Tracklista:1. I Love You But You're Dead2. I Know the Bill Is Due3. All My Love4. Oh Mercy5. Costumed Characters Face Dangers While at the Workplace6. Why Are You With Me7. Lament for Bobo the Clown8. Break the Champagne9. We All Have to Find Our Own Way Out10. Your Waiting11. Nowhere to Run
Wschodząca gwiazda brytyjskiego indie rocka. Zespół jeszcze przed wydaniem debiutanckiej płyty „Enjoy It While It Lasts” trafił na prestiżową listę BBC Sound Of jako jedna z muzycznych nadziei 2012r. I trzeba przyznać, że zupełnie zasłużenie, bo „Enjoy It While It Lasts” na pewno nie zawodzi. Zespół znalazł swoją niszę w światku muzyki gitarowej w umiejętny sposób łącząc new wave lat 80-tych, z indie rockiem lat 90-tych, inspiracje Paulem Wellerem i Roxy Music z brzmieniem nowych zespołów rockowych spod znaku The Killers i Kaiser Chiefs.„Enjoy It While It Lasts” powstawała przez 6 miesięcy z udziałem aż 7 producentów, w tym Trevora Horna. Płytę promują nagrania „Chevy Thunder”, „Celestine” i „Never Fade Away”.Spector byli jedną z gwiazd tegorocznej edycji Coke Live Music Festival.
Tracklista: 1. The Clapping Song (Clap Pat Clap Slap)2. The Name Game3. The Nitty Gritty4. Don't Let Go5. Takin' Care of Business6. Such a Night7. Get Out8. Kansas City9. (That's) What the Nitty Gritty Is10. Bring It On Home to Me11. C.C. Rider12. I Never Will Forget13. I See It, I Like It, I Want It14. The Puzzle Song (A Puzzle in Song)15. Ka Ta Ga Ta Boom Beat16. One Sour Note17. You Better Be Good, World18. Ever See a Diver Kiss His Wife While the Bubbles Bounce Above the Water?19. Birds, Bees, Cupids and Bows20. Soul Time21. Waitin'22. Sugar, Let's Shing-a-ling23. Back Track24. Yes I'm Ready
Tracklista: LP1 Side A 1. Chonks 2. Bigly Strictness 3. Coven Side B 1. Bling Bling 2. Xavi 3. While We're Young LP 2 Side C 1. Bad Kids To The Back 2. Even Us
Tracklista: 1. The Waiting Time2. Moonglow3. Footsteps (In the Snow)4. My Linda5. Two As One6. Before I Close My Eyes7. For You8. Together With You9. Life Is a Circle10. I Have Loved You for a Thousand Lifetimes11. First Light12. Autumn Color Fields13. Soliloquy14. While a Cigarette Was Burning15. My Love Is Sleeping16. The Shape of Her Face
Tracklista:1. Twisted Blues2. Cotton Tail3. I Wish I Knew4. I'm Just a Lucky So and So5. Repetition6. Something Like Bags7. While We're Young8. One for My Baby (And One More for the Road)
Tracklista: 1. The Impossible Dream2. Being Alive3. The Prayer (Duet With Laura Michelle Kelly)4. Kismet (This Is My Beloved)5. Kismet (Stranger in Paradise)6. Gethsemane7. Love Changes Everything8. Empty Chairs9. All I Ask of You10. The Boy from Nowhere11. Loving You12. Sunset Boulevard13. This Is the Moment14. Tell Me It's Not True15. If Tomorrow Never Comes16. Not While I'm Around17. Winner Takes It All18. Just When19. One Step Out of Time (Live)20. The Show Must Go On21. You Can't Stop the Beat (Hairspray)
Live concerted recorded by the controversial industrial-goth metal band in their hometown of Los Angeles during their 2004 tour. Frontman Matt Zane performs part of the set while suspended above the stage by meathooks inserted into his back.
Wydany na DVD materiał zawiera koncert amerykańskiego piosenkarza, autora tekstów i kompozytora Willy DeVille nakręcony w Paradiso w Amsterdamie w 2005 roku. Willy odgrywa wybór utworów z całej swojej kariery muzycznej, w tym "Even While I Sleep", "Steady Driving Man" i "Crow Jane Alley". Jego styl gry miał wpływ na twórczość między innymi Marka Knopflera. Sklad zespołu: Backing Vocals – Dorene Wise, Yadonna Wise Double Bass [Acoustic Contrabass], Guitar, Vocals – David J. Keyes Drums, Percussion, Vocals – Boris Kinberg Executive-Producer – Geoff Kempin, Terry Shand (3) Guitar, Mandolin, Violin – Freddy Koella Harmonica – Hook Herrera Keyboards, Accordion, Vocals – Kenny Margolis Lead Vocals [Lead Singer], Guitar, Harmonica – Willy DeVille Czas: 118 minut, Obraz: 16 x 9, dźwięk: DTS digital surround sound 5.1, dolby surround 5.1,dolby digital stereo, region 0. język angielski.Tracklista: 1. Low Rider 2. Chieva 3. Even While I Sleep 4. Come A Little Bit Closer 5. Downside Of Town 6. Muddy Waters Rose Out Of The Mississippi Mud 7. Steady Driving Man 8. Running Through the Jungle 9. Bacon Fat 10. Crow Jane Alley 11. Slave To Love 12. Savoir Faire 13. Cadillac Moon 14. Demasiado Corazon 15. Just Your Friends 16. Change Of Heart 17. Cry To Me 18. Spanish Stroll 19. Cant Do Without It 20. Hey Joe 21. Let It Be Me Bonus features: Interview with Willy DeVille
‘Theme and variations’ is one form that Beethoven employed throughout his career. He wrote his first surviving set while still a boy in Bonn and finished the last one some forty years later – a statistical fact that becomes interesting when one considers the inherent tension between the composer’s dramatic style and the static and decorative nature of the form itself. Towards the end of the 18th century variation form was generally used for entertaining elaborations on popular tunes but Beethoven, being Beethoven, changed the ground rules radically. For a while he followed the convention – or shrewd marketing strategy – of using existing melodies from operas or ballets, but often these would almost immediately undergo such profound transformations that he might as well have used an unknown theme. As a consequence it is understandable that Beethoven’s variations were often considered much too learned, far too eccentric and, by some, even offensive. Following on his acclaimed recordings of the composer’s sonatas, sonatinas and bagatelles, Ronald Brautigam here presents the first disc of four with variations, comprising works composed between 1796 and 1802. These were momentous years during which Beethoven became established as the leading young composer following Haydn and Mozart, but also began to suffer from a loss of hearing which in the summer of 1802 would bring him to a deep personal crisis. The one work here that was composed after this crisis, the ‘Eroica variations’ Op.35, is on a much larger scale than any of the variations he had written before, and Beethoven concluded them with a fugue, himself describing the work as being in ‘a wholly new style’. Highlighting this change in style, but also illustrating the rapid development of the fortepiano during this period, Brautigam has chosen to use two different instruments for this programme – the earlier works, left without opus numbers by the composer, are played on an instrument by Paul McNulty after Walter & Sohn c.1805, while the Op.35 set is performed on another by the same maker, after Conrad Graf c.1819.