
Tracklista:1. Sparkling Apple Juice2. Can We Stay With You?
- Wykonawca The Bjelland Brothers/Taste of New York
- Data premiery 2014-03-17
- Nośnik Płyta Analogowa
- Vinyle / Pop & Rock
- 26-11-2019, 02:10
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- 0
- admin

Tracklista:1. Sparkling Apple Juice2. Can We Stay With You?

Tracklista:1. Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get ...2. Of All the Gin Joints in All the World3. Dance, Dance4. Sugar, We're Goin Down5. Nobody Puts Baby in the Corner6. I've Got a Dark Alley and a Bad Idea That Says You Should Shut ...7. 7 Minutes in Heaven (Atavan Halen)8. Sophomore Slump or Comeback of the Year9. Champagne for My Real Friends, Real Pain for My Sham Friends10. I Slept With Someone in Fall Out Boy and All I Got Was This Stupid ...11. A Little Less Sixteen Candles, A Little More "Touch Me"12. Get Busy Living or Get Busy Dying (Do Your Part to Save the Scene ...)13. Xo

Tracklista:1. 'S Wonderful2. Liza3. I Can't Get Started4. Struttin' With Some Barbeque5. Charley, My Boy6. Jazz Me Blues7. Basin Street Blues8. Sugar9. Don't Blame Me10. Just You, Just Me11. Ostrich Walk12. What's New13. Anything Goes14. Gone With the Wind15. I'm Getting Sentimental Over You16. Yesterdays17. Charmaine18. You Stepped Out of a Dream19. Tangerine20. My Heart Belongs to Daddy21. Thou Swell

Tracklista:1. Blackwood Boogie2. Fractured Man3. My Favourite Colour - Green4. The Sky Turned Red (Part 1)5. Keep On Running6. You Make Me Mad7. Translucent Love8. Revenge Freak9. Other Half10. Something Wrong With the War11. The Sky Turned Red (Part 2)

Tracklista:1. Bouncing Back2. Ostrich Walk3. Look At 'Em Doing It4. Little Rock Getaway5. Temptation Blues6. Panama7. I Wanna Be Like You8. Since My Best Gal Turned Me Down9. Meander In The Minor10. Honky Tonk Train Blues11. Birth of the Blues12. There'll Be Some Changes Made (With Louise Tobin)13. Dixieland Shuffle14. Tiger Rag15. On the Alamo16. Muskrat Ramble17. Apex Blues18. Milneburg Joys

Album „Skeleton Tree” jest następcą świetnie przyjętej płyty „Push the Sky Away” (2013), która okazała się także komercyjnym sukcesem. Proces powstawania „Skeleton Tree” rozpoczął się pod koniec 2014 roku w Retreat Studio w Brighton. Następne sesje odbyły się w La Frette Studio we Francji na jesieni 2015 roku Reżyserem „One More Time With Feeling” jest Andrew Dominik („Chopper”, „Zabójstwo Jesse'ego Jamesa przez tchórzliwego Roberta Forda”, „Zabić, jak to łatwo powiedzieć”). „One More Time With Feeling” bazowało od początku na koncepcji wykonania utworów na żywo, ale stało się czymś o dużo większym znaczeniu, po tym jak Dominik zagłębił się w tragiczne wydarzenia, które miały miejsce w trakcie powstawania i rejestracji płyty. Wykonaniu utworów z płyty The Bad Seeds towarzyszą wywiady, materiały nagrane przez Dominika oraz narracja Cave'a. Zdjęcia są zarówno czarno-białe jak i kolorowe, zarejestrowane w 3D i 2D. Film jest surowy, kruchy i jest świadectwem artysty próbującego znaleźć swoją drogę przez ciemność.

1. ON THE ROAD TO CHARLIE PARKER 2. ECHOES OF MY SINS 3. GOT YOUR HEART 4. KILLING EACH OTHER 5. ACAPULCO 6. DARKNESS AT THE BOTTM 7. STANDING WITH ANGELS 8. LOVE IS TAKING ITS TOLL 9. MEET ME IN NEW MEXICO 10. CALL ON ME

Wspaniały balet Prokofieva - Romeo i Julia - w mistrzowskim wykonaniu London Symphony Orchestra pod dyrekcją Andre Previna. W tym arcydziele mistrzostwo rosyjskiego kompozytora widoczne jest niemal w każdym takcie. Głębia emocjonalna, wysmakowana orkiestracja, giętkie, niesłychanie pociągające linie melodyczne, a także siła tej muzyki hipnotyzują. Winylowe wydawnictwo w pięknej oprawie graficznej. Tracklista: Side A Act One Scene One 1. No. 1 Introduction 2. No. 2 Romeo 3. No. 3 The street awakens 4. No. 4 Morning Dance 5. No. 5 The Quarrel 6. No. 6 The Fight 7. No. 7 The Prince gives his order 8. No. 8 Interlude Scene Two 9. No. 9 Preparing for the Ball (Juliet and the Nurse) 10. No. 10 Juliet as a young girl Side B 11. No. 11 Arrival of the guests (Minuet) 12. No. 12 Masks 13. No. 13 Dance of the Knights 14. No. 14 Juliet’s Variation 15. No. 15 Mercutio 16. No. 16 Madrigal 17. No. 17 Tybalt recognises Romeo 18. No. 18 Departure of the guests (Gavotte) LP 2 Side C 19. No. 19 Balcony Scene 20. No. 20 Romeo’s Variation 21. No. 21 Love Dance Act Two Scene One 22. No. 22 Folk Dance 23. No. 23 Romeo and Mercutio 24. No. 24 Dance of the five couples 25. No. 25 Dance with the mandolins 26. No. 26 The Nurse Side D 27. No. 27 The Nurse gives Romeo the note from Juliet Scene Two 28. No. 28 Romeo with Friar Laurence 29. No. 29 Juliet with Friar Laurence Scene Three 30. No. 30 The people continue to make merry 31. No. 31 Folk Dance 32. No. 32 Tybalt meets Mercutio 33. No. 33 Tybalt and Mercutio fight 34. No. 34 Mercutio dies 35. No. 35 Romeo decides to avenge Mercutio’s death 36. No. 36 Finale LP 3 Act Three Side E Scene One 37. No. 37 Introduction 38. No. 38 Romeo and Juliet (Juliet’s bedroom) 39. No. 39 The last farewell 40. No. 40 The Nurse 41. No. 41 Juliet refuses to marry Paris 42. No. 42 Juliet alone 43. No. 43 Interlude Scene Two 44. No. 44 At Friar Laurence’s 45. No. 45 Interlude Scene Three 46. No. 46 Juliet’s bedroom Side F 47. No. 47 Juliet alone 48. No. 48 Morning Serenade 49. No. 49 Dance of the girls with the lilies 50. No. 50 At Juliet’s bedside Epilogue 51. No. 51 Juliet’s funeral 52. No. 52 Death of Juliet

Tracklista:1. Brother John2. Fair to Even Odds3. Elizabeth4. Old Friends5. Darien6. Mississippi7. Marin County Blues8. Meadway Rag9. Sweet Definition10. 12 Long Years and No Parole11. Shady Lane12. Chiapas13. Dance With the Past14. Border Crossing15. Spitfire16. Dance With the Past17. Till We Meet Again18. A Light Rain of Grace

Pneuma's La Conquista de Granada: Isabel la Católica featuring Eduardo Paniagua and Música Antigua addresses in detail a number of obscure factors dealing with Spanish history. "Isabel la Católica" was, of course, the Isabella connected in most American minds with Ferdinand and Isabella, who in 1493 paid for Columbus to sail the ocean blue. Relatively few would be aware that her marriage to Ferdinand would have long-reaching implications for the political makeup of the interior of Spain, as it was during her reign that the Moorish kingdoms within were conquered. 1492 was also the year that Granada was overcome and the last Arabs expelled from the Iberian Peninsula.In order to illustrate the time and circumstances of this period, Paniagua has assembled a free-ranging program culled from a number of sources; instrumental dance music from German, Italian, and Andalusian sources and a couple of lengthy Arabic ballads from text-only sources that have been matched to melodies culled from Spanish lute music written by Luys de Narváez. These are played on a mixture of period instruments including the viola da braccio, gamba, vihuela, oud, recorders, dulcimer, and miscellaneous percussion. The material is so obscure that one might not feel compelled to argue against the authenticity of the program; however, once you get a sense of what Paniagua is up to it is hard not to conclude that some of the historical inferences and musical relationships employed are conjectural. The recording is very well made, but quite loud; the percussion booms and the instruments are very up close in a dark and rather heavy ambience. The Arabic ballads are very long, with many verses, and the singing by Cesar Carazo is okay, but rather bland in a way and wears out one's attention span before long.The most striking thing about this project is that Paniagua informs us that Milanese composer Joan Ambrosio Dalza, whose lute music is prominently featured in the early editions of Petrucci's Odhecathon, was not Italian but Andalusian. Given Dalza's name and stylistic fingerprints, this is a useful suggestion that has some credibility -- certainly nothing for sure is known about Dalza. Also included in this program is Hans Neusidler's Welscher Tantz -- Wacha Mesa, and although it is a very nice recording, one wonders what the Welsh dance written by the German composer is doing here. While the music is generally good, the scholarly component of Pneuma's La Conquista de Granada: Isabel la Católica seems to reach a bit too far, and this is not helped by the indifferently translated and confusing English liner notes.