
- Wykonawca Supervia Conchita
- Nośnik CD
- Muzyka poważna / Opery i operetki
- 18-03-2019, 12:18
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Tracklista:1. I. Allegro2. II. Andante3. III. Scherzo4. IV. Finale. Allegro5. I. Allegro6. II. Andantino7. III. Menuetto8. IV. Rondo. Allegro9. I. Allegro Con Espressione10. II. Poco Adagio11. III. Allegro

Wybitny kompozytor pochodzący z Włoch Giovanni Battista Pergolesi, urodzony w 1710 roku w Jesi, zmarł w 1736 roku w Pozzuoli. Artysta prócz komponowania, grał na skrzypcach i organach a jego epoką był barok. Kompozytor był najbardziej znany z komponowania oper. Artyści: Nancy Argenta, Werner Van Mechelen, Patricia Biccire, Donato Di Stefano, La Petite Bande, Sigiswald Kuijken.

Na płycie usłyszmy poważne utwory kameralistyczne takich wybitnych kompozytorów jak: Beethoven, Brahms, Chopin, Haydn, Mendelssohn. A to wszystko w wykonaniu i interpretacji: Artura Balsama. Album został wydany przez wytwórnię Bridge (BRIDG 9226). Tracklista: Beethoven: 1. Diabelli Variations, Op. 120 Brahms: 2. Klavierstücke (4), Op. 119 Chopin: 3. Mazurkas Op. 63 Nos. 1-3 4. Nocturne No. 14 in F sharp minor, Op. 48 No. 2 5. Polonaise No. 2 in E flat minor, Op. 26 No. 2 6. Mazurka No. 13 in A minor, Op. 17 No. 4 7. Variations brilliantes in B flat major on 'Je Vends des Scapulaires', Op. 12 Haydn: 8. Piano Sonata No. 60 in C major, Hob.XVI:50 Mendelssohn: 9. Song without Words, Op. 67 No. 1 in E flat major

Hyperion is delighted to present a new disc from The Cardinall’s Musick under their inspirational director, Andrew Carwood.The music of Hieronymus Praetorius is as assured, expressive and original as the Dürer image which adorns the CD cover. Yet this fine composer is much less well-known than his namesake (but not relation) Michael Praetorius.Hieronymus Praetorius was organist of the Jacobikirche in Hamburg from 1586 until the end of his life. This somewhat sheltered background belies the sophisticated range of his works which are written in a variety of forms including the jubilant Venetian polychoral style. The composer’s highly individual voice, direct and yearning yet with a madrigalian lightness, pervades throughout.Praetorius’s works were published in a number of editions during his lifetime. A collected edition of the sacred music of Hieronymus Praetorius was issued between the years of 1616 and 1625; this collection included hitherto unpublished music as well as reissues of already available works. The 1622 volume presents the most daring versions of many of the pieces recorded here and contains Praetorius’s second (and previously unpublished) Magnificat quinti toni (‘in the fifth tone’) to which are attached polyphonic arrangements of the popular medieval tunes Joseph, lieber Joseph mein and In dulci iubilo. This later setting of the fifth-tone Magnificat is Praetorius’s masterpiece.The Cardinall’s Musick gives an impeccable yet delightfully extroverted performance of these fascinating works.'Hieronymus Praetorius gains his place in the sun with this outstanding release. The 16th-century organist and composer emerges as a master of vivid choral contrasts and effects' (Classic FM Magazine *****)'This superb disc … These are stunning performances, which is of course to be expected from this remarkable vocal ensemble … all are bathed in a richly texutred and highly variegated choral sound … Hieronymus Praetorius is considered by many to be one of the greatest North German composers of the first half of the se venteenth century. This release will surely go some way to convincing the rest of us of the truth of this assertion' (International Record Review)'A superior festive selection box indeed' (Gramophone)'The often highly expressive, sometimes quirky, and always well-crafted Magnificats and motets of Hieronymus Prateorius are a fine example of the strength-in-depth of German musical creativity. Andrew Carwood and The Cardinall's Musick ardently relish the interplay of voices in the eight-art scorings … the overall impression is compelling, fresh and immediate' (Choir & Organ Magazine)'Their beautiful singing of such fine music deserves wide circulation' (Early Music Review)

Zapis koncertu w budapeszteńskiej Akademii Muzycznej, 9.lutego 1958 roku. Franz Schubert - Piano Sonata in C Minor Robert Schumann - Toccata in C Major Op.7 Modest Musorgski - Pictures at an Exhibition Sergei Rachmaninov - Prelude in G-sharp Minor Op.32 nr 12 Claude Debussy - "The Hills of Anacapri" from Preludes, Book 1 Claude Debussy - "Bells trough the Leaves" from Images, series 2

MEDICINE OF THE SOUL Music and poetry have been used since the earliest known times as a therapeutic ritual to heal both the soul and the body. They have also been used for meditation, and in particular, as a means to mediate with the divine. There is no culture that does not consider music and musical instruments as essential for civilization to progress. Since Pythagoras and the Pre-Socratic philosophers, musical scales and their relationship to cosmic harmony have been thought to have an effect on the harmony of both the bodily humors and the human organs. Music’s mathematical base and its harmonic proportion re-establish the balance of whatever is distorted, or sick. In the past, music was considered to be the language of feelings. Love was a disease of the soul, a kind of insanity, and in the past doctors used music to treat it. What role does music play in our lives? To what depths does it go to get so much sap from such mysterious roots? The oriental mystic brotherhoods, who have inherited classical wisdom, say: “Music filters into the body through the ears just as blood flows through our veins, it purifies the blood, excites the soul, calms the spirit, relaxes the limbs and facilitates their movement”. The rhapsode-musician is the mender who stitches and repairs broken things, “he sews the remnants of the past” and threads them together with his melodies and songs. The performer is inseparable from music and his sensitivity is directly linked to the effect achieved. He is not a mere translator or physician giving medicine. Like a goldsmith, he shares in music's spirit and uses its power to recover the origins that inspired it. Music extracts the essence of emotion from one's being. I have based this selection of music on the moving and balsamic effect I now experience when listening to it. They are all versions, or extracts, that share the Pneuma label’s musical values (word that means Spirit). This recording is dedicated to those for whom music is not only an art to enjoy, but also an “effusion of the soul”. Eduardo Paniagua.

Tracklista: CD 1 1. Invenzione Prima En La Majeur 2. Invenzione Nona En Fa Diese Mineur 3. Invenzione Quarta En Sol Mineur 4. Invenzione Quinta En Si Bemol Majeur 5. Invenzione Ottava En Mi Mineur CD 2 1. Invenzione Terza En Fa Majeur 2. Invenzione Settima En Re Majeur 3. Invenzione Seconda En Si Mineur 4. Invenzione Sesta En Ut Mineur 5. Invenzione Decima En Mi Majeur

Tracklista: 1. I. Presto 2. II. Lento - Allegro 3. III. Adagio 4. IV. Presto 5. Mavis in Las Vegas

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