Tracklista:LP 1Side A1. Got My Shoes & My Tattoo (Part 1) 2. Białe Wakacje3. The HillSide B1. Hafra Traw2. Piosenka Nr. 2LP 2Side C1. A62. Miasta I Nieba3. Peron 4Side D1. September2. Got My Shoes & My Tattoo (Part 2)
Tracklista:1. A Lighthouse2. Soul to Save3. The World Is Flat4. Introducing...5. The Butcher6. Shadows On the Wall7. She Has a Mystery8. Chattering Birds9. You Don't Need Love10. Satellites11. A Lighthouse Part Two12. My Armour13. No Hound Dog On Your Trail14. Nothing in the Desert15. Darkness16. Galaxies17. Light18. The Rage19. Wolves20. The Fury
Tracklista:1. Highway of Love2. Amy3. Strong Enough4. Heaven's Paths5. Heat of the Light6. Can't Stop the Rock7. The Meaning of My Lonely Words8. The Infinity in Us9. Still in Your Heart10. Homeless' Lullaby11. Follow the Stars12. Unbreakable Wire14. Under Silent Walls - Part I (Blossom. From Night to Dawn)15. Under Silent Walls - Part II (Alone)16. Under Silent Walls - Part III (Epilogue. Death of Cupid)13. This Is Our Life
Tracklista:1. Hurry Up and Marry Me2. Do You Want to See My Baby3. Yes, No, Maybe So4. You Knows What to Do5. So Good6. I Feel It7. Blue Moon8. Don't9. All I Could Do Was Cry (Part 1)10. All I Could Do Was Cry (Part 2)11. Hoy Hoy12. No One Else But You13. The Bigtime Spender (Part 1)14. The Bigtime Spender (Part 2)15. Tight Skirts and Crazy Sweaters16. I'm Afraid17. Everytime18. Free19. I'll Never Break Your Heart (Part 1)20. I'll Never Break Your Heart (Part 2)21. Let's Talk It Over22. Popeye (The Sailor Man)23. Benny the Skinny Man24. All I Want for Christmas25. I'm in Love26. One of These Days27. Ain't That a Mess28. Baby You're Right
Tracklista:1. Intro/Jam/Feel It/Jam/I Been Working So Hard/Jam1. Bill Graham Intro/Radio DJ2. Rock Me Baby/My Baby3. I Found a Love/Jam4. Roll Over Beethoven/Whole Lotta Shakin' Goin' On/Johnny B. Goode5. Angel Baby/Blue Moon/Oh! Carol/Angel Baby6. Final Jam (Part One)7. Final Jam (Part Two)
Płyta „The Union” to owoc współpracy dwóch najbardziej utalentowanych muzyków swojego pokolenia. Album wyprodukował T-Bone Burnett (producent nagrodzonego Grammy albumu „Raising Sand” Roberta Planta i Alison Krauss).Elton John składa hołd swoim muzycznym młodzieńczym pasjom i fascynacjom. Utwory „Hey Ahab” i „Hearts Have Turned To Stone” to błyskotliwe połączenie rock'n'rolla i honkey tonk (muzyki knajpianej), a soulowa ballada „The Best Part Of The Day” odwołuje się do muzyki Memphis i wytwórni Motown. „By iść naprzód musiałem cofnąć się do swojej młodości, musiałem sprawić by utwory zabrzmiały tak, jakby były zagrane na żywo. Nie chce już wydawać popowych singli. Uwielbiam pisać dla Scissor Sisters i śpiewać na płycie Tupaka, ale dla mnie, człowieka w moim wieku, jedyne co jest właściwe, to tworzyć znakomite albumy. Pomyślałem, że jeżeli mam nagrać kolejną płytę, to chciałbym by była na miarę „Modern Times” Boba Dylana. Jednocześnie nowoczesna i staromodna. Od dawna doradzał mi to Neil Young. Płyty takie jak „Exile On Main Street” Stonesów mogą wydawać się surowe, ale tylko dlatego, że tak właśnie zostały nagrane. Na żywo i na luzie.”Leon Russell, mimo wielkiego szacunku jakim darzą go fani, na kilka lat wycofał się z czynnego życia artystycznego. Z powodu złego stanu zdrowia, braku szczęścia oraz, jak sam przyznaje, podejmowania błędnych decyzji znalazł się na bocznym torze. Elton nie chciałby, by się to powtórzyło. „Chcę pojechać z nim w trasę i nagrywać z nim kolejne płyty. Chcę by teraz miał lepsze życie. Zagram z nim koncert w Beacon Theatre, a potem koncert z T Bone Burnettem, ale w przyszłym roku zabiorę ze sobą Leona na trasę .”Płyta „The Union” Eltona Johna i Leona Russella ukaże się 25 października 2010 roku.1. If It Wasn't For Bad2. Eight Hundred Dollar Shoes3. Hey Ahab4. Gone To Shiloh5. Jimmie Rodgers' Dream6. There's No Tomorrow7. Monkey Suit8. The Best Part Of The Day9. A Dream Come True10. When Love Is Dying11. I Should Have Sent Roses12. Hearts Have Turned To Stone13. Never Too Old (To Hold Somebody)14. In The Hands Of Angels
Tracklista:1. Bundles2. Land of the Bag Snake3. Out Of Sesaon4. The Man Who Waved at Trains5. JVH6. The Floating World7. Ban-ban Caliban8. Sideburn9. Hazard Profile Part 110. Hazard Profile Part 211. Hazard Profile Part 312. Hazard Profile Part 413. Hazard Profile Part 514. Song of Aeolus15. Sign Of Five
Antoine Dard was one of the many musicians who moved in the circles of the leading musical institutions of the French monarchy in the eighteenth century, being the First bassoon of the Royal Academy of Music in Paris, and the Grand hautbois de la Chambre et écuries du Roi in Versailles. Although no »forgotten genius« of music history, Mr Dard — as he signed all his scores — can certainly be considered a composer of special interest.The following advertisement appeared in the Parisian press on the 11th of January, 1759: »6 sonatas for bassoon, composed by Mr Dard, very useful for those who would play this instrument well. It is said that these sonatas are unique amongst their kind, and can also be successfully played on the violoncello.« The pieces are remarkable both within Dard's body of work and the context of 18th-century music in general, but particularly as part of the specific bassoon repertoire. Dard uses the bassoon as though it were an operatic »bel canto« tenor, often employing the very high register, amongst other difficult techniques as no other composer of his time, or indeed long after, did. Even though the fingering tables for the bassoon include d'' or f'' from the second half of the 18th century onwards, the music of the period never calls for notes higher than g' or a', excepting the mysteriously elevated orchestral parts of Rameau and the infamous b'-flat of the Mozart concerto. But even these don't reach the same register as the sonatas. The high register would not become standard for sixty years after Dard, and only after innumerable improvements in instrument design. From a melodic point of view, thanks in part to the copious decoration, the bassoon part is very full and lyrical, and the mix of this ornamentation with the galant style produces a singular effect. Although, on the other hand, the structure of the works remains quite traditional, the slow movements exhibit an interesting formal feature: they are through-composed, without repeat or reprise, nearly approaching the arioso form, then not in use in France. Despite their marked French character, however, the sonatas also display a definite Italian influence. Dard would certainly have been familiar with the numerous works of Italian composers then in circulation in France.Antoine Dard departed the Paris musical scene as discreetly as he had entered it. He leaves the impression of an orderly, straightforward man, well integrated with his surroundings, and far removed from the capricious virtuoso he could, given his abilities, undoubtedly have been.
Spis utworów:March of the Toreadors (Intro) Nostradamus As Good as Gold Paintbox Breaking the Spell Guardian of My Soul Back in the Spotlight The Last Man on Earth The Shadow Leviathan Masters of Illusion The Last Waltz (Queen of Hearts Part 3) Rare Video: "Red Shoes" - (special feature) Band and Individual Members Biographies - (special feature) Discography - (special feature) Photo Gallery - (special feature) Desktop Images - (special feature) Art Gallery - (special feature)
Tracklista:1. Jungle Voices - Part 12. Jungle Voices - Part 23. Jungle Voices - Part 3