Tracklista:1. Sweet Sensation2. Kingston Town3. Now I Know4. Satisfaction5. Love of the Common People6. Johnny Too Bad7. Blood & Fire8. Stick By Me (And I'll Stick By You)9. A Little Love10. Let the Power Fall On I11. Beat Down Babylon12. Money in My Pocket (1972 Version)
Tracklista:1. Temple of Dos De Agua2. Andreaen Sand Dunes3. Running Out of Space4. Universal Element5. Habitat 'O' Negative6. Funk Release Valve7. Organic Hydropoly Spores8. Draining of the Tanks1. Surface Terrestrial Colonization2. Oxyplasmic Gyration Beam3. Triangular Hydrogen Strain4. Bottom Feeders5. C to the Power of X + C to the Power of X = MM = Unknown
"The Phantom Of The Opera" jest prawdopodobnie jednym z najbardziej znanych horrorów w historii. Reżyserowany przez Ruperta Juliana w 1925 roku film z Lon Chaney w głównej roli zdeformowanego Phantoma, który nawiedza Operę Paryską, powodując morderstwo i chaos, próbuje uczynić kobietę, którą kocha gwiazdą. Przez kolejne dziesięciolecia wielu kompozytorów i artystów na całym świecie podjęło się napisania nowych dźwięków do tego kultowego obrazu. One Way Static Records z dumą prezentuje odsłonę tej kultowej ścieżki dźwiękowej, dzięki zupełnie, współczesnemu re-score skomponowanemu i nagranego przez brytyjski zespół The Laze. Znakiem rozpoznawczym filmu jest także jego muzyka skomponowana przez Ricka Wakemana, angielskiego kompozytora, klawiszowca, autora piosenek, autora i aktora, który właściwie nie wymaga prezentacji. W ciągu dziesięcioleci skomponował także wiele ścieżek dźwiękowych i dodatkowej muzyki do filmów takich jak "Creepshow 2" (1987), "Crimes Of Passion" (1984) i "The Phantom Of The Opera" (1990). W 1990 roku doprowadził go do skomponowania konceptualnej ścieżki dźwiękowej do legendarnego niemego filmu Lon Chaney "The Phantom Of The Opera", który został wydany pod pseudonimem "Phantom Power". Niestety "Phantom Power" zostało skrócone i brakowało ponad pół godziny tego, co wymyślił Rick - cicha realizacja wymagała nieprzerwanej muzyki przez ponad 80 minut akcji - jednak, myśleliśmy, że zaginęła przez ćwierć wieku. Ale jest i One Way Static Records z dumą prezentuje wam na winylu kompletne niepublikowane nagrania "The Phantom Of The Opera". Jest to oryginalna, nieedytowana ścieżka dźwiękowa i zawiera oryginalne miksy piosenek, które różnią się od tego, co ostatecznie pojawiło się na albumie "Phantom Power". Tracklista: 1. The Phantom Of The Opera - Part I 2. The Phantom Of The Opera - Part II 3. The Phantom Of The Opera - Part III 4. The Phantom Of The Opera - Part IV
Tracklista:1. New Colossus2. Heavenly Track3. Canyonland4. Power! Power! Power!5. La Misere6. Meridian Ground7. Starry Day8. Death of a Dream9. Grenades10. Hydrants11. Everly12. The Right One13. Off the Plane14. Poets Be Buried
Zestaw hitów Disco Polo 2018! Wśród wykonawców między innymi: Andre, Gesek, Defis, Power Boy, Fanatic, Camasutra, Red Queen, After Party, Jesica i wielu innych.
With its ability to delicately suggest, obliquely seduce, and transport us to an “elsewhere” whose quaint, old-fashioned colours have nevertheless lost nothing of their power, is not the harp the perfect instrument to transform beloved works from the piano and symphonic repertoire into a series of elusive tableaux? Harpist Valérie Milot answers a definitive “Yes!” with several interpretations of works by Satie, Smetana, Debussy, and Liszt.Published in 1888 but not gaining real popularity until 1910, Satie’s three Gymnopédies are highly unusual and flout many of classical music’s rules. Inspired by Flaubert’s Salammbô, these ethereal dances are part of an Ancient Greek theme that runs through Satie’s entire oeuvre.Composed two years after Satie’s triptych, Debussy’s “Claire de lune” (from his Suite bergamasque), with its fluidity reminiscent of spoken language, likely takes its inspiration from a poem of the same name by Verlaine. A masterwork of Impressionism, the piece alternates subdued passages with sections of great emotional power, giving the impression of having captured an ephemeral moment in time.This perpetual motion is also conveyed in Smetana’s “The Moldau,” the second of six tone poems in the cycle Má Vlast (My Country), which suggests both the river itself and the landscapes and scenes encountered along its banks, before it ultimately empties into the Elba: a forest hunt, a country wedding, or nymphs frolicking in the moonlight.Liszt’s Liebesträume (Dreams of Love) No. 3 was written both to accompany a poem by Ferdinand Freiligrath, the sentiment of which is part of its duration (“O lieb, so lang du lieben kannst,”or “love as long as you can”) and as an independent piano work. The sweeping melody line seems to be borne along by a breath that regenerates itself throughout the work’s three sections.“The watercolours of this goldsmith-poet seem to be washed with a rutilant glow, the patina of the treasures of One Thousand and One Nights” (Edmond and Jules de Goncourt)A versatile instrument, able to move from refined elegance to tempestuous boldness, the harp also manages to elude stereotypes. With a few deft musical phrases, it can evoke poetic narratives whose power often goes beyond the words, images or places that inspired them.Composed in 1950 and dedicated to harpist Phia Berghout, Pour le tombeau d’Orphée by Marius Flothuis encompasses the very essence of the Dutch composer’s style: a search for purity and balance but also a union of form and content, as practiced by his musical influences, Mozart and Debussy. With a multitude of short motifs that he varies almost infinitely, Flothuis brilliantly conveys the sense of wandering inherent to the story of Orpheus, who goes to save his Eurydice but who does not return unscathed.A student of Martenot and Hasselmans (whom he succeeded at the Paris Conservatory), Marcel Lucien Tournier contributed enormously to expanding the harp’s harmonic and technical palette and trained an entire generation of harpists. While he composed extensively for orchestra, piano, violin, cello, and voice, his most interesting works are those dedicated to his own instrument. Composed in 1932, his Suite No. 4 Images offers three evocative tableaux: the captivating “Volière magique,” “Cloches sous la neige,” with its interplay of registers, and the ethereal “Danse du moujik,” with its multiple glissando effects.Légende, the first large-scale work by Henriette Renié, was written in 1901 after the poem Les Elfes by the Parnassian Leconte de Lisle. The following year, it would appear on the program of all her concerts with the Orchestre Lamoureux. The poem tells the story of a knight riding through the forest to his betrothed. The Elf Queen tries to seduce him, but he resists, explaining that the love of his life awaits him. Angry, the Queen lays a hex on him. He escapes only to encounter a ghost on the road. Believing it to be a demon, he curses it (“Out of my way, despicable ghost / For I am off to marry my sweet-eyed beauty”), only to realize, too late, that the phantom is, in fact, his beloved. “Oh my dear husband, the eternal grave / Shall be our wedding bed,” she replies. Realizing his mistake, he chooses to join her in the grave. Renié’s treatment of the text (which includes a ritornello repeated seven times) is essentially Romantic yet daring in its handling of the melodic and harmonic material, the work’s virtuosity emerging subtly through effects of register and timbre, which deftly expand on the poet’s words.Many composers have attempted to extract a sound, a colour, or an inspiration from the fertile ground of Spain, cradle of flamenco; few have succeeded better in conveying its diversity than Isaac Albéniz. In Zaragoza (Saragossa), taken from his second Suite española, he sketches a portrait of the city, primarily by way of traditional Aragon jotas. While his penchant for wide chords and flamboyant colours is evident, the exuberant crowds and the bustle of public celebrations are also palpable in the folksong-like harmonies.
Tracklista: 1. Where Could I Go2. King of Glory3. Lechu Nerenena L'adonai4. The Shadow of El Shaddai5. Blessed Is He Who Comes6. Forever Good7. Call On the Name8. How Great Is Your Faithfulness?9. Power Belongs to You10. Adonai Elohai
Tracklista: Johann Sebastian Bach 1. Suite No. 3 in C major, BWV 1009 Roberto Bocca 2. Esegesi Carlo Boccadoro 3. Power Station Knut Nystedt 4. Immortal Bach Iannis Xenakis 5. Rebonds B John Cage 6. Third Construction
Tracklista:1. Twins Theme2. Intimidation3. Lazy Susan4. Guitar Etude No. 35. Tell Me to My Face6. Hurtwood Alley7. Lahaina Luna8. Paris Nocturne9. Since You've Asked10. Power of Gold
Tracklista: 1. Hail The Ash 2. Further 3. Loyal To The Soil I 4. Loyal To The Soil II 5. Sorrow's Reach 6. Worthy Of The Dead 7. Greater Power 8. Betrayer 9. Mortals I 10. Mortals II 11. Shepherd Of The Flock