Tracklista: CD 1 1. Ouvertüre 2. How Bright The Moon 3. Stirring Up, Shaking Up! 4. Look At That, What A Snowstorm! 5. Can't Stop Enjoying Looking At Herself 6. Oh, What Do Mother And Father 7. So That's What He's Like! But My Father Knows What's What 8. What's That Noise? Father Seems To Be Here Already 9. If Only The People Were Smarter 10. Entr'acte 11. The Broom Got Away With The Blizzard, The Wind Howls In The Gully 12. It Snows Hard! 13. No-On'es Here? 14. A Woman Messed With The Devil 15. Hullo! 16. I Feel So Bad, Solokha! 17. A Year Has Passed, And They Call Me To Sing Carols Again CD 2 1. A Red Arrow-Wood Has Grown At The Paling 2. Why Lingering, Oksana? 3. Ah! Vakula! You're Here Again! 4. Entr'acte 5. It's Dark, So Dark Here 6. Where Have I Strayed? 7. Here We Are! 8. Reception. Polonaise 9. Before The Dancing Begins, Let Me, My Friends, Recite An Ode For You 10. Did You Have A Safe Way? 11. Russian Dance 12. Cossack Dance 13. A Comedy With Couplets Is About To Begin At Her Majesty's Home Theatre 14. Some Say He Drowned Himself, Some Say He Hung Himself 15. Welcome, The Dumplings Are Ready

• Wykonawca Various Artists
• Data premiery 2014-09-29
• Nośnik CD / Album

Tracklista:CD 11. Semele, HWV 58: Overture: ( - ) 2. Semele, HWV 58: Overture: Allegro - Adagio -3. Semele, HWV 58: Overture: Gavotte4. Semele, HWV 58: Act I Scene 1: Behold! Auspicious flashes rise! (Cadmus)5. Semele, HWV 58: Act I Scene 1: Lucky omens bless our rites (Chorus)6. Semele, HWV 58: Act I Scene 1: Daughter, obey (Cadmus)7. Semele, HWV 58: Act I Scene 1: Ah me! What refuge now is left me? (Semele)8. Semele, HWV 58: Act I Scene 1: The morning lark to mine accords his note (Semele)9. Semele, HWV 58: Act I Scene 1: See, she blushing turns her eyes (Athamus)10. Semele, HWV 58: Act I Scene 1: Hymen, haste, thy torch prepare (Athamus)11. Semele, HWV 58: Act I Scene 1: Alas! she yields (Ino)12. Semele, HWV 58: Act I Scene 1: Why dost thou thus untimely grieve (Cadmus)13. Semele, HWV 58: Act I Scene 1: Avert these omens, all ye pow'rs! (Chorus)14. Semele, HWV 58: Act I Scene 1: Again auspicious flashes rise (Cadmus)15. Semele, HWV 58: Act I Scene 1: Thy aid, pronubial Juno, Athamas implores (Athamus)16. Semele, HWV 58: Act I Scene 1: Cease, cease your vows, 'tis impious to proceed (Chorus)17. Semele, HWV 58: Act I Scene 2: O Athamus, what torture hast thou borne! (Athamus)18. Semele, HWV 58: Act I Scene 2: Turn, hopeless lover, turn thy eyes (Ino)19. Semele, HWV 58: Act I Scene 2: She weeps! The gentle maid, in tender pity (Athamus)20. Semele, HWV 58: Act I Scene 2: Your tuneful voice my tale would tell (Athamus)21. Semele, HWV 58: Act I Scene 2: Too well I see (Ino)22. Semele, HWV 58: Act I Scene 2: You've undone me (Ino)23. Semele, HWV 58: Act I Scene 3: Ah, wretched Prince, doom'd to disastrous love! - Scene 4: See, see, Jove's Priests and holy Augurs come (Cadmus)24. Semele, HWV 58: Act I Scene 4: Hail, Cadmus, hail! Jove salutes the Theban King (Chorus)25. Semele, HWV 58: Act I Scene 4: Endless pleasure, endless love (Semele)CD 21. Semele, HWV 58: Act II: Sinfonia: Presto2. Semele, HWV 58: Act II Scene 1: Iris, impatient of thy stay (Juno)3. Semele, HWV 58: Act II Scene 1: There, from mortal cares retiring (Iris)4. Semele, HWV 58: Act II Scene 1: No more, I'll hear no more! (Juno)5. Semele, HWV 58: Act II Scene 1: Hence, Iris, hence away (Juno)6. Semele, HWV 58: Act II Scene 2: O sleep, why dost thou leave me? (Semele)7. Semele, HWV 58: Act II Scene 3: Let me not another moment (Semele)8. Semele, HWV 58: Act II Scene 3: Lay your doubts and fears aside (Jupiter)9. Semele, HWV 58: Act II Scene 3: You are mortal, and require time to rest (Jupiter)10. Semele, HWV 58: Act II Scene 3: Aria: With fond desiring (Semele)11. Semele, HWV 58: Act II Scene 3: How engaging, how endearing (Chorus)12. Semele, HWV 58: Act II Scene 3: Ah me! (Semele) - Why sighs my Semele? (Jupiter)13. Semele, HWV 58: Act II Scene 3: I must with speed amuse her (Jupiter)14. Semele, HWV 58: Act II Scene 3: Now Love that everlasting boy invites (Chorus)15. Semele, HWV 58: Act II Scene 3: By my command (Jupiter)16. Semele, HWV 58: Act II Scene 3: Where'er you walk, cool gales shall fan the glade (Jupiter)17. Semele, HWV 58: Act II Scene 4: Dear sister, how was your passage hither? (Semele)18. Semele, HWV 58: Act II Scene 4: But hark! the heav'nly sphere turns round (Ino)19. Semele, HWV 58: Act II Scene 4: Prepare then, ye immortal choir! (Ino, Semele)20. Semele, HWV 58: Act II Scene 4: Bless the glad earth with heav'nly lays (Chorus)CD 31. Semele, HWV 58: Act III: Sinfonia: Larghetto e piano per tutto2. Semele, HWV 58: Act III Scene 1: Somnus, awake! Ease thy reclining head! (Juno)3. Semele, HWV 58: Act III Scene 1: Leave me, loathsome light (Somnus)4. Semele, HWV 58: Act III Scene 1: Dull God, canst thou attend the water's fall (Iris)5. Semele, HWV 58: Act III Scene 1: More sweet is that name (Somnus)6. Semele, HWV 58: Act III Scene 1: My will obey (Juno)7. Semele, HWV 58: Act III Scene 1: Obey my will, thy rod resign (Juno)8. Semele, HWV 58: Act III Scene 2: My racking thoughts by no kind slumbers freed (Semele)9. Semele, HWV 58: Act III Scene 3: Thus shap'd like Ino (Juno)10. Semele, HWV 58: Act III Scene 3: Myself I shall adore (Semele)11. Semele, HWV 58: Act III Scene 3: Be wise, as you are beautiful (Juno)12. Semele, HWV 58: Act III Scene 3: Thus let my thanks be paid (Semele)13. Semele, HWV 58: Act III Scene 3: Rich odours fill the fragrant air (Juno)14. Semele, HWV 58: Act III Scene 4: Come to my arms, my lovely fair (Jupiter)15. Semele, HWV 58: Act III Scene 4: O Semele (Jupiter)16. Semele, HWV 58: Act III Scene 4: I ever am granting (Semele)17. Semele, HWV 58: Act III Scene 4: Speak, speak your desire (Jupiter)18. Semele, HWV 58: Act III Scene 4: You'll grant what I require (Semele)19. Semele, HWV 58: Act III Scene 4: Then cast off this human shape which you wear (Semele)20. Semele, HWV 58: Act III Scene 4: Ah, take heed what you press (Jupiter)21. Semele, HWV 58: Act III Scene 4: No, no! I'll take no less (Semele)22. Semele, HWV 58: Act III Scene 5: Ah! whither is she gone! unhappy fair! (Jupiter)23. Semele, HWV 58: Act III Scene 6: Above measure (Juno)24. Semele, HWV 58: Act III Scene 7: Ah me! too late I now repent (Semele)25. Semele, HWV 58: Act III Scene 8: Of my ill-boding dream (Ino)26. Semele, HWV 58: Act III Scene 8: Oh, terror and astonishment! (Chorus)27. Semele, HWV 58: Act III Scene 8: How I was hence remov'd (Ino)28. Semele, HWV 58: Act III Scene 8: Despair no more shall wound me (Athamus)29. Semele, HWV 58: Act III Scene 8: See from above the bellying clouds descend (Cadmus)30. Semele, HWV 58: Act III Scene 9: Sinfonia31. Semele, HWV 58: Act III Scene 9: Apollo comes, to relieve your care (Apollo)32. Semele, HWV 58: Act III Scene 9: Happy, happy shall we be (All)

• Wykonawca Various Artists
• Data premiery 2007-11-11
• Nośnik CD

1 Good Morning Slaves 1:472 Night Goat 5:073 The Omen 1:584 Cholo Charlie 1:035 White Men Are the Vermin of the Earth 1:016 Terpulative Guns & Drugs 2:457 Ol' Black Stooges 2:338 Ripping Chicken Meat 1:519 The Bit 5:5510 Musthing With the Phunts 1:0011 Me and the Flamer 4:0312 She's a Puker 1:0813 The Turkey Doctor 1:0514 Hooch 1:2115 Mombius Hibachi 1:3016 Liquorton Gooksburg 0:4617 Skin Horse 3:3518 Cape Fear 1:51

• Wykonawca Fantomas
• Data premiery 2005-08-01
• Nośnik CD

This is Volume 4 in Jean-Efflam Bavouzet’s project to record the complete piano sonatas of Haydn. The last volume in the series (CHAN 10689) was a Critic’s Choice in Gramophone, an Instrumental Choice in the magazine BBC Music, Editor’s Choice in the magazine Classic FM, and Recording of the Month in MusicWeb International.In the words of Bavouzet himself: ‘Each volume of this ambitious, extended project will arrive over the years like a postcard, dispatched during my travels with scant respect for chronological considerations, but undertaken with the greatest passion for trying to convey as vividly as possible to twenty-first-century ears the boundless treasures of this sublime music.’He also notes: ‘We often forget how little information Haydn left us in the scores of his keyboard works: few indications of dynamics or of phrasing, and the briefest guides to tempo. This task is never anything other than absolutely fascinating, but for the performer it is also testing, and even risky. He must, even more than usual, create his own world, his own logic, left only to hope that, in the absence of tangible evidence, he will not distance himself too far from the composer’s intentions, which remain forever unknowable.’Jean-Efflam Bavouzet received a BBC Music Award in 2012 and a Gramophone Award in 2011 for his recording of works by Debussy and Ravel (with the BBC Symphony Orchestra and Yan Pascal Tortelier). His recording of Bartók’s Concertos (with Gianandrea Noseda and the BBC Philharmonic) was short-listed for a Gramophone Award, and he has won multiple awards for his recording of the complete works for solo piano by Debussy, including a BBC Music Magazine Award for Volume 3 and a Gramophone Award for Volume 4.

• Wykonawca Bavouzet Jean-Efflam
• Data premiery 2012-09-01
• Nośnik CD

Tracklista:1. Talking in Tones2. So Oh3. Come Home Baby4. Keep Enough5. In the Tall Grass6. Emilie7. Let the Good Times Be Never Ending8. Need You to Know9. Lean In10. Trouble Understanding11. Lot to Say12. We Sleep On Borrowed Time13. Walk With Me14. As Long As You Stick By Me15. I Will Never Leave You

• Wykonawca The Charlatans
• Data premiery 2015-01-26
• Nośnik CD

Commentator Martin Tyler presents this interactive football quiz, with over 1500 questions designed to stretch even the biggest football fan.

• Data premiery 2006-01-22
• Nośnik DVD

Tracklista: CD 1 1. Sway 2. That's Amore 3. Bye Bye Blackbird 4. How D'ya Like Your Eggs In The Morning? (Feat. Helen O'Connell) 5. I Don't Care If The Sun Don't Shine 6. That Certain Party (Feat. Jerry Lewis) 7. Who's Sorry Now 8. Pennies From Heaven 9. If I Could Sing Like Bing 10. I'm Gonna Paper All My Walls (With Your Love Letters) 11. Open Up The Doghouse (Two Cats Are Comin' In) (Feat. Nat King Cole) 12. Louise 13. Muskrat Ramble 14. Georgia On My Mind 15. We Never Talk Much (We Just Sit Around) (Feat. Helen O'Connell) 16. That Lucky Old Son 17. My Lady Loves To Dance 18. I'll Always Love You (Day After Day) 19. Kiss 20. Long Long Ago (Feat. Nat King Cole) CD 2 1. Ain't That A Kick In The Head 2. You're Nobody Till Somebody Loves You 3. On A Slow Boat To China 4. Powder Your Face With Sunshine (Smile! Smile! Smile!) 5. Mambo Italiano 6. Luna Mezzo Mare 7. Walking My Baby Back Home 8. Wham! Bam! Thank You Ma'am! 9. Darktown Strutter's Ball 10. Way Down Yonder In New Orleans 11. I'd Cry Like A Baby 12. I Got The Sun In The Morning 13. You Was! (Feat. Peggy Lee) 14. I'm In Love With You (Feat. Margaret Whiting) 15. I Still Get A Thrill 16. Carolina Moon 17. All Of Me 18. Under The Bridges Of Paris 19. Just One More Chance 20. How Do You Speak To An Angel CD 3 1. In The Cool, Cool, Cool Of The Evening 2. Memories Are Made Of This 3. Oh, Marie 4. When It's Sleepy Time Down South 5. Watching The World Go By 6. Naughty Lady Of Shady Lane 7. Come Back To Sorrento 8. Bella Bimba (Ma Come Bali) 9. Just A Little Bit South Of North Carolina 10. The Money Song (With Jerry Lewis) 11. Carolina In The Morning 12. When You're Smiling (The Whole World Smiles With You) 13. Zing-A Zing-A Zing Boom 14. Baby, It's Cold Outside 15. Silver Bells 16. Silent Night 17. The Christmas Blues 18. It's Beginning To Look Like Christmas 19. Memory Lane 20. One Foot In Heaven

• Wykonawca Dean Martin
• Data premiery 2013-05-06
• Nośnik CD / Box Set

This second volume of works by James MacMillan explores his liturgical music as well as orchestral work: his deep commitment to the Catholic faith and his dramatic and colourfully expressive writing for the orchestra have two constants during the course of his career, with frequent overlapping between the two.O may seem at first to be a fashionably enigmatic title. In fact, it is the vocative “O” found in so many liturgical texts, and famously, in the Latin rite, the “O” antiphons which frame the Magnificat at vespers on the last seven days of the season of Advent. The vocative “O” in these remarkable texts addresses Christ, using a title drawn from the Old Testament prophecies of Isaiah and Micah – Sapientia (Wisdom), Adonai (Lord of Israel), Radix Jesse (Root of Jesse), Clavis David (Key of David), Oriens Radiant Dawn/Daypring), Rex Gentium (King of the Nations), Emmanuel (God with us), the initials of which, when reversed, form a Latin acrostic – “Ero cras”, meaning“Tomorrow I come”.In 2007 MacMillan set the antiphon for 21 December, O Oriens, in English translation as O Radiant Dawn, one of the series of “Strathclyde Motets” that the composer has written for practical liturgical use, simple of texture and memorable of melody. The present work is an adaptation of the motet, made in 2008, for three treble voices, trumpet in C and string orchestra. The musical material of the motet is left intact, gently haloed and amplified by the strings, but the bipartite structure of the original is changed by the insertion of a central section, heralded by the trumpet, in which the voices construct a meditative fantasy on the vowel “O”, while the wide-ranging trumpet writing seems to project the radiance of the Christological title of the text. The trumpet returns at the end of the work, hovering over pulsing choral repetitions of the word “Amen”.Tryst is the earliest work on this disc, and was written in 1989 to a commission from the St Magnus Festival in Orkney. It was first performed there by the Scottish Chamber Orchestra, under the direction of Paul Daniel in June of that year. The work is in one movement made up of five sections, and is dedicated to Susan Loy, the composer’s grandmother, who died in March of that year. In many ways this is the work in which the composer’s technique and vocabulary proclaimed that he was a presenceto be reckoned with, though wider renown would come with The Confession of Isobel Gowdie, completed in the following year. The work’s title comes from a poem in Scots by William SoutarO luely, luely cam she inAnd luely she lay doun:I kent her be her caller lipsAnd her breists sae sma’ and roun’.(O softly, softly came she inand softly she lay down:I knew her by her fresh lipsAnd her breasts so small and round.)MacMillan initially wrote a simply melody for the poem, a melody that has, as he notes, “persistently appeared, in various guises, in many works composed since – a congregational mass setting, a tiny fragment for violin and piano (After the Tryst) and ... in my music theatre piece Búsqueda. Not only has it cropped up again in this piece, but it has provided both the title and the emotional core of the music.”Though the poem is apparently a straightforward love poem, MacMillan finds in it a whole world of conflicting sentiments, associations which are transferred to the melody, which has thereby attained the status of symbol in his work, suggesting, he says “commitment, sanctity, intimacy, faith ... love, but it is also saturated witha sadness as if all these things are about to expire.”This ambiguity is what makes Tryst such a compelling piece. There is certainly a feeling of farewell, and lamentation, but even though one might also detect acceptance, the work is far from pacific. Indeed, it opens with what one might describe as a violent keening, a glissando- drenched duet for clarinets combined with loud interjections from the whole orchestra. There is also a more “ceremonial” style of writing, perhaps suggesting Stravinsky’s  Symphonies of Wind Instruments as an ancestor, or just possibly even the chorales of Birtwistle, that first appears in the second section ofthe work. This solemnity is gradually transformed into a kind of intoxicated dance, but again, consistent with the mercurial quality of the work, we are unexpectedly presented with a calmly beautiful chorale, played by pianissimo strings in a way that suggests a consort of viols, under soaring, questing violins, prefiguring moments in both Veni, Veni, Emmanuel (1991-2; recorded on volume 1 of this series, Challenge CC72540) and Seven Last Words from the Cross (1993). This in turn is transformed into a folk lament, but one framed and coloured by the full resources of the orchestra. The final section brings back the chorale-like material from the central section, but once again, it is contradicted by faster, more athletic writing; in keeping with Soutar, the music fades softly away to nothing:Sae luely, luely cam she inSae luely was she gaen:And wi’ her a’ my simmer days Like they had never been.(So softly, softly came she inSo softly was she gone:And with her all my summer days As though they had never been.)MacMillan’s settings of the Magnificat and Nunc dimittis were written in 1999 and 2000 to commissions from the BBC and Westminster Cathedral respectively. The Magnificat was intended to be sung at the first BBC broadcast of choral evensong of the new Millennium, from Wells Cathedral, and both works exist in versions for choir and organ and for choir and orchestra. They are both large-scale, celebratory compositions, with dramatic and colourful writing for the orchestra – the spacious, haunting orchestral opening is surely one of the most unforgettable scene-settings for this text ever written – and making use of predominantly homophonic choral writing, rather different from the composer’s preference in general for melisma and highly decorated melodic lines, so that when more ornamented writing does appear, at “He hath filled the hungry with good things...”, it is the more striking. The doxology is positively shocking in its blazing, brassy, almost snarling portrayal of divine glory, but the quiet dynamics of the choral “Amens” and the final descent into mysterious calm with string glissandi imitating doves are a typically subtle MacMillan touch.While the Nunc dimittis shares material with the Magnificat (most obviously the final “Amen”), it appears in a different guise, with much transformed modally. The work opens with basses quietly intoning the word “Lord” on a low E, doubled by cellos and double-basses and enveloped in a bass drum roll. The composer emphasizes in his noteto the work the “unusual” chirping unison melody that subsequently appears for trebles, altos and tenors, doubled in the organ version by the sesquialtera stop, and orchestrally by woodwind, trumpet with mute and harmonics on the violin. At the end the music subsides back onto the basses’ low E, the starting point for this awe-struck exclamation of faith.

• Wykonawca Various Artists
• Data premiery 2013-03-01
• Nośnik CD

DIGIPACK WITH BONUS TRACKS

• Wykonawca Sinister
• Data premiery 2010-12-16
• Nośnik CD

Dwupłytowy album zawiera absolutnie wspaniały wybór duetów... świetna jakość dźwięku, cudowne zestawienia mistrzowskich kombinacji wspaniałych głosów; wiele z najbardziej lubianych piosenek wszechczasów. Występuje cała plejada gwiazd w tym między innymi: Phil Collins & Marylin Martin, Clannad & Bono, Ariana Grande & Nathan Sykes, Robbie Williams & Nicole Kidman, Shakin' Stevens & Bonnie Tyler, Céline Dion & R. Kelly, Lionel Richie & Diana Ross, Shakira feat. Alejandro Sanz, Ricky Martin with Christina Aguilera, *NSYNC & Gloria Estefan , Ronan Keating feat. Lulu, Joe Cocker & Jennifer Warnes  i wiele innych. Tracklista: CD 1 1. P!nk feat. Nate Ruess - Just Give Me a Reason 2. Youssou N'Dour feat. Neneh Cherry - 7 Seconds 3. Nelly feat. Kelly Rowland - Dilemma 4. Lionel Richie & Diana Ross - Endless Love 5. Marco Borsato & Lucie Silvas - Everytime I Think of You 6. Phil Collins & Marylin Martin - Separate Lives 7. Shakira feat. Alejandro Sanz - La Tortura 8. Mica Paris & Will Downing - Where Is The Love 9. Ricky Martin with Christina Aguilera - Nobody Wants to Be Lonely 10. Patti Austin duet with James Ingram - Baby, Come To Me 11. *NSYNC & Gloria Estefan - Music of My Heart 12. Billy Preston feat. Syreeta - With You I'm Born Again 13. Usher & Alicia Keys - My Boo 14. Dennis Edwards feat. Siedah Garrett - Don't Look Any Further 15. Joe Cocker & Jennifer Warnes - Up Where We Belong 16. Clannad & Bono - In a Lifetime 17. Ariana Grande & Nathan Sykes - Almost Is Never Enough 18. Dusty Springfield and Daryl Hall - Wherever Would I Be? 19. Teri DeSario feat. K.C. & The Sunshine Band - Yes, I'm Ready 20. Lou Rawls with Dianne Reeves - Fine Brown Frame CD 2 1. Bill Medley & Jennifer Warnes - (I've Had) The Time of My Life 2. Céline Dion & R. Kelly - I'm Your Angel 3. Robbie Williams & Nicole Kidman - Somethin' Stupid 4. Linda Ronstadt & Aaron Neville - Don't Know Much 5. Peaches & Herb - Reunited 6. Johnny Mathis with Deniece Williams - Too Much, Too Little, Too Late 7. Terence Trent D'Arby feat. Des'Ree - Delicate 8. Labrinth feat. Emeli Sandé - Beneath Your Beautiful 9. Dolly Parton & Kenny Rogers - Islands In the Stream 10. Avril Lavigne feat. Chad Kroeger - Let Me Go 11. Shakin' Stevens & Bonnie Tyler - A Rockin' Good Way (To Mess Around And Fall In Love) 12. Ronan Keating feat. Lulu - We've Got Tonight 13. Jordin Sparks feat. Chris Brown - No Air 14. Diana Ross & Marvin Gaye - You Are Everything 15. Tears For Fears feat. Oleta Adams - Woman In Chains 16. Ricky Martin feat. Meja - Private Emotion 17. Dan Hill & Vonda Shepard - Can't We Try 18. Dionne Warwick & Kashif - Reservations for Two 19. Anita Meyer;Lee Towers - Run to Me

• Wykonawca Collins Phil , Clannad , Shakin' Stevens , Shakira , Williams Robbie , Aguilera Christina , Keating Ronan , Dion Celine , Grande Ariana , Cocker Joe
• Data premiery 2020-01-16
• Nośnik CD