
Tracklista:
- Wykonawca Lennox Annie
- Data premiery 2015-05-12
- Nośnik DVD
- Muzyka poważna / Inne
- 5-11-2020, 12:48
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Tracklista:

Recital znanego pianisty francuskiego na oryginalnym fortepianie Pleyela z 1837 roku.

Największe operowe przeboje w wykonaniu legenrdarnego tercetu: Luciano Pavarotti, Placido Domingo i Jose Carreras.

Franco Corelli (ur. 8 kwietnia 1921 w Anconie, zm. 29 października 2003 w Mediolanie) – włoski śpiewak operowy, (tenor bohaterski). Razem z Giuseppe di Stefano i Mario del Monaco uważany jest za największego tenora tamtych czasów. Jego doskonałe aktorstwo, niepowtarzalny głos i przede wszystkim nacisk, jaki w swoim śpiewie kładł na ekspresję uczyniły z niego w latach 60. czołowego tenora. W Polsce pozostaje jednak mało znany.

Wolumin czwarty z cyklu nagrań sonat na instrumenty klawiszowe Domenica Scarlattiego. Wykonawca to francuski klawesynista Pierre Hantai.

1. Die Sieben letzten Worte unseres Erlösers am Kreuze (The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56 1:14:13

Tracklista: 1. Suite en do majeur: Chaconne 2. Suite en do majeur: La Defaitte des François par les Allemands devant Turin – Marche 3. Suite en do majeur: Allemande 4. Suite en do majeur: Courante 5. Suite en do majeur: Sarabande 6. Suite en do majeur: Gaillarde 7. Pieces en sol mineur: Ouverture 8. Pieces en sol mineur: La Venus – Air 9. Pieces en sol mineur: La prise de Barcellonne – Allemande 10. Pieces en sol mineur: Courante 11. Pieces en sol mineur: Sarabande 12. Pieces en sol mineur: Ritournelle en Rondeau 13. Pieces en sol mineur: Gavotte 14. Pieces en sol mineur: Courante 15. Pieces en sol mineur: Gigue 16. Pieces en sol mineur: Sarabande 17. Suite en ré majeur: Caprice 18. Suite en ré majeur: Allemande 19. Suite en ré majeur: Courante 20. Suite en ré majeur: Sarabande 21. Suite en ré majeur: Tambour et fifre 22. Suite en ré majeur: Gigue 23. Pieces en la majeur: Pour endormir l'Enfant – Air 24. Pieces en la majeur: Gavotte 25. Pieces en la majeur: Chaconne 26. Pieces en la majeur: Les Sujets font hommage et se réjouissent

Tracklista:1. Sonnerie de la pendule de Jean-Joseph de Saint-Germain 2. I. Allegro moderato 3. II. Adagio 4. III. Allegro 5. I. Largo 6. II. Allegro 7. III. Adagio 8. IV. Minuetto Allegro ma poco 9. Maestoso de la Sonata IV en La Mineur, pour clavecin et violon 10. Airs de la pendule a musique de Marc-Antoine Le Nepveu 11. I. Ouverture. Lentement - Allegro 12. II. 1ere Gavotte. Gracioso - 2e gavotte 13. III. 1ere Gavotte. Gracioso - 2e gavotte 14. Aria Gratioso de la Sonata 1ere en Sol Majeur pour violon et clavecin 15. Les Sauvages de Jean-Philippe Rameau avec des variations, pour deux violons 16. Airs de la pendule a musique de Marc-Antoine Le Nepveu dite "de la Méridienne" 17. I. Allegro 18. II. Aria Prima Gratioso. Majeur 19. III. Aria Tempo di Minuetto

"Plays Scarlatti"1. Sonata in F minor, Kk.239 - Alexandre Tharaud 3:362. Sonata in A Major, Kk.208 - Alexandre Tharaud 4:153. Sonata in C Major, Kk.72 - Alexandre Tharaud 2:034. Sonata in G Minor, Kk.8 - Alexandre Tharaud 4:545. Sonata in D Major, Kk.29 - Alexandre Tharaud 4:336. Sonata in C Major, Kk.132 - Alexandre Tharaud 7:387. Sonata in D Major, Kk.430 - Alexandre Tharaud 3:178. Sonata in C Major, Kk.20 - Alexandre Tharaud 4:169. Sonata in F Minor, Kk.481 - Alexandre Tharaud 5:5610. Sonata in C Major, Kk.514 - Alexandre Tharaud 2:3411. Sonata in D Minor, Kk.64 - Alexandre Tharaud 1:5912. Sonata in D Minor, Kk.32 - Alexandre Tharaud 2:4813. Sonata in D Minor, Kk.141 - Alexandre Tharaud 3:3714. Sonata in B Flat Major, Kk.472 - Alexandre Tharaud 3:3415. Sonata in A Minor, Kk.3 - Alexandre Tharaud 2:3116. Sonata in E Major, Kk.380 - Alexandre Tharaud 5:2217. Sonata in G Major, Kk.431 - Alexandre Tharaud 0:4418. Sonata in D Minor, Kk.9 - Alexandre Tharaud 4:18

Today, with authenticity a crucial concern in musical performance, the idea of arranging piano concertos by Mozart for chamber forces seems almost bizarre. But in the 1830s, when the publisher Schott commissioned Johann Nepomuk Hummel to produce these versions of seven of Mozart’s most popular concertos for piano, flute, violin and cello, it was a common practice aimed at facilitating performances of orchestral works in domestic settings. And few could have brought such insights to the procedure as Hummel, one of the earliest protagonists on the stage of the virtuoso era, but also regarded by his contemporaries as the last legitimate representative of the ‘classical’ style. As a young boy Hummel had lived and studied in Mozart’s household for two years, which had given him the opportunity to follow the composition of the Concertos in C minor, K491, and C major, K503, at close quarters. His arrangements may be described as the result of a virtuoso’s approach to the works of a revered teacher, with a piano part which combines the orchestral parts, the solo line and Hummel’s own added ornamentations and decorative alterations, whilst the other instruments accompany or reinforce the piano writing. Fumiko Shiraga’s performances were originally released on single discs between 2003 and 2006, to critical acclaim, including a Gramophone ‘Editor’s Choice’ and a ‘CD des Doppelmonats’ in Piano News: ‘This is how Mozart must sound, exactly like this…’ Gathered here in an attractively priced box set, they now provide a wider audience with the opportunity of catching a glimpse of how Mozart’s music was perceived and handed down during the decades after his death.