Tracklista:1. Too High2. Here It Comes3. Hypnotic4. Forever5. Soft Hammer6. Carousel7. Not Really There8. Hope That You See It Now9. Spinning Signs10. Sleepwalking11. Empty Gun12. Angels
Album pierwotnie wydany w 1960 roku z muzyką poważną klasyczną. Tracklista: 1. L'anima Ho Stanca 2. Rachel, Quand Du Seigneur 3. I Pagliacci 4. O Paradiso! 5. Manon Lescaut (Extracts) 6. Vogliatemi Bene, Un Bene Piccolino 7. Otello (Excerpts) 8. Teco Io Sto 9. Ah, La Paterna Mano 10. In Fernem Land
Jean Sibelius is known as a great symphonist but he was also a highly skilled and prolific miniaturist who produced short, often aphoristic pieces throughout his life. Although less well-known than his orchestral works, his output for the piano is extensive, and we can now present the second instalment of music for solo piano in the BIS Sibelius Edition. Its predecessor, released as Volume 4 of the edition, presented the piano music that Sibelius composed during his youth and in his national romantic period. The music on this second set was written between 1905 and 1931, and includes the Three Sonatinas, widely seen as some of Sibelius’s finest piano works, as well as the five pieces from the composer’s Op.75, commonly known as ‘The Trees’. Among the several world première recordings in this collection we find an Adagio written for his wife Aino’s birthday in 1931, Sibelius’s last composition for piano – and his only one for piano four-hands. ‘Rakkalle Ainolle’ (‘To My Beloved Aino’) is a mysterious piece, almost devoid of melody as such, but with an astonishingly bold tonal language: might this have been the style of the composer’s Eighth Symphony, by then approaching completion and later reportedly destroyed by the composer? Included are also a number of Sibelius’ own transcriptions, mainly of music he had composed for stage performances of plays such as Pelléas et Mélisande. A special case in this category is the four minute long reworking for the piano of an original bell melody written in 1912 for Helsinki’s newly built Kallio Church. Presenting these close to 6 hours of music is Folke Gräsbeck, who himself has searched the archives, comparing versions and looking for previously unknown pieces. His commitment to the music of Sibelius is close to legendary, and on the basis of the previous volume of piano music alone, his achievement has been described as ‘nothing less than heroic’ (American Record Guide). Another reviewer, in the magazine Pizzicato, has described his performances as ‘both musically and technically impressive; fresh and lively, and with a marked feeling for the dramatic potential of each work.’ Lista utworów:CD 1:1. Pelleas och Melisande (Pelleas and Melisande), op.46: no 1 Am Schlosstor (At the Castle Gate). Grave e largamente 3'322. Pelleas och Melisande (Pelleas and Melisande), op.46: no 2 Melisande. Andantino con moto 4'223. Pelleas och Melisande (Pelleas and Melisande), op.46: no 3 Am Wunderborn im Park (By a Spring in the Park). Comodo 2'044. Pelleas och Melisande (Pelleas and Melisande), op.46: no 4 Die drei Blinden Schwestern (The Three Blind Sisters). Tranquillo 3'135. Pelleas och Melisande (Pelleas and Melisande), op.46: no 5 Pastorale. Andantino Pastorale 2'066. Pelleas och Melisande (Pelleas and Melisande), op.46: no 6 Melisande am Rocken (Melisande at the Spinning Wheel). Con Moto 2'017. Pelleas och Melisande (Pelleas and Melisande), op.46: no 7 Zwischenaktsmusik (Entr’acte). Allegro 2'548. Pelleas och Melisande (Pelleas and Melisande), op.46: no 8 Melisandes Tod (The Death of Melisande). Andante 6'379. Belsazars Gastabud (Belshazzar’s Feast), op.51: no 1 Einzug (Oriental Procession). Moderato 2'0710. Belsazars Gastabud (Belshazzar’s Feast), op.51: no 2 Einsames Lied (Solitude). Andante 2'2011. Belsazars Gastabud (Belshazzar’s Feast), op.51: no 3 Nachtmusik (Nocturne). Andantino 3'2012. Belsazars Gastabud (Belshazzar’s Feast), op.51: no 4 Khadras Tanz (Khadra’s Dance). Commodo 3'3813. Piece, op.58: no. 1 Reverie. Lento 4'4814. Piece, op.58: no. 2 Scherzino. Con Moto 1'3515. Piece, op.58: no. 3 Air Varie. Andante – Un Poco Meno Andante 4'1716. Piece, op.58: no. 4 Der Hirt (The Shepherd). Vivacetto 2'5817. Piece, op.58: no. 5 Des Abends (The Evening). Andantino 4'1718. Piece, op.58: no. 6 Dialogue. Allegro Grazioso 2'2719. Piece, op.58: no. 7 Tempo di Minuetto [No Tempo Marking] 3'0120. Piece, op.58: no. 8 Fischerlied (Fisher Song). Allegretto 3'4321. Piece, op.58: no. 9 Standchen (Serenade). Moderato 3'1922. Piece, op.58: no. 10 Sommerlied (Summer Song). Largo 4'43CD 2:1. Pan and Echo, op.53: Andante – Commodo 4'042. Sonatina no. 1 in F Sharp Minor: I. Allegro 2'213. Sonatina no. 1 in F Sharp Minor: II. Largo 3'054. Sonatina no. 1 in F Sharp Minor: III. Allegro Moderato 1'325. Sonatina no. 2 in E Major: I. Allegro 1'526. Sonatina no. 2 in E Major: II. Andantino 2'207. Sonatina no. 2 in E Major: III. Allegro 1'218. Sonatina no. 3 in B Flat Minor: I. Andante – Allegro Moderato 2'269. Sonatina no. 3 in B Flat Minor: II. Andante – Allegretto 2'5310. Rondinos, op.68: no. 1 in G Sharp Minor. Andantino 3'1611. Rondinos, op.68: no. 2 in C Sharp Minor. Vivace 1'5612. Kellosavel Kallion Kirkossa, op. 65b (The Bells of Kallio Church): Andante Assai 4'0013. From Scaramouche, op. 71: Danse Elegiaque. Tempo Moderato – Lento – Allegro – Energico – Vivace – Piu Vivace 5'2814. From Scaramouche, op. 71: Scene d’Amour. Lento – Andantino – Allegretto 6'2215. Spagnuolo, JS 181: Allegretto 0'4816. Till Tranaden (To Longing), JS 202: Allegro 1'4617. Lyric Pieces, op. 74: no 1 Ekloge (Eclogue). Andantino 3'2118. Lyric Pieces, op. 74: no 2 Sanfter Westwind (Soft West Wind). Con Moto 2'0519. Lyric Pieces, op. 74: no 3 Auf dem Tanzvergnügen (At the Dance). Allegretto 1'4420. Lyric Pieces, op. 74: no 4 Im Alten Heim (In the Old Home). Lento – Un Poco Mosso 2'21 21. Pieces (‘The Trees’), op. 75: no 1 Nar Ronnen Blommar (When the Rowan Blossoms). Allegretto 1'5522. Pieces (‘The Trees’), op. 75: no 2 Den Ensamma Furan (The Solitary Fir Tree). Grave 3'0523. Pieces (‘The Trees’), op. 75: no 3 Aspen (The Aspen). Andantino 2'4324. Pieces (‘The Trees’), op. 75: no 4 Bjorken (The Birch). Allegro – Misterioso 1'3225. Pieces (‘The Trees’), op. 75: no 5 Granen (The Spruce). Stretto – Lento – Risoluto – Lento 3'1726. Syringa [op. 75 no. 6]: Valse Lente 2'15CD 3:1. Pieces, op. 76: no 1 Esquisse. Allegretto 1'132. Pieces, op. 76: no 2 Etude. Leggiero 1'123. Pieces, op. 76: no 3 Carillon. Comodo - Sonore 1'004. Pieces, op. 76: no 4 Humoresque. Vivo 1'235. Pieces, op. 76: no 5 Consolation. Andantino 2'126. Pieces, op. 76: no 6 Romanzetta. Allegretto Con Grazia 2'257. Pieces, op. 76: no 7 Affettuoso. Agitato 1'478. Pieces, op. 76: no 8 Piece Enfantine. Vivace 0'529. Pieces, op. 76: no 9 Arabesque. Vivacissimo 1'0010. Pieces, op. 76: no 10 Elegiaco. Poco Agitato 2'2111. Pieces, op. 76: no 11 Linnaea. Andantino Con Moto 2'0212. Pieces, op. 76: no 12 Capriccietto. Vivace 0'4413. Pieces, op. 76: no 13 Harlequinade. Commodo 1'0914. From Jokamies (Jedermann/Everyman), op. 83: [no. 2]. Episodio. Largo 1'3315. From Jokamies (Jedermann/Everyman), op. 83: [nos 7–9]. Scena. Allegretto – Moderato 2'2016. From Jokamies (Jedermann/Everyman), op. 83: [no. 4]. Canzone. Andantino 2'1417. Pieces (‘The Flowers’), op. 85: no 1 Bellis (The Daisy). Presto - Allegretto 1'1918. Pieces (‘The Flowers’), op. 85: no 2 Oeillet (The Carnation). Con Moto 1'4719. Pieces (‘The Flowers’), op. 85: no 3 Iris (The Iris). Allegretto e Deciso 3'3420. Pieces (‘The Flowers’), op. 85: no 4 Aquileja (The Columbine). Allegretto 2'1121. Pieces (‘The Flowers’), op. 85: no 5 Campanula (The Campanula). Andantino 2'0822. Mandolinato, JS 123: Vivace 1'0323. Jaakarien Marssi (March of the Finnish Jaeger Batallion), op. 91a: Rasch/Reippaasti 1'2324. Partiolaisten Marssi (Scout March), op. 91b: [Poco Moderato] 1'4425. Pieces, op. 94: no 1 Danse 1'0526. Pieces, op. 94: no 2 Nouvellette 1'0027. Pieces, op. 94: no 3 Sonnet 2'3428. Pieces, op. 94: no 4 Berger et Bergerette 2'1429. Pieces, op. 94: no 5 Melodie 2'0130. Pieces, op. 94: no 6 Gavotte 1'4431. Andantino, JS 201 1'0632. Con Passione, JS 53: Largamente 1'0333. Pieces, op. 96: a. Valse Lyrique. Poco Moderato 4'3834. Pieces, op. 96: b. Autrefois. Allegretto 5'0135. Pieces, op. 96: c. Valse chevaleresque. Comodo - Poco a Poco Con Moto 4'16CD 4:1. Bagatelles, op. 97: no 1 Humoreske I. Con Moto 1'532. Bagatelles, op. 97: no 2 Lied (Song). Andantino 2'223. Bagatelles, op. 97: no 3 Kleiner Walzer (Little Waltz) [No Tempo Marking] 1'254. Bagatelles, op. 97: no 4 Humoristischer Marsch (Humorous March) [No Tempo Marking] 1'085. Bagatelles, op. 97: no 5 Impromptu. Poco Moderato 1'596. Bagatelles, op. 97: no 6 Humoreske II. Poco Lento – Vivace 1'387. Suite Mignonne, op. 98a: I. Petite Scene. Allegretto 2'408. Suite Mignonne, op. 98a: II. Polka. Animoso 1'539. Suite Mignonne, op. 98a: III. Epilogue. Vivace – Largamente – Tempo I 1'5810. Suite Champetre, op. 98b: I. Piece Caracteristique. Commodo 1'5411. Suite Champetre, op. 98b: II. Mélodie Elegiaque. Poco Adagio 4'3212. Suite Champetre, op. 98b: III. Danse. Allegretto 2'0213. Short Pieces, op. 99: no 1 Piece Humoristique. Allegretto 1'1914. Short Pieces, op. 99: no 2 Esquisse. Vivo 0'4915. Short Pieces, op. 99: no 3 Souvenir. Lento 2'0216. Short Pieces, op. 99: no 4 Impromptu. Quasi Marcia 1'1717. Short Pieces, op. 99: no 5 Couplet. Commodo 2'0018. Short Pieces, op. 99: no 6 Animoso [No Tempo Marking] 1'3319. Short Pieces, op. 99: no 7 Moment de Valse. Commodo 1'0320. Short Pieces, op. 99: no 8 Petite Marche [No Tempo Marknig] 1'2421. Suite Caracteristique, op. 100: I. Vivo 1'2122. Suite Caracteristique, op. 100: II. Lento 3'0723. Suite Caracteristique, op. 100: III. Commodo 1'3924. Romantic Compositions, op. 101: no 1 Romance. Poco Con Moto 2'5625. Romantic Compositions, op. 101: no 2 Chant du Soir. Andantino 2'0426. Romantic Compositions, op. 101: no 3 Scene Lyrique. Andante – Vivace 2'3027. Romantic Compositions, op. 101: no 4 Humoresque. Commodo – Stretto Assai 2'0728. Romantic Compositions, op. 101: no 5 Scene Romantique. Moderato Assai – Poco Con Moto 3'2529. Characteristic Impressions, op. 103: no 1 The Village Church. Largo 3'3930. Characteristic Impressions, op. 103: no 2 The Fiddler. Con Moto 2'0031. Characteristic Impressions, op. 103: no 3 The Oarsman. Allegretto 2'0232. Characteristic Impressions, op. 103: no 4 The Storm. Allegro Molto 1'3733. Characteristic Impressions, op. 103: no 5 in Mournful Mood. Moderato 2'2834. From the Tempest, op. 109: Episode (Miranda). Poco Con Moto 1'1335. From the Tempest, op. 109: Tanz der Nymphen (Dance of the Nymphs). Commodo 1'4636. From the Tempest, op. 109: Scene. Allegretto 1'22CD 5:1. Morceau Romantique Sur un Motif de M. Jacob de Julin, JS 135b: Andantino - Agitato 2'022. Ett Ensamt Skidspar (A Lonely Ski-Trail), JS 77a: Allegretto 2'493. Esquisses, op. 114: no 1 Maisema (Landscape). Andantino 2'354. Esquisses, op. 114: no 2 Talvikuva (Winter Scene). Allegretto 2'285. Esquisses, op. 114: no 3 Metsalampi (Forest Lake). Con Moto 1'276. Esquisses, op. 114: no 4 Metsalaulu (Song in the Forest). Animato 2'467. Esquisses, op. 114: no 5 Kevatnaky (Spring Vision). [No Tempo Marking] 1'538. Adagio, JS 161: ‘Rakkaalle Ainolle’ (‘To My Beloved Aino’) 4'299. From Belsazars Gastabud (Belshazzar’s Feast), JS 48: no.4. Livets Dans (Dance of Life). Commodo 1'0910. From Belsazars Gastabud (Belshazzar’s Feast), JS 48: no.5. Dödens Dans (Dance of Death). Commodo 1'2511. Ballade: Preliminary Version of Aspen, op. 75 no. 3 [No Tempo Marking] 1'4812. Granen (The Spruce): Preliminary Version of op. 75 no. 5: Lento 2'1513. Valse Lyrique: Preliminary Version of op. 96a: Moderato - Tranquillo - Tempo I 4'4614. Valse Chevaleresque: Preliminary Version of op. 96c: Commodo - Con Energia - Presto 4'2715. Lied (Song): Preliminary Version of op. 97 no. 2: Commodo 2'1616. Impromptu: Preliminary Version of op. 97 no. 5: Poco Moderato 3'1917. Andantino – Allegretto: Preliminary Version of Scene Romantique, op. 101 no. 5 3'1218. In Mournful Mood: Preliminary Version of op. 103 no. 5 [No Tempo Marking] 2'0919. Metsalaulu (Song in the Forest): Preliminary Version of op. 114 no. 4: Poco Agitato'23
„Jeśli pomyśleć o koncertach Beethovena jak o powieściach, każdy z nich oferuje głęboką duchową podróż. Wykonane razem, tworzą swoistą antologię, która rzuca nowe światło na geniusz Beethovena.” – Jan Lisiecki To piąte wydawnictwo Jana Lisieckiego dla Deutsche Grammophon. Nagrania ukazują się w przeddzień 250 rocznicy urodzin Beethovena, która przypada na rok 2020 i potwierdzają rangę pianisty jako jednego z najlepszych artystów muzyki klasycznej na świecie. Tracklista: CD 1 Concerto for Piano and Orchestra No. 1 in C major op. 15 1. 1. Allegro con brio Cadenza: Ludwig van Beethoven (1808-1809) 2. 2. Largo 3. 3. Rondo. Allegro Concerto for Piano and Orchestra No. 2 in B flat major op. 19 4. 1. Allegro con brio Cadenza: Ludwig van Beethoven (1808-1809) 5. 2. Adagio 6. 3. Rondo. Molto allegro CD 2 Concerto for Piano and Orchestra No. 3 in C minor op. 37 1. 1. Allegro con brio Cadenza: Ludwig van Beethoven (1808-1809) 2. 2. Largo 3. 3. Rondo. Allegro Concerto for Piano and Orchestra No. 4 in G major op. 58 4. 1. Allegro moderato Cadenza: Ludwig van Beethoven (1808-1809) 5. 2. Andante con moto 6. 3. Rondo. Vivace CD 3 Concerto for Piano and Orchestra No. 5 in E flat major “Emperor” op. 73 1. 1. Allegro 2. 2. Adagio un poco mosso 3. 3. Rondo. Allegro
Tracklista:1. I. Largo 00:01:08 2. II. Allegro 00:01:24 3. III. Largo 00:01:32 4. IV. Allegro 00:01:16 5. V. Largo 00:03:51 6. VI. Allegro 00:01:38 7. VII. Allegro 00:02:01 8. I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo andante 00:03:59 9. II. Allegro 00:01:45 10. III. Grave - Andante largo 00:01:53 11. IV. Allegro 00:02:13 12. I. Largo 00:02:22 13. II. Allegro 00:02:08 14. III. Grave 00:01:29 15. IV. Vivace 00:02:18 16. V. Allegro 00:02:19 17. I. Adagio - Allegro 00:03:21 18. II. Adagio 00:02:41 19. III. Vivace 00:01:10 20. IV. Allegro - Allegro 00:03:12 21. I. Adagio - Allegro 00:03:31 22. II. Adagio 00:01:52 23. III. Allegro 00:01:58 24. IV. Largo - Allegro 00:03:21 25. I. Adagio 00:02:03 26. II. Allegro 00:01:59 27. III. Largo 00:04:07 28. IV. Vivace 00:02:10 29. V. Allegro 00:02:59
Chojnacki/Miguła Contemplations - projekt dwóch młodych muzyków wrocławskiego środowiska jazzowego: Jana Chojnackiego (trąbka) i Filipa Miguły (fortepian). Doświadczeni w wykonywaniu wszelkiego rodzaju muzyki: od jazzowego mainstreamu, poprzez współczesne jego odmiany, funk, groove aż do hip hopu i reggae. Ze względu na bardzo zbliżony gust muzyczny postanowili połączyć siły i stworzyć własny projekt. Zaprosili do niego Bartka Chojnackiego (kontrabas) oraz Dawida Opalińskiego (perkusja). Inspirując się muzyką świata, nie zastanawiając się nad jej podziałami formalnymi czerpią z niej i próbują połączyć w coś nowego i świeżego, z czym chcą się identyfikować, nie odcinając się jednak od korzeni jazzu, na którym się wychowali. Tracklista: 1. Unknown 2. Kawa 3. Bałkański Kociołek 4. Niebieskim Szlakiem 5. Z pamiętnika zbieracza bananów 6. Tea for T 7. Ballad for Hermits 8. Trzepak
Czwarty album studyjny amerykańskiego rapera. Na „Top 5 Dead or Alive” Jadakiss zaprosił do współpracy swoich ulubionych przedstawicieli sceny hip-hop i r’n’b. Na płycie gościnnie pojawiają się m.in. Akon, Lil Wayne, Ne-Yo, Nas, Jeezy, Wiz Khalifa, a także sam Puff Daddy. Płyta ukazała się w USA 20 listopada 2015r. i zadebiutowała na 4. miejscu listy US Billboard 200.
Tracklista: 1. This Addiction 2. Dine, Dine My Darling 3. Lead Poisoning 4. Dead On the Floor 5. The American Scream 6. Off the Map 7. Draculina 8. Eating Me Alive 9. Piss and Vinegar 10. Dorothy 11. Fine
Tracklista:1. Memphis Blues2. Riverboat Shuffle3. My Baby Just Cares for Me4. Wa Bash Blues5. Panama Rag6. That Lucky Old Sun7. I've Got the World On a String8. My Blue Heaven9. Livery Stable Blues10. Mood Indigo11. What a Friend We Have in Jesus12. Stranger On the Shore13. Blues Walk14. That's My Home
Pod enigmatyczną nazwą kryje się australijska grupa indie popowa, która obok znanych już świetnie w Polsce Cut Copy należy do najpopularniejszych reprezentantów australijskiej sceny indie. “Moment Bends” to ich czwarty już album i tym razem zespół postanowił podążyć raczej w stronę wyrafinowanego electro. Płytę “Moment Bends” promuje nagranie “Contact High”, które przebojowością może się równać nawet z samą La Roux!