
Tracklista:1. I.2. II.3. III.4. IV.5. Prophecy for Accordion and Symphony Orchestra
- Wykonawca Le Nguyen
- Data premiery 2014-09-29
- Nośnik CD
- Muzyka poważna / Symfonie/Poematy symfoniczne
- 23-11-2020, 11:50
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Tracklista:1. I.2. II.3. III.4. IV.5. Prophecy for Accordion and Symphony Orchestra

1. Te Deum 28:542. Silouans Song 05:413. Magnificat 06:484. Berliner Messe - Kyrie 03:095. Berliner Messe - Gloria 03:426. Berliner Messe - Erster Alleluiavers 00:527. Berliner Messe - Zweiter Alleluiavers 01:108. Berliner Messe - Veni Sancte Spiritus 04:579. Berliner Messe - Credo 03:5610. Berliner Messe - Sanctus 04:0411. Berliner Messe - Agnus Dei 02:41

Vivaldi's only surviving oratorio here receives a rare recording, and this stunning performance (recorded after a London concert, and the only truly 'authentic' version available) is sure to become the definitive version for years to come. The work was written for the Pietà, the famous girls' orphanage in Venice where Vivaldi was Music Director and for which much of his music was composed, and with an almost unlimited range of instruments and instrumentalists at his disposal Vivaldi truly indulged his fondness for instrumental colour- throughout the many arias, the all-female cast are accompanied variously by chalumeau, early clarinets, viole all'inglese, viola d'amore and four theorbos, in addition to the instruments of the expected baroque orchestra. Though the extant work opens with a rousing and virtuosic chorus, in this performance Robert King prefaces it with the first two movements of Vivaldi's colourful Concerto (RV555) as it is certain the work would have commenced with an overture, now lost.ECHO AWARD, GERMANY 'Lyricism in abundance and some truly extraordinary scoring. Robert King's direction revels in such novelties and he has a skillful team of players to realise the ravishing beauties of the score' (The Times) 'A stunning cast, orchestra and choir' (BBC Music magazine) 'Hugely enjoyable … excellent soloists…masterly recording' (Classic CD) 'Although it comes as Vol IV of King's projected complete recording of Vivaldi's sacred music, this allegorical oratorio - Judith's murder of Holofernes representing Venice's triumph over the Ottoman hordes - seems to belong to the opera house rather than the church. Vivaldi wrote it in 1716 for the youthful female virtuosi of the Ospedal della Pieta: the vocal writing requires both astonishing agility and rare intensity; and he asks for an extravagant instrumentarium, including clarinets, a chalumeau, mandolin and violas 'all' inglese'. The choruses that open and close the oratorio and punctuate the sequence of glorious arias have a thrilling martial éclat. The soloists are wonderful: Ann Murray's Judith, beguiling and brilliant, marks her return to form, and her bright mezzo contrasts well with the velvet alto of Susan Bickley as Holofernes. Maria Cristina Kiehr - in the only soprano role, Vagaus - gets the lion's share of the bravura numbers and sings them superlatively well. Another revelatory issue from Hyperion' (The Sunday Times) 'Magnificent. Unquestionably a masterpiece that bridles with invention from start to finish. A feat of supreme singing and intensely dramatic projection. Superlative recorded sound that in its combination of warmth, depth and immediacy, conveys the supeme quality of the performance with devastating Impact. This is not only the finest recording I've encountered this year, but one of the great recordings of the decade. There is no justice if it does not pick up awards galore' (Fanfare, USA) 'A wonderful piece of dramatic music that receives superb treatment at the hands of The King's Consort and soloists. An absolutely vital release and one of the best recordings I've heard this year' (American Record Guide)

Pochodzący z Polski wybitny kompozytor Fryderyk Franciszek Chopin, urodzony w 1810 roku w Żelazowej Woli, zmarł w 1849 roku w Paryżu. Artysta prócz komponowaniem, był również wirtuozem pianina, a do Francji wyemigrował w 1831 roku. Chopin tworzył w epoce romantyzmu i był jej jednym z najwybitniejszych przedstawicieli. Jago sława była niedościgniona, był jednym z najpopularniejszych polskich artystów, często mówiło się na niego „poeta fortepianu”. Fryderyk czerpał swoje inspiracje z polskiej muzyki ludowej.

Tracklista: CD 1 1. Now Then! Have You Turned To Idols? 2. Russian People All! 3. Glory To Thee, Lord On Earth! 4. Long Live Tsar Boris Fydorovich! 5. My Soul Is Sad 6. Just One More, The Final Story 7. The Very Same Dream! 8. You Wrote And Took No Rest 9. When Was He Murdered? 10. I Caught A Lovely Duck 11. Woman! Peace Be To Your House 12. Thus It Was At The Town Of Kazan 13. However, Friend 14. Well, Fathers, How Are We Doing 15. I Can Read CD 2 1. Where Are You, Dearest? 2. What Is The Matter? 3. I Have Attained Supreme Power 4. Your Highness 5. Ah, Most Eloquent Traitor! 6. Ouf! I Suffocate! 7. By The Blue Waters Of The Vistula 8. Enough! The Lovely Maiden Is Grateful 9. Ah, It Is You, My Father! 10. At Midnight, In The Garden 11. I Do Not Believe Your Vows 12. The Crafty Jesuit Has Caught Me 13. Dimitri! Tsarevich! Dimitri! 14. I Adore You, Marina 15. O Tsarevich, I Beg You CD 3 1. What, Is Mass Finished Already? 2. Trrr, Trrr! Iron Cap, Iron Cap 3. Ah-Ah...Boris! Oh, Boris! 4. Exalted Boyars! 5. It's A Pity Shuisky Is Not Here 6. I Have Summoned You, Boyars 7. A Meek Old Monk 8. Oh! I Suffocate! Give Me Kight! 9. The Bell! The Passing-Bell! 10. Bring Him Over Here! 11. We, Dimitri Ivanovich, By The Grace

Tracklista: CD 1 1. Sonata Allegro 2. Waltz In Rondo Form 3. Episode (Presto) 4. Suite (Prelude - Sarabande - Jig - Sarabande - Minuet - Jig - Gavotte - Polonaise) 5. Pibroch (Lament For The Children) 6. Episode. Arabesque Variations 7. Nocturne (Extended) 8. Reverie-Fantasy 9. Fanfare - Forebodings. Alarm - Glimpse Of A War-Vision 10. Variations On 'Peace, Bread And The Land' 11. Symphonic March 12. Episode (Volante Scherzoso) 13. Fandango 14. Pedal-Point ('To Emergent Africa') 15. Central Episode. Etudes 16. Variations In C Minor 17. Adagio. Tribute To Bach - Triple Fugue Over Ground Bass 18. Subject I. Andamento 19. Subject II. B A C H 20. Subject III. Dies Irae CD 2 1. Final Variations On Theme Derived From Ground (Adagissimo Barocco) 2. Promenade Pastorale 3. Waltzes 4. Fugue Without Protocol (Tema Locriano) 5. Transition To Movement 2 6. Intermezzo-Notturno. Omaggio A John Field 7. Alla Giga 8. Marcia Funebre (Lento Ma Con Moto) 9. Allegro Quasi Feroce 10. Epilogue (Andante Cantabile) 11. Nocturne (Homage To John Field) 12. Tema. Movimento Di Sarabanda - Riflessione Del Tema - Transizione 13. Variation 1. Con Moto Amabile 14. Variation 2 15. Variation 3. Piu Mosso (Circa Allegro) 16. Variation 4. Poco Meno Mosso 17. Variation 5 18. Variation 6. Sostenuto Solenne 19. Variation 7. Alla Marcia, Molto Moderato E Quasi Automa 20. Variation 8. Andante Cantabile 21. Variation 9. Un Po' Piu Mosso (Moderato) 22. Variation 10. Allegretto Squisito 23. Variation 11. Alla Siciliana (Allegretto Grazioso) 24. Variation 12. Alla Barcarolla 25. Variation 13. Alla Tarantella 26. Variation 14. Allegro 27. Variation 15. Sostenuto 28. Variation 16 29. Adagietto 30. Allegro

Mendelssohn’s E minor violin concerto is one of the composer’s greatest works, and one of the most popular violin concertos in the repertoire. Making his first recording of the work, James Ehnes is partnered by Vladimir Ashkenazy and the Philharmonia, recorded live. The astonishingly precocious Octet, written when Mendelssohn was just 16, is given a sparking and vivacious performance by James and his friends from the Seattle Chamber Music Society. His previous ONYX release of the Paganini 24 Caprices was universally praised by reviewers worldwide.

1. Turandot, opera 1:57:21

Tracklista:1. String Quartet No. 8 in C Major: I. Allegro con brio2. String Quartet No. 8 in C Major: II. Adagio ma non troppo3. String Quartet No. 8 in C Major: III. Tempo di minuetto4. String Quartet No. 8 in C Major: IV. Finale. Allegro molto5. String Quintet No. 2 in C Major, Op. 16: I. Allegro sostenuto6. String Quintet No. 2 in C Major, Op. 16: II. Adagio espressivo7. String Quintet No. 2 in C Major, Op. 16: III. Allegretto. Scherzando8. String Quintet No. 2 in C Major, Op. 16: IV. Finale: Vivace con fuoco - Prestissimo

Energetyzująca muzyka, intrygująca opowieść i tragiczne zakończenie – w lipcu 2011 r. najpopularniejsza opera Pucciniego – Tosca – wróciła na deski The Royal Opera w olśniewającej obsadzie. Największe gwiazdy estrady: Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel oraz Royal Opera Chorus i Orkiestra Royal Opera House pod batutą Antonio Pappano – dyrektora muzyczngo Royal Opera House.