plejadę wybitnych artystów, wśród których można wymienić chociażby: Marię Callas, Angelę Gheorghiu, Natalie Dessay, Joyce DiDonato, Roberto Alagna, Antonio Pappano, Alana Curtisa i wielu innych. Projekt Home Of Opera, to niezwykła seria, w której do Państwa dyspozycji są nie tylko płyty, lecz także strona internetowa zawierająca dodatkowe informacje, libretta i streszczenia oper.


  • Wykonawca Ambrosian Opera Chorus , Philharmonia Orchestra , Scotto Renata , Walker Sarah , Kraus Alfredo
  • Data premiery 2012-10-01
  • Nośnik CD

Album 8 CD będący encyklpoedią muzyki pierwszego okresu baroku we Włoszech w czasach Claudia Monteverdiego. Muzyka przedtsawia okres od florenckiej Cameraty i pierwszych oper Monteverdiego do roku ok. 1670 kiedy Francesco Cavalli pisał swoje ostatnie opery. Wydawnictwo pokazuje narodziny takich form muzycznych jak opera i oratorium oraz sonaty w muzyce instrumentalnej. W ksiązce dołączonej do płyt znajdziemy obszerne komentarze do prezentowanych dzieł.


  • Wykonawca Various Artists
  • Data premiery 2015-11-20
  • Nośnik CD
Więcej

Verdi "Don Carlo"DVD 11. Don Carlo: Don Carlo: Titles - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Simon Keenlyside/Ferruccio Furlanetto/Sonia Ganassi/Pumeza Matshikiza/Nikola Matisic/Jacques Imbrailo/Krzy 1:332. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Su Cacciator! pronti, o la beve" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden 1:213. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Fontainebleau! foresta immensa e solitaria!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon 4:144. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Il suon del corno alfin nel boco tace" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Pumeza Matshikiza 2:345. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Al mio pie', perchè?" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 4:056. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Di qual amor, di quant'ardor" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 4:587. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Al fedel ch'ora viene" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Pumeza Matshikiza 3:178. Don Carlo, Atto Primo: Don Carlo, Atto Primo: "Il glorioso Re di Francia" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Nikola Matisic 5:169. Don Carlo, Atto Secondo, Parte Prima: Don Carlo, Atto Secondo, Parte Prima: "Carlo il sommo Imperatore" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Jacques Imbrailo/Krzysztof Szumanski/Kostas Smoriginas/Daniel Grice/Darren Jeffrey/Vuyani Mlinde 6:0910. Don Carlo, Atto Secondo, Parte Prima: Don Carlo, Atto Secondo, Parte Prima: "Al chiostro di San Giusto" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Jacques Imbrailo/Krzysztof Szumanski/Kostas Smoriginas/Daniel Grice/Darren Jeffrey/Vuyani Mlinde 1:5811. Don Carlo, Atto Secondo, Parte Prima: Don Carlo, Atto Secondo, Parte Prima: "E lui!..desso!..l'Infante!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside 4:0512. Don Carlo, Atto Secondo, Parte Prima: Don Carlo, Atto Secondo, Parte Prima: "Dio che nell'alma infondere amor" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside/Jacques Imbrailo/Krzysztof Szumanski/Kostas Smoriginas/Daniel Grice/Darren Jeffrey/Vuyani Mlinde 4:3613. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Sotto ai folti, immensi abeti" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Pumeza Matshikiza 3:2714. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Nei giardin del bello..." - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Sonia Ganassi/Pumeza Matshikiza 4:5915. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "La Regina!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Marina Poplavskaya/Simon Keenlyside/Sonia Ganassi/Pumeza Matshikiza 3:4816. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Carlo ch'è sol il nostro amore" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Marina Poplavskaya/Simon Keenlyside/Sonia Ganassi 4:4517. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Io vengo a domandar" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 4:0118. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Perduto ben, mio sol tesor" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 4:3719. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Oh! Carlo!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 1:5720. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Il Re!" / "Perché sola è la Regina?" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Ferruccio Furlanetto/Pumeza Matshikiza 1:1621. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Non pianger, mia compagna" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Marina Poplavskaya/Simon Keenlyside/Ferruccio Furlanetto 4:2622. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Restate!...Presso alla mia persona" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Simon Keenlyside/Ferruccio Furlanetto 5:4523. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Quest'è la pace che voi date al mondo?" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Simon Keenlyside/Ferruccio Furlanetto 3:0724. Don Carlo, Atto Secondo, Parte Seconda: Don Carlo, Atto Secondo, Parte Seconda: "Osò lo sguardo tuo penetrar il mio soglio" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Simon Keenlyside/Ferruccio Furlanetto 3:5525. Don Carlo, Atto Terzo, Parte Prima: Don Carlo, Atto Terzo, Parte Prima: Preludio - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden 2:1226. Don Carlo, Atto Terzo, Parte Prima: Don Carlo, Atto Terzo, Parte Prima: "A mezza notte, ai giardin della Regina" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Sonia Ganassi 2:1727. Don Carlo, Atto Terzo, Parte Prima: Don Carlo, Atto Terzo, Parte Prima: "V'è ignoto forse, ignoto ancora" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside/Sonia Ganassi 0:5828. Don Carlo, Atto Terzo, Parte Prima: Don Carlo, Atto Terzo, Parte Prima: "Al mio furor sfuggite invano" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside/Sonia Ganassi 5:2629. Don Carlo, Atto Terzo, Parte Prima: Don Carlo, Atto Terzo, Parte Prima: "Ed io che tremava al suo aspetto!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside/Sonia Ganassi 2:4730. Don Carlo, Atto Terzo, Parte Prima: Don Carlo, Atto Terzo, Parte Prima: "Carlo! se mai su te fogli importanti serbi" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside 2:0031. Don Carlo, Atto Terzo, Parte Seconda: Don Carlo, Atto Terzo, Parte Seconda: "Spuntato ecco il dì...d'esultanza" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Jacques Imbrailo/Krzysztof Szumanski/Kostas Smoriginas/Daniel Grice/Darren Jeffrey/Vuyani Mlinde 4:0632. Don Carlo, Atto Terzo, Parte Seconda: Don Carlo, Atto Terzo, Parte Seconda: Corteggio reale: "Spuntato ecco il dì d'esultanza" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden 3:2333. Don Carlo, Atto Terzo, Parte Seconda: Don Carlo, Atto Terzo, Parte Seconda: "Schiusa or sia la porta del tempio!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden 3:1734. Don Carlo, Atto Terzo, Parte Seconda: Don Carlo, Atto Terzo, Parte Seconda: "Qui Carlo! O ciel!" ... "No, l'ora estrema ancora non suonò" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Simon Keenlyside/Ferruccio Furlanetto/Eric Halfvarson 5:0035. Don Carlo, Atto Terzo, Parte Seconda: Don Carlo, Atto Terzo, Parte Seconda: "Sire! egli è tempo ch'io viva" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Simon Keenlyside/Ferruccio Furlanetto/Pumeza Matshikiza/Jacques Imbrailo/Krzysztof Szumanski/Kostas Smorig 1:5736. Don Carlo, Atto Terzo, Parte Seconda: Don Carlo, Atto Terzo, Parte Seconda: "O ciel! Tu!..Rodrigo!./ Spuntato è il dì d'esultanza" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Ferruccio Furlanetto/Jacques Imbrailo/Krzysztof Szumanski/Kostas Smoriginas/Daniel Grice/Darren Jeffrey/Vu 2:26DVD 21. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Ella giammai m'amò!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Ferruccio Furlanetto 6:202. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Dormirò sol nel manto mio regal" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Ferruccio Furlanetto 5:013. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Il Grand' Inquisitor!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Ferruccio Furlanetto/Nikola Matisic/Eric Halfvarson 9:484. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Giustizia, giustizia, Sire!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Marina Poplavskaya/Ferruccio Furlanetto 2:005. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Ben lo sapete" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Marina Poplavskaya/Simon Keenlyside/Ferruccio Furlanetto/Sonia Ganassi 2:456. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Ah! sii maledetto, sospetto fatale" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Marina Poplavskaya/Simon Keenlyside/Ferruccio Furlanetto/Sonia Ganassi 4:217. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Pietà! Pietà! Perdon!" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Marina Poplavskaya/Sonia Ganassi 3:228. Don Carlo, Atto Quarto, Parte Prima: Don Carlo, Atto Quarto, Parte Prima: "Ah! Più non vedrò... O don fatale, o don crudel" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Sonia Ganassi 5:009. Don Carlo, Atto Quarto, Parte Seconda: Don Carlo, Atto Quarto, Parte Seconda: "Son io, mio Carlo" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside 3:4810. Don Carlo, Atto Quarto, Parte Seconda: Don Carlo, Atto Quarto, Parte Seconda: "Per me giunto è il dì supremo" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Simon Keenlyside 2:4911. Don Carlo, Atto Quarto, Parte Seconda: Don Carlo, Atto Quarto, Parte Seconda: "Che parli tu di morte?" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Simon Keenlyside 1:3912. Don Carlo, Atto Quarto, Parte Seconda: Don Carlo, Atto Quarto, Parte Seconda: "O Carlo, ascolta...Io morrò, ma lieto in core" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Simon Keenlyside 3:1713. Don Carlo, Atto Quarto, Parte Seconda: Don Carlo, Atto Quarto, Parte Seconda: "Mio Carlo, a te la spada io rendo" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Chorus of the Royal Opera House, Covent Garden/Rolando Villazon/Ferruccio Furlanetto/Nikola Matisic/Eric Halfvarson 3:2814. Don Carlo, Atto Quinto: Don Carlo, Atto Quinto: Orchestra - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden 2:3615. Don Carlo, Atto Quinto: Don Carlo, Atto Quinto: "Tu che le vanità" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Marina Poplavskaya 8:5416. Don Carlo, Atto Quinto: Don Carlo, Atto Quinto: "E dessa!" / "Un detto, un sol" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 5:5717. Don Carlo, Atto Quinto: Don Carlo, Atto Quinto: "Ma lassù ci vedremo" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya 4:1118. Don Carlo, Atto Quinto: Don Carlo, Atto Quinto: "Sì, per sempre" - Antonio Pappano/Orchestra of the Royal Opera House, Covent Garden/Rolando Villazon/Marina Poplavskaya/Ferruccio Furlanetto/Nikola Matisic/Eric Halfvarson/Robert Lloyd 3:46


  • Wykonawca Villazon Rolando
  • Data premiery 2010-10-18
  • Nośnik DVD

Tracklista:1. Euryanthe, opera, J. 291, (Op. 81): Overture 8:332. Peter Schmoll und seine Nachbarn, opera, J. 8 (Op. 8) (dialogue lost): Overture 10:063. Oberon, opera, J. 306: Overture 9:404. Der Beherrscher der Geister (The Ruler of the Spirits), overture for orchestra, J. 122 (Op. 27) (revision of overture to Rübezahl) 5:525. Turandot, incidental music, J. 75 (Op. 37): Overture and Act 2 March 5:436. Preciosa, incidental music for soloist, chorus & orchestra, J. 279 (Op. 78): Overture 8:057. Silvana, opera, J. 87: Overture 6:218. Jubel-Ouvertüre for orchestra in E major, J. 245 (Op. 59) 8:079. Abu Hassan, opera, J. 106: Overture 3:3510. Der Freischütz, opera, J. 277 (Op. 77): Overture 10:14


  • Wykonawca Wit Antoni
  • Data premiery 2009-02-02
  • Nośnik CD
Więcej

As a young and aspiring composer, Handel spent 1706-1710 in Italy. These were years that would prove decisive for him, as he met with excellent opportunities to expand and perfect his skills, especially in the genre of vocal music. Based in Rome, where opera was banned by papal decree, Handel only composed two works in this most Italian of genres during his stay. Instead, following the example of other composers in the Holy City, he opted for another genre which incorporated similar dramatic and expressive qualities – the cantata. During his Italian years, it is believed that Handel may have written as many as 150 such works, including a number of so-called cantate con stromenti for one or more solo voices plus additional instruments. The four cantatas on this disc feature the standard combination for such works: soprano, two violins and basso continuo. Thematically, they can be grouped in pairs: Notte placida e cheta (Calm and Placid Night) and Un’ alma innamorata (A Soul in Love) tell of unhappy love and contain elements from Classical mythology against a pastoral backdrop. By contrast, Figlio d’alte speranze (Son of High Hopes) and Agrippina condotta a morire (Agrippina Led to Her Death) tell tales of power, and of its use and abuse. Each cantata presents a small drama in its own right, and can be seen as a preliminary study in the field of opera, in which Handel thoroughly explores the best ways of using the expressive means at his disposal.This exciting programme is presented by Emma Kirkby and London Baroque, household names in the sphere of ‘early music’ and beyond, and certainly no new-comers to the works of Handel. Indeed, when they last joined forces in a Handel programme (BIS-CD-1065) the website MusicWeb International called the performances ones that ‘make one wish that all Handel music making could be of this order’, while the reviewer in BBC Music Magazine wrote ‘I've seldom been as moved by a recording, both music and performance’.


  • Wykonawca London Baroque , Kirkby Emma
  • Data premiery 2008-06-01
  • Nośnik SACD
Więcej

Tracklista:1. Messiah, oratorio, HWV 562. Solomon, oratorio, HWV 67: Arrival of the Queen of Sheba3. Esther, oratorio, HWV 50b: The Lord our enemy has slain4. Pensieri notturni di filli (Nel dolce dell'oblio), cantata for soprano, recorder & continuo, HWV 1345. Harp Concerto in B flat major, Op.4/6, HWV 2946. Ariodante, opera, HWV 33: Act 2. Sinfonia7. Ariodante, opera, HWV 33: Recitative and Aria. Scherza infida8. Samson, oratorio, HWV 57: Air and Chorus. Let the bright seraphim


  • Wykonawca The Sixteen
  • Data premiery 2008-09-01
  • Nośnik CD
Więcej