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Founded in Ravenna, Italy, in 1983, the Accademia Bizantina is a group of talented musicians with diverse musical interests who came together to form a self-managed group where music could be made in an atmosphere of research and historical understanding.Mauro Valli is solo cellist for the ensemble Accademia Bizantina, together with which he pursues intensive concert and recording activities. He plays a 1738 Louis Guersan cello.Look forwardto this release, which waspresented in 2003 by ARTS in superior 24 bit / 96 kHz sound quality andhas received many great reviews since. In June2011, this recording will now also be available as high-quality hybrid SACD in multichannel sound.


  • Wykonawca Accademia Bizantina , Valli Mauro
  • Data premiery 2011-06-01
  • Nośnik SACD
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Tracklista: CD 1 1. Greed And Peasant Land 2. To Have And To Hurt 3. Gang Of One 4. Always Torn 5. Lust Roulette 6. Adrift Again 7. Radio Edna 8. Everything At Once 9. Gary's Going Down 10. Skin Storm 11. A Wounding 12. In Liverpool 13. Boys Will Be Boys 14. The Loss 15. A Pint Of Bitterness CD 2 1. Tattered, Tangled And Torn 2. Headful Of Dreadful 3. Saturday Insanity 4. Laughing Larry's 5. Gatling Gun 6. Quality Of Mercy 7. Here Endith The First Lesson 8. Little Boy Lost 9. Hard Feelings 10. Lift Your Eyes To Where She Dwells 11. Fallen Open 12. Swim 13. The Swing Of Things 14. Gang Of One Revisited 15. Skin Storm (Original Single)


  • Wykonawca Bradford
  • Data premiery 2018-02-09
  • Nośnik CD / Album
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Together with its companion Volume 2, these CDs contain all Bach’s extant concertos that feature a solo keyboard. Most were written in the 1730s and are thought to be arrangements of earlier concertos, many of which are now lost (though two will be recognized as Bach’s E major and A minor violin concertos and the sixth is an arrangement of the fourth Brandenburg). The fifth Brandenburg Concerto, with harpsichord, flute and violin soloists, dates from 1721 and is generally regarded as the first concerto for a solo keyboard instrument ever written. Bach made the keyboard part particularly brilliant and included a huge cadenza; he certainly knew how to establish a genre with a bang!Hewitt’s Bach is by now self-recommending but only after playing Bach across the world with numerous ensembles did Angela decide that the Australian Chamber Orchestra were the perfect collaborators. After a month of concerts across Australia these recordings were set down in Sydney in February of this year and the frisson of artists operating at the peak of their form is clear for all to hear. One is immediately struck by the quality of chamber-music playing as phrases are passed from soloist to orchestra and, in the case of Brandenburg Concerto No 5 and the Triple Concerto, between all three soloists. Rhythms are buoyant, tempos lively, the spirit of dance is never far away in the fast movements and a perfectly vocal quality pervades the sung lines of the slow movements.These CDs will surely be the jewels in the crown of Angela Hewitt’s magnificent Bach series.


  • Wykonawca Hewitt Angela
  • Data premiery 2010-07-01
  • Nośnik CD
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Tracklista:1. Cadmium Red2. The Red Whose Father Is the Knife3. Yves Klein Blue4. The Blues. I Am Yours Or You Are Mine5. Black/Darkness6. Blackness. A Touching You Didn't Know Existed7. A Patch of Light8. Yellow/Gold9. A Quality of Light10. Genevieve11. Triangular Yellow12. Saffron13. Substance14. Three Insomniac Poems15. Coda. Our Need of Colour16. The Island Chapel


  • Data premiery 2010-04-05
  • Nośnik CD

Drugi autorski album perkusisty Gniewomira Tomczyka czerpiący z fuzji jazzu oraz elektroniki, którego premiera odbyła się 20 listopada 2018 roku. Materiał dźwiękowy zawarty na płycie został zarejestrowany w trakcie koncertu, który odbył się w ramach cyklu „Quality Jazz Live”. Obok podstawowego składu zespołu, muzykom towarzyszą instrumenty smyczkowe, wzbogacając oraz poszerzając brzmienie projektu. Album zawiera również dodatkowo nagrania z koncertów w klubach muzycznych: BARdzo Bardzo oraz Grizzly Gin Bar, występu podczas cyklu Jazz Session, a także sesji live w studiu muzycznym Quality Studio. Brzmienie projektu oscyluje pomiędzy jazz'em a elektroniką. Zespół wykonuje rozbudowane, progresywne kompozycje czerpiące z takich gatunków muzycznych jak: jazz, avant-jazz, drum'n'bass, dub, trap czy ambient. Na płycie obok pełnych ekspresji jazzowych solówek, usłyszymy wiele różnorodnych przestrzeni dźwiękowych, czerpiących z aktualnych trendów muzycznych: wyrazisty neo-soul'owy wokal, rap czy mocne elektroniczne beaty. Album Gniewomir Tomczyk / Project Live – „Quality Jazz Live”, to spójny kolaż utworów zawartych na debiutanckiej płycie muzyka pt. „Event Horizon” oraz nowych kompozycji zapowiadających trzeci krążek –„Pieces Of My Journey”. Muzycy: Gniewomir Tomczyk: drums, samples, fx MIN t: vocal, rap, synth bass Maciej Kądziela: saxophone Zdzisław Kalinowski: keyboards, synth bass Gościnnie Anna Furkałowska: cello Robert Seniuta: violin, fx


  • Wykonawca Tomczyk Gniewomir
  • Data premiery 2018-11-20
  • Nośnik CD
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