Tracklista:1. Sex in Der Stadt2. Stromtod3. Married Women4. Kokain Cowboy5. Einheitsfrau6. Liebe Ist Ein Hospital7. Was Ist Im Hirn8. Minimale Katastrophen9. Alpha Rythmen
Hail Mary, full of grace, the Lord is with thee. Blessed art thou among women, and blessed is the fruit of thy womb, Jesus... Every day, all around the world, in places of worship or in the privacy of the home, in various languages and dialects, millions of people repeat this salutation. Some wind a rosary through their fingers as they repeat it; others are lulled by the sound of their own voice, the rhythm of the verse, the inspiration of the words. Appeasement, strength, juxtaposition of biblical text and Christian prayer, it is not surprising that the Hail Mary, or Ave Maria, was integrated into religious services as early as the 5th century. Two centuries later, the “Angelic Salutation” to the Virgin Mary during the Annunciation (Luke 1:28), to which is appended that of Elisabeth during the Visitation, would become a preferred form of personal prayer. While initially, prelates preferred their flocks to focus more on their Credos and Pater nosters, the Ave Maria would become part of children’s religious education starting with the Council of Béziers in 1246. Its definitive form was promulgated by Pope Pius V in 1568. The Ave Maria appeared in the Gregorian Antiphonary and its melody often formed the reciting tone in Ars antique motets and the unifying theme in 16th century masses. However, composers more frequently treated it as an element of the liturgy, as an antiphon or the offertory. The Ave Maria of Josquin des Prez is based on a sequence (chant sung after the alleluia during certain feasts) and develops one trope in particular. (This unofficial amplification of liturgical texts aimed to give them a more solemn character; one of the most well known is the Ave verum, which emerges from the Sanctus. This recording features a version by William Byrd.) The version falsely attributed to Jacques Arcadelt was in fact composed in the 19th century by Pierre-Louis Dietsch, chapel master at La Madeleine in Paris, who freely adapted the 16th-century composer’s three-voice madrigal “Nous voyons que les hommes.” Anton Bruckner revisited the Ave Maria three times during his career. The second, a seven-voice a capella version and the most widely sung today, was premiered in 1861, after his five years of formal study in Vienna, to commemorate the founding of the Liedertagel Frohsinn choir, which he conducted at the time. The three most famous Ave Marias are undoubtedly those attributed to Schubert, Gounod, and Caccini. Franz Schubert’s version was originally a setting of “Ellen’s Third Song” in the German translation of Walter Scott’s epic poem The Lady of the Lake. It was only later that the Latin text replaced the German. When Charles Gounod improvised a countermelody to the first prelude of Bach’s Well-tempered Clavier, his father-in-law, Pierre Zimmermann, transcribed it. Here, too, the familiar Latin text only later replaced the original, Alphonse de Lamartine’s poem “Le Livre de la vie.” The Ave Maria attributed to Giulio Caccini was in fact composed by Vladimir Vavilov about 40 years ago (he first recorded it on the Melodiya label in 1970). After Vavilov’s death, organist Mark Shakhin sent the “newly discovered” work to other musicians to ensure its renown. According to the Gospel of St. Luke, when the Angel informed Mary that she would give birth to the Saviour, her first words were in praise of God: Magnificat anima mea Dominum (My soul doth magnify the Lord). This song, or canticle, transposed into the liturgy of the Vespers, and becoming an integral part of it, would also engender many musical settings. Claudio Monteverdi wrote two versions, published in 1610 in his Vespers for the Blessed Virgin, dedicated to Pope Paul V. The first, in seven voices supported by six instruments and basso continuo, is more grandiose in nature. The second, heard here, is a six-part work with continuo that plays the intimacy card but remains one of the most inspired works of the choral repertoire from any period. Few works have so masterfully united the austerity of Gregorian chant with the virtuosity of festal choral style. In 1989, Arvo Pärt set the same text in a work for solo soprano and a capella choir, divided into verses (the solo voice anchored to one note over a lower melodic line) and tutti sections (in three, four or six voices). Pärt’s Magnificat is a remarkable example of “tintinnabulation,” a style developed by the Estonian composer in which the notes of a root-position chord are treated like three bells, with repetitive musical gestures creating a sensation of timelessness or a continuous present. © Lucie RenaudTranslation: Peter Christensen
Czarowna i fascynująca muzyka do wierszy perskich mistyków Sufi - Mowlana Rumi, Hafiza i Saadi. Muzyka jest mieszanką klasycznej, perskiej muzyki i tradycyjnych rytmów ze współczesnym kolorytem i brzmieniami. Książeczka zawiera informacje o poetach Sufi, oraz oryginalne, perskie wiersze z angielskimi tłumaczeniami. Również informacje o tradycyjnych instrumentach.
Zremasterowana winylowa wersja albumu z roku 2001r. Tracklista: LP 1 1. Mein Herz Brennt 2. Links 2 3 4 3. Sonne 4. Ich Will 5. Feuer Frei! 6. Mutter LP 2 1. Spieluhr 2. Zwitter 3. Rein Raus 4. Adios 5. Nebel
Tracklista:1. Hello Walls2. Take These Chains3. I'm Gonna Love You Forever4. The City Put the Country in Me5. Life Here On the Farm (The Honeybee Song)6. Someone Must Feel Like a Fool7. Country Down to My Soul8. Let's Have a Party Tonight9. Old School Bop10. Hole in the Wall11. Why I Don't Know12. Somewhere Under the Rainbow13. Move Across the River14. This Is My Country, This Is My Flag
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Tracklista: CD 1 1. Heroin 2. I'm Gonna Move Right In 3. I'm Waiting for the Man 4. I'm Set Free 5. Foggy Notion 6. Beginning to See the Light 7. Candy Says CD 2 1. White Light>White Heat 2. Jesus 3. Sister Ray 4. Pale Blue Eyes CD 3 1. Heroin 2. I'm Gonna Move Right In 3. I'm Set Free 4. Run Run Run 5. Waiting for the Man 6. What Goes On 7. I Can't Stand It 8. Candy Says CD 4 1. Beginning to See the Light 2. White Light>White Heat 3. Pale Blue Eyes 4. Sister Ray CD 5 1. Heroin 2. Candy Says 3. Ferryboat Bill 4. I'm Waiting for the Man 5. I'm Set Free 6. What Goes On 7. I Can't Stand It CD 6 1. Beginning to See the Light 2. That's the Story of My Life 3. White Light>White Heat 4. Jesus 5. Sister Ray CD 7 1. I'm Waiting for the Man 2. Jesus 3. Run Run Run 4. I'm Set Free CD 8 1. White Light>White Heat 2. Candy Says 3. Pale Blue Eyes 4. Beginning to See the Light 5. Sister Ray>The Murder Mystery
Tracklista:1. Air Conditioning2. Another Beginning3. After The Break4. Talkin' With David5. Sound Gathering6. 'Til The Next Time Muzycy:Sabir Mateen - tenor & alto saxophones, flute, clarinet, alto clarinetFrode Gjerstad - alto saxophone, clarinet, bass clarinetSteve Swell - tromboneClif Jackson - bassDavid Gould - drums, percussion
"Skyfall" to 23. film o najsłynniejszym agencie Jej Królewskiej Mości. Za kamerą po raz pierwszy stanął Sam Mendes – twórca m.in. "American Beauty", "Drogi do szczęścia" i "Jarhead’a". Film będzie kontynuacją stylu "nowego" Bonda, który zapoczątkowało przełomowe "Casino Royale" z Danielem Craigiem w roli głównej. W "Skyfall" zobaczymy również nowe gorące gwiazdy – Javiera Bardema w roli czarnego charakteru oraz Ralpha Fiennesa, którego postać owiana jest do tej pory tajemnicą. W roli dziewczyny Bonda wystąpi zjawiskowa Berenice Marlohe. Muzykę skomponował Thomas Newman, znany z muzyki do takich filmów jak: "Żelazna Dama", "Droga do szczęścia", "Bracia", "WALL-E" czy "Erin Brockovich".
Sara Boruc-Mannei wydaje swoją debiutancką płytę! Artystka przyjęła pseudonim MANNEI – który jest de facto jej… nazwiskiem panieńskim! Wydawnictwo ujrzy światło dzienne już w sierpniu 2018, a znajdzie się na nim 13 wyjątkowych utworów utrzymanych w klimacie dojrzałego, kobiecego R’n’B. Na płycie znajdzie się także jeden zaskakujący duet! Album promują dwa single: „Łapię tlen” oraz „Juice”. Tracklista: 1. LoVe on your own 2. Nie wie nikt 3. Juice 4. Temptation 5. Łapię tlen 6. Make belieVe 7. Pink skies 8. Czuć za mocno 9. Savage 10. Make Her Stay 11. Numb 12. LoveCage 13. One