Płyta zawiera kompozycje na klarnet radzieckiego kompozytora polskiego pochodzenia Mieczysława Weinberga. Są to utwory kameralne - koncert klarnetowy, sonta klarnetowa i symfonia kameralna. Wykonawcy to Robert Oberaigner - klarnet, Michael Schöch - fortepian i zespół Dresden Chamber Soloists pod dyrekcją Michaila Jurowskiego.
1. Requiem for soloists, chorus, and orchestra, K. 626: Introitus 6:392. Requiem for soloists, chorus, and orchestra, K. 626: Kyrie 2:443. Requiem for soloists, chorus, and orchestra, K. 626: Sequenz 6:144. Requiem for soloists, chorus, and orchestra, K. 626: Offertorium 7:325. Requiem for soloists, chorus, and orchestra, K. 626: Sanctus 1:506. Requiem for soloists, chorus, and orchestra, K. 626: Benedictus 5:177. Requiem for soloists, chorus, and orchestra, K. 626: Agnus Dei 4:548. Requiem for soloists, chorus, and orchestra, K. 626: Communio 6:51
Tracklista: 1. Guitar: Soloist Albert Lee 2. Piano: Soloist Jon Lord 3. Drums: Soloist Ian Paice 4. Vocals: Soloists Yvonne Elliman/Tony Ashton 5. Bass Guitar: Soloist Roger Glover 6. Organ: Soloist Jon Lord
Tracklista:1. O Come, All Ye Faithful (Adeste fidelis)2. Panis angelicus for tenor, organ, harp, cello & bass3. Agnus Dei, for voice & piano (or orchestra) (Intermezzo from L'arlésienne Suite No. 2/6, arranged by Ernest Guirard)4. Pietŕ, Signore (Agnus Dei), aria di chiesa (spurious, by Niedermeyer or Fetis)5. Ave Maria, for voice & orchestra (adapted from Intermezzo of „Cavalleria Rusticana„)6. Serse (Xerxes), opera, HWV 40: Frondi Tenere ... Ombra Mai Fu7. Ellens Gesang III („Ave Maria"), song for voice & piano, D. 839 (Op. 52/6)8. Cantique de Noël for voice & orchestra „O Holy Night"9. Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1)10. Pregaria (El cant de l'anima a la Verge)11. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Domine Deus12. Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stolzel), BWV 50813. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Ingemisco14. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Che Farň Senza Euridice?15. Cantata No. 147, „Herz und Mund und Tat und Leben", BWV 147 (BC A174): Jesus Bleibet Meine Freude16. Caro mio ben17. Repentir („O Divine Redeemer"), song for mezzo-soprano & orchestra18. Climb Ev'ry Mountain, song (from „The Sound of Music”)
Pochodzący z Austrii wybitny kompozytor Anton Bruckner, urodzony w 1824 roku w Ansfelden, zmarł w 1896 roku w Wiedniu. Artysta prócz komponowania, grał na organach, był neoromantykiem i wybitnym przedstawicielem klasycznego romantyzmu. Tracklista: 1. Mass No. 3, For Soloists, Chorus, Orchestra & Organ In F Minor ("Great"), WAB 28
Zubin Mehta conducts the Bayerisches Staatsorchester in this production of Verdi's opera. The soloists include Piotr Beczala, George Petean and Anja Harteros.
Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Revision/reconstructed by Alois Schmitt & John El 53:52
Together with its companion Volume 2, these CDs contain all Bach’s extant concertos that feature a solo keyboard. Most were written in the 1730s and are thought to be arrangements of earlier concertos, many of which are now lost (though two will be recognized as Bach’s E major and A minor violin concertos and the sixth is an arrangement of the fourth Brandenburg). The fifth Brandenburg Concerto, with harpsichord, flute and violin soloists, dates from 1721 and is generally regarded as the first concerto for a solo keyboard instrument ever written. Bach made the keyboard part particularly brilliant and included a huge cadenza; he certainly knew how to establish a genre with a bang!Hewitt’s Bach is by now self-recommending but only after playing Bach across the world with numerous ensembles did Angela decide that the Australian Chamber Orchestra were the perfect collaborators. After a month of concerts across Australia these recordings were set down in Sydney in February of this year and the frisson of artists operating at the peak of their form is clear for all to hear. One is immediately struck by the quality of chamber-music playing as phrases are passed from soloist to orchestra and, in the case of Brandenburg Concerto No 5 and the Triple Concerto, between all three soloists. Rhythms are buoyant, tempos lively, the spirit of dance is never far away in the fast movements and a perfectly vocal quality pervades the sung lines of the slow movements.These CDs will surely be the jewels in the crown of Angela Hewitt’s magnificent Bach series.
Tracklista: CD 1 1. I. Allegro 00:05:48 2. II. Andante con spirito 00:03:43 3. III. Presto 00:03:12 4. Ouverture 00:04:31 5. Prologue: Odi profanum vulgus (tenor) 00:01:18 6. Part I: Spiritum Phoebus mihi (tenor) 00:02:00 7. Part I: Deliae tutela Deae fugaces (tenor, chorus) 00:00:53 8. Part I: Nupta iam dices (tenor, chorus) 00:02:25 9. Part II: Dive, quem proles Niobea magnae (chorus) 00:05:03 10. Part II: Ceteris maior, tibi miles impar (bass) 00:01:00 11. Part II: Ille, mordaci velu icta ferro (bass, chorus) 00:03:54 12. Part II: Ni tuis flexus Venerisque gratae (soprano) 00:04:39 13. Part II: Doctor argutae fidicen Thaliae (chorus) 00:03:28 14. Part III: Dianam tenerae dicite virgines (soprano, mezzo - soprano) 00:05:14 15. Part III: Vos laetam fluviis et nemorum coma (tenor, chorus) 00:04:27 16. Part III: Hic bellum lacrimosum (soloists, chorus) 00:03:05 CD 2 1. Part IV: Phoebe silvarumque potens Diana (soprano, mezzo - soprano, chorus) 00:02:40 2. Part IV: Alme Sol, curru nitido diem (bass, chorus) 00:02:58 3. Part IV: Rite maturos aperire partus (soprano) 00:03:47 4. Part IV: Certus undenos decies per annos (chorus) 00:03:00 5. Part IV: Vosque veraces cecinisse, Parcae (bass) 00:03:08 6. Part IV: Fertilis frugum pecorisque Tellus (soprano, mezzo - soprano, chorus) 00:03:10 7. Part IV: Conditio mitis placidusque (soloists, chorus) 00:02:29 8. Part IV: Roma si vestrum est opus (tenor) 00:01:26 9. Part IV: Di probos mores docili iuventae (tenor) 00:03:34 10. Part IV: Quaeque vos bobus veneratur albis (bass, chorus) 00:03:30 11. Part IV: Iam mari terraque manus potentes (tenor) 00:00:39 12. Part IV: Iam Fides et Pax et Honos Pudorque (tenor) 00:01:21 13. Part IV: Augur et fulgente decorus arcu (mezzo - soprano) 00:02:34 14. Part IV: Quaeque Aventinum tenet Algidumque (soloists) 00:02:20 15. Part IV: Haec Iovem sentire Deosque cunctos (soloists, chorus) 00:01:47 16. Le sorcier: Overture 00:08:54 17. Tom Jones: Overture 00:07:58
“an urgently refreshing reading of the St John Passion...with fine singing from the chorus giving dramatic impact to the 'turba' choruses...Suzuki's feeling for the natural timing of numbers - generally on the fast side in the modern period manner - is impeccable, and the soloists make an excellent team, with Gerd Türk an outstanding Evangelist.”