1. Buffalo's Eye 2. Fight Club 3. And It's Like That 4. Your Girlfriend Is Becoming Older 5. All About 6. 40 Seconds Of My Life 7. One Minute Friend 8. Our Story GoeS
Tracklista:1. My Little Lady2. Lady Lay Down3. Why Don't We Spend The Night4. Rhondda5. Boy from Nowhere6. T.L.C.7. One Day8. Wind Beneath My Wings9. Sign of the Times10. Working Man11. The Answer to Everything12. Feed the Fire13. Love Is All14. Everything Love's Supposed To Be15. Am I That Easy to Forget16. Another Song17. More and More18. My Wales
Tracklista:1. My Gal Sal2. Yellow Dog Blues3. Gonna Get Along Without You Now4. Birth of the Blues5. Margie6. Alexander's Ragtime Band7. Honeysuckle Rose8. After You've Gone9. Hindustan10. Lady Be Good11. That Teasing Rag12. Indiana
Volume 44 of this universally acclaimed series takes us to Leipzig in the spring and summer of 1726. The two cantatas BWV 146 and 43 were composed for Jubilate Sunday and for Ascension Day respectively, both of them joyous occasions celebrating Christ’s resurrection and subsequent ascension into heaven. In BWV 43 the aspect of celebration is obvious in a scoring that includes trumpets and timpani, lending splendour and emphasis to the jubilant opening, a complex choral fugue. The work also provides each of the four vocal soloists with arias that express different aspects of the mystery of the Ascension. In BWV 146, Bach and his unknown librettist followed the gospel passage for Jubilate Sunday: ‘your sorrow shall be turned into joy’. In consequence, the various movements present jubilation and grief successively, beginning with an instrumental Sinfonia which in spite of its minor key is characterized by a bubbling vitality. Based on a lost violin concerto which also served as the model for one of Bach’s harpsichord concertos, this movement gives a soloistic part to the organ - on this recording the fine Marc Garnier instrument of the Shoin Chapel in Kobe. The organ also plays a prominent part in the following movement, for which Bach again used material from the violin concerto, simply adding the lamenting choral parts to the existing score. In the third cantata on the disc, BWV 88, the subject is the well-known incident of Christ telling Peter to throw out his nets once more after a night of unsuccessful fishing. The soloists in these three works have all appeared before in the series, and the Bach Collegium Japan and Masaaki Suzuki are in the same fine form that inspired the reviewer in the French magazine Classica when writing about Volume 42: ‘an interpretation of incontrovertible eloquence. Suzuki serves Bach in the same manner as the composer served God and his church: humbly, but not without pride.
Tracklista:1. Cradle rock2. Walk in my shadows3. A New Day Yesterday4. I know where I belong5. Miss you, hate you6. Nuthin' I wouldn't do7. Colour and shape8. Headaches to heartbrakes9. Trouble waiting10. If heartaches were nickels11. Current situation12. Don't Burn Down That Bridge13. Miss you, hate you
Tracklista: 1. Remembrance a Threnody2. Silver Stretched Over Crumbling Bones3. We Sing Over These Bones So That They May Rise Up and Run Away Into the Night4. Helene5. River of Blood
Tracklista: CD 1 1. Stormy Weather 2. Night And Day 3. She's Funny That Way 4. Someone To Watch Over Me 5. Yours Is My Heart Alone 6. You Go To My Head 7. These Foolish Things 8. Blue Skies 9. Begin The Beguine 10. Try A Little Tenderness 11. The Things We Did Last Summer 12. September Song 13. The Girl That I Marry 14. It Started All Over Again 15. Too Romantic 16. You'll Never Know 17. You'll Never Walk Alone 18. I'll Never Smile Again 19. Stella By Starlight 20. If I Loved You CD 2 1. Embraceable You 2. How About You? 3. Time After Time 4. Let's Get Away From It All 5. East Of The Sun 6. Day By Day 7. A Lovely Way To Spend An Evening 8. Fools Rush In 9. All Or Nothing At All 10. Our Love Affair 11. Dolores 12. Five Minutes More 13. Full Moon And Empty Arms 14. I Have But One Heart 15. I'll Be Seeing You 16. The House That I Live In (That's America To Me) 17. I Couldn't Sleep A Wink Last Night 18. Mam'selle 19. The Call Of The Canyon 20. Imagination CD 3 1. That Old Black Magic 2. Saturday Night Is The Loneliest Night Of The Week 3. They Say It's Wonderful 4. Oh What It Seemed To Be 5. Come Out, Come Out 6. Somewhere A Voice Is Calling 7. In The Blue Of The Evening 8. I Fall In Love Too Easy 9. Oh! Look At Me Now 10. Nancy (With The Laughing Face) 11. Stardust 12. The Coffee Song 13. It's The Same Old Dream 14. My Romance 15. People Will Say We're In Love 16. Daybreak 17. This Love Of Mine 18. Without A Song 19. Polkadots & Moonbeams 20. I Begged Her
In 1806, Beethoven composed two concertos – the Fourth Piano Concerto followed by the Violin Concerto Op. 61. In both cases the composer soon returned to the works to produce new versions, and it is these later versions that are presented here. At the public première of the Fourth Piano Concerto in 1808, Beethoven performed the piano part very ‘capriciously’ according to his pupil Carl Czerny, playing many more notes than are to be found in the printed edition. A clear indication of what Beethoven played comes from his copyist’s orchestral score, in which the outer movements contain annotations in the composer's hand. These have been transcribed by Beethoven scholar Barry Cooper who, in his insightful liner notes, describes this rarely recorded 1808 version as 'strikingly inventive’ and ‘more sparkling, virtuosic and sophisticated than the standard one'. In the case of the Opus 61 concerto, Beethoven succeeded in writing what many consider to be the quintessential violin concerto. Less well-known is the fact that soon after the first performance, Beethoven produced an arrangement of the solo part for piano, modifying the violin part slightly in the process. When the work was first published, it was as a concerto for violin or piano. Worth noting is that although Beethoven did not compose any cadenzas for the violin, he did so for the piano version. The one for the first movement is especially striking, in that it includes a part for timpani, reminding us of the timpani solo that begins the entire work. Ronald Brautigam and the Norrköping SO under Andrew Parrott have received acclaim for two previous discs of Beethoven's works for piano and orchestra: 'These well-known works emerge as if freshly minted' wrote International Record Review about Concertos Nos. 1 and 3, while the German magazine Piano News hailed the release of No.2 and the youthful Concerto WoO4 as 'a magnificent recording in which Brautigam demonstrates his stylistic expertise, and which shows what a splendid pianist he is.'
Pochodząca z Ameryki wybitna artystka Judy Garland, urodzona w 1922 roku w Grand Rapids, zmarł w 1969 roku w Londynie. Artystka jest utalentowaną piosenkarką, aktorką, trudni się również tańcem oraz trudni się w wodewikiem. Kariera artystki trwała ponad czterdzieści lat i w jej czasie zykała ona międzynarodową sławę jako aktorka w musicalach i dramatach oraz piosenkarka. Zdobywczyni specjalnego Oscara - dla Młodego wykonawcy, została nagrodzona również Złotym Globem, czy nagrodą Grammy. Tracklista: 1. Over The Rainbow 2. I'm Nobody's Baby 3. For Me And My Gal 4. The Trolley Song 5. Meet Me In St. Lous 6. Yah Ta Ta, Yah Ta Ta (Talk, Talk, Talk) 7. I Got Rhythm 8. That Old Black Magic 9. Fascinating Rhythm 10. On The Sunny Side Of The Street 11. Swing, Mr.Charlie 12. Zing Went The Strings Of My Heart 13. I'm Just Wild About Harry 14. How About You 15. Sweet Sixteen 16. There Is No Breeze 17. Poor Little Rich Girl 18. I'm Always Chasing Rainbows
Tracklista: CD 1 1. Come Girls, Enough 2. Miss Eyre. Mr. Brocklehurst 3. Prayers Done, The Girls Retire 4. What's That? Who's There? 5. He's Gone! Be Still He Said 6. Now The Shadows Close About Me 7. This Is The Sweetest Hour 8. Listen! The Nightingale 9. My Love, Lay Your Head CD 2 1. Dearly Beloved, We Are Gathered 2. That She Yet Lives 3. Bigamy! Bigamy! 4. I Am The Alpha And Omega 5. Jane, Can You Spare Me A Moment? 6. My Spirit Is Willing 7. Leave Me John 8. They Said I'd Find Him Here 9. To Put My Arms About The One 10. John Joubert Interviewed By Christopher Morley