
..YEARS
- Wykonawca Clark Guy
- Data premiery 2007-03-26
- Nośnik CD

..YEARS

Vangelis to ojciec chrzestny muzyki elektronicznej. Twórca „Chariots of Fire” i „Blade Runner” na swoim najnowszym albumie zatytułowanym „Nocturn” prezentuje solowe wersje najpiękniejszych utworów oraz całkiem nowe kompozycje na fortepian solo. Album dostępny w wersji CD i 2 LP. Tracklista: 1. Nocturnal Promenade * 2. To the unknown Man from Spiral 3. Movement Nine, Mythodea from Mythodea 4. Moonlight reflections * 5. Through the Night Mist * 6. Early Years * 7. Love Theme, Bladerunner from Blade Runner 8. Sweet Nostalgia * 9. Intermezzo * 10. To a Friend * 11. La Petite Fille de la Mer from Apocalpse des Animaux 12. Longing * 13. Chariots of Fire from Chariots of fire 14. Unfulfilled Desire * 15. Lonesome * 16. 1492: Conquest of Paradise from 1492 Conquest of Paradise 17. Pour Melia * * nowe niewydane nagrania

The popular trance DJ captured live in performance in Arnhem's GelreDome in May 2003. 25,000 people attended the gig, heralded by many as one of the year's most spectacular dance music events.

1. Get Happy 9:472. Dreamsville 5:033. Anything Goes 7:084. Tres Palabras 5:015. Skippy 5:246. Nearness of You 6:437. Still Crazy After All These Years / Brad Mehldau 5:218. Everything in Its Right Place 6:559. Smile 6:4810. I've Grown Accustomed to Her Face 4:49

Najlepsze i największe radiowe przeboje ostatnich lat na jednym, wyjątkowym wydawnictwie w ramach serii "WinyLove"! Zdobywcy niezliczonych ilości nagród, uznani przez krytyków i odbiorców – Years & Years, Emeli Sandé, Shawn Mendes, Duffy, Hozier, Ellie Goulding czy Sam Smith. Tych artystów nie trzeba nikomu przedstawiać. Tracklista: 1. Years & Years - King 2. Emeli Sandé - My Kind Of Love 3. Shawn Mendes - Mercy [Loote Remix] 4. Duffy - Stepping Stone 5. Hozier - Take Me To Church 6. Ellie Goulding - Lights 7. LP - Lost On You 8. Sam Smith - I'm Not The Only One 9. Jessie Ware - Wildest Moments 10. Lorde - Royals 11. AlunaGeorge - You know you like it

Tracklista: 1. My Little Girl 2. Stop Breakin' Down 3. Third Degree 4. I Think I Love You Too Much 5. Stuck In The Middle With You 6. I Can't Get My Hands On You 7. Angel Eyes 8. Roadhouse Blues 9. See The Light 10. Hoochie Coochie Man Bonus 11. As The Years Go Passing By 12. That's What They Say 13. Put The Shoe On The Other Foot 14. While My Guitar Gently Weeps

The Gothenburg Symphony Orchestra conducted by Thord Svedlund is back with a new recording in Chandos’ ongoing series devoted to orchestral works by Weinberg. This is proving a benchmark series, one that has contributed significantly toWeinberg’s reappraisal in recent years. International Record Review described the CD of concertos by Weinberg (CHSA 5064) as ‘one of the most sheerly exciting discs to come my way in a long time… a release of first importance’.Born in Poland into a Jewish family, MieczyslËaw Weinberg fled before the German invasion in 1939 and spent most of his working life in the Soviet Union where he was a friend and neighbour of Shostakovich who did much to champion his music. He composed his Third Symphony between 1949 and 1950, shortly after the launch of Andrey Zhdanov’s ‘anti-formalism’ campaign which exhorted all Soviet composers to produce music for the People, i.e. in a broadly comprehensible language, preferably drawing on folk material. Weinberg obliged by placing a Belorussian folksong (‘What a Moon’) as a contrasting theme in the first movement, and a mazurka-like Polish folksong (‘Matek has died’) at the corresponding point in the second; the latter then transformed to produce the main theme of the finale.This nod in the direction of official recommendations still was not enough to ensure a performance of the symphony. The premiere which had been scheduled to take place in Moscow was postponed. Later Weinberg was said to have discovered a number of ‘errors’ during rehearsals and therefore made the decision to cancel the performance. Perhaps this was simply an attempt to cover up official pressure to withdraw the work, perhaps not. In any case, Weinberg revisited the material ten years later, and the revised version was first heard in 1960 in the Great Hall of the Conservatory in Moscow, performed by the All-Union Radio and Television Symphony Orchestra conducted by Alexander Gauk.Weinberg composed the ballet The Golden Key in 1954 – 55 on a popular tale by Aleksey Tolstoy, which mixes elements of the story of Pinocchio with that of Petrushka, hinting too at Jack and the Beanstalk. The music itself can be heard as a gallery of the great Russian masters of orchestration, Weinberg taking us on a journey of Tchaikovskian waltzes, Rimskian brass works, flashes of Stravinsky’s Petrushka in the winds and in some of the dance rhythms, and gorgeous adagios of the sort Prokofiev’s Romeo and Juliet taught Russian composers how to write.

Tracklista: 1. The Night of the Warlock 2. Running from the Devil 3. Celebrate 4. Caught in a Battle 5. Herzblut 6. On the Run 7. Walking with the Angels 8. I Lay My Head upon My Sword 9. It Kills Me 10. Long Lost for Love 11. 25 Years 12. Wildfire (Bonus Track) 13. You Won My Love (Bonus Track)

Tracklista: Side A 1. I Am Tuan 2. Hugh O'Neill - Earl Of Tyrone 3. Blood And Victory 4. Queen Of War 5. The Battle Of The Yellow Ford Side B 1. Cath Na Brioscai 2. The Harp, The Lion, The Dragon And The Sword 3. An Ale Before Battle 4. Nine Years Of Blood 5. The Siege Of Kinsale 6. Flight Of The Earls 7. Back Home In Derry

"In Guatemala City I discovered, among the hundreds of forgotten musical scores that make up the rich musical archive of its cathedral, the four cantatas that are included in this recording. But how had these pieces written by a Saragossan from Calatayud who, as far as we know, never left his homeland, end up here in the overseas Guatemala?Roll back to the second decade of the eighteenth century: Nebra, already working at the time as organist and composer in the royal court of Madrid, was only twenty years old! He had acquired great fame as an author of stage music and wrote numerous songs for the royal chapel's religious celebrations. These pieces, characteristic of solemn sacred palatine ceremonies, travelled to America. But how?