1. Refugee 2. Similar Features 3. Like The Way I Do 4. Bring Me Some Water 5. You Can Sleep While I Drive 6. No Souvenirs 7. Ain't It Heavy 8. I'm The Only One 9. Come To My Window 10. If I Wanted To 11. I Want To Come Over 12. Angels Would Fall 13. Lucky 14. Christmas In America 15. Piece Of My Heart 16. This Is Not Goodbye 17. I Run For Life
Tracklista: 1. Permanence2. Driving (Feat. Mirah)3. Ghosts in the Garden4. Delicate Art (Feat. Nona Marie Invie)5. California6. Gallery Floor7. Night Was Long8. He Would Turn Me In (Feat. Nona Marie Invie)
Tracklista: 1. Real Gone - Sheryl Crow 2. Route 66 - Chuck Berry 3. Life Is a Highway - Rascal Flatts 4. Behind the Clouds - Brad Paisley 5. Our Town - James Taylor 6. Sh-Boom - The Chords 7. Route 66 - John Mayer 8. Find Yourself - Brad Paisley 9. Opening Race (Score) 10. McQueen's Lost (Score) 11. My Heart Would Know - Hank Williams 12. Bessie (Score) 13. Dirt Is Different (Score) 14. New Road (Score) 15. Tractor Tipping (Score) 16. McQueen and Sally (Score) 17. Goodbye (Score) 18. Pre-Race Pageantry (Score) 19. The Piston Cup (Score) 20. The Big Race (Score)
Album Raekwona byłego członka Wu-Tang Clan "Chef Cocaine Cooked" wydało wydawnictwo J-Love Enterprises. Tracklista: 1. Intro 2. Heavyweights 3. Baggage Handlers 4. Starks & Chef 5. State Of Grace 6. Spit Flames 7. 1000 2 Million 8. Kids That Rich 9. Weed 10. Apple Jax 11. Range Rover 12. Who Would Have Thought 13. Six 6s 14. Intoxicated 15. Enemy 16. Ain't No Joke 17. Wu Tang Production 18. Life's Hectic 19. Sneakers 20. North Star
Tracklista:1. Hello I Am Your Sun2. Wiggy Giggy3. Dickhead4. I Shouldn't Have Said That5. Return of Witchcraft6. I'm With You7. Repeat It8. Witchcraft9. Big Sea10. Let Me Observe11. Would You Fuck
Tracklista: 1. I. Samba 00:05:09 2. II. Tango 00:05:52 3. III. Jarabe 00:04:05 4. I. Tan - Ta Ta, Tan - Ta Ta 00:04:59 5. II. Down, Down, Down 00:06:11 6. III. Entierro (Funeral) 00:07:17 7. IV. Swing And Swing 00:05:38 8. I. En La Plaza De Mi Pueblo (In My Town Square) 00:04:53 9. II. In Memoriam 00:04:54 10. III. Si Me Quieres Escribir (If You Would Like To Write To Me) 00:04:08 11. IV. Lamento (Lament) 00:06:23 12. V. Jota 00:04:48
Tracklista:1. Black Spider2. Terrific Speech 23. Wake Up and Go Berserk4. Terrific Speech5. 7.256. Half Time7. Do Have Weapons8. Time and a Half9. It Would Have Happened Anyway10. Black Spider 2
Tracklista: 1. Lone Star State of Mind2. Cold Hearts/Closed Minds3. From a Distance4. Ford Econoline5. Trouble in the Fields6. There's A Light Beyond These Woods7. Looking For The Time8. I Don't Want To Talk About Love9. Drive-in Movies and Dashboard Lights10. It's a Hard Life (Wherever You Go)11. If Wishes Were Changes12. Once in a Very Blue Moon13. Anyone Can Be Somebody's Fool14. I Knew Love15. Gulf Coast Highway16. I Wish It Would Rain17. Outbound Plane18. Love At The Five And Dime19. It's Just Another Morning Here20. Late Night Grande Hotel21. Hometown Streets22. The Wing And The Wheel
Tracklista: 1. Straight To...Number One 2. Big Beat 3. Ecoutez, Repetez 4. Would You...? 5. So Hot 6. Mein Freund Harvey (Sugar Daddy) 7. Tango In Harlem 8. Are You Talking About Me? 9. Life's A Beach 10. Thanks For Coming 11. Would You...? (Trailermen Go To Rio Edit) 12. Straight To...Number One (Dreamcatcher's Mix)
Antoine Dard was one of the many musicians who moved in the circles of the leading musical institutions of the French monarchy in the eighteenth century, being the First bassoon of the Royal Academy of Music in Paris, and the Grand hautbois de la Chambre et écuries du Roi in Versailles. Although no »forgotten genius« of music history, Mr Dard — as he signed all his scores — can certainly be considered a composer of special interest.The following advertisement appeared in the Parisian press on the 11th of January, 1759: »6 sonatas for bassoon, composed by Mr Dard, very useful for those who would play this instrument well. It is said that these sonatas are unique amongst their kind, and can also be successfully played on the violoncello.« The pieces are remarkable both within Dard's body of work and the context of 18th-century music in general, but particularly as part of the specific bassoon repertoire. Dard uses the bassoon as though it were an operatic »bel canto« tenor, often employing the very high register, amongst other difficult techniques as no other composer of his time, or indeed long after, did. Even though the fingering tables for the bassoon include d'' or f'' from the second half of the 18th century onwards, the music of the period never calls for notes higher than g' or a', excepting the mysteriously elevated orchestral parts of Rameau and the infamous b'-flat of the Mozart concerto. But even these don't reach the same register as the sonatas. The high register would not become standard for sixty years after Dard, and only after innumerable improvements in instrument design. From a melodic point of view, thanks in part to the copious decoration, the bassoon part is very full and lyrical, and the mix of this ornamentation with the galant style produces a singular effect. Although, on the other hand, the structure of the works remains quite traditional, the slow movements exhibit an interesting formal feature: they are through-composed, without repeat or reprise, nearly approaching the arioso form, then not in use in France. Despite their marked French character, however, the sonatas also display a definite Italian influence. Dard would certainly have been familiar with the numerous works of Italian composers then in circulation in France.Antoine Dard departed the Paris musical scene as discreetly as he had entered it. He leaves the impression of an orderly, straightforward man, well integrated with his surroundings, and far removed from the capricious virtuoso he could, given his abilities, undoubtedly have been.