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Recorded and released in the ‘anniversary year’ of both Handel and Haydn, Hyperion’s Record of the Month is an effusive celebration of the two composers, performed by an artist whose renditions of 17th- and 18th-century keyboard works on the piano have received the highest possible acclaim. This recital is a welcome gesture from the ‘high priestess of Bach’ (Sunday Times). As you will hear, Hewitt’s trademark clarity of line, singing tone and instinctive musicality are perfectly suited to the urbane elegance of the works recorded here. In a fascinating and personal booklet note, Angela Hewitt takes the listener through her own childhood experiences of the works of Handel and Haydn that led her to select the works for this disc, and includes an interesting discussion of historical performance practice. This is an enchanting release that will delight Angela’s legion of fans.


  • Wykonawca Hewitt Angela
  • Data premiery 2009-08-08
  • Nośnik CD
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Tracklista: 1. Lumberjack2. No Place for Me3. The Storm Has Just Begun4. Man With the Blues5. What a Way to Live6. Misery Mansion7. Night Life8. Rainy Day Blues9. Mr. Record Man10. The Part Where I Cry11. Chain of Love12. Willingly (Feat. Shirley Collie)13. Touch Me14. Where My House Lives15. You Dream About Me16. Is This My Destiny17. Wake Me When It's Over18. There's Gonna Be Love in My House19. The Last Letter20. Half a Man21. Hello Walls22. Funny How Time Slips Away23. Crazy24. Three Days


  • Wykonawca Nelson Willie
  • Data premiery 2016-01-29
  • Nośnik CD
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Tracklista: LP 1 1. I Have Seen 2. Polaris 3. Destiny 4. Give It Away 5. Simple Things 6. Red Dust LP 2 1. Distractions 2. In The Waiting Line 3. Out Of Town 4. This World 5. Likufanele


  • Wykonawca Zero 7
  • Data premiery 2018-08-17
  • Nośnik Płyta Analogowa
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2-płytowa Winylowa 180-gramowa, zremasterowana (Original Recording Remastered) edycja albumu "Forever - 35 Greatest R&B" w wykonaniu Dinah Washington. Dodano także utwór bonusowy. Okładka albumu jest rozkladana. Winyl został zarejestrowany w nowoczesnej technologii DMM (Direct Metal Mastering). Opis technologii DMM: Direct Metal Mastering dosłownie oznacza "bezpośrednie nacinanie wzorca (np. płyty gramofonowej) w stemplu tłoczącym. Direct Metal Mastering to technika opracowana wspólnie przez TelDec (Telefinken-Decca) i Neumanna pod koniec XX wieku, pod koniec lat 80., majaca poprawic jakosc tloczenia plyt winylowych. Inaczej niz przy konwencjonalnym nacinaniu, gdzie sygnal z tasmy-matki wytlaczany jest na pokrytym aluminium dysku, bedacym elementem posrednim w procesie tloczenia, DMM pozwalala nacinac bezposrednio plyte z metalu (miedzi), eliminujac w ten sposób posrednie stadia- zamiast „trzech kroków" („mother", „father" i „stamper") miedziany dysk DMM sluzy od razu jako „matka". Główną zaletą DMM jest redukcja "hałasu" tła i szumu przesuwu. Dzięki wyeliminowaniu wspomnianych pośrednich etapów pośrednich podczas tłoczenia płyt gramofonowych następuje redukcja dodatkowych zniekształceń a muzyka zwykle brzmi żywo i przestrzennie. Tracklista:LP 11. Am I Asking Too Much2. You Satisfy3. West Side Baby4. Ain'T Misbehavin'5. Walkin' And Talkin'6. Resolution Blues7. Long John Blues8. It'S Too Soon To Know9. I Only Know10. Baby Get Lost11. It Isn'T Fair12. I'Ll Never Be Free13. Time Out For Tears14. I Won'T Cry Anymore15. Cold, Cold Heart16. New Blowtop BluesLP 21. Wheel Of Fortune2. Tell Me Why3. Trouble In Mind4. Tv Is The Thing (This Year)5. Fat Daddy6. Dream7. I Don'T Hurt Anymore8. If It'S The Last Thing I Do9. Teach Me Tonight10. That'S All I Want From You11. I Concentrate On You12. What A Diff'Rence A Day Makes13. Baby (You'Ve Got What It Takes)14. Unforgettable15. This Bitter Earth16. Love Walked In17. A Rockin' Good Way (To Mess Around And Fall In Love)18. September In The Rain19. Mad About The Boy


  • Wykonawca Washington Dinah
  • Data premiery 2017-02-12
  • Nośnik Płyta Analogowa
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Tracklista:1. Won't Tell On You, Babe2. Back When the Summer Felt More Like a Year3. Go Get Lost4. Sleeping in the Light of a Friend5. Back to Your House6. Local Karaoke Queen7. Meeting You Unexpectedly Here8. So Bad, So Bad, So Bad9. Lifeline10. A Hundred Promises11. This One Song Should Be Within Range


  • Wykonawca Angelskar Pal
  • Data premiery 2016-06-03
  • Nośnik CD
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Tracklista: 1. Roll Up2. Could Have Been Me3. Kiss This4. Put Your Money On Me5. She Makes Me Feel6. My Machine7. You & I8. Dirty Sexy Money9. Let's Make This Happen Tonight10. Black Swan11. Where Did She Go?


  • Wykonawca The Struts
  • Data premiery 2014-07-28
  • Nośnik CD
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  Shostakovich wrote two cello concertos for his great friend Mstislav Rostropovich. Cello Concerto No. 1 was written in 1959, a difficult year for the composer. His second marriage was failing, and he was suffering from a debility in his right hand that hampered his ability to write, and to play the piano. His personal circumstances could not help but to colour this dark and uncompromising cello concerto. The angular motifs in the first movement grate against one another, and the slow movement touches depths of feeling unheard in Shostakovich’s works since the First Violin Concerto a decade earlier.  Shostakovich’s inspiration for the concerto was Prokofiev’s Symphony-Concerto for cello and orchestra. He loved this work, and told Rostropovich that he had played the recording of it so many times that it eventually wore out completely and only emitted a kind of hiss when he put it on his gramophone player.  Cello Concerto No. 2 was written seven years later, in 1966. It was premiered at the composer’s sixtieth birthday concert with Mstislav Rostropovich as soloist. Until the very last moment it was doubtful that Shostakovich himself would attend, as he had recently suffered a heart attack. In the end, he did make it to the concert, and both he and the new concerto were rapturously received. In the words of Rostropovich, this work is ‘less striking [than its predecessor]… but its profundity is second to none’.  The works are here performed by the cellist Enrico Dindo, whom Rostropovich himself described as ‘a cellist of exceptional qualities, a complete artist and a formed musician, with an extraordinary sound which flows as a splendid Italian voice’. Dindo has performed with the BBC Philharmonic, Rotterdam Philharmonic, Orchestre national de France, Toronto Symphony Orchestra, and Chicago Symphony Orchestra, among others, under conductors such as Valery Gergiev and Rostropovich. On this recording he is accompanied by the Danish National Symphony Orchestra under Gianandrea Noseda, an exclusive Chandos artist.  


  • Wykonawca Dindo Enrico
  • Data premiery 2012-01-01
  • Nośnik SACD
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In this recording, the guitarist Roberto Lemma, who studied guitar, but also composition and literature in Italy and Basel, presents four solo sonatas whose genesis could not be more different. Niccolò Paganini’s Grand Sonata a Chittarra sola Con’Accompagnamento di Violino is a work that has been adopted by the soloist repertoire for the guitar. The compositional oeuvre of Joaquín Turina and Manuel María Ponce, so significant for the genre of guitar literature, is closely linked to their acquaintance with the great Spanish virtuoso Andrés Segovia, whereas Alberto Ginastera contributed merely one sonata to this genre. These four compositions quintessentially reveal different approaches to uniting originally European influences from classical music, in particular morphology, with elements of the traditional folk musical way of playing the guitar in cultures under Spanish and Latin American influence.


  • Wykonawca Lemma Roberto
  • Data premiery 2010-11-01
  • Nośnik CD
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